Black May Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Black May book. This book definitely worth reading, it is an incredibly well-written.
In one extraordinary month, using new tactics, new weapons, and the coordinated forces of a new generation of submarine hunters, the Allies destroyed 41 U-boats and damaged 37 others in the North Atlantic--sending the Nazi U-boat wolf pack running. Here, distinguished naval historian Michael Gannon captures this epic battle and those who shaped it, from the men who made key command decisions to the sailors trapped inside the steel-hulled U-boats as they were pounded by Allied depth charges. Drawing on never-before-released transcripts of secretly recorded conversations of U-boat POWs, this is the epic story of two powerful enemies going head-to-head in a desperate naval battle, and why one side emerged the victor and the other the vanquished. Book jacket.
The twin acts of singing and fighting for freedom have been inseparable in African American history. May We Forever Stand tells an essential part of that story. With lyrics penned by James Weldon Johnson and music composed by his brother Rosamond, "Lift Every Voice and Sing" was embraced almost immediately as an anthem that captured the story and the aspirations of black Americans. Since the song's creation, it has been adopted by the NAACP and performed by countless artists in times of both crisis and celebration, cementing its place in African American life up through the present day. In this rich, poignant, and readable work, Imani Perry tells the story of the Black National Anthem as it traveled from South to North, from civil rights to black power, and from countless family reunions to Carnegie Hall and the Oval Office. Drawing on a wide array of sources, Perry uses "Lift Every Voice and Sing" as a window on the powerful ways African Americans have used music and culture to organize, mourn, challenge, and celebrate for more than a century.
Baba Schwartz’s story began before the Holocaust could have been imagined. As a spirited girl in a warm and loving Jewish family, she lived a normal life in a small town in eastern Hungary. In The May Beetles, Baba describes the innocence and excitement of her childhood, remembering her early years with verve and emotion. But then, unspeakable horror. Baba tells of the shattering of her family and their community from 1944, when the Germans transported the 3000 Jews of her town to Auschwitz. She lost her father to the gas chambers, yet she, her mother and her two sisters survived this concentration camp and several others to which they were transported as slave labour. They eventually escaped the final death march and were liberated by the advancing Russian army. But despite the suffering, Baba writes about this period with the same directness, freshness and honesty as she writes about her childhood. Full of love amid hatred, hope amid despair, The May Beetles is sure to touch your heart. ‘Put down whatever you are reading and read this book. Baba, a charming, gifted and lively young companion, will take you back to a luminous childhood in Hungary before the war, will show you the darkening, and finally lead you to the gates of Hell. The human perversity on the other side of those gates remains incomprehensible, impenetrable to reason. But what Baba and her family embody – their antidote – is the durability of ordinary love.’ —Robyn Davidson ‘Told with the tempered calm of a born writer, Baba Schwartz’s memoir evokes the world of a Jewish Hungarian childhood, and brings us one of the great survival stories of the Second World War.’ —Joan London ‘A calmly personal account of a mighty cataclysm; astonishing in its dignity and composure, unforgettable in its sweetness of tone’ —Helen Garner ‘This book is testament to two miracles. First, of Baba’s survival. And second, of the survival within her of the girl - now an old woman - who nevertheless perceives the world, utterly without sentiment, as a place of “inexhaustible sources of delight”. An important document of witness, survival and the quiet triumph of loving life despite what it has shown you.’ —Anna Funder ‘“Never again” was the promise. But are parents, politicians and teachers making sure this promise is kept? Reading and discussing The May Beetles and other equally fine and compelling recollections of the Holocaust, are powerful and immediate ways of honouring this promise.’ —Agnes Nieuwenhuizen, Weekend Australian ‘Her memory is astonishing and from the point of a reader, in its nuance and recall of detail, this makes the story utterly trustworthy throughout ... Baba’s love of life shines through at every moment.’ —Robert Manne ‘This story is full of genuinely heart-stopping moments – compulsive reading, especially towards the end’ —Australian Book Review ‘Baba Schwartz’s clean, classical style – she is a natural – is matched by the poise with which she relates her tale: almost in the way a novelist observes a character - A superior memoir.’ —Pick of the Week, The Age
In her Black Book, Annie May has recorded the name and offence of everyone who has ever done her wrong. The greatest transgressor of them all was Ben Seymour: the man who jilted her at the altar seventeen years ago. Now he's moving into a house round the corner . . . Entries from Annie May's Black Book: October 15th, 1974: Miss Baker for telling me how to blow my nose and not believing when I still couldn't do it. February 6th, 1977: David Llewellyn for saying my landscape painting looked like a pig's trough and then making honking noises every time he saw me. April 12th, 1987: Peter Elton for 'borrowing' my cigarettes and never buying any of his own. 9th February, 1988: BEN SEYMOUR FOR EVERYTHING FOR EVER The sparkling comedy romance from the much-loved, bestselling author of Recipe for Scandal. If you love Wendy Holden, Elizabeth Buchan, Katie Fforde and Catherine Alliott, make Debby Holt your next read! What everyone is saying about Annie May's Black Book: ‘Thoroughly enjoyable ... Had me smiling from start to finish’ Erica James ‘I absolutely love this book. It is as funny as it is wise and I couldn’t put it down’ Katie Fforde ‘A wickedly comical read’ Heat ‘From the author of the superb Ex-Wife’s Survival Guide comes another wicked treat’ Daily Mirror ‘This fast-paced romantic comedy is perfect bad-weather escapism’ She ‘Clever and surprising’ Daily Mail ‘Laced with wise and witty humour this is great fun’ Woman ‘A deliciously funny, gently ironic novel, Jane Austen-like in its elegance and playfulness’ Women’s Weekly
