Blackness And Transatlantic Irish Identity

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Blackness and Transatlantic Irish Identity

Author : Lauren Onkey
Publisher : Routledge
Page : 245 pages
File Size : 46,7 Mb
Release : 2011-02-09
Category : History
ISBN : 9781135165710

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Blackness and Transatlantic Irish Identity by Lauren Onkey Pdf

Blackness and Transatlantic Irish Identity analyzes the long history of imagined and real relationships between the Irish and African-Americans since the mid-nineteenth century in popular culture and literature. Irish writers and political activists have often claimed - and thereby created - a "black" identity to explain their experience with colonialism in Ireland and revere African-Americans as a source of spiritual and sexual vitality. Irish-Americans often resisted this identification so as to make a place for themselves in the U.S. However, their representation of an Irish-American identity pivots on a distinction between Irish-Americans and African-Americans. Lauren Onkey argues that one of the most consistent tropes in the assertion of Irish and Irish-American identity is constructed through or against African-Americans, and she maps that trope in the work of writers Roddy Doyle, James Farrell, Bernard MacLaverty, John Boyle O’Reilly, and Jimmy Breslin; playwright Ned Harrigan; political activists Bernadette Devlin and Tom Hayden; and musicians Van Morrison, U2, and Black 47.

Transatlantic Modernism and the US Lecture Tour

Author : Robert Volpicelli
Publisher : Oxford University Press
Page : 224 pages
File Size : 47,8 Mb
Release : 2021-06-24
Category : Literary Collections
ISBN : 9780192645531

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Transatlantic Modernism and the US Lecture Tour by Robert Volpicelli Pdf

Many Americans' first encounter with international modernism came, not on the page, but in person—through the widespread phenomenon of the US lecture tour. Attending to these encounters, Transatlantic Modernism and the US Lecture Tour reroutes our understanding of modernism away from the magazines and other mass media that have so far characterized its circulation and toward the unique form of cultural distribution that coalesced around the tour. Offering many new and compelling archival insights, this volume works across an admirably broad cultural landscape to reveal the US lecture tour as a primary mover of modernism. The study highlights the role this circuit played in the formation of transatlantic modernism by following a diverse group of authors—Oscar Wilde, W. B. Yeats, Rabindranath Tagore, Gertrude Stein, and W. H. Auden—on their whistle-stop tours across America, illuminating in the process how this extremely physical form of circulation transformed authors into object-like commodities to be sold in a variety of performance venues. Moreover, it shows how these writers responded to such wide-ranging distribution by stretching their own ideas about modernist authorship. In doing so, Transatlantic Modernism and the US Lecture Tour adds to a critical tradition of exposing those popular dimensions of modernism that far exceeded its standard coterie definition while also uncovering something else: how the circuit's particular diversity of social contexts forced modernists to take on a new authorial flexibility that would allow them to make in-roads with practically any audience—elite, popular, and everything in between.

Music and Identity in Ireland and Beyond

Author : Dr John O'Flynn,Dr Mark Fitzgerald
Publisher : Ashgate Publishing, Ltd.
Page : 341 pages
File Size : 48,7 Mb
Release : 2014-06-28
Category : Music
ISBN : 9781472409683

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Music and Identity in Ireland and Beyond by Dr John O'Flynn,Dr Mark Fitzgerald Pdf

Music and Identity in Ireland and Beyond represents the first interdisciplinary volume of chapters on an intricate cultural field that can be experienced and interpreted in manifold ways, whether in Ireland (The Republic of Ireland and/or Northern Ireland), among its diaspora(s), or further afield. While each contributor addresses particular themes viewed from discrete perspectives, collectively the book contemplates whether ‘music in Ireland’ can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland (geographical, political, diasporic, mythical) and Music (including a proliferation of practices and genres) that give rise to multiple sites of identification. Arranged in the relatively distinct yet interweaving parts of ‘Historical Perspectives’, ‘Recent and Contemporary Production’ and ‘Cultural Explorations’, its various chapters act to juxtapose the socio-historical distinctions between the major style categories most typically associated with music in Ireland - traditional, classical and popular - and to explore a range of dialectical relationships between these musical styles in matters pertaining to national and cultural identity. The book includes a number of chapters that examine various movements (and ‘moments’) of traditional music revival from the late eighteenth century to the present day, as well as chapters that tease out various issues of national identity pertaining to individual composers/performers (art music, popular music) and their audiences. Many chapters in the volume consider mediating influences (infrastructural, technological, political) and/or social categories (class, gender, religion, ethnicity, race, age) in the interpretation of music production and consumption. Performers and composers discussed include U2, Raymond Deane, Afro-Celt Sound System, E.J. Moeran, Séamus Ennis, Kevin O’Connell, Stiff Little Fingers, Frederick May, Arnold Bax and Morrissey.

