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Explores the fascinating and surprising stories behind the most mysterious and inscrutable lyrics in rock & roll history. In Billy Joel's famous tune Piano Man, he sings: "Now Paul is a real-estate novelist, who never had time for a wife". This strange lyric cries out for an explanation. What in the world is "a real estate novelist"? Blinded By The Lyrics has the unusual answer.
Jim Cole has spent years tramping into the depths of places like Alaska, Yellowstone National Park and Glacier National Park in search of grizzlies, seeing these magnificent, powerful and reclusive animals at their most unguarded—foraging, fishing, caring for cubs, or simply lying in the backcountry sunshine. At times, he's been surrounded by dozens of bears deep in the wilderness, yet has never felt threatened by these incredible and misunderstood creatures. Even after being mauled by a grizzly in 1993, Jim eagerly trekked annually into the bears' habitat, armed only with bear spray, his camera, and his knowledge of how to stay safe. But nothing could have prepared him for May 23, 200, when he was attacked in Yellowstone by a mother grizzly who felt that his presence threatened her cub. The bear literally ripped off most of his face, blinded him in one eye, and savaged him nearly to the point of death. Jim was left sightless, bleeding, wounded and alone in the wilderness. He managed to find his way several miles through the wild country back to a main road, where passersby found him. In part, Blindsided is a gripping, detailed account of that fateful day—how Jim survived an assault by one of the most unstoppable predators on earth and managed to carry himself to safety despite his gruesome injuries. It's also the story of how he recovered with the help and support of friends, family and a dedicated medical team, but perhaps most importantly, the book is a love story between and man and animal, a clear-eyed and affectionate look at the marvel that is the grizzly bear—its astonishing habits and intelligence, the threats it faces at the hand of man, and its hopes for the future.
With Mathilde Blind: Late-Victorian Culture and the Woman of Letters, James Diedrick offers a groundbreaking critical biography of the German-born British poet Mathilde Blind (1841–1896), a freethinking radical feminist. Born to politically radical parents, Blind had, by the time she was thirty, become a pioneering female aesthete in a mostly male community of writers, painters, and critics, including Algernon Charles Swinburne, William Morris, Ford Madox Brown, William Michael Rossetti, and Richard Garnett. By the 1880s she had become widely recognized for a body of writing that engaged contemporary issues such as the Woman Question, the forced eviction of Scottish tenant farmers in the Highland Clearances, and Darwin’s evolutionary theory. She subsequently emerged as a prominent voice and leader among New Woman writers at the end of the century, including Mona Caird, Rosamund Marriott Watson, and Katharine Tynan. She also developed important associations with leading male decadent writers of the fin de siècle, most notably, Oscar Wilde and Arthur Symons. Despite her extensive contributions to Victorian debates on aesthetics, religion, nationhood, imperialism, gender, and sexuality, however, Blind has yet to receive the prominence she deserves in studies of the period. As the first full-length biography of this trailblazing woman of letters, Mathilde Blind underscores the importance of her poetry and her critical writings (her work on Shelley, biographies of George Eliot and Madame Roland, and her translations of Strauss and Bashkirtseff) for the literature and culture of the fin de siècle.
Mathilde Blind: Selected Fin-de-Siècle Poetry and Prose by James Diedrick Pdf
Mathilde Blind’s contributions to the New Woman and Decadent movements in the 1880s and 1890s placed her at the centre of fin-de-siècle literary culture. She rose to prominence in the early 1870s, both as an expert on and proponent of the poetry of Percy Bysshe Shelley and as one of the few women writers published in the Dark Blue (1871–73), an influential journal that featured the work of Britain’s leading Pre-Raphaelites and aesthetes. By the late 1880s, she had established close associations with key figures of England’s emergent Decadent communities, from Vernon Lee and Rosamund Marriott Watson to Oscar Wilde and Arthur Symons. When her Dramas in Miniature appeared in 1891, she was fusing aestheticism and Decadence so distinctively in her poetry that Symons evoked Charles Baudelaire in calling the dramatic monologues in the volume ‘flowers of evil’. Her career thus highlights the connections between mid-Victorian aestheticism and late-century Decadence. It also serves as an important corrective to the male-focused narratives that long dominated accounts of these movements. In addition, and because Blind was born in Germany of Jewish parents and part of a community of exiled European radicals, her poetry and prose alike are characterized by a transnational, cosmopolitan outlook that ranges across national borders and consistently engages with Continental writers and ideas. This new edition for the first time brings together the three major volumes of poetry Blind published between 1889 and 1895 alongside a critical introduction and explanatory notes. Because she was also an active reviewer and essayist throughout her career, it includes a selection of her reviews as well as her essay ‘Shelley’s View of Nature Contrasted with Darwin’s’, which serves as an important supplement to her 1889 volume The Ascent of Man. The edition also features a selection of critical responses to Blind’s writing by leading late-Victorian poets and critics.
For over sixty years, American guitarist John Fahey (1939–2001) has been a storied figure, first within the folk and blues revival of the long 1960s, later for fans of alternative music. Mythologizing himself as Blind Joe Death, Fahey crudely parodied white middle-class fascination with African American blues, including his own. In this book, George Henderson mines Fahey's parallel careers as essayist, notorious liner note stylist, musicologist, and fabulist for the first time. These vocations, inspired originally by Cold War educators' injunction to creatively express rather than suppress feelings, took utterly idiosyncratic and prescient turns. Fahey voraciously consumed ideas: in the classroom, the counterculture, the civil rights struggle, the new left; through his study of philosophy, folklore, African American blues; and through his experience with psychoanalysis and southern paternalism. From these, he produced a profoundly and unexpectedly refracted vision of America. To read Fahey is to vicariously experience devastating critical energies and self-soothing uncertainty, passions emerging from a singular location—the place where lone, white rebel sentiment must regard the rebellion of others. Henderson shows the nuance, contradictions, and sometimes brilliance of Fahey's words that, though they were never sung to a tune, accompanied his music.
