Black Feminism And Traumatic Legacies In Contemporary African American Literature
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Black Feminism and Traumatic Legacies in Contemporary African American Literature by Apryl Lewis Pdf
Black Feminism and Traumatic Legacies in Contemporary African American Literature expands on a literary tradition where Black writers articulate the impact of slavery's legacy over time. Along with Black Feminist studies, this book demonstrates how trauma studies can transcend Eurocentric roots by encompassing traumatic experiences of other cultures through intersectionality.
Reading Contemporary African American Literature by Beauty Bragg Pdf
This book covers several distinctive moments of the post-civil rights era; the black power period, the affirmative action period, and the neoliberal period. It inspects representative texts and critical approaches associated with each period, covering a variety of authors and genres from Toni Morrison’s mythic fiction to Wahida Clark’s street lit.
Author : Lisa M. Anderson Publisher : University of Illinois Press Page : 154 pages File Size : 45,5 Mb Release : 2008 Category : African Americans in literature ISBN : 9780252032288
Black Feminism in Contemporary Drama by Lisa M. Anderson Pdf
In tracing black feminism in contemporary drama by black women playwrights, Lisa M. Anderson reviews the history of black feminism through analysis of plays by Pearl Cleage, Glenda Dickerson, Breena Clarke, Kia Corthron, Suzan-Lori Parks, Sharon Bridgforth, and Shirlene Holmes.Black Feminism in Contemporary Dramarepresents a cross section of women who have diverse writing and performance styles and generational differences that highlight the artistic and political breadth of black feminist theater. Anderson closely investigates each play's construction and the context of its production, including how the play critiques, shifts, or alters dominant culture stereotypes; how it positions goals of the "community"; and how it engages with the concept of art's function. She not only discusses what shapes the black feminism of these writers but also points out how the meaning of the term black feminism shifts among them.
Blues Legacies and Black Feminism by Angela Y. Davis Pdf
From one of this country's most important intellectuals comes a brilliant analysis of the blues tradition that examines the careers of three crucial black women blues singers through a feminist lens. Angela Davis provides the historical, social, and political contexts with which to reinterpret the performances and lyrics of Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday as powerful articulations of an alternative consciousness profoundly at odds with mainstream American culture. The works of Rainey, Smith, and Holiday have been largely misunderstood by critics. Overlooked, Davis shows, has been the way their candor and bravado laid the groundwork for an aesthetic that allowed for the celebration of social, moral, and sexual values outside the constraints imposed by middle-class respectability. Through meticulous transcriptions of all the extant lyrics of Rainey and Smith—published here in their entirety for the first time—Davis demonstrates how the roots of the blues extend beyond a musical tradition to serve as a conciousness-raising vehicle for American social memory. A stunning, indispensable contribution to American history, as boldly insightful as the women Davis praises, Blues Legacies and Black Feminism is a triumph.
African American Novels in the Black Lives Matter Era by E. Lâle Demirtürk Pdf
This book explores revisions of black male vulnerability in contemporary literature, examining how an everyday life determined by racialized social control can be transformed. It shows how transformative change takes place in black male characters’ efforts to work through the criminality-as-vulnerability script in order to make a social impact.
Author : Maria del Guadalupe Davidson Publisher : Taylor & Francis Page : 154 pages File Size : 40,8 Mb Release : 2017-02-17 Category : Social Science ISBN : 9781317550440
Black Women, Agency, and the New Black Feminism by Maria del Guadalupe Davidson Pdf
The powerful Beyoncé, formidable Rihanna, and the incalculable Nikki Minaj. Their images lead one to wonder: are they a new incarnation of black feminism and black women’s agency, or are they only pure fantasy in which, instead of having agency, they are in fact the products of the forces of patriarchy and commercialism? More broadly, one can ask whether black women in general are only being led to believe that they have power but are really being drawn back into more complicated systems of exploitation and oppression. Or, are black women subverting patriarchy by challenging notions of their subordinate and exploitable sexuality? In other words, ‘who is playing who’? Black Women, Agency, and the New Black Feminism identifies a generational divide between traditional black feminists and younger black women. While traditional black feminists may see, for example, sexualized images of black women negatively and as an impediment to progress, younger black women tend to embrace these new images and see them in a positive light. After carefully setting up this divide, this enlightening book will suggest that a more complex understanding of black feminist agency needs to be developed, one that is adapted to the complexities faced by the younger generation in today’s world. Arguing the concept of agency as an important theme for black feminism, this innovative title will appeal to scholars, teachers, and students interested in black feminist and feminist philosophy, identity construction, subjectivity and agency, race, gender, and class.
Existentialist Thought in African American Literature before 1940 by Melvin Hill Pdf
Existentialist Thought in African American Literature before 1940 consciously acknowledges the existential currents that are profoundly embedded in African American literature, establishing a rich legacy of existentialist thought that predates Richard Wright’s existential birth.This collection fuses together discussions of existentialist thought and African American literature in an effort to rethink and even re-frame African American literary traditions, showing that several texts, and even most canonical texts, lack a systematic study through an existential lens.
"We Must Be Up and Doing" by Teresa C. Zackodnik Pdf
African American women have been “up and doing” for their communities for as long as they have been in the United States, and their ability to resist the institution of slavery was central to the survival of African Americans. This anthology gives readers access to African American feminist thought in its foundational period by drawing together key documents from the late 1820s through the 1920s. Going beyond a focus on the “greats” of black feminism to include lesser known figures, “We Must Be Up and Doing” offers a broad and contextualized look at the critical mass early black feminism achieved by including a variety of genres, such as the spiritual autobiography, the platform speech, periodical articles, pamphlets, fiction, and excerpts from convention and conference proceedings.
Black feminists remind us “that America’s destiny is inseparable from how it treats [black women] and the nation ignores this truth at its peril” (The New York Review of Books). Winner of the 2018 Lambda Literary Award for LGBTQ Nonfiction “If Black women were free, it would mean that everyone else would have to be free.” —Combahee River Collective Statement The Combahee River Collective, a path-breaking group of radical black feminists, was one of the most important organizations to develop out of the antiracist and women’s liberation movements of the 1960s and 70s. In this collection of essays and interviews edited by activist-scholar Keeanga-Yamahtta Taylor, founding members of the organization and contemporary activists reflect on the legacy of its contributions to Black feminism and its impact on today’s struggles. “A striking collection that should be immediately added to the Black feminist canon.” —Bitch Media “An essential book for any feminist library.” —Library Journal “As white feminism has gained an increasing amount of coverage, there are still questions as to how black and brown women’s needs are being addressed. This book, through a collection of interviews with prominent black feminists, provides some answers.” —The Independent “For feminists of all kinds, astute scholars, or anyone with a passion for social justice, How We Get Free is an invaluable work.” —Ethnic and Racial Studies Journal
New Criticism and Pedagogical Directions for Contemporary Black Women Writers by LaToya Jefferson-James Pdf
New Criticism and Pedagogical Directions for Contemporary Black Women Writers spans the contemporary era into the AfroFuture. It begins with Ann Petry, who has been forcibly mashed into masculinized critical paradigms, and ends by introducing audiences to Black speculative and Science Fiction writers.
"In this pathbreaking collection of articles, Dr. Beverly Guy-Sheftall has taken us from the early 1830s to contemporary times. Only since the seventies have black women used the term "feminism." And yet, it is that concept that she uses to bring into the same frame the ideas and analyses of Maria Stewart, Sojourner Truth, and Frances W.E. Harper of the early nineteenth century, and the work of women such as the late Audre Lorde, Barbara Smith, and bell hooks who stand on the threshold of the twenty-first century... She has refused to cut off contemporary African American women from the long line of sisters who have righteously struggled for the liberation of African American women from the dual oppressions of racism and sexism." —From the epilogue by Johnnetta B. Cole, President, Spelman College "The indefatigable Beverly Guy-Sheftall has put together a breathtaking sweep of African American feminist thought in one indispensable volume." —Elizabeth Spelman, Professor of Philosophy, Smith College
"Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist, published in 1987, is a book by Hazel Carby which centers on slave narratives by women. Carby received her Ph.D. in 1984 from Birmingham University. Her doctoral dissertation later became the foundation for the book."--Wikipedia viewed Jan. 7, 2022.
Examines defining moments in African American women's fiction and its reception: the 'Women's Era' of the 1890s, the Harlem Renaissance, and the 'New Black Renaissance' of the 1970s and 1980s. This book discusses representations of slavery, sexuality, and homoeroticism.
Representations and coverage of S&M have become quite common nowadays, whether we see them in the fashion industry, commercials, the news, on television, film, the internet, and so on. But in the population at large and in the academic community, too, it is still persistently stigmatized. This marginalization, along with its ambivalently persecuted status, is a result, significantly, of a nineteenth century legacy. This legacy begins with Kraftt-Ebing's designation of sadomasochism, along with gay and lesbian desire, as a perversion, and continues in the popular and expert (mis)understandings which prevail. More generally, most people today will recognize that all human relations are power relations. Yet most people will also deny this and mask these power relations by invoking all sorts of things, like romantic love, sentimental attachment, companionate marriage, friendship, peace, non-violence, harmony, and the list goes on, ad nauseam. Not that these do not exist in a sadomasochistic relation, but sadomasochists are unflinching in their recognition that all of these are also permeated by power relations. It is not only impossible to purge these relations of power but for sadomasochists it is also undesirable to do so. It is not only more honest to acknowledge the power that saturates these relations but also more instructive in the sense that S&M provides a context in which one learns to exercise power and to submit to it in a responsible way. Even in scholarly critical and theoretical discussions of S&M, the prevailing opinion is that the power exercised in sadomasochism is not "real." It is of course not real in the sense that slavery and violence no longer has a legal status. But reality cannot of course be gauged or even approximated by its legal status alone. For most practitioners, it is hard to deny the reality of pain, of humiliation, of degradation, in the moment of its enactment. One can hardly deny the reality of bringing the whip down on someone's back or of having it sear across one's buttocks.