Frederick Douglass and Ireland

Author : Christine Kinealy
Publisher : Routledge
Page : 331 pages
File Size : 54,5 Mb
Release : 2018-06-18
Category : History
ISBN : 9780429998744

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Frederick Douglass and Ireland by Christine Kinealy Pdf

Frederick Douglass spent four months in Ireland at the end of 1845 that proved to be, in his own words, ‘transformative’. He reported that for the first time in his life he felt like a man, and not a chattel. Whilst in residence, he became a spokesperson for the abolition movement, but by the time he left the country in early January 1846, he believed that the cause of the slave was the cause of the oppressed everywhere. This book adds new insight into Frederick Douglass and his time in Ireland. Contemporary newspaper accounts of the lectures that Douglass gave during his tour of Ireland (in Dublin, Wexford, Waterford, Cork, Limerick, and Belfast) have been located and transcribed. The speeches are annotated and accompanied by letters written by Douglass during his stay. In this way, for the first time, we hear Douglass in his own words.

The Shamrock and the Lily

Author : Mary C. Kelly
Publisher : Peter Lang
Page : 282 pages
File Size : 44,9 Mb
Release : 2005
Category : Irish Americans
ISBN : 0820474533

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The Shamrock and the Lily by Mary C. Kelly Pdf

Ireland's tumultuous heritage combined with the promise of cosmopolitan New York to forge a new Irish-American immigrant identity. Between the Great Irish Famine and the creation of the Irish Free State, the New York Irish world preserved as much from the old country as it adopts from the new. The Shamrock and the Lily illuminates a set of remarkable transatlantic connections dominated by the road to Ireland's independence, in an absorbing study of a people driven from a troubled past toward freedom for themselves and for those they left behind.

Immigration, Assimilation, and the Cultural Construction of American National Identity

Author : Shannon Latkin Anderson
Publisher : Routledge
Page : 254 pages
File Size : 54,8 Mb
Release : 2015-11-19
Category : Social Science
ISBN : 9781317328766

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Immigration, Assimilation, and the Cultural Construction of American National Identity by Shannon Latkin Anderson Pdf

Over the course of the 20th century, there have been three primary narratives of American national identity: the melting pot, Anglo-Protestantism, and cultural pluralism/multi-culturalism. This book offers a social and historical perspective on what shaped each of these imaginings, when each came to the fore, and which appear especially relevant early in the 21st century. These issues are addressed by looking at the United States and elite notions of the meaning of America across the 20th century, centering on the work of Horace Kallen, Nathan Glazer and Daniel Patrick Moynihan, and Samuel P. Huntington. Four structural areas are examined in each period: the economy, involvement in foreign affairs, social movements, and immigration. What emerges is a narrative arc whereby immigration plays a clear and crucial role in shaping cultural stories of national identity as written by elite scholars. These stories are represented in writings throughout all three periods, and in such work we see the intellectual development and specification of the dominant narratives, along with challenges to each. Important conclusions include a keen reminder that identities are often formed along borders both external and internal, that structure and culture operate dialectically, and that national identity is hardly a monolithic, static formation.

Blackness in Britain

Author : Kehinde Andrews,Lisa Amanda Palmer
Publisher : Routledge
Page : 222 pages
File Size : 44,8 Mb
Release : 2016-04-28
Category : Social Science
ISBN : 9781317555902

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Blackness in Britain by Kehinde Andrews,Lisa Amanda Palmer Pdf

Black Studies is a hugely important, and yet undervalued, academic field of enquiry that is marked by its disciplinary absence and omission from academic curricula in Britain. There is a long and rich history of research on Blackness and Black populations in Britain. However Blackness in Britain has too often been framed through the lens of racialised deficits, constructed as both marginal and pathological. Blackness in Britain attends to and grapples with the absence of Black Studies in Britain and the parallel crisis of Black marginality in British society. It begins to map the field of Black Studies scholarship from a British context, by collating new and established voices from scholars writing about Blackness in Britain. Split into five parts, it examines: Black studies and the challenge of the Black British intellectual; Revolution, resistance and state violence; Blackness and belonging; exclusion and inequality in education; experiences of Black women and the gendering of Blackness in Britain. This interdisciplinary collection represents a landmark in building Black Studies in British academia, presenting key debates about Black experiences in relation to Britain, Black Europe and the wider Black diaspora. With contributions from across various disciplines including sociology, human geography, medical sociology, cultural studies, education studies, post-colonial English literature, history, and criminology, the book will be essential reading for scholars and students of the multi- and inter-disciplinary area of Black Studies.

