Binge And Bingeability Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Binge And Bingeability book. This book definitely worth reading, it is an incredibly well-written.
Binge and Bingeability: The Antecedents and Consequences of Binge Watching Behavior examines how the television industry has transformed over time to create the circumstances in which binge watching as a mass behavior can emerge, and what role audiences have played in the rising prevalence of this behavior. Arienne Ferchaud, recognizing that this behavior did not spring, fully formed, from streaming services, ties cultural approaches to binge watching with media psychology-oriented theories, including the concept of “bingeability”—the likelihood that a specific sow will be binge watched—alongside the psychological impacts binge watching may have on viewers over time. Scholars of media studies, television studies, sociology, cultural studies, and psychology will find this book particularly useful.
For the first 70 years of television, broadcasters dictated the terms of the viewing experience, deciding not only when but how much of a program an audience could watch. Binge-watching destroyed that model by placing control of the experience in the hands of the viewer. In this book, media scholar Emil Steiner chronicles the technological and cultural struggle between broadcasters and viewers, which reached a climax in the early 2010s with the emergence of streaming video platforms. Through extensive interviews and archival research, this groundbreaking project traces the history of binge-watching from its idiot box roots to the new normal of Peak TV. Along the way, Steiner exposes the news campaigns waged by disruptive technology companies that exploited a long-simmering, revolutionary narrative of viewer empowerment to take over the broadcast industry. Binge-watching, an individual's act of gaining control and losing control through the remote control, exposed a debate that had been raging since the first TV set was turned on--one that asks, "Who controls the story?"
The Social Construction of Landscapes in Games by Dennis Edler,Olaf Kühne,Corinna Jenal Pdf
The book is dedicated to a compilation of diverse and creative landscapes which occur in games. Being part of a game setting, these landscapes trigger social construction processes in specific ways. A selection of twenty-four research articles addresses the social constructions of landscapes represented in analogue, digital and hybrid game formats as well as their theoretical framing and future perspectives.
The Netflix Effect by Kevin McDonald,Daniel Smith-Rowsey Pdf
Netflix is the definitive media company of the 21st century. It was among the first to parlay new Internet technologies into a successful business model, and in the process it changed how consumers access film and television. It is now one of the leading providers of digitally delivered media content and is continually expanding access across a host of platforms and mobile devices. Despite its transformative role, however, Netflix has drawn very little critical attention-far less than competitors such as YouTube, Apple, Amazon, Comcast, and HBO. This collection addresses this gap, as the essays are designed to critically explore the breadth and diversity of Netflix's effect from a variety of different scholarly perspectives, a necessary approach considering the hybrid nature of Netflix, its inextricable links to new models of media production, distribution, viewer engagement and consumer behavior, its relationship to existing media conglomerates and consumer electronics, its capabilities as a web-based service provider and data network, and its reliance on a broader technological infrastructure.
For over half a century, television has been the most central medium in Western democracies – the political, social and cultural centrepiece of the public sphere. Television has therefore rarely been studied in isolation from its socio-cultural and political context; there is always something important at stake when the forms and functions of television are on the agenda. The digitisation of television concerns the production, contents, distribution and reception of the medium, but also its position in the overall, largely digitised media system and public sphere where the internet plays a decisive role. The articles in this comprehensive collection are written by some of the world’s most prominent scholars in the field of media, communication and cultural studies, including critical film and television studies. Relocating Television offers readers an insight into studying television alongside the internet, participatory media and other technocultural phenomena such as DVDs, user-generated content and everyday digital media production. It also focuses on more specific programmes and phenomena, including The Wire, MSN, amateur footage in TV news, Bollywoodization of TV news, YouTube, fan sites tied to e.g. Grey's Anatomy and X Factor. Relocating Television will be highly beneficial to both students and academics across a wide range of undergraduate and postgraduate courses including media, communication and cultural studies, and television and film studies.
Youth Economy, Crisis, and Reinvention in Twenty-First-Century China by Hui Faye Xiao Pdf
This book surveys the explosive youth culture in twenty-first century China, an active and powerful force catalysing cultural innovations, social changes, and collective efforts, re-inventing a pluralistic and multivalent youth (qingnian) in an age of enormous change, division and uncertainty. Providing a comprehensive analysis of literary, cinematic, musical, televisual, and social media representations about, for and by disparate youth groups, this book seeks to offer a systematic investigation of a trans-medial and multi-locale youth culture. In so doing, it examines contributions from high school dropouts, industrial workers, migrant laborers and "leftover women", as well as best-selling writers and filmmakers, cultural entrepreneurs, queer idols and fans, and young feminist activists. Observing the Chinese youths’ deployment of "small" genres, such as light novels and short videos, in addition to digital media, this book ultimately demonstrates the renewal of cultural forms and the transformative power of networked "small" atomized individuals in reinventing a youthful coalition of silenced, belittled, and marginalized groups. A thoroughly interdisciplinary study, Youth Economy, Crisis, and Reinvention in Twenty-First-Century China will be useful to students and scholars of Chinese culture and society, as well as Literary Studies, Cultural Studies, Gender Studies and Media Studies.
