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Blood, Symbol, Liquid by Catrien Santing,Jetze Touber Pdf
Blood serves an excellent indicator of a nexus of late medieval and early modern Cultural Change, in which matter and meaning seems to have segregated progressively. As the harmony of body and spirit succumbed under the strain of competing world views, blood lost its unity as an embodied sign, a semiotic substance. The wordplays that impose themselves with such ease in this area of research attest to the enduring permeability of the material and the spiritual when it comes to blood. This volume brings together papers presented at a workshop entitled 'Blood-Symbol-Liquid', held in Groningen on 23-24 March 2006. The organizers were keen to put the shifting composition of the material and symbolic components of blood in a broad chronological and thematic perspective, forcing the contributors to merge their respective disciplinary approaches stemming from literary history, art history and the history of religion, medicine and science.
The history of anatomy has been the subject of much recent scholarship. This volume shifts the focus to the many different ways in which the function of the body and its fluids were understood in pre-modern European thought. Contributors demonstrate how different academic disciplines can contribute to our understanding of ‘physiology’, and investigate the value of this category to pre-modern medicine. The book contains individual essays on the wider issues raised by ‘physiology’, and detailed case studies that explore particular aspects and individuals. It will be useful to those working on medicine and the body in pre-modern cultures, in disciplines including classics, history of medicine and science, philosophy, and literature. Contributors include Barbara Baert, Marlen Bidwell-Steiner, Véronique Boudon-Millot, Rainer Brömer, Elizabeth Craik, Tamás Demeter, Valeria Gavrylenko, Hans L. Haak, Mieneke te Hennepe, Sabine Kalff, Rina Knoeff, Sergius Kodera, Liesbet Kusters, Karine van ‘t Land, Tomas Macsotay, Michael McVaugh, Vivian Nutton, Barbara Orland, Jacomien Prins, Julius Rocca, Catrien Santing, Daniel Schäfer, Emma Sidgwick, Frank W. Stahnisch, Diana Stanciu, Michael Stolberg, Liba Taub, Fabio Tutrone, Katrien Vanagt, and Marion A. Wells.
Unique in focus and international in scope, this book brings together 10 essays about the material, metaphorical, and symbolic importance of blood. An interdisciplinary study that unites the work of noted historians and anthropologists Incorporates insights from recent work in symbolism, kinship studies, medical anthropology, the anthropology of religion, the sociological study of finance, and textual analysis Covers topics such as Medieval European conceptions of blood; blood and the brain; blood and the cultural study of finance; and blood types, identity, and association in twentieth-century America
Church and State in Spanish Italy by Céline Dauverd Pdf
Examines the relation between imperialism and religion through the practice of good government in Spanish Naples. Ideal for courses on the Renaissance, imperialism, the Spanish world, European history, diplomatic-international relations and the general reader interested in cultural history, Renaissance Italy, social minorities, and religious rituals.
Blood is more than a fluid solution of cells, platelets and plasma. It is a symbol for the most basic of human concerns--life, death and family find expression in rituals surrounding everything from menstruation to human sacrifice. Comprehensive in its scope and provocative in its argument, this book examines beliefs and rituals concerning blood in a range of regional and religious contexts throughout human history. Meyer reveals the origins of a wide range of blood rituals, from the earliest surviving human symbolism of fertility and the hunt, to the Jewish bris, and the clitoridectomies given to young girls in parts of Africa. The book also explores how cultural practices influence gene selection and makes a connection with the natural sciences by exploring how color perception influences the human proclivity to create blood symbols and rituals.
In Elegant Anatomy Marieke Hendriksen offers an account of the material culture of the eighteenth-century Leiden anatomical collections, which have not been studied in detail before. The author introduces the novel analytical concept of aesthesis, as these historical medical collections may seem strange, and undeniably have a morbid aesthetic, yet are neither curiosities nor art. As this book deals with issues related to the keeping and displaying of historical human remains, it is highly relevant for material culture and museum studies, cultural history, the history of scientific collections and the history of medicine alike. Unlike existing literature on historical anatomical collections, this book takes the objects in the collections as its starting point, instead of the people that created them.
