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"Published in conjuction with the exhibition Black Dolls from the collection of Deborah Neff at Mingei International Museum Feb. 7- July 5, 2015"--Colophon.
Collectors and non-collectors will experience the passion for collecting dolls in Ms. Garrett's second, FULL COLOR, black-doll reference book, which is a comprehensive celebration with up-to-date values of over 1000 vintage-to-modern black dolls. Doll genres celebrated, referenced, and valued include early dolls and memorabilia, cloth, fashion, manufactured, artist, one-of-a-kind, celebrity, and paper dolls. `A to Z Tips on Collecting,¿ `Doll Creativity,¿ and loads of `Added Extras¿ will entertain, enlighten, excite, and encourage the most discriminating collector. Readers will experience five years of the author's continuous and extensive doll research combined with nearly 20 years of doll-collecting experience. Black Dolls: A Comprehensive Guide to Celebrating, Collecting, and Experiencing the Passion, is an informative, must-have reference for any doll collector¿s library.
The Definitive Guide to Collecting Black Dolls by Debbie Behan Garrett Pdf
Collectors will delight in acquiring the first and only Black dolls book that is completely published in Full Color! Author Debbie Garrett has written an extensive book of reference on vintage, modern, fashion and artist Black dolls. Featured in this book are Black dolls made from cloth, bisque, celluloid, composition, rubber, wood, and hard plastic. Fashion dolls, modern artist dolls and other doll categories are covered. This long overdue, insightful book includes a price guide and tips.
Playing an endless make-believe game about pirates, mermaids and warriors under the rule of a formidable Great Queen china doll, best friends Zach, Poppy and Alice find their bond tested when Zach is compelled to give up their shared adventures and Poppy begins having dreams about the doll. By the co-author of the best-selling Spiderwick Chronicles.
This stunning volume showcases more than 100 black dolls by 49 contemporary artists, including Americans Floyd Bell, Richard and Jodi Creager and Goldie Wilson, as well as international makers such as Hildegard Günzel and Annette Himstedt. Biographies of each artist and an informative introduction are included.
The first pattern book for making unique, customizable African American crochet dolls From American Girl Dolls to Barbie, there's something special about having your own doll, and even more so, having a doll that looks like you. And it’s not just about clothing; having a doll that has eyes, skin tone, and even a hairstyle to match your own is a thrill. For African American girls, this isn't the norm nor is it easy to find. Created by Yolanda Jordan, My Pretty Brown Doll offers patterns and crochet techniques to create this charming crochet doll, with skin tone, hairstyle, eyes, and outfits that are customizable to match the young person this gift is for. Jordan’s unique aesthetic will appeal to a wide variety of crocheters, and there are endless possibilities to make this doll unique. The book covers a basic wardrobe, including pants, shirts, shoes, coats, a hat, and a scarf. But then Jordan dives into specific adventures like going to school and playing soccer, dancing ballet and traveling to Paris. There's even a mermaid and a scientist outfit, complete with lab coat. Offering African American girls the chance to have their own doll, who looks like them and can be outfitted exactly the way they want, is a gift unlike any other. It's a wonderful opportunity to deliver something special to an underserved market.
An investigation into Saar's lifelong interest in Black dolls, with new watercolors, historic assemblages, sketchbooks and a selection of Black dolls from the artist's collection This volume features new watercolor works on paper and assemblages by Betye Saar (born 1926) that incorporate the artist's personal collection of Black dolls. These watercolors showcase the artist's experimentation with vivid color and layered techniques, and her new interest in flat shapes. While Saar has previously used painting in her mixed-media collages, this is the first publication to focus on her watercolor works on paper. "Watercolor is something that children use, so I decided, maybe I'll paint something about children, maybe I'll paint the dolls," Saar says. Referencing the underrepresented history of Black dolls through Saar's artistic lens, this catalog distills several intersecting themes, imagery and objects in Saar's oeuvre, highlighting her prominent usage and reinvention of Black imagery. It contains 90 color images, including early assemblage works that feature Black dolls, such as Gris-Gris Box(1972) and Mti(1973), plus early sketchbooks and a curated selection of Saar's Black doll collection. It also includes original essays by Rachel Federman, Associate Curator of Modern and Contemporary Drawings at the Morgan Library & Museum, and Katherine Jentleson, Merrie and Dan Boone Curator of Folk and Self-Taught Art at the High Museum of Art, and an interview with the artist by her granddaughter, Maddy Inez Leeser.
Buy Black examines the role American Black women play in Black consumption in the US and worldwide, with a focus on their pivotal role in packaging Black feminine identity since the 1960s. Through an exploration of the dolls, princesses, and rags-to-riches stories that represent Black girlhood and womanhood in everything from haircare to Nicki Minaj’s hip-hop, Aria S. Halliday spotlights how the products created by Black women have furthered Black women’s position as the moral compass and arbiter of Black racial progress. Far-ranging and bold, Buy Black reveals what attitudes inform a contemporary Black sensibility based in representation and consumerism. It also traces the parameters of Black symbolic power, mapping the sites where intraracial ideals of blackness, womanhood, beauty, play, and sexuality meet and mix in consumer and popular culture.
In recent decades, emerging scholarship in the field of girlhood studies has led to a particular interest in dolls as sources of documentary evidence. Deconstructing Dolls pushes the boundaries of doll studies by expanding the definition of dolls, ages of doll players, sites of play, research methods, and application of theory. By utilizing a variety of new approaches, this collected volume seeks to understand the historical and contemporary significance of dolls and girlhood play, particularly as they relate to social meanings in the lives of girls and young women across race, age, time, and culture.
In Radical Play Rob Goldberg recovers a little-known history of American children’s culture in the 1960s and 1970s by showing how dolls, guns, action figures, and other toys galvanized and symbolized new visions of social, racial, and gender justice. From a nationwide movement to oppose the sale of war toys during the Vietnam War to the founding of the company Shindana Toys by Black Power movement activists and the efforts of feminist groups to promote and produce nonsexist and racially diverse toys, Goldberg returns readers to a defining moment in the history of childhood when politics, parenting, and purchasing converged. Goldberg traces not only how movement activists brought their progressive politics to the playroom by enlisting toys in the era’s culture wars but also how the children’s culture industry navigated the explosive politics and turmoil of the time in creative and socially conscious ways. Outlining how toys shaped and were shaped by radical visions, Goldberg locates the moment Americans first came to understand the world of toys—from Barbie to G.I. Joe—as much more than child’s play.
Between 1877 and 1930--years rife with tensions over citizenship, suffrage, immigration, and "the Negro problem--African American activists promoted an array of strategies for progress and power built around "racial destiny," the idea that black Americans formed a collective whose future existence would be determined by the actions of its members. In Righteous Propagation, Michele Mitchell examines the reproductive implications of racial destiny, demonstrating how it forcefully linked particular visions of gender, conduct, and sexuality to collective well-being. Mitchell argues that while African Americans did not agree on specific ways to bolster their collective prospects, ideas about racial destiny and progress generally shifted from outward-looking remedies such as emigration to inward-focused debates about intraracial relationships, thereby politicizing the most private aspects of black life and spurring race activists to calcify gender roles, monitor intraracial sexual practices, and promote moral purity. Examining the ideas of well-known elite reformers such as Mary Church Terrell and W. E. B. DuBois, as well as unknown members of the working and aspiring classes, such as James Dubose and Josie Briggs Hall, Mitchell reinterprets black protest and politics and recasts the way we think about black sexuality and progress after Reconstruction.