Who's Your Paddy?

Author : Jennifer Nugent Duffy
Publisher : NYU Press
Page : 309 pages
File Size : 52,8 Mb
Release : 2014
Category : History
ISBN : 9780814785027

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Who's Your Paddy? by Jennifer Nugent Duffy Pdf

After all the green beer has been poured and the ubiquitous shamrocks fade away, what does it mean to be Irish American besides St. Patrick’s Day? Who’s Your Paddy traces the evolution of “Irish” as a race-based identity in the U.S. from the 19th century to the present day. Exploring how the Irish have been and continue to be socialized around race, Jennifer Nugent Duffy argues that Irish identity must be understood within the context of generational tensions between different waves of Irish immigrants as well as the Irish community’s interaction with other racial minorities. Using historic and ethnographic research, Duffy sifts through the many racial, class, and gendered dimensions of Irish-American identity by examining three distinct Irish cohorts in Greater New York: assimilated descendants of nineteenth-century immigrants; “white flighters” who immigrated to postwar America and fled places like the Bronx for white suburbs like Yonkers in the 1960s and 1970s; and the newer, largely undocumented migrants who began to arrive in the 1990s. What results is a portrait of Irishness as a dynamic, complex force in the history of American racial consciousness, pertinent not only to contemporary immigration debates but also to the larger questions of what it means to belong, what it means to be American.

Irishness in North American Women's Writing

Author : Ellen McWilliams
Publisher : Springer Nature
Page : 193 pages
File Size : 54,6 Mb
Release : 2021-01-25
Category : Literary Criticism
ISBN : 9781137537881

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Irishness in North American Women's Writing by Ellen McWilliams Pdf

This book examines ideas of Irishness in the writing of Mary McCarthy, Maeve Brennan, Alice McDermott, Alice Munro, Jane Urquhart, and Emma Donoghue. Individual chapters engage in detail with questions central to the social or literary history of Irish women in North America and pay special attention to the following: discourses of Irish femininity in twentieth-century American and Canadian literature; mythologies of Irishness in an American and Canadian context; transatlantic literary exchanges and the influence of canonical Irish writers; and ideas of exile in the work of diasporic women writers.

Haptic Allegories

Author : Kathleen Gough
Publisher : Routledge
Page : 212 pages
File Size : 43,9 Mb
Release : 2013-11-07
Category : Performing Arts
ISBN : 9781135924898

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Haptic Allegories by Kathleen Gough Pdf

First published in 2013. Routledge is an imprint of Taylor & Francis, an informa company.

Censoring Racial Ridicule

Author : M. Alison Kibler
Publisher : UNC Press Books
Page : 329 pages
File Size : 40,8 Mb
Release : 2015-03-05
Category : History
ISBN : 9781469618371

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Censoring Racial Ridicule by M. Alison Kibler Pdf

A drunken Irish maid slips and falls. A greedy Jewish pawnbroker lures his female employee into prostitution. An African American man leers at a white woman. These and other, similar images appeared widely on stages and screens across America during the early twentieth century. In this provocative study, M. Alison Kibler uncovers, for the first time, powerful and concurrent campaigns by Irish, Jewish and African Americans against racial ridicule in popular culture at the turn of the twentieth century. Censoring Racial Ridicule explores how Irish, Jewish, and African American groups of the era resisted harmful representations in popular culture by lobbying behind the scenes, boycotting particular acts, and staging theater riots. Kibler demonstrates that these groups' tactics evolved and diverged over time, with some continuing to pursue street protest while others sought redress through new censorship laws. Exploring the relationship between free expression, democracy, and equality in America, Kibler shows that the Irish, Jewish, and African American campaigns against racial ridicule are at the roots of contemporary debates over hate speech.