THE 12 MILLION COPY BESTSELLING AUTHOR OF THE ENZO FILES AND THE CHINA THRILLERS AWARD WINNING AUTHOR OF THE CWA DAGGER IN THE LIBRARY 2021 'One of the best regarded crime series of recent years.' Independent 'No one can create a more eloquently written suspense novel than Peter May.' New York Journal of Books PETER MAY: THE MAN WHO BROUGHT MURDER TO THE OUTER HEBRIDES A brutal killing takes place on the Isle of Lewis, Scotland: a land of harsh beauty and inhabitants of deep-rooted faith. A MURDER Detective Inspector Fin Macleod is sent from Edinburgh to investigate. For Lewis-born Macleod, the case represents a journey both home and into his past. A SECRET Something lurks within the close-knit island community. Something sinister. A TRAP As Fin investigates, old skeletons begin to surface, and soon he, the hunter, becomes the hunted. LOVED THE BLACKHOUSE? Read book 2 in the Lewis trilogy, THE LEWIS MAN LOVE PETER MAY? Buy his latest frontlist thriller, THE NIGHT GATE
Winner, 2020 Body and Embodiment Best Publication Award, given by the American Sociological Association Honorable Mention, 2020 Sociology of Sex and Gender Distinguished Book Award, given by the American Sociological Association How the female body has been racialized for over two hundred years There is an obesity epidemic in this country and poor black women are particularly stigmatized as “diseased” and a burden on the public health care system. This is only the most recent incarnation of the fear of fat black women, which Sabrina Strings shows took root more than two hundred years ago. Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals—where fat bodies were once praised—showing that fat phobia, as it relates to black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of “savagery” and racial inferiority. The author argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. Indeed, it was not until the early twentieth century, when racialized attitudes against fatness were already entrenched in the culture, that the medical establishment began its crusade against obesity. An important and original work, Fearing the Black Body argues convincingly that fat phobia isn’t about health at all, but rather a means of using the body to validate race, class, and gender prejudice.
A lost feminist classic — and winner of the Toronto Book Award — reissued to coincide with the 35th anniversary of publication. In her yearning, elusive search for a lover, Shirley Kaszenbowski sheds her drab “basic black” existence together with torturous memories of guilt and loss as a Jewish immigrant in Toronto. Shirley Kaszenbowski, née Silverberg, is a middle-aged, middle-class woman in a Holt Renfrew tweed coat, a basic black dress, and a strand of real pearls. She may seem ordinary enough, pricing silk scarves at Eaton’s or idling in hotel coffee shops, but in fact she is searching for her lover. He is an elusive figure, a man connected with “The Agency,” a powerful technocrat who may or may not have suggested a rendezvous based on a secret code in the National Geographic. Her search takes her to the world of her past as a Jewish immigrant in the Spadina-Dundas area of Toronto. She finds the bakeries and rooming houses of her youth still haunted by survivors of postwar Europe and by her own memories of guilt and loss, while the consolations of art, opera, and pornography offer only echoes of her own illusions and desires. Her strange, wryly funny odyssey ends in a dramatic confrontation scene with her husband and “the other woman,” as she trades in her basic black for another chance. In Basic Black with Pearls, Weinzweig displays her gift for creating sympathetic characters in a slightly surreal, but always recognizable world.
Algorithms of Oppression by Safiya Umoja Noble Pdf
Acknowledgments -- Introduction: the power of algorithms -- A society, searching -- Searching for Black girls -- Searching for people and communities -- Searching for protections from search engines -- The future of knowledge in the public -- The future of information culture -- Conclusion: algorithms of oppression -- Epilogue -- Notes -- Bibliography -- Index -- About the author
Anna Julia Cooper, Visionary Black Feminist by Vivian M. May Pdf
Vivian M. May explores the theoretical and political contributions of Anna Julia Cooper, a renowned Black feminist scholar, educator and activist whose ideas deserve far more attention than they have received. Drawing on Africana and feminist theory, May places Cooper's theorizing in its historical contexts and offers new ways to interpret the evolution of Cooper's visionary politics, subversive methodology, and defiant philosophical outlook. Rejecting notions that Cooper was an elitist duped by dominant ideologies, May contends that Cooper's ambiguity, code-switching, and irony should be understood as strategies of a radical methodology of dissent. May shows how across six decades of work, Cooper traced history's silences and delineated the workings of power and inequality in an array of contexts, from science to literature, economics to popular culture, religion to the law, education to social work, and from the political to the personal. May emphasizes that Cooper eschewed all forms of mastery and called for critical consciousness and collective action on the part of marginalized people at home and abroad. She concludes that in using a border-crossing, intersectional approach, Cooper successfully argues for theorizing from experience, develops inclusive methods of liberation, and crafts a vision of a fundamentally egalitarian social imaginary.