Travel, Writing and the Media by Barbara Korte,Anna Karina Sennefelder Pdf
The nexus between travel, writing and media in the contemporary world is dense: travel practice is increasingly interwoven with media; representations in old and new media are co-present and converge. Digitisation has had a profound impact on the practice and mediation of travel, but this volume aims to show that travel and its representation have always been enlaced with media. With contributions by experts in literary and cultural studies, journalism studies and informatics, the book takes a multi- and interdisciplinary approach and covers a wide range of media, from the hand-crafted album to social media. It illustrates how current transformations invite us to revisit earlier periods of travel writing and their media environments, and to explore the ways in which contemporary forms of mediation are prefigured by earlier practices and forms. The book addresses readers interested in travel writing, travel studies and cultural studies. Chapters Introduction, 3, 7 and 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license. Funded by University of Freiburg.
Looks at the often secretive process of audience testing Hollywood movies and how it can help shape movies, with first-hand accounts from directors such as Ron Howard, Cameron Crowe, Drew Barrymore and Ed Zwick.
Scriptwriting for Web Series by Marie Drennan,Yuri Baranovsky,Vlad Baranovsky Pdf
Scriptwriting for Web Series: Writing for the Digital Age offers aspiring writers a comprehensive how-to guide to scriptwriting for web series in the digital age. Containing in-depth advice on writing both short- and long-form webisodes as part of a series, as well as standalone pieces, it goes beyond the screenwriting process to discuss production, promotion and copyright in order to offer a well-rounded guide to creating and distributing a successful web series. Written in a friendly, readable and jargon-free style by an experienced scriptwriting professor and two award-winning web series creators, it offers invaluable professional insights, as well as examples from successful series, sample scripts and interviews with key series creators, writers and industry professionals.
Now in a second edition, this textbook surveys the channels, platforms, and programming through which television distribution operates, with a diverse selection of contributors providing thorough explorations of global media industries in flux. Even as legacy media industries experience significant disruption in the face of streaming and online delivery, the power of the television channel persists. Far from disappearing, television channels have multiplied and adapted to meet the needs of old and new industry players alike. Television viewers now navigate complex choices among broadcast, cable, and streaming services across a host of different devices. From Networks to Netflix guides students, instructors, and scholars through that complex and transformed channel landscape to reveal how these industry changes unfold and why they matter. This second edition features new players like Disney+, HBO Max, Crunchyroll, Hotstar, and more, increasing attention to TV services across the world. An ideal resource for students and scholars of media criticism, media theory, and media industries, this book continues to offer a concrete, tangible way to grasp the foundations of television—and television studies—even as they continue to be rewritten.
Nicholas Binge's novel is told by his fictional character, Chloe Chan, and masquerades as an academic work written by her, with footnotes and fictional bibliography. There is a second -- fictional -- title page which bears her name. As Chloe tells it, she is just about to give up on finding any real scholars at University when she starts to hear the rumours about Professor Roland Crannus. Spoken about in the whispers of conspiracy, the enigmatic Professor is idolised by students as the pinnacle of modern intellectualism - more myth than man. Drawn in by the mystery, and desperate to know more, Chloe follows the Professor into an academic labyrinth of clandestine mysteries and untold possibilities. But as her obsession with the Professor grows, she finds that someone, or something, hunts her through this maze. Plunged into an otherworldly chess game of linguistics, anthropology and quantum theory, Chloe is quickly forced to question everything that she once thought true.Ten years on since the tragedy in London, Professor Crannus is now a household name. His discoveries and actions litter the pages of our newspapers and our history books, but much of what he did is still shrouded in cover-up and conspiracy. For the first time since the catastrophe that shook the world, Chloe Chan chooses to share her story.PROFESSOR EVERYWHERE is a sci-fi mystery novel, combining the academic thrills of "The Da Vinci Code" and the literary style of Ted Chiang's "Story Of Your Life". // ________________________________________"Just step through that door and remember that when it closes behind you, everything turns to fiction and no longer exists except in your own mind: mad or sane."-Lawrence Gray, Founder, Hong Kong Writers' Circle, Winner of the Proverse Prize 2015, author of "Adam's Franchise", "Cop Show Heaven", and "Odds and Sods".________________________________________"The real trauma of Professor Everywhere...involves our readerly alignment with Chloe [Chan]: a contemporary Icarus who lives to recall her epic fall."-Jason S Polley, Associate Professor, Department of English Language and Literature, Hong Kong Baptist University. Jason S Polley, Wing Kin Vinton Poon, and Lian-Hee Wee (eds). "Cultural Conflict in Hong Kong: Angles on a Coherent Imaginary". Palgrave, 2018. ________________________________________ "a nightmarish world of corridors and doors appearing and disappearing, a surreal underworld that could have been taken from a Greek myth."-David Stephens, Professor of International Education, Author of "Purely Academic" ________________________________________ "A wide metaphor of our times and of the infinite faces that the academic world can take."-Pedro Llosa Vélez, Author of award-winning "The Visit" ________________________________________
War Lord (The Last Kingdom Series, Book 13) by Bernard Cornwell Pdf
*A brand new companion to the Last Kingdom series, Uhtred’s Feast, is available to pre-order now* The No.1 Sunday Times bestseller and the epic conclusion to the globally bestselling historical series. A divided kingdom An impossible choice The ultimate battle . . .
