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Author : Sarah E. Gardner Publisher : Univ of North Carolina Press Page : 360 pages File Size : 50,8 Mb Release : 2004 Category : History ISBN : 0807828181
During the Civil War, its devastating aftermath, and the decades following, many southern white women turned to writing as a way to make sense of their experiences. Combining varied historical and literary sources, this book argues that women served as guardians of the collective memory of the war and helped define and reshape southern identity.
Author : Sarah E. Gardner Publisher : Univ of North Carolina Press Page : 368 pages File Size : 47,7 Mb Release : 2004 Category : History ISBN : 080785767X
"Gardner's reading of a wide range of published and unpublished texts recovers a multifaceted vision of the South. For example, during the war, while its outcome was not yet a foregone conclusion, women's writings sometimes reflected loyalty and optimism; at other times, they revealed doubts and a wavering resolve. According to Gardner, it was only in the aftermath of defeat that a more unified vision of the southern cause emerged. By the beginning of the twentieth century, however, white women - who remained deeply loyal to their southern roots - were raising fundamental questions about the meaning of southern womanhood in the modern era."--BOOK JACKET.
The Politics of Irony in American Modernism by Matthew Stratton Pdf
Shortlisted for the 2015 Modernist Studies Association Book Prize This book shows how American literary culture in the first half of the twentieth century saw “irony” emerge as a term to describe intersections between aesthetic and political practices. Against conventional associations of irony with political withdrawal, Stratton shows how the term circulated widely in literary and popular culture to describe politically engaged forms of writing. It is a critical commonplace to acknowledge the difficulty of defining irony before stipulating a particular definition as a stable point of departure for literary, cultural, and political analysis. This book, by contrast, is the first to derive definitions of “irony” inductively, showing how writers employed it as a keyword both before and in opposition to the institutionalization of New Criticism. It focuses on writers who not only composed ironic texts but talked about irony and satire to situate their work politically: Randolph Bourne, Benjamin De Casseres, Ellen Glasgow, John Dos Passos, Ralph Ellison, and many others.
Irony in the Matthean Passion Narrative by InHee C. Berg Pdf
Irony is a rhetorical and literary device for revealing what is hidden behind what is seen. This book provides a history of different definitions of irony, from Aristophanes to Booth; discusses the constitutive formal elements of irony and the functions of irony; and then studies particular aspects of the Matthean Passion Narrative.
It is generally agreed that there is significant irony in the Bible. However, to date no work has been published in biblical scholarship that on the one hand includes interpretations of both Hebrew Bible and New Testament writings under the perspective of irony, and on the other hand offers a panorama of the approaches to the different types and functions of irony in biblical texts. The following volume: (1) reevaluates scholarly definitions of irony and the use of the term in biblical research; (2) builds on existing methods of interpretation of ironic texts; (3) offers judicious analyses of methodological approaches to irony in the Bible; and (4) develops fresh insights into biblical passages.
Flannery O'Connor, Walker Percy, and the Aesthetic of Revelation by John Sykes Pdf
"Examining the writings of Flannery O'Connor and Walker Percy against the background of the Southern Renaissance from which they emerged, Sykes explores how the writers shared a distinctly Christian notion of art that led them to see fiction as revelatory but adopted different theological emphases and rhetorical strategies"--Provided by publisher.
This riveting, New York Times bestselling biography illuminates the life of Otto von Bismarck, the statesman who unified Germany but who also embodied everything brutal and ruthless about Prussian culture. Jonathan Steinberg draws heavily on contemporary writings, allowing Bismarck's friends and foes to tell the story. What rises from these pages is a complex giant of a man: a hypochondriac with the constitution of an ox, a brutal tyrant who could easily shed tears, a convert to an extreme form of evangelical Protestantism who secularized schools and introduced civil divorce. Bismarck may have been in sheer ability the most intelligent man to direct a great state in modern times. His brilliance and insight dazzled his contemporaries. But all agreed there was also something demonic, diabolical, overwhelming, beyond human attributes, in Bismarck's personality. He was a kind of malign genius who, behind the various postures, concealed an ice-cold contempt for his fellow human beings and a drive to control and rule them. As one contemporary noted: "the Bismarck regime was a constant orgy of scorn and abuse of mankind, collectively and individually." In this comprehensive and expansive biography--a brilliant study in power--Jonathan Steinberg brings Bismarck to life, revealing the stark contrast between the "Iron Chancellor's" unmatched political skills and his profoundly flawed human character.
