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This text is about the emergence and growing notoriety of rap music and the hip-hop culture in the French-speaking world. It provides an introduction to many forms of expression of hip-hop cultures.
Remember when Zinédine Zidane lifted the World Cup in 1998? Kylian Mbappé doesn't. The forward wasn't born when the French team first became world champions. But it was Mbappé's unique talent that helped France reach the summit of world football once again in 2018, erasing years of failure, rancour and shame. For Les Bleus, the road between these two highs was blighted by bitterly painful lows. Zidane's headbutt; a players' strike; infighting and recriminations; even sex scandals and blackmail. Mbappé witnessed it all as he honed his prodigious talent in the banlieues of Paris, and his story embodies France's journey from disaster to triumph. In Sacré Bleu, Matthew Spiro traces the rise, fall and rise again of Les Bleus through the lens of Kylian Mbappé. Featuring a foreword by Arsène Wenger and interviews with leading figures in French football, Spiro asks what went wrong for France and what, ultimately, went right.
As Europe binds itself closer, what does the future hold for the UK's nearest neighbour? Surveying the state of modern France, the author of this te×t argues that the country is in crisis and lacks direction. He e×plores how the major themes of French identity have been undermined.
Annotation France has in recent years emerged as a bellwether for worldwide anxieties around postcolonialism and multiculturalism, and the rise of right-wing populism. This book offers a detailed exploration of the dynamics and dilemmas of the present moment of crisis and hope in France through an exploration of a number of recent moral panics. Paul Silverstein here examines urban racial violence, female Islamic dress and male public prayer, anti-system gangster rap, and sports - all of which have triggered major national debates over France's multicultural future.
* Finalist for the National Book Award in Poetry * * Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . . A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric. Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.
Through the prisms of ethnicity, gender, and sexuality, French Minority Cinema explores key questions of identity and social interaction in the context of republican France, across two significant 'minority' cinemas: cinéma de banlieue and gay cinema. It offers the first comprehensive parallel study of these two bodies of film and their inter-relations, examining issues of national cinema and identity and the problematic status of minorities within the contemporary Republic. Against a backdrop of political and media debates on the PACS, parity, the affaire du voile and the French principle of laïcité, banlieue youth dissatisfaction, and gay parenting, French Minority Cinema charts the negotiatory discourse that has emerged through, and around, a core corpus of films released over the past two decades. This study will be of interest to scholars and students alike, working in the fields of French, Film, and Gay and Lesbian/Queer Studies.
Hip-Hop en Français charts the emergence and development of hip-hop culture in France, French Caribbean, Québec, and Senegal from its origins until today. With essays by renowned hip-hop scholars and a foreword by Marcyliena Morgan, executive director of the Harvard University Hiphop Archive and Research Institute, this edited volume addresses topics such as the history of rap music; hip-hop dance; the art of graffiti; hip-hop artists and their interactions with media arts, social media, literature, race, political and ideological landscapes; and hip-hop based education (HHBE). The contributors approach topics from a variety of different disciplines including African and African-American studies, anthropology, Caribbean studies, cultural studies, dance studies, education, ethnology, French and Francophone studies, history, linguistics, media studies, music and ethnomusicology, and sociology. As one of the most comprehensive books dedicated to hip-hop culture in France and the Francophone World written in the English language, this book is an essential resource for scholars and students of African, Caribbean, French, and French-Canadian popular culture as well as anthropology and ethnomusicology.
Ethnic Minority Women’s Writing in France by Claire Mouflard Pdf
In Ethnic Minority Women’s Writing in France, Mouflard argues that the identity politics surrounding the immigration discourse of early twenty-first century France were reflected in the marketing and editing practices of the Metropole’s key publishers, specifically with regards to non-white French women’s literature. Echoing the utopic “Black-Blanc-Beur” model of integration which surfaced during the 1998 soccer World Cup, select publishers fashioned unofficial literary categories based on neocolonial racial and gender stereotypes, either lauding integrated “Beur” authors or exploiting “Black” political dissenters. Concurrently, metropolitan women writers in their autobiographies, autofictions, and manifestoes, problematized notions of French multiculturalism and literary hierarchies, thereby exposing the dangers of utopian thinking. Mouflard ultimately reveals that the absence of the Franco-Vietnamese identity from the “Black-Blanc-Beur” paradigm enabled authors of Southeastern Asian origin to establish themselves outside of the era’s reductive multicultural utopia, within a realm directly adjacent to littérature française, if not in a newly-designed, truly multicultural French literature category. Overall, Mouflard’s research highlights the discrepancies between France’s official discourse on immigration, and the actual identity formation processes created by the institutions and exploited by influential publishers, in the years leading to the historic 2005 banlieue civil unrest.
