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The autobiography of a pioneer, this is Margaret Mead's story of her life as a woman and as an anthropologist. An enduring cultural icon, she came to represent the new woman, successfully combining motherhood with career, and scholarship with concern for its role in the lives of ordinary people. 62 photos.
The autobiography of a pioneer, this is Margaret Mead's story of her life as a woman and as an anthropologist. An enduring cultural icon, she came to represent the new woman, successfully combining motherhood with career, and scholarship with concern for its role in the lives of ordinary people. 62 photos.
The intersection of motherhood and creative life is explored in these writings on mothering that turn the spotlight from the child to the mother herself. Here, in memoirs, testimonials, diaries, essays, and fiction, mothers describe first-hand the changes brought to their lives by pregnancy, childbirth, and mothering. Many of the writers articulate difficult and socially unsanctioned maternal anger and ambivalence. In Mother Reader, motherhood is scrutinized for all its painful and illuminating subtleties, and addressed with unconventional wisdom and candor. What emerges is a sense of a community of writers speaking to and about each other out of a common experience, and a compilation of extraordinary literature never before assembled in a single volume.
2024 Reprint of the 1928 Edition. Mead's classic account is based upon her research and study of youth - primarily adolescent girls - on the island of Taʻū in the Samoan Islands. The book details the sexual life of teenagers in Samoan society in the early 20th century, and theorizes that culture has a leading influence on psychosexual development. First published in 1928, the book launched Mead as a pioneering researcher and as the most famous anthropologist in the world. Since its first publication, Coming of Age in Samoa has been one of the most widely read books in the field of anthropology. It has sparked years of ongoing and intense debate and controversy on questions pertaining to society, culture, and science. It is a key text in the nature versus nurture debate, as well as in discussions on issues relating to family, adolescence, gender, social norms, and attitudes. Contents: Introduction -- A day in Samoa -- The education of the Samoan child -- The Samoan household -- The girl and her age group -- The girl in the community -- Formal sex relations -- The role of the dance -- The attitude towards personality -- The experience and individuality of the average girl -- The girl in conflict -- Maturity and old age -- Our educational problems in the light of Samoan contrasts -- Education for choice.
The New York Times bestselling author of Always imagines life on Boat Street, a floating community on Seattle’s Lake Union, home to people of artistic spirit who for decades protect the dark secret of one startling night in 1959. Fleeing an East Coast life marred by tragedy, Ada Santorini takes up residence on houseboat number seven on Boat Street in search of inspiration and new opportunities. When she discovers a trunk left behind by Penny Wentworth, a young newlywed who lived on the boat half a century earlier, she is immediately drawn into this long lost story. Ever-curious, Ada longs to know her predecessor’s fate, but does not suspect that Penny’s mysterious past and her own clouded future are destined to converge...
A uniquely revealing biography of two eminent twentieth century American women. Close friends for much of their lives, Ruth Benedict and Margaret Mead met at Barnard College in 1922, when Mead was a student, Benedict a teacher. They became sexual partners (though both married), and pioneered in the then male-dominated discipline of anthropology. They championed racial and sexual equality and cultural relativity despite the generally racist, xenophobic, and homophobic tenor of their era. Mead’s best-selling Coming of Age in Samoa (1928) and Sex and Temperament in Three Primitive Societies (1935), and Benedict’s Patterns of Culture (1934), Race (1940), and The Chrysanthemum and the Sword (1946), were landmark studies that ensured the lasting prominence and influence of their authors in the field of anthropology and beyond. With unprecedented access to the complete archives of the two women—including hundreds of letters opened to scholars in 2001—Lois Banner examines the impact of their difficult childhoods and the relationship between them in the context of their circle of family, friends, husbands, lovers, and colleagues, as well as the calamitous events of their time. She shows how Benedict inadvertently exposed Mead to charges of professional incompetence, discloses the serious errors New Zealand anthropologist Derek Freeman made in his famed attack on Mead’s research on Samoa, and reveals what happened in New Guinea when Mead and colleagues engaged in a ritual aimed at overturning all gender and sexual boundaries. In this illuminating and innovative work, Banner has given us the most detailed, balanced, and informative portrait of Mead and Benedict—individually and together—that we have had.