Images of Blood in American Cinema by Kjetil Rødje Pdf
Through studying images of blood in film from the mid-1950s to the end of the 1960s, this path-breaking book explores how blood as an (audio)visual cinematic element went from predominately operating as a signifier, providing audiences with information about a film’s plot and characters, to increasingly operating in terms of affect, potentially evoking visceral and embodied responses in viewers. Using films such as The Return of Dracula, The Tingler, Blood Feast, Two Thousand Maniacs, Color Me Blood Red, Bonnie and Clyde, and The Wild Bunch, Rødje takes a novel approach to film history by following one (audio)visual element through an exploration that traverses established standards for film production and reception. This study does not heed distinctions regarding to genres (horror, western, gangster) or models of film production (exploitation, independent, studio productions) but rather maps the operations of cinematic images across marginal as well as more traditionally esteemed cinematic territories. The result is a book that rethinks and reassembles cinematic practices as well as aesthetics, and as such invites new ways to investigate how cinematic images enter relations with other images as well as with audiences.
Blood, Class and Empire by Christopher Hitchens Pdf
Since the end of the Cold War so-called experts have been predicting the eclipse of America's "special relationship" with Britain. But as events have shown, especially in the wake of 9/11, the political and cultural ties between America and Britain have grown stronger. Blood, Class and Empire examines the dynamics of this relationship, its many cultural manifestations -- the James Bond series, PBS "brit Kitsch," Rudyard Kipling -- and explains why it still persists. Contrarian, essayist and polemicist Christopher Hitchens notes that while the relationship is usually presented as a matter of tradition, manners, and common culture, sanctified by wartime alliance, the special ingredient is empire; transmitted from an ancien regime that has tried to preserve and renew itself thereby. England has attempted to play Greece to the American Rome, but ironically having encouraged the United States to become an equal partner in the business of empire, Britain found itself supplanted.
The Triumph of Irony in the Book of Judges by Lillian R. Klein Pdf
The Triumph of Irony in the Book of Judges focuses on the literary quality of the book of Judges. Klein extrapolates the theme of irony in the book of Judges, seeking to prove that it is the main structural element. She points out how this literary device adds to the overall meaning and tone of the book, and what it reveals about the culture of the time. Chronologically divided into sections, Klein explores the narrative and commentates on the literary properties throughout-plot, character development, and resolution, as well as the main theme of irony.
Author : Marta Dynel Publisher : Walter de Gruyter GmbH & Co KG Page : 503 pages File Size : 47,7 Mb Release : 2018-03-19 Category : Language Arts & Disciplines ISBN : 9781501507892
This book offers fresh perspectives on untruthfulness entailed in various forms of irony, deception and humour, which have so far constituted independent foci of linguistic and philosophical investigation. These three distinct (albeit sometimes co-occurring) notions are brought together within a neo-Gricean framework and consistently discussed as representing overt or covert untruthfulness. The postulates that represent the interface between language philosophy and pragmatics are illustrated with scripted interactions culled from the series House, which help appreciate the complexities of the three concepts at hand. Apart from affording new insights into the nature of irony, deception and humour, this book critically examines previous literature on these notions, as well as relevant aspects of Grice's philosophy of language. Giving a state-of-the-art picture of untruthfulness, this publication will be of interest to both experienced and inexperienced researchers studying Grice’s philosophy, irony, deception and/or humour.
This volume engages the Gospel of Matthew in full awareness of its inherently political character. Weaver situates Matthew's version of the "good news of the kingdom" squarely within the "real world" of first-century Palestine and its occupying power, the Roman Empire. The essays here focus prominently and collectively on the issues of power and violence that not only pervade the historically occupied Jewish community of first-century Palestine, but also are clearly visible throughout Matthew's narrative account. A "lower-level" reading of the Matthean text offers a bleak portrait of the overwhelming power and violence exerted by the Roman occupying authorities and their upper-echelon Jewish collaborators against the wider Jewish community of first-century Palestine. But an "upper-level"/"God's-eye" reading of Matthew's narrative consistently reveals the fundamental irony at the heart of the New Testament as a whole, of the Jesus story broadly conceived, and of Matthew's narrative account in specific. This irony overturns all humanly recognized definitions of "power" and demonstrates the astonishing "politics of God," which defeats evident power through apparent powerlessness and overcomes violence through nonviolent initiatives.
The definitive guidebook and rebel yell for poets seeking radical growth. You want to write great poems: poems that challenge, inspire and awe; poems that forever alter your audience and yourself. Those poems take imagination, skill and some serious guts. This is not an easy step-by-step up a how-to staircase. This collection of essays, prompts and exercises is the safecracker�s toolbox you need to tap in to your creative source, find what�s sparkling in the dark, and get its life-blood and electricity flowing into your writing.