Peter Sahlins’s brilliant new book reveals the remarkable and understudied “animal moment” in and around 1668 in which authors (including La Fontaine, whose Fables appeared in that year), anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings. At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the remarkable unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others (such as the dogs and lambs of the first xenotransfusion experiments) were critical to a dramatic rethinking of governance, nature, and the human. The animals of 1668 helped to shift an entire worldview in France — what Sahlins calls Renaissance humanimalism — toward more modern expressions of Classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes’s animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 where his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects. 1668: The Year of the Animal in France explores and reproduces the king’s animal collections — in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats — within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the trans_fusion experiments of Jean Denis, and others. The author joins the non_human and human agents of 1668 — panthers and painters, swans and scientists, weasels and weavers — in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.
The unvarying essential meanings of around 1,000 symbols and symbolic themes commonly found in the art, literature and thought of all cultures through the ages are clarified.
Disembodied Heads in Medieval and Early Modern Culture by Barbara Baert,Anita Traninger,Catrien Santing Pdf
Discussing medieval and early modern 'disembodied heads' this collection questions the why and how of the primacy of the head in the bodily hierarchy during the premodern period. On the basis of beliefs, mythologies and traditions concerning the head, they come to an ‘cultural anatomy’ of the head.
Taken from her home. Forced to fight for sport. Will a magician’s thirst for adventure be quenched with blood? Aya Flandeen’s rare gift has always set her apart from the rest of her village. Though she yearns to venture into the outside world, she didn’t expect her journey to start with a brutal slave-trader’s raid. Revealing her powers to save the townsfolk, Aya’s heroism ends in disaster when she’s abducted and compelled to participate in a gladiatorial fight to the death. Aya barely survives the brutal combat thanks to a surprising ally, a mysterious young man who also possesses a magical gift. But when a cruel king drops them both into a savage tournament, her only chance lies in teaming up with fellow captives to oppose the deadly beasts and assassins. Can Aya lead a revolt and escape the violent contest? Bloodfall Arena is the first book in the Blood Magic fantasy series. If you like strong female characters, epic struggles, and mesmerizing worlds, then you’ll love J. A. Ludwig’s tale of self-discovery. Buy Bloodfall Arena and enter a realm you will never forget!
The Jewish Cultural Studies series offers a contemporary view of Jewish culture around the globe. Multidisciplinary, multi-focused, and eclectic, it covers the cultural practices of secular Jews as well as of religious Jews of all persuasions, and from historical as well as contemporary perspectives. It also considers the range of institutions that represent and respond to Jewishness, including museums, the media, synagogues, and schools. More than a series on Jewish ideas, it uncovers ideas of being Jewish. This volume proposes that the idea of 'Jewish', or what people think of as 'Jewishness', is revealed in expressions of culture and applied in constructions of identity and representation. In Part I, 'Expression', Elly Teman considers how the kabbalistic red string found at sites throughout Israel conveys a political and psychological response to terrorism. Sergey Kravtsov examines Jewish and non-Jewish narratives concerning a synagogue in eastern Europe. Miriam Isaacs looks at expressions of cultural continuity in DP camps in the aftermath of the Holocaust, and Jascha Nemtsov discusses how Jewish folk music was presented as high art in early twentieth-century Germany. In Part II, 'Identity', Joachim Schlor enquires how the objects taken by emigrants leaving Germany for Palestine after Hitler's rise to power represented their identities. Hanna Kliger, Bea Hollander-Goldfein, and Emilie Passow examine how survivors' narratives become integrated into family identities. Olga Gershenson offers close readings of how the identities of Jews as enacted in post-perestroika films highlight conflicting Russian attitