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When members of a prominent coal-mining family go missing, Scotland Yard's Murder Squad teammates Inspector Walter Day and Sergeant Nevil Hammersmith investigate dark secrets and realize that the family's village is slowly sinking into underground mines.
Smell, Memory, and Literature in the Black Country by Sebastian Groes,R. M. Francis Pdf
From Banks’s brewery’s yeasty stink to groaty pudding to spicy curry, Sebastian Groes and R. M. Francis have assembled a new literary history of the smells and (childhood) memories that belong to the Black Country. This often overlooked region of the United Kingdom at the frontlines of post-industrial upheaval is a veritable treasure trove for studying the relationship between olfaction and place-specific memory. Smell, Memory, and Literature in the Black Country is an interdisciplinary exploration of the relationship between smell and memory in which the contributions consider both personal and communal memory. Drawing on psychology, neuroscience, memory studies, literary studies and philosophy, the critical essays reconsider psychogeography through cutting-edge sensory and philosophical engagements with physical space, smell, language and human behaviour. The creative contributions from writers including Liz Berry, Narinder Dhami, Anthony Cartwright, and Kerry Hadley-Pryce meditate on the senses, place, and identity. Not only does this book illustrate the rich cultural heritage of the Black Country, it will also appeal to those interested in place writing. The book is prefaced by Will Self.
David Marr is the rarest of breeds: one of Australia’s most unflinching, forensic reporters of political controversy, and one of its most subtle and eloquent biographers. In Marr’s hands, those things we call reportage and commentary are elevated to artful and illuminating chronicles of our time. My Country collects his powerful reflections on religion, sex, censorship and the law; striking accounts of leaders, moralists and scandalmongers; elegant ruminations on the arts and the lives of artists. And some memorable new pieces. ‘My country is the subject that interests me most and I have spent my career trying to untangle it’s mysteries.’ –David Marr.
#1 NATIONAL BESTSELLER WINNER OF THE 2020 TORONTO BOOK AWARD WINNER OF THE OLA EVERGREEN AWARD FINALIST FOR THE WRITERS' TRUST SHAUGNESSY COHEN PRIZE FINALIST FOR THE RAKUTEN KOBO EMERGING WRITER PRIZE *UPDATED with new foreword, postscript, and educator's guide* In this bracing, revelatory work of award-winning journalism, celebrated writer and activist Desmond Cole punctures the naive assumptions of Canadians who believe we live in a post-racial nation. Chronicling just one year in the struggle against racism in this country, The Skin We're In reveals in stark detail the injustices faced by Black Canadians on a daily basis: the devastating effects of racist policing, the hopelessness produced by an education system that fails Black children, the heartbreak of those separated from their families by discriminatory immigration laws, and more. Cole draws on his own experiences as a Black man in Canada, and locates the deep cultural, historical, and political roots of each event. What emerges is a personal, painful, and comprehensive picture of entrenched, systemic inequality. Updated with a new foreword, postscript, and an extensive educator's guide, The Skin We're In is essential reading for all Canadians, and a vital tool in the fight against racism.
Tracing Your Black Country Ancestors by Michael Pearson Pdf
The Black Country in the West Midlands is an important site for family historians. Many researchers, seeking to trace their ancestry back through the generations, will find their trail leads through it. And yet, despite the burgeoning interest in genealogy and the importance of the region in so many life stories, no previous book has provided a guide to the Black Country's history and to the documents and records that family historians can use in their research. In this accessible and informative introduction to the subject, Michael Pearson looks at the history and heritage of the region and gives a graphic insight into the world in which our ancestors lived. He concentrates on the role the Black Country played during the industrial revolution when the development of mining, industry and transport transformed the economic and social life of the area. This was a period when living and working conditions were poor, families were large, children worked from an early age, often in the mines, and life expectancy was less than 20. And it was the era in which the Black Country took on the distinctive identity by which it is known today. As well as retelling the fascinating story of the development of the Black Country, the author introduces the reader to the variety of records that are available for genealogical research, from legal and ecclesiastical archives, birth and death certificates to the records of local government, employers, institutions, clubs, societies and schools.
#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.
WINNER OF THE FORWARD PRIZE BEST FIRST COLLECTION 2014 *PBS Recommendation 2014* ‘When I became a bird, Lord, nothing could not stop me...’ In Black Country, Liz Berry takes flight: to Wrens Nest, Gosty Hill, Tipton-on-Cut; to the places of home. The poems move from the magic of childhood – bostin fittle at Nanny’s, summers before school – into deeper, darker territory: sensual love, enchanted weddings, and the promise of new life. In Berry’s hands, the ordinary is transformed: her characters shift shapes, her eye is unusual, her ear attuned to the sounds of the Black Country, with ‘vowels ferrous as nails, consonants / you could lick the coal from.’ Ablaze with energy and full of the rich dialect of the West Midlands, this is an incandescent debut from a poet of dazzling talent and verve.
Black Country Orphan is a moving story of the courage and strength of women, by the Sunday Times bestselling author Annie Murray. The early 1900s: Cradley Heath, a town in the Black Country near Birmingham and centre of the world’s chain-making trade. Lucy Butler, a young girl crippled by a cruel accident, lives with her two brothers and widowed mother, a chain-maker barely making ends meet. When tragedy strikes, the Butler family is separated and Lucy is taken in by Bertha Hipkiss, another impoverished chain maker, struggling to look after her own family. Lucy, while feeling the loss of her own family, relies on the company of Bertha’s two sons, charming Clem and straight-laced John. Though clever at school, Lucy knows she must leave and earn her keep, working many hours in the backyard forge. The five women toiling side by side, inevitably have their own friendships and squabbles. But they’re united in their hatred of loathsome middleman Seth Dawson, who treats the women with contempt, and keeps their pay punishingly low. But by the 1910s, there is a movement stirring, as across the country workers begin unionising for their rights. For Lucy, Bertha and the women of Cradley Heath, the promise of a better life seems almost too much to hope for – and the fight may end up costing them everything . . .
A new collection of stories from A. S. Byatt is always a winner, and this one takes an unexpected turn, bringing shivers as well as delights. Leaves rustle underfoot in a dark wood: two middle-aged women walk into a forest, as they did when they were girls, confronting their fears and memories and the strange thing they saw in their childhood - or thought they saw - so long ago. A distinguished obstetrician and young woman artist find they have sharply contrasting ideas about body parts, birth and death; an innocent member of an evening class harbours unexpected view on 'raw material'. The stories in this marvellous collection are by turns funny, spooky, sparkling and haunting. The Little Black Book of Stories holds its secrets, adding a dark quality to Byatt's famous skill in mixing folk and fairy tale with everyday life.
This American classic has been corrected from the original manuscripts and indexed, featuring historic photographs and an extensive biographical afterword.