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This is an amazing collection of some of the best short fiction ever written in the SF genre, by an author acclaimed as 'the mastersinger of space opera' THE TIMES. With an introduction by noted SF critic Johnathan Strahan, this collection of twenty short stories, novellettes and novellas includes MINLA'S FLOWERS, SIGNAL TO NOISE, TROIKA, and seven previous uncollected stories, including TRAUMA POD, THE WATER THIEF and IN BABELSBERG. Alastair Reynolds has won the Sidewise Award and been nominated for The Hugo Awards for his short fiction. One of the most thought-provoking and accomplished short-fiction writers of our time, this collection is a delight for all SF readers
A fabulous collection spanning the galaxies and career of SF superstar Alastair Reynolds Reynolds' pursuit of truth is not limited to wide-angle star smashing - not that stars don't get pulverised when one character is gifted (or cursed) with an awful weapon by the legendary Merlin. Reynolds' protagonists find themselves in situations of betrayal, whether by a loved one's accidental death, as in 'Signal to Noise', or by a trusted wartime authority, in 'Spirey and the Queen'. His fertile imagination can resurrect Elton John on Mars in 'Understanding Space and Time' or make prophets of the human condition out of pool-cleaning robots in the title story. But overall, the stories in ZIMA BLUE represent a more optimistic take on humanity's future, a view that says there may be wars, there may be catastrophes and cosmic errors, but something human will still survive.
For many of us, the Ace Double Novels of the '50s and '60s have long been a source both of pleasure and nostalgia. This new double volume from Subterranean Press stands squarely in that distinguished tradition, offering a pair of colorful, fast-paced stories from the reigning master of the intergalactic space opera: Alastair Reynolds. Thousandth Night, the genesis for the epic novel House of Suns, is quintessential Reynolds. A visionary account of intrigue, ambition, and technological marvels set within a beautifully realized far-future milieu, it combines world-class storytelling with a provocative meditation on the mystery, grandeur, and inconceivable immensity of the universe. The masterful novella Minla's Flowers features Merlin, a familiar figure to Reynolds's readers. Diverted by technical difficulties to a planet known as Lecythus, Merlin finds himself forced to play a part in the moral and military dilemmas of a world on the verge of extinction.
First contact with extraordinary aliens, glittering technologies that could destroy the universe in a nanosecond, huge sweeping space operas: Alastair Reynolds is back! Some centuries from now, the exploration and exploitation of the Solar System is in full swing. On the cold edge of the system, Bella Lind, captain of the huge commercial spacecraft Rockhopper IV, helps fuel this new gold rush by attaching mass-driver motors to organic-rich water-ice comets to move them back to the inner worlds. Her crew are tough, blue-collar miners, engineers and demolition experts. Around Saturn, something inexplicable happens: one of the moons leaves its orbit and accelerates out of the Solar System. The icy mantle peels away to reveal that it was never a moon in the first place, just a parked spacecraft, millions of years old, that has now decided to move on. Rockhopper IV, trapped in the pull, is hurled across time and space into the deep, distant future, arriving in a vast, alien-constructed chamber. And the crew are not alone, for each chamber contains an alien culture dragged into this cosmic menagerie at the end of time. The crew of the Rockhopper IV know a lot about blowing up comets, but not much about first contact with ultra-advanced aliens. They have two things to worry about: can they (and their new alien allies) negotiate their way through each harrying contact? And can they assimilate the avalanche of knowledge about their own future - including all the glittering, dangerous technologies that are now theirs for the taking - without destroying themselves in the process?
Part science fiction thriller, part interstellar adventure, and part noir crime, Century Rain is an astonishing international bestseller of "blistering powers and style" (SF Revu). Three hundred years from now, Earth has been rendered uninhabitable due to the technological catastrophe known as the Nanocaust. Archaeologist Verity Auger specializes in the exploration of its surviving landscape. Now, her expertise is required for a far greater purpose. Something astonishing has been discovered at the far end of a wormhole: a mid-20th-century version of Earth, preserved like a fly in amber. Somewhere on this alternate planet is a device capable of destroying both worlds at either end of the wormhole. And Verity must find the device, and the man who plans to activate it, before it's too late -- for the past and the future of two worlds. Century Rain is a jaw-droppingly good SF thriller, packed with pace, adventure, brilliant storytelling and with twists that will keep you guessing to the end.
Elysium Fire is a smoldering tale of murderers, secret cultists, tampered memories, and unthinkable power, of bottomless corruption and overpowering idealism from the king of modern space opera. Ten thousand city-state habitats orbit the planet Yellowstone, forming a near-perfect democratic human paradise. But even utopia needs a police force. For the citizens of the Glitter Band that organization is Panoply, and the prefects are its operatives. Prefect Tom Dreyfus has a new emergency on his hands. Across the habitats and their hundred million citizens, people are dying suddenly and randomly, victims of a bizarre and unprecedented malfunction of their neural implants. And these "melters" leave no clues behind as to the cause of their deaths. . . As panic rises in the populace, a charismatic figure is sowing insurrection, convincing a small but growing number of habitats to break away from the Glitter Band and form their own independent colonies.
Troika tells the story of men and women confronting an enigma known as the Matryoshka, a vast alien construct whose periodic appearances have generated terror, wonder, and endless debate. During its third "apparition" in a remote corner of the solar system, a trio of Russian cosmonauts approach this enigma and attempt to penetrate its mysteries. What they discover - and what they endure in the process - forms the centerpiece of an enthralling, constantly surprising narrative. Troika is at once a wholly original account of First Contact and a meditation on time, history, and the essentially fluid nature of identity itself. Suspenseful, erudite, and gracefully written, it is a significant accomplishment in its own right and a welcome addition to a remarkable body of work. -- dust jacket cover.
From the United Kingdom comes this volume of 15 original stories exploring everything from outer space to inner space and cosmology to astrology. Contributors include Eric Brown, Peter McAuley, and Brian Aldiss. Original.
Author : Alastair Reynolds Publisher : N E S F A Press Page : 0 pages File Size : 55,6 Mb Release : 2011-04 Category : Science fiction, English ISBN : 1886778981
The Best of Alastair Reynolds by Alastair Reynolds Pdf
This is an amazing collection of some of the best short fiction ever written in the SF genre, by an author acclaimed as 'the mastersinger of space opera' THE TIMES. With an introduction by noted SF critic Johnathan Strahan, this collection of twenty short stories, novellettes and novellas includes MINLA'S FLOWERS, SIGNAL TO NOISE, TROIKA, and seven previous uncollected stories, including TRAUMA POD, THE WATER THIEF and IN BABELSBERG. Alastair Reynolds has won the Sidewise Award and been nominated for The Hugo Awards for his short fiction. One of the most thought-provoking and accomplished short-fiction writers of our time, this collection is a delight for all SF readers
The Year's Best Science Fiction: Twenty-Third Annual Collection by Gardner Dozois Pdf
In the heart of the new millennium, worlds beyond our imagination have opened up, blurring the line between life and art. Embracing the challenges and possibilities of cyberspace, genetics, the universe, and beyond, the world of science fiction has become a porthole into the realities of tomorrow. In The Year's Best Science Fiction Twenty-third Annual Collection, our very best SF authors explore ideas of a new world with such compelling stories as: "Beyond the Aquila Rift": Critically acclaimed author Alastair Reynolds takes readers to the edge of the universe, where no voyager has dared to travel before---or so we think. "Comber": Our world is an ever-changing one, and award-winning author Gene Wolfe explores the darker side of our planet's fluidity in his own beautiful and inimitable style. "Audubon in Atlantis": In a world not quite like our own, bestselling author Harry Turtledove shows us that there are reasons some species have become extinct. The twenty-nine stories in this collection imaginatively take us far across the universe, into the very core of our beings, to the realm of the gods, and the moment just after now. Included here are the works of masters of the form and of bright new talents, including:Neal Asher, Paolo Bacigalupi, Stephen Baxter, Elizabeth Bear, Chris Beckett, Dominic Green, Daryl Gregory, Joe Haldeman, Gwyneth Jones, James Patrick Kelley, Jay Lake and Ruth Nestvold, Ken MacLeod, Ian McDonald, Vonda N. McIntyre, David Moles, Derryl Murphy, Steven Popkes, Hannu Rajaniemi, Alastair Reynolds, Robert Reed, Chris Roberson, Mary Rosenblum, William Sanders, Bruce Sterling, Michael Swanwick, Harry Turtledove, Peter Watts, Liz Williams, and Gene Wolfe. Supplementing the stories are the editor's insightful summation of the year's events and a lengthy list of honorable mentions, making this book both a valuable resource and the single best place in the universe to find stories that stir the imagination and the heart.
TRANSPOSITIONES 2022 Vol. 1, Issue 2: Intraconnectedness and World-making: Technologies, Bodies, Matters by Joanna Godlewicz-Adamiec,Paweł Piszczatowski,Neha Khetrapal,Piotr Kociumbas,Christian Struck,Justyna Włodarczyk Pdf
In his 1978 book Nelson Goodman coined the term “worldmaking.” The new-materialistic approach to the potential for meaning of extra-human materiality and its multidimensional entanglements and the intraconnectedness shifts the concept of world-making into new perspectives of interpretation. In the categories of Karen Barad’s “agential realism,” it applies to practices of knowledge production and to a diffractive (re)configuration of the world’s matter and its meaning. “World-making” gains a further specific expression in Donna Haraway’s concept of “worlding” which shows the intraactive entanglement of matter, substance, meaning, storytelling and thinking on the fundamental level of the polysemic linguistic tissue itself.
American Science Fiction Television and Space by Joel Hawkes,Alexander Christie,Tom Nienhuis Pdf
This collection reads the science fiction genre and television medium as examples of heterotopia (and television as science fiction technology), in which forms, processes, and productions of space and time collide – a multiplicity of spaces produced and (re)configured. The book looks to be a heterotopic production, with different chapters and “spaces” (of genre, production, mediums, technologies, homes, bodies, etc), reflecting, refracting, and colliding to offer insight into spatial relationships and the implications of these spaces for a society that increasingly inhabits the world through the space of the screen. A focus on American science fiction offers further spatial focus for this study – a question of geographical and cultural borders and influence not only in terms of American science fiction but American television and streaming services. The (contested) hegemonic nature of American science fiction television will be discussed alongside a nation that has significantly been understood, even produced, through the television screen. Essays will examine the various (re)configurations, or productions, of space as they collapse into the science fiction heterotopia of television since 1987, the year Star Trek: Next Generation began airing.