Letters from the Field, 1925-1975 by Margaret Mead Pdf
Beginning in 1925, when at twenty-three she embarked on her first field work in Samoa, Mead sent family and friends these letters from the field “to make a little more real for them” the exotic worlds that absorbed her. In this complement to her bestselling memoir Blackberry Winter, Mead has assembled selected letters she wrote from Samoa in 1925-26; from Peré Village, Manus, in the Admiralty Islands, in 1928-29; from the Arapesh, Mundugumor, and Tchambuli, New Guinea, in 1932-33; from Bali and the Iatmul, New Guinea, in 1936-39; from Manus again in 1953; and during brief visits in the sixties and seventies to Manus, several new Guinea sites, and Montserrat in the West Indies. Enhanced by more than 100 photographs, these intelligent, vivid, frequently funny and sometimes poetic letters help us share with Mead “the unique, but also cumulative, experience of immersing oneself in the on-going life of another people, . . .attempting to understand mentally and physically this other version of reality.”
Nanabush. A name that has a certain weight on the tongue—a taste. Like lit sage in a windowless room or aluminum foil on a metal filling. Trickster. Storyteller. Shape-shifter. An ancient troublemaker with the power to do great things, only he doesn’t want to put in the work. Since coming home to Spirit Bear Point First Nation, Hazel Ellis has been dreaming of an old crow. He tells her he’s here to help her, save her. From what, exactly? Sure, her dad’s been dead for almost two years and she hasn’t quite reconciled that grief, but is that worth the time of an Algonquin demigod? Soon Hazel learns that there’s more at play than just her own sadness and doubt. The quarry that’s been lying unsullied for over a century on her father’s property is stirring the old magic that crosses the boundaries between this world and the next. With the aid of Nanabush, Hazel must unravel a web of deceit that, if left untouched, could destroy her family and her home on both sides of the Medicine Wheel.
Profiles of five women that aim “to shed light on personal and career obstacles women face in achieving success” by a cultural anthropologist (Publishers Weekly). Mary Catherine Bateson has been called “one of the most original and important thinkers of our time” (Deborah Tannen). Grove Press is pleased to reissue Bateson’s deeply satisfying treatise on the improvisational lives of five extraordinary women. Using their personal stories as her framework, Dr. Bateson delves into the creative potential of the complex lives we live today, where ambitions are constantly refocused on new goals and possibilities. With balanced sympathy and a candid approach to what makes these women inspiring, examples of the newly fluid movement of adaptation—their relationships with spouses, children, and friends, their ever-evolving work, and their gender—Bateson shows us that life itself is a creative process. “A masterwork of rare breadth and particularity, encompassing all the rhythms of five lives and friendships, and interweaving their stories in ways that reveal grand social truths and peculiar personal graces.”—The Boston Globe “Well-formulated and passionate . . . Offers nothing less than a radical rethinking of the concept of achievement.”—San Francisco Chronicle “As stimulating as it is hopeful . . . shakes up well-meaning truisms . . . adds new dimensions to our views of the world.”—Elizabeth Janeway, author of Man’s World, Woman’s Place “Bateson has an extremely interesting mind and the ability to express herself with extraordinary literary felicity . . . Too much truth steams behind the quiet elegance of these passages.”—The New York Times Book Review
In 1933 Louisville, Kentucky, even the ongoing economic depression cannot keep Piper Danson's parents from insisting on a debut party. After all, their fortune came through the market crash intact, and they've picked out the perfect suitor for their daughter. Braxton Crandall can give her the kind of life she's used to. The only problem? This is not the man--or the life--she really wants. When Piper gets the opportunity to volunteer as a horseback Frontier Nursing courier in the Appalachian Mountains for the summer, she jumps at the chance to be something other than a dutiful daughter or a kept wife in a loveless marriage. The work is taxing, the scenery jaw-droppingly gorgeous, and the people she meets along the way open up a whole new world to her. The longer she stays, the more an advantageous marriage slips from her grasp. But something much more precious--true love--is drawing ever closer. Bestselling author Ann H. Gabhart invites you into the storied hills of Eastern Kentucky to discover what happens when one intrepid young woman steps away from the restrictive past into a beautiful, wide-open future.
Autobiographical Occasions and Original Acts by Albert E. Stone Pdf
Stone rescues autobiography from the thickets of recent critical theory, in which the life portrayed has often seemed less important than the inventive literary techniques. He argues that the techniques are important because knowledge of the life is important to our culture. Restricting himself primarily to 16 writers of the 20th century, Stone juxtaposes two or three figures in given chapters, such as "Becoming a Woman in Male America: Margaret Mead and Anais Nin" and "Two Recreate One: The Act of Collaboration in Recent Black Autobiography -- Ossie Guffy, Nate Shaw, Malcolm X." Other writers considered are W.E.B. DuBois, Henry Adams, Black Elk, Thomas Merton, Louis Sullivan, Richard Wright, Norman Mailer, Frank Conroy, and Lillian Hellman.