The story of the Blind Man and the Loon is a living Native folktale about a blind man who is betrayed by his mother or wife but whose vision is magically restored by a kind loon. Variations of this tale are told by Native storytellers all across Alaska, arctic Canada, Greenland, the Northwest Coast, and even into the Great Basin and the Great Plains. As the story has traveled through cultures and ecosystems over many centuries, individual storytellers have added cultural and local ecological details to the tale, creating countless variations. In The Blind Man and the Loon: The Story of a Tale, folklorist Craig Mishler goes back to 1827, tracing the story's emergence across Greenland and North America in manuscripts, books, and in the visual arts and other media such as film, music, and dance theater. Examining and comparing the story's variants and permutations across cultures in detail, Mishler brings the individual storyteller into his analysis of how the tale changed over time, considering how storytellers and the oral tradition function within various societies. Two maps unequivocally demonstrate the routes the story has traveled. The result is a masterful compilation and analysis of Native oral traditions that sheds light on how folktales spread and are adapted by widely diverse cultures.
Blindness, or vision loss, is a major medical concern that has also drawn the attention of artists, writers, musicians, mythologists, filmmakers, religions, philosophers and others. Covering everything from pop culture to high culture, this text is an illuminating anthology of essays examining various representations of blindness. Comprehensive in scope, this collection of essays analyzes depictions and explorations of blindness in many pieces of media. Essays explore blindness in horror films, science fiction literature, high art, superhero fiction, Jewish and indigenous traditions, music and more. This book aims to show how a world of darkness can hold so much light.
Blind Faith is the story of a boy who didn't need to see to believe. Mark Dowdy was born blind, with only light perception and a vague sense of shape to form his concept of the environment around him. Music was his friend from the beginning, helping him to bridge the gap between his clouded perception and the sighted world. In Blind Faith, you will read about a boy who knew the heartache of thirteen failed eye operations by age ten, as well as the thrill of performing his music before thousands at the same time. At age fifteen, Mark became the first blind Eagle Scout in the state of Georgia while simultaneously watching his friends getting their driver's licenses and coming to the realization that he would never be able to drive a car. Then at age thirty-seven came the prayer that changed everything and a surgery that would give him a chance to see the world as never before. Would this surgery be different? Would Mark get the opportunity to see his wife and small children and the world around him with greater clarity? Read Mark Dowdy's inspiring journey from believing to seeing-and trusting God with his past, present, and future.
Pandemic Re-Awakenings offers a multi-level and multi-faceted exploration of a century of remembering, forgetting, and rediscovering the influenza pandemic of 1918-1919, arguably the greatest catastrophe in human history. Twenty-three researchers present original perspectives by critically investigating the hitherto unexplored vicissitudes of memory in the interrelated spheres of personal, communal, medical, and cultural histories in different national and transnational settings across the globe. The volume reveals how, even though the Great Flu was overshadowed by the commemorative culture of the Great War, recollections of the pandemic persisted over time to re-emerge towards the centenary of the 'Spanish' Flu and burst into public consciousness following the outbreak of the COVID-19 pandemic. The chapters chart historiographical neglect (while acknowledging the often-unnoticed dialogues between scientific and historical discourses), probe silences, and trace vestiges of social and cultural memories that long remained outside of what was considered collective memory.
Relationships with our siblings stretch, as an old saying has it, all the way from the cradle to the grave. Few bonds in life are as significant, as formative, as lasting, and as frequently overlooked as those we share with our brothers and sisters. In this stellar, first-of-its-kind anthology, contemporary writers explore the rich and varied landscape of sibling experience, illuminating the essential, occasionally wonderful, often difficult ways our brothers and sisters—or lack thereof—shape us. There are those who love and cherish their siblings, those who abhor and avoid them, and everyone in between.
The Must-Have Guide for Songwriters Writing Better Lyrics has been a staple for songwriters for nearly two decades. Now this revised and updated 2nd Edition provides effective tools for everything from generating ideas, to understanding the form and function of a song, to fine-tuning lyrics. Perfect for new and experienced songwriters alike, this time-tested classic covers the basics in addition to more advanced techniques.Songwriters will discover: • How to use sense-bound imagery to enhance a song's emotional impact on listeners • Techniques for avoiding clichés and creating imaginative metaphors and similes • Ways to use repetition as an asset • How to successfully manipulate meter • Instruction for matching lyrics with music • Ways to build on ideas and generate effective titles • Advice for working with a co-writer • And much more Featuring updated and expanded chapters, 50 fun songwriting exercises, and examples from more than 20 chart-toppings songs, Writing Better Lyrics gives you all of the professional and creative insight you need to write powerful lyrics and put your songs in the spotlight where they belong.
The Art of Writing Great Lyrics by Pamela Phillips Oland Pdf
Packed with literally hundreds of hints, tips, and inside information only a working writer would know, The Art of Writing Great Lyrics demonstrates proven, no-fail methods for everything from communicating through song, defining styles, and collaborating with a partner to studying the market, making a great demo, and getting started on a career. Full of creative exercises, writing do's and don'ts, and a handy A to Z checklist for reviewing new songs, The Art of Writing Great Lyrics provides a lifetime of proven success tips in one indispensable volume.