The Facts on File Companion to World Poetry by R. Victoria Arana Pdf
The Facts On File Companion to World Poetry : 1900 to the Present is a comprehensive introduction to 20th and 21st-century world poets and their most famous, most distinctive, and most influential poems.
Language Awareness in Multilingual Classrooms in Europe by Christine Hélot,Carolien Frijns,Koen Gorp,Sven Sierens Pdf
Within the scope of today’s globalisation, linguistic diversity is a given fact of the world we live in. In several educational contexts in Europe, language awareness (LA) activities have been introduced with the objective to prepare pupils cognitively, socially and/or critically for life as multilingual, open minded and/or empowered citizens in a diverse world. Despite previous research in various contexts, the concept of LA remains problematic: a generally accepted, evidence-based conceptualisation is missing. This confronts both research and education with a challenge: in order to develop LA activities, implement them successfully in educational contexts and achieve the expected outcomes, we should know what the concept stands for, how it works and why we would choose to implement it in classrooms (or not). This volume focuses on three apparent simple questions: what, how and why? The first question – what? – refers to the concept(ual mess) of LA. The second question – how? – refers to the implementation of LA activities in several educational contexts. The third question – why? – is a recurrent theme running through all the chapters and deals with a reflection on the way we deal (un)consciously with LA activities in education.
"Laurent Dubois mines the history of French soccer for fascinating theories and riveting stories. His understanding of the relationship between the game and politics is subtle, leading readers deep into important discussions about race and national identity. For those of us who admired the poetics of Les Bleus this is essential reading."—Franklin Foer, author of How Soccer Explains the World "Laurent Dubois is historian, fan and graceful writer all in one. In soccer, he has found an innovative way to explore France and its empire. A serious book and an excellent read."—Simon Kuper, author of Soccernomics "Beautifully lyrical and authoritative. We meet a host of players, colonized and colonizer, following them from their original playing fields—a vast lawn, a concrete lot—to their triumphs in national and international play." —Alice Kaplan, author of The Interpreter "This book is a brilliant, beautifully written, and unique history of French colonialism and post-coloniality through the lens of football/soccer. Dubois weaves an eminently readable and engaging narrative that tracks tensions around race and national identity through the biographies of key football players and officials who became iconic of the aspirations of peripheral subjects of the French empire. More than a simple history of French football, the book amounts to a description of France's imperial project and an incisive reflection on the race question in contemporary France. It will please both fans of the 'beautiful game' and those inclined to dismiss sports as but the opium of the masses."—Paul Silverstein, author of Algeria in France: Transpolitics, Race and Nation
God's Continent: Christianity, Islam, and Europe's Religious Crisis by Philip Jenkins Pdf
What does the future hold for European Christianity? Is the Christian church doomed to collapse under the weight of globalization, Western secularism, and a flood of Muslim immigrants? Is Europe, in short, on the brink of becoming "Eurabia"? Though many pundits are loudly predicting just such a scenario, Philip Jenkins reveals the flaws in these arguments in God's Continent and offers a much more measured assessment of Europe's religious future. While frankly acknowledging current tensions, Jenkins shows, for instance, that the overheated rhetoric about a Muslim-dominated Europe is based on politically convenient myths: that Europe is being imperiled by floods of Muslim immigrants, exploding Muslim birth-rates, and the demise of European Christianity. He points out that by no means are Muslims the only new immigrants in Europe. Christians from Africa, Asia, and Eastern Europe are also pouring into the Western countries, and bringing with them a vibrant and enthusiastic faith that is helping to transform the face of European Christianity. Jenkins agrees that both Christianity and Islam face real difficulties in surviving within Europe's secular culture. But instead of fading away, both have adapted, and are adapting. Yes, the churches are in decline, but there are also clear indications that Christian loyalty and devotion survive, even as institutions crumble. Jenkins sees encouraging signs of continuing Christian devotion in Europe, especially in pilgrimages that attract millions--more in fact than in bygone "ages of faith." The third book in an acclaimed trilogy that includes The Next Christendom and The New Faces of Christianity, God's Continent offers a realistic and historically grounded appraisal of the future of Christianity in a rapidly changing Europe.
The growth of African immigration to France at the end of the Twentieth Century wrought cultural change in this epicentre of the avant-garde in European art and music. James Winders presents the story of African immigrants to France as a unique chapter in the long history of the reception accorded expatriate artists in Paris.
Hare traces the gradual evolution of traditional French football values and considers the impact of new and controversial business practices. He asks what is peculiarly French about French football, and what does football tell us about France?.