Get Visible: How to Have More Impact, Influence and Income by Anna Parker-Naples Pdf
Are you wondering why you don't have the income or influence you want...yet? Do you want more impact within your industry, but don't know how...yet? Are you feeling that you're meant to do more, but don't know how to find the spotlight...yet? Thousands of talented, capable entrepreneurs and creatives are playing small and wondering why they aren't getting the results they deserve. Increasing your visibility to become the leading figure in your field isn't rocket science. It takes two things - the mindset of self-belief and a strategy for becoming an authority. This book takes you back to the basics of how you think about yourself and your success. The first step to becoming visible is understanding the limiting beliefs that keep you hiding and stuck. Once you've had those lightbulb moments, you will learn the actions that you can take RIGHT NOW to make yourself known for what you do. ANYTHING' S POSSIBLE WHEN YOU GET VISIBLE Anna Parker-Naples is a multi-award winning entrepreneur, host of iTunes no.3 ranking Entrepreneurs Get Visible podcast, speaker, business coach and award-winning voice actor. After becoming disabled in 2009, she discovered mindset and NLP (Neuro-Linguistic Programming) and transformed her life and business success. Not only did she recover, but she went on to win awards at the top of her competitive industry and walked the red carpets of Hollywood. She now teaches others how to stand out from the crowd, how to stop hiding their talents and abilities and how to Get Visible. "To be successful in business, first you need to get noticed. This book teaches you how to become visible, credible & scalable in your field. " - Rob Moore - Multiple Bestselling Author including "Money" & host of the Disruptive Entrepreneur podcast
Justice on Demand: True Crime in the Digital Streaming Era offers a theoretical rumination on the question asked in countless blogs and opinion pieces of the last decade: Why are we so obsessed with true crime? Author Tanya Horeck takes this question further: Why is true crime thought to be such a good vehicle for the new modes of viewer/listener engagement favored by online streaming and consumption in the twenty-first century? Examining a range of audiovisual true crime texts, from podcasts such as Serial and My Favorite Murder to long-form crime documentaries such as The Jinx and Making a Murderer, Horeck considers the extent to which the true crime genre has come to epitomize participatory media culture where the listener/viewer acts as a "desktop detective" or "internet sleuth." While Facebook and Twitter have re-invigorated the notion of the armchair detective, Horeck questions the rhetoric of interactivity surrounding true crime formats and points to the precarity of justice in the social media era. In a cultural moment in which user-generated videos of real-life violence surface with an alarming frequency, Justice on Demand addresses what is at stake in the cultural investment in true crime as packaged mainstream entertainment. Paying close attention to the gendered and racialized dimensions of true crime media, Horeck examines objects that are not commonly considered "true crime," including the subgenre of closed-circuit television (CCTV) elevator assault videos and the popularity of trailers for true crime documentaries on YouTube. By analyzing a range of intriguing case studies, Horeck explores how the audience is affectively imagined, addressed, and commodified by contemporary true crime in an "on demand" mediascape. As a fresh investigation of how contemporary variations of true crime raise significant ethical questions regarding what it means to watch, listen, and "witness" in a digital era of accessibility, immediacy, and instantaneity, Justice on Demand will be of interest to film, media, and digital studies scholars.