Music, the Moving Image and Ireland, 1897–2017

Author : John O'Flynn
Publisher : Routledge
Page : 323 pages
File Size : 47,5 Mb
Release : 2021-12-30
Category : Music
ISBN : 9781351357869

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Music, the Moving Image and Ireland, 1897–2017 by John O'Flynn Pdf

Music, the Moving Image and Ireland, 1897–2017 constitutes the first comprehensive study of music for screen productions from or relating to the island. It identifies and interprets tendencies over the first 120 years of a field comprising the relatively distinct yet often overlapping areas of Irish-themed and Irish-produced film. Dividing into three parts, the book first explores accompaniments and scores for 20th-century Irish-themed narrative features that resulted in significant contributions by many Hollywood, British, continental European and, to a lesser extent, Irish composers, along with the input of many orchestras and other musicians. Its second part is framed by a consideration of various cultural, political and economic developments in both the Republic of Ireland and Northern Ireland from the 1920s (including the Troubles of 1968–1998). Focusing on scoring and other aspects of soundtrack production for domestic newsreel, documentary film and TV programming, it interprets the substantial output of many Irish composers within this milieu, particularly from the 1960s to the 1990s. Also referring to broader cultural and historical themes, the book’s third and final part charts approaches to and developments in music and sound design over various waves of Irish cinema, from its relatively late emergence in the 1970s to an exponential growth and increasingly transnational orientation in the early decades of the 21st century.

The Irish in the Atlantic World

Author : David T. Gleeson
Publisher : Univ of South Carolina Press
Page : 352 pages
File Size : 41,7 Mb
Release : 2012-11-16
Category : History
ISBN : 9781611172201

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The Irish in the Atlantic World by David T. Gleeson Pdf

The Irish in the Atlantic World presents a transnational and comparative view of the Irish historical and cultural experiences as phenomena transcending traditional chronological, topical, and ethnic paradigms. Edited by David T. Gleeson, this collection of essays offers a robust new vision of the global nature of the Irish diaspora within the Atlantic context from the eighteenth century to the present and makes original inroads for new research in Irish studies. These essays from an international cast of scholars vary in their subject matter from investigations into links between Irish popular music and the United States—including the popularity of American blues music in Belfast during the 1960s and the influences of Celtic balladry on contemporary singer Van Morrison—to a discussion of the migration of Protestant Orangemen to America and the transplanting of their distinctive non-Catholic organizations. Other chapters explore the influence of American politics on the formation of the Irish Free State in 1922, manifestations of nineteenth-century temperance and abolition movements in Irish communities, links between slavery and Irish nationalism in the formation of Irish identity in the American South, the impact of yellow fever on Irish and black labor competition on Charleston's waterfront, the fate of the Irish community at Saint Croix in the Danish West Indies, and other topics. These multidisciplinary essays offer fruitful explanations of how ideas and experiences from around the Atlantic influenced the politics, economics, and culture of Ireland, the Irish people, and the societies where Irish people settled. Taken collectively, these pieces map the web of connectivity between Irish communities at home and abroad as sites of ongoing negotiation in the development of a transatlantic Irish identity.

Irish on the Move

Author : Michelle Granshaw
Publisher : Studies Theatre Hist & Culture
Page : 304 pages
File Size : 49,7 Mb
Release : 2019
Category : Performing Arts
ISBN : 9781609386696

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Irish on the Move by Michelle Granshaw Pdf

A little over a century ago, the Irish in America were the targets of intense xenophobic anxiety. Much of that anxiety centered on their mobility, whether that was traveling across the ocean to the U.S., searching for employment in urban centers, mixing with other ethnic groups, or forming communities of their own. Granshaw argues that American variety theatre, a precursor to vaudeville, was a crucial battleground for these anxieties, as it appealed to both the fears and the fantasies that accompanied the rapid economic and social changes of the Gilded Age.

Migration and Performance in Contemporary Ireland

Author : Charlotte McIvor
Publisher : Springer
Page : 296 pages
File Size : 53,5 Mb
Release : 2016-10-10
Category : Performing Arts
ISBN : 9781137469731

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Migration and Performance in Contemporary Ireland by Charlotte McIvor Pdf

This book investigates Ireland’s translation of interculturalism as social policy into aesthetic practice and situates the wider implications of this ‘new interculturalism’ for theatre and performance studies at large. Offering the first full-length, post-1990s study of the effect of large-scale immigration and interculturalism as social policy on Irish theatre and performance, McIvor argues that inward-migration changes most of what can be assumed about Irish theatre and performance and its relationship to national identity. By using case studies that include theatre, dance, photography, and activist actions, this book works through major debates over aesthetic interculturalism in theatre and performance studies post-1970s and analyses Irish social interculturalism in a contemporary European social and cultural policy context. Drawing together the work of professional and community practitioners who frequently identify as both artists and activists, Migration and Performance in Contemporary Ireland proposes a new paradigm for the study of Irish theatre and performance while contributing to the wider investigation of migration and performance.