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The classic book on William Blake as prophet of the New Age William Blake (1757–1827) inhabited a remarkable inner world, one that he brought vividly to life in his poetry, painting, and printmaking. Blake and Antiquity situates this brilliant and enigmatic artist within the Western esoteric canon, revealing his indebtedness to Neoplatonism, the Gnostics, alchemy, and astrology. In this book, Kathleen Raine demonstrates how Blake rejected conventional orthodoxy and went in search among the occult traditions of antiquity for symbols that might expand the mind’s awareness into a spiritual state where space, time, and even death are transcended.
Blake was a visionary like no other. To some, like William Wordsworth, the only explanation for the remarkable spiritual world Blake witnessed and brought to life in his books was 'insane genius'. Although such a view persisted well into the twentieth century, this is the pivotal work which challenged that perspective and changed forever our understanding of William Blake's genius, placing him in the esoteric tradition. For many this book will be a revelation; for lovers of Blake it is indispensable.
An extensive examination of the history of gnosticism and how its philosophy has influenced the Western esoteric tradition • Explains how the Gnostic understanding of self-realization is embodied in the esoteric traditions of the Rosicrucians and Freemasons • Explores how gnosticism continues to influence contemporary spirituality • Shows gnosticism to be a philosophical key that helps spiritual seekers "remember" their higher selves Gnosticism was a contemporary of early Christianity, and its demise can be traced to Christianity's efforts to silence its teachings. The Gnostic message, however, was not destroyed but simply went underground. Starting with the first emergence of Gnosticism, the author shows how its influence extended from the teachings of neo-Platonists and the magical traditions of the Middle Ages to the beliefs and ideas of the Sufis, Jacob Böhme, Carl Jung, Rudolf Steiner, and the Rosicrucians and Freemasons. In the language of spiritual freemasonry, gnosis is the rejected stone necessary for the completion of the Temple, a Temple of a new cosmic understanding that today's heirs to Gnosticism continue to strive to create. The Gnostics believed that the universe embodies a ceaseless contest between opposing principles. Terrestrial life exhibits the struggle between good and evil, life and death, beauty and ugliness, and enlightenment and ignorance: gnosis and agnosis. The very nature of physical space and time are obstacles to humanity's ability to remember its divine origins and recover its original unity with God. Thus the preeminent gnostic secret is that we are God in potential and the purpose of bona fide gnostic teaching is to return us to our godlike nature. Tobias Churton is a filmmaker and the founding editor of the magazine Freemasonry Today. He studied theology at Oxford University and created the award-winning documentary series and accompanying book The Gnostics, as well as several other films on Christian doctrine, mysticism, and magical folklore. He lives in England.
This book demonstrates the way in which William Blake aligned his idiosyncratic concept of the Selfhood – the lens through which the despiritualised subject beholds the material world – with the atomistic materialism of the Epicurean school as it was transmitted through the first-century BC Roman poet and philosopher Lucretius’ De Rerum Natura. By addressing this philosophical debt, this study sets out a threefold re-evaluation of Blake’s work: to clarify the classical stream of Blake’s philosophical heritage through Lucretius; to return Blake to his historical moment, a thirty-year period from 1790 to 1820 which has been described as the second Lucretian moment in England; and to employ a new exegetical model for understanding the phenomenological parameters and epistemological frameworks of Blake’s mythopoeia. Accordingly, it is revealed that Blake was not only aware of classical atomistic cosmogony and sense-based epistemology but that he systematically mapped postlapsarian existence onto an Epicurean framework.
"William Blake is a universal artist--an inspiration to visual artists, musicians, poets, and performers worldwide as well as everyone who aspires to the ideals of personal, spiritual, and creative liberty. His heroic story has inspired an invigorated generations. His personal struggles during a period of political terror and oppression, his technical innovations, and his political commitment all remain deeply relevant today. This book presents a comprehensive overview of Blake's work as a printmaker, poet, and painter, foregrounding his relationship with the art world of his time and telling the stories behind many of his most iconic images."--
Author : Kathryn S. Freeman Publisher : State University of New York Press Page : 222 pages File Size : 44,6 Mb Release : 1997-03-06 Category : Biography & Autobiography ISBN : 9781438403298
Blake's Nostos establishes The Four Zoas, Blake's controversial, unfinished epic, as the culmination of the poet's mythos. Kathryn S. Freeman shows that, in its freedom to experiment with nontraditional narrative, this prophetic book is Blake's fullest representation of nondual vision as it coexists with the material world. Blake's scheme of consciousness eliminates the Enlightenment hierarchy of faculties in a structure centered around a nondual vision operating through and subsuming the fragmented world. The author draws on the analogue of Eastern philosophy to describe Blake's nondualism. According to this interpretation of Blake's epic, consciousness itself is the hero whose nostos is the apocalyptic return to wholeness from the multiple ruptures that comprise the fragmenting journey of Albion's dualistic dream. Blake's Nostos demonstrates that for each of the central elements of myth—causality, narratology, figuration, and teleology—Blake superimposes such dual and nondual perspectives as time and eternity as well as bounded space and infinity.
The Narrative Shape of Emotion in the Preaching of John Chrysostom by Blake Leyerle Pdf
John Chrysostom remains, along with Augustine, one of the most prolific witnesses to the world of late antiquity. As priest of Antioch and bishop of Constantinople, he earned his reputation as an extraordinary preacher. In this first unified study of emotions in Chrysostom’s writings, Blake Leyerle examines the fourth-century preacher’s understanding of anger, grief, and fear. These difficult emotions, she argues, were central to Chrysostom’s program of ethical formation and were taught primarily through narrative means. In recounting the tales of scripture, Chrysostom consistently draws attention to the emotional tenor of these stories, highlighting biblical characters’ moods, discussing their rational underpinnings, and tracing the outcomes of their reactions. By showing how assiduously Chrysostom aimed not only to allay but also to arouse strong feelings in his audiences to combat humanity’s indifference and to inculcate zeal, Leyerle provides a fascinating portrait of late antiquity’s foremost preacher.
Author : David Weir Publisher : State University of New York Press Page : 185 pages File Size : 50,5 Mb Release : 2012-02-01 Category : Literary Criticism ISBN : 9780791486405
Examining William Blake's poetry in relation to the mythographic tradition of the eighteenth century and emphasizing the British discovery of Hindu literature, David Weir argues that Blake's mythic system springs from the same rich historical context that produced the Oriental Renaissance. That context includes republican politics and dissenting theology—two interrelated developments that help elucidate many of the obscurities of Blake's poetry and explain much of its intellectual energy. Weir shows how Blake's poetic career underwent a profound development as a result of his exposure to Hindu mythology. By combining mythographic insight with republican politics and Protestant dissent, Blake devised a poetic system that opposed the powers of Church and King.
Investigates the participation of black Africans, usually referred to as "Ethiopians," by the Greek and Romans, in classical civilization, concluding that they were accepted by pagans and Christians without prejudice.
Griselda Pollock provides concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art. Crucially, she not only explores a feminist re-reading of the works of canonical male Impressionist and Pre-Raphaelite artists including Edgar Degas and Dante Gabriel Rossetti, but als
A classic collection of Blake's poetry, originally published in 1905 and unavailable since 1988 Amazing triumvirate of names - Blakes, Yeats and Paulin - makes this an utterly unique (and attractive) collection Combines very well with both Yeats' collection of Irish verse and Kathleen Raine's Blake and Antiquity also available as Routledge Classics
