Black Lenses Black Voices

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Black Lenses, Black Voices

Author : Mark A. Reid
Publisher : Rowman & Littlefield
Page : 148 pages
File Size : 43,8 Mb
Release : 2005
Category : Performing Arts
ISBN : 0742526429

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Black Lenses, Black Voices by Mark A. Reid Pdf

Black Lenses, Black Voices is a provocative look at films directed and written_and sometimes produced_by African Americans, as well as black-oriented films whose directors or screenwriters are not black. Mark Reid shows how certain films dramatize the contemporary African American community as a politically and economically diverse group, vastly different from film representations of the 1960s. Taking us through the development of African American independent filmmaking before and after World War II, he then illustrates the unique nature of African American family, action, horror, female-centered, and independent films, such as Eve's Bayou, Jungle Fever, Shaft, Souls of Sin, Bones, Waiting to Exhale, Monster's Ball, Sankofa, and many more.

Expanding the Black Film Canon

Author : Lisa Doris Alexander
Publisher : University Press of Kansas
Page : 256 pages
File Size : 44,6 Mb
Release : 2019-08-30
Category : Performing Arts
ISBN : 9780700628407

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Expanding the Black Film Canon by Lisa Doris Alexander Pdf

If the sheer diversity of recent hits from Twelve Years a Slave and Moonlight to Get Out, Black Panther, and BlackkKlansman tells us anything, it might be that there's no such thing as "black film" per se. This book is especially timely, then, in expanding our idea of what black films are and, going back to the 1960s, showing us new and interesting ways to understand them. When critics and scholars write about films from the Blaxploitation movement—such as Cotton Comes to Harlem, Shaft, Superfly, and Cleopatra Jones—they emphasize their importance as films made for black audiences. Consequently, Lisa Doris Alexander points out, a film like the highly popular, Oscar-nominated Blazing Saddles—costarring and co-written by Richard Pryor—is generally left out of the discussion because it doesn't fit the profile of what a black film of the period should be. This is the kind of categorical thinking that Alexander seeks to broaden, looking at films from the 60s to the present day in the context of their time. Applying insights from black feminist thought and critical race theory to one film per decade, she analyzes what each can tell us about the status of black people and race relations in the United States at the time of its release. By teasing out the importance of certain films excluded from the black film canon, Alexander hopes to expand that canon to include films typically relegated to the category of popular entertainment—and to show how these offer more nuanced representations of black characters even as they confront, negate, or parody the controlling images that have defined black filmic characters for decades.

Black Children in Hollywood Cinema

Author : Debbie Olson
Publisher : Springer
Page : 229 pages
File Size : 46,5 Mb
Release : 2017-03-14
Category : Performing Arts
ISBN : 9783319482736

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Black Children in Hollywood Cinema by Debbie Olson Pdf

This book explores cultural conceptions of the child and the cinematic absence of black children from contemporary Hollywood film. Debbie Olson argues that within the discourse of children’s studies and film scholarship in relation to the conception of “the child,” there is often little to no distinction among children by race—the “child” is most often discussed as a universal entity, as the embodiment of all things not adult, not (sexually) corrupt. Discussions about children of color among scholars often take place within contexts such as crime, drugs, urbanization, poverty, or lack of education that tend to reinforce historically stereotypical beliefs about African Americans. Olson looks at historical conceptions of childhood within scholarly discourse, the child character in popular film and what space the black child (both African and African American) occupies within that ideal.

Black Frankenstein

Author : Elizabeth Young
Publisher : NYU Press
Page : 336 pages
File Size : 40,8 Mb
Release : 2008-08-10
Category : Social Science
ISBN : 9780814745373

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Black Frankenstein by Elizabeth Young Pdf

For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein, Elizabeth Young identifies and interprets the figure of a black American Frankenstein monster as it appears with surprising frequency throughout nineteenth- and twentieth-century U.S. culture, in fiction, film, essays, oratory, painting, and other media, and in works by both whites and African Americans. Black Frankenstein stories, Young argues, effect four kinds of racial critique: they humanize the slave; they explain, if not justify, black violence; they condemn the slaveowner; and they expose the instability of white power. The black Frankenstein's monster has served as a powerful metaphor for reinforcing racial hierarchy—and as an even more powerful metaphor for shaping anti-racist critique. Illuminating the power of parody and reappropriation, Black Frankenstein tells the story of a metaphor that continues to matter to literature, culture, aesthetics, and politics.

Screens Fade to Black

Author : David J. Leonard
Publisher : Bloomsbury Publishing USA
Page : 230 pages
File Size : 53,5 Mb
Release : 2006-06-30
Category : Performing Arts
ISBN : 9780313018015

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Screens Fade to Black by David J. Leonard Pdf

The triple crown of Oscars awarded to Denzel Washington, Halle Berry, and Sidney Poitier on a single evening in 2002 seemed to mark a turning point for African Americans in cinema. Certainly it was hyped as such by the media, eager to overlook the nuances of this sudden embrace. In this new study, author David Leonard uses this event as a jumping-off point from which to discuss the current state of African-American cinema and the various genres that currently compose it. Looking at such recent films as Love and Basketball, Antwone Fisher, Training Day, and the two Barbershop films—all of which were directed by black artists, and most of which starred and were written by blacks as well—Leonard examines the issues of representation and opportunity in contemporary cinema. In many cases, these films-which walk a line between confronting racial stereotypes and trafficking in them-made a great deal of money while hardly playing to white audiences at all. By examining the ways in which they address the American Dream, racial progress, racial difference, blackness, whiteness, class, capitalism and a host of other issues, Leonard shows that while certainly there are differences between the grotesque images of years past and those that define today's era, the consistency of images across genre and time reflects the lasting power of racism, as well as the black community's response to it.

White Lies and Allies in Contemporary Black Media

Author : Emily Ruth Rutter
Publisher : Taylor & Francis
Page : 180 pages
File Size : 43,6 Mb
Release : 2022-12-23
Category : Social Science
ISBN : 9781000813074

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White Lies and Allies in Contemporary Black Media by Emily Ruth Rutter Pdf

This book considers the ways in which Black directors, screenwriters, and showrunners contend with the figure of the would-be White ally in contemporary film and television. White Lies and Allies in Contemporary Black Media examines the ways in which prominent figures such as Issa Rae, Spike Lee, Justin Simien, Jordan Peele, and Donald Glover centralize complex Black protagonists in their work while also training a Black gaze on would-be White allies. Emily R. Rutter highlights how these Black creators represent both performative White allyship and the potential for true White antiracist allyship, while also examining the reasons why Black creators utilize the white ally trope in the wider context of the film and television industries. During an era in which concerns with White liberal complicity in anti-Black racism are of paramount importance, Rutter explores how these films and televisions shows, and their creators, contribute to the wider project of dismantling internal, interpersonal, ideological, and institutional White hegemony. This book will be of interest to students and scholars of Film and Media Studies, Television Studies, American Studies, African American Studies, and Popular Culture.

African American Cinema through Black Lives Consciousness

Author : Mark A. Reid
Publisher : Wayne State University Press
Page : 365 pages
File Size : 54,9 Mb
Release : 2019-01-12
Category : Performing Arts
ISBN : 9780814345504

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African American Cinema through Black Lives Consciousness by Mark A. Reid Pdf

Employs an interdisciplinary critical approach to discuss a selected group of black-oriented films.

Icons of Black America [3 volumes]

Author : Matthew Whitaker
Publisher : Bloomsbury Publishing USA
Page : 1201 pages
File Size : 46,9 Mb
Release : 2011-03-09
Category : Social Science
ISBN : 9780313376436

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Icons of Black America [3 volumes] by Matthew Whitaker Pdf

This stunning collection of essays illuminates the lives and legacies of the most famous and powerful individuals, groups, and institutions in African American history. The three-volume Icons of Black America: Breaking Barriers and Crossing Boundaries is an exhaustive treatment of 100 African American people, groups, and organizations, viewed from a variety of perspectives. The alphabetically arranged entries illuminate the history of highly successful and influential individuals who have transcended mere celebrity to become representatives of their time. It offers analysis and perspective on some of the most influential black people, organizations, and institutions in American history, from the late 19th century to the present. Each chapter is a detailed exploration of the life and legacy of an individual icon. Through these portraits, readers will discover how these icons have shaped, and been shaped by, the dynamism of American culture, as well as the extent to which modern mass media and popular culture have contributed to the rise, and sometimes fall, of these powerful symbols of individual and group excellence.

Black Women Filmmakers and Black Love on Screen

Author : Brandale N. Mills
Publisher : Routledge
Page : 82 pages
File Size : 50,7 Mb
Release : 2018-11-20
Category : Social Science
ISBN : 9780429890505

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Black Women Filmmakers and Black Love on Screen by Brandale N. Mills Pdf

This book offers a thorough analysis of how romantic love between Black men and women (referred to here as Black Love) is portrayed in Hollywood films, specifically from the perspective of Black female filmmakers. Using historical and contemporary images of Black female representation in the media as a foundation, the main themes of this text focus on the male gazes’ influence on Hollywood narratives, the necessity for the Black female perspective in Hollywood, and that perspective’s influence on ideologies and narratives.

The Politics & Poetics of Black Film

Author : David C. Wall,Michael T. Martin
Publisher : Indiana University Press
Page : 307 pages
File Size : 50,5 Mb
Release : 2015-10-20
Category : Performing Arts
ISBN : 9780253018502

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The Politics & Poetics of Black Film by David C. Wall,Michael T. Martin Pdf

Written and directed by two white men and performed by an all-black cast, Nothing But a Man (Michael Roemer, 1964) tells the story of a drifter turned family man who struggles with the pressures of small-town life and the limitations placed on him and his community in the Deep South, an area long fraught with racism. Though unmistakably about race and civil rights, the film makes no direct reference to the civil rights movement. Despite this intentional absence, contemporary audiences were acutely aware of the social context for the film's indictment of white prejudice in America. To help frame and situate the film in the context of black film studies, the book gathers primary and secondary resources, including the original screenplay, essays on the film, statements by the filmmakers, and interviews with Robert M. Young, the film's producer and cinematographer, and Khalil Gibran Muhammad, the Director of the Schomburg Center for Research in Black Culture.

Black Masculinity and the Cinema of Policing

Author : Jared Sexton
Publisher : Springer
Page : 199 pages
File Size : 42,5 Mb
Release : 2017-11-07
Category : Language Arts & Disciplines
ISBN : 9783319661704

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Black Masculinity and the Cinema of Policing by Jared Sexton Pdf

This book offers a critical survey of film and media representations of black masculinity in the early twenty-first-century United States, between President George W. Bush’s 2001 announcement of the War on Terror and President Barack Obama’s 2009 acceptance of the Nobel Peace Prize. It argues that images of black masculine authority have become increasingly important to the legitimization of contemporary policing and its leading role in the maintenance of an antiblack social order forged by racial slavery and segregation. It examines a constellation of film and television productions—from Antoine Fuqua’s Training Day to John Lee Hancock’s The Blind Side to Barry Jenkin's Moonlight—to illuminate the contradictory dynamics at work in attempts to reconcile the promotion of black male patriarchal empowerment and the preservation of gendered antiblackness within political and popular culture.

From Black to Schwarz

Author : Maria I. Diedrich,Jürgen Heinrichs
Publisher : MSU Press
Page : 564 pages
File Size : 46,6 Mb
Release : 2011-06-01
Category : Social Science
ISBN : 9781628954876

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From Black to Schwarz by Maria I. Diedrich,Jürgen Heinrichs Pdf

From Black to Schwarz explores the long and varied history of the exchanges between African America and Germany, with a particular focus on cultural interplay. Covering a wide range of media of expression—music, performance, film, scholarship, literature, visual arts, reviews—these essays trace and analyze a cultural interaction, collaboration, and mutual transformation that began in the eighteenth century, boomed during the Harlem Renaissance/Weimar Republic, survived the Third Reich’s “Degenerate Art” campaigns, and (with new media available to further exchanges), is still increasingly empowering and inspiring participants on both sides of the Atlantic.

Historical Dictionary of African American Cinema

Author : S. Torriano Berry,Venise T. Berry
Publisher : Rowman & Littlefield
Page : 568 pages
File Size : 47,7 Mb
Release : 2015-05-07
Category : Performing Arts
ISBN : 9781442247024

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Historical Dictionary of African American Cinema by S. Torriano Berry,Venise T. Berry Pdf

As early as 1909, African Americans were utilizing the new medium of cinema to catalogue the world around them, using the film camera as a device to capture their lives and their history. The daunting subject of race and ethnicity permeated life in America at the turn of the twentieth century and due to the effect of certain early films, specific television images, and an often-biased news media, it still plagues us today. As new technologies bring the power of the moving image to the masses, African Americans will shoot and edit on laptop computers and share their stories with a global audience via the World Wide Web. These independently produced visions will add to the diverse cache of African American images being displayed on an ever-expanding silver screen. This wide range of stories, topics, views, and genres will finally give the world a glimpse of African American life that has long been ignored and has yet to be seen. This second edition of Historical Dictionary of African American Cinema covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1400 cross-referenced entries on actors, actresses, movies, producers, organizations, awards, and terminology, this book provides a better understanding of the role African Americans played in film history. This book is an excellent access point for students, researchers, and anyone wanting to know more about African American cinema.

Race in American Film [3 volumes]

Author : Daniel Bernardi,Michael Green
Publisher : Bloomsbury Publishing USA
Page : 1127 pages
File Size : 43,8 Mb
Release : 2017-07-07
Category : Performing Arts
ISBN : 9780313398407

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Race in American Film [3 volumes] by Daniel Bernardi,Michael Green Pdf

This expansive three-volume set investigates racial representation in film, providing an authoritative cross-section of the most racially significant films, actors, directors, and movements in American cinematic history. Hollywood has always reflected current American cultural norms and ideas. As such, film provides a window into attitudes about race and ethnicity over the last century. This comprehensive set provides information on hundreds of films chosen based on scholarly consensus of their importance regarding the subject, examining aspects of race and ethnicity in American film through the historical context, themes, and people involved. This three-volume set highlights the most important films and artists of the era, identifying films, actors, or characterizations that were considered racist, were tremendously popular or hugely influential, attempted to be progressive, or some combination thereof. Readers will not only learn basic information about each subject but also be able to contextualize it culturally, historically, and in terms of its reception to understand what average moviegoers thought about the subject at the time of its popularity—and grasp how the subject is perceived now through the lens of history.

The Cambridge Guide to African American History

Author : Raymond Gavins
Publisher : Cambridge University Press
Page : 351 pages
File Size : 53,7 Mb
Release : 2016-02-15
Category : History
ISBN : 9781107103399

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The Cambridge Guide to African American History by Raymond Gavins Pdf

Intended for high school and college students, teachers, adult educational groups, and general readers, this book is of value to them primarily as a learning and reference tool. It also provides a critical perspective on the actions and legacies of ordinary and elite blacks and their non-black allies.