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“[A] haunting story . . . Bears witness to the struggles of an African Caribbean woman as she seeks to find her place in America without selling her soul.” –BEBE MOORE CAMPBELL, Author of Your Blues Ain’t Like Mine When Sara Edgehill is given a scholarship to leave Trinidad and attend a college in Wisconsin, she is thrilled. America, the one she has seen in the movies, is a land of dreams, prosperity, and equality. Not like Trinidad, where her parents cast disappointed glances her way because she wasn’t born with lighter-colored skin. But when Sara leaves her island’s brilliant green fields and warm sparkling waters for the pale cornfields of the Midwest, the ties to her home and her past grip her as strongly as America’s cold, winter winds. For as soon as Sara sets foot in her new home, she must make tough decisions. Wanting desperately to fit in, she begins to understand that in America, the color lines run deeper than they did even in Trinidad. And as Sara forms ties with two other West Indian students–the beguiling, haunted Courtney and the passionate, vivacious Sam–she is irrevocably pulled into the very center of America’s exploding civil rights movement.
When Sara Edgehill leaves her home in Trinidad to attend college in Wisconsin, she finds solace and friendship with Courtney, another West Indian who covertly practices voodoo rituals, and Sam, a charismatic civil rights activist
Provocative, moving, powerful, explicit, strong, unapologetic. These are a few words that have been used to describe the groundbreaking Brooklyn-based dance troupe Urban Bush Women. Their unique aesthetic borrows from classical and contemporary dance techniques and theater characterization exercises, incorporates breath and vocalization, and employs space and movement to instill their performances with emotion and purpose. Urban Bush Women concerts are also deeply rooted in community activism, using socially conscious performances in places around the country—from the Kennedy Center, the Lincoln Center, and the Joyce, to community centers and school auditoriums—to inspire audience members to engage in neighborhood change and challenge stereotypes of gender, race, and class. Nadine George-Graves presents a comprehensive history of Urban Bush Women since their founding in 1984. She analyzes their complex work, drawing on interviews with current and former dancers and her own observation of and participation in Urban Bush Women rehearsals. This illustrated book captures the grace and power of the dancers in motion and provides an absorbing look at an innovative company that continues to raise the bar for socially conscious dance.
Alien-nation and Repatriation by Patricia Joan Saunders Pdf
Alien-Nation and Repatriation examines the emergence and transformations in representations of national identity in Anglophone Caribbean literary traditions. Beginning with the short fiction of C. L. R. James, Alfred Mendes, and Albert Gomes, this study examines the extent to which gender, migration, and female sexuality frame the earliest representations of Caribbean identity in literature by West Indian authors. The study develops chronologically to examine the works of George Lamming, Paule Marshall, Erna Brodber, M. Nourbese Philip, and Elizabeth Nunez. Alien-Nation and Repatriation emphasizes the processes of alienation that marginalize women from discourses of citizenship and belonging, both of which are integral aspects of nationalist literature. This text also argues that for Caribbean women writers engaged in discourses on citizenship, 'return' is not focused on reclaiming the nation-state. Instead Saunders argues that closer examinations of discourses on Caribbean identity reveal the ways in which the female body has been disciplined, through form and content, into silence in colonial and post-colonial Caribbean literary traditions.
In a tropical paradise where the greatest prize is land and the ultimate law is voodoo, Marina, daughter of a native Trinidadian and an English planter, is the sole source of hope for thwarting a malicious crime.
The year is 1954. A white woman’s body, stuffed in a coconut bag, has washed ashore in Otatiti, Trinidad, and the British colony is rife with rumors. In two homes, one in a distant shantytown, the other on the outskirts of a former sugar cane estate, two women hear the news and their blood runs cold. Rosa, the white daughter of a landowner, and Zuela, the adopted “daughter” of a Chinese shop owner used to play together as girls—and witnessed something terrible behind a hibiscus bush many years ago.
Encyclopedia of Post-Colonial Literatures in English by Eugene Benson,L.W. Conolly Pdf
Post-Colonial Literatures in English, together with English Literature and American Literature, form one of the three major groupings of literature in English, and, as such, are widely studied around the world. Their significance derives from the richness and variety of experience which they reflect. In three volumes, this Encyclopedia documents the history and development of this body of work and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.
These divas represent the voices of past and future generations, such as Tyra Banks, Terry McMillan, Harriette Cole, Maya Angelou, Iyanla Vanzant, Nikki Giovanni, Dawn Davis, Adrienne Ingrum, Carol Mackey, Oprah Winfrey, Rosa Parks, Shirley Chisholm, Coretta Scott King, Zora Neal Hurston, and Octavia Butler.
Justin Peters is a Harvard-educated professor of British and classic literature who reads Shakespeare to his four-year-old daughter, Giselle. A native of Trinidad and the product of a strict, English-style education, Justin and his focus on the works of “Dead White Men” receive little professional respect at the public Brooklyn college where he teaches. But whatever troubles he might have at work are eclipsed when he realizes his wife, Sally, has begun to pull away from him, both physically and emotionally. Harlem-born Sally Peters, a mother on the verge of turning forty, is a primary school teacher who believes that joy is a learned skill, and that it takes strength to be happy. After a life of tragic losses, Sally thought she had finally found that strength when she met Justin. But now, Sally wants something more. And Justin is angered by her uncertainty about their life and frightened by the thought that perhaps Sally never stopped loving the ex-boyfriend for whom she wrote fierce poems. Is he, Justin wonders, responsible for helping Sally find meaning in her life—a life that seems to him most fortunate? If Sally and Justin’s union is to survive, both must face the crippling echoes of their own pasts before those memories forever cloud and alter their future. Set in a snow-covered Brooklyn, Grace is a thoughtful and lovely meditation on trust, redemption, and family. Elizabeth Nunez’s delicate prose brings the struggles, aches, and tender moments of this contemporary urban love story into vivid focus. From the Hardcover edition.
Writing African American Women [2 volumes] by Elizabeth A. Beaulieu Pdf
Women have had a complex experience in African American culture. The first work of its kind, this encyclopedia approaches African American literature from a Women's Studies perspective. While Yolanda Williams Page's Encyclopedia of African American Women Writers provides biographical entries on more than 150 literary figures, this book is much broader in scope. Included are several hundred alphabetically arranged entries on African American women writers, as well as on male writers who have treated women in their works. Entries on genres, periods, themes, characters, historical events, texts, places, and other topics are included as well. Each entry is written by an expert contributor and relates its subject to the overall experience of women in African American literature. Entries cite works for further reading, and the encyclopedia closes with a selected, general bibliography. African American culture is enormously diverse, and the experience of women in African American society is especially complex. Women were among the first African American writers, and works by black women writers are popular among students and general readers alike. At the same time, African American women have been oppressed, and texts by black male authors represent women in a variety of ways. The first of its kind, this encyclopedia approaches African American literature from a Women's Studies perspective, and thus significantly illuminates the African American cultural experience through literary works. Included are several hundred alphabetically arranged entries, written by numerous expert contributors. In addition to covering male and female African American authors, the encyclopedia also discusses themes, major works and characters, genres, periods, historical events, places, and other topics. Included are entries on such authors as: ; Maya Angelou ; James Baldwin ; Frederick Douglass ; Nikki Giovanni ; June Jordan ; Claude McKay ; Ishmael Reed ; Sojourner Truth ; Phillis Wheatley ; And many others. In addition, the many works discussed include: ; Beloved ; Blanche on the Lam ; Iknow Why the Caged Bird Sings ; The Men of Brewster Place ; Quicksand ; The Street ; Waiting to Exhale ; And many more. The many topical entries cover: ; Black Feminism ; Black Nationalism ; Conjuring ; Children's and Young Adult Literature ; Detective Fiction ; Epistolary Novel ; Motherhood ; Sexuality ; Spirituality ; Stereotypes ; And many others. Entries relate their topics to the experience of African American women and cite works for further reading. Features and Benefits: ; Includes hundreds of alphabetically arranged entries. ; Draws on the work of numerous expert contributors. ; Includes a selected, general bibliography. ; Offers a range of finding aids, such as a list of entries, a guide to related topics, and an extensive index. ; Supports the literature curriculum by helping students analyze major writers and works. ; Supports the social studies curriculum by helping students use literature to understand the experience of African American women. ; Covers the full chronological range of African American literature. ; Fosters a respect for cultural diversity. ; Develops research skills by directing students to additional sources of information. ; Builds bridges between African American history, literature, and Women's Studies.
Encyclopedia of Feminist Literature by Mary Ellen Snodgrass Pdf
An accessible one-volume encyclopedia, this addition to the Literary Movements series is a comprehensive reference guide to the history and development of feminist literature, from early fairy tales to works by great women writers of today. Hundred
Nor Shall Diamond Die: american studies by Carme Manuel,Paul S. Derrick Pdf
Homenaje a Javier Coy, catedrático jubilado del Departamento de Filología Inglesa y Alemana de la Universitat de València de 1990 a 2000, y uno de los primeros investigadores en introducir los estudios norteamericanos. Se recogen 50 artículos de especialistas en este campo, que reflejan el estado de los estudios sobre la cultura y literatura de los Estados Unidos contemporáneos.
Set on a Caribbean island in the grip of colonialism, this novel is “masterful . . . simply wonderful . . . [an] exquisite retelling of The Tempest” (Kirkus Reviews, starred review). When Peter Gardner’s ruthless medical genius leads him to experiment on his unwitting patients—often at the expense of their lives—he flees England, seeking an environ where his experiments might continue without scrutiny. He arrives with his three-year-old-daughter, Virginia, in Chacachacare, an isolated island off the coast of Trinidad, in the early 1960s. Gardner considers the locals to be nothing more than savages. He assumes ownership of the home of a servant boy named Carlos, seeing in him a suitable subject for his amoral medical work. Nonetheless, he educates the boy alongside Virginia. As Virginia and Carlos come of age together, they form a covert relationship that violates the outdated mores of colonial rule. When Gardner unveils the pair’s relationship and accuses Carlos of a monstrous act, the investigation into the truth is left up to a curt, stonehearted British inspector, whose inquiries bring to light a horrendous secret. At turns epic and intimate, Prospero's Daughter, from American Book Award winner Elizabeth Nunez, uses Shakespeare’s play as a template to address questions of race, class, and power, in the story of an unlikely bond between a boy and a girl of disparate backgrounds on a verdant Caribbean island during the height of tensions between the native population and British colonists. “Gripping and richly imagined . . . a master at pacing and plotting . . . an entirely new story that is inspired by Shakespeare, but not beholden to him.” —The New York Times Book Review “Absorbing . . . [Nunez] writes novels that resound with thunder and fury.” —Essence “A story about the transformative power of love . . . Readers are sure to enjoy the journey.” —Black Issues Book Review (Novel of the Year)
Diasporic Women's Writing of the Black Atlantic by Emilia María Durán-Almarza,Esther Álvarez López Pdf
This book brings together a complete set of approaches to works by female authors that articulate the black Atlantic in relation to the interplay of race, class, and gender. The chapters provide the grounds to (en)gender a more complex understanding of the scattered geographies of the African diaspora in the Atlantic basin. The variety of approaches displayed bears witness to the vitality of a field that, over the years, has become a diasporic formation itself as it incorporates critical insights and theoretical frameworks from multiple disciplines in the social sciences and the humanities, thus exposing the manifold character of (black) diasporic interconnections within and beyond the Atlantic. Focusing on a wide array of contemporary literary and performance texts by women writers and performers from diverse locations including the Caribbean, Canada, Africa, the US, and the UK, chapters visit genres such as performance art, the novel, science fiction, short stories, and music. For these purposes, the volume is organized around two significant dimensions of diasporas: on the one hand, the material—corporeal and spatial—locations where those displacements associated with travel and exile occur, and, on the other, the fluid environments and networks that connect distant places, cultures, and times. This collection explores the ways in which women of African descent shape the cultures and histories in the modern, colonial, and postcolonial Atlantic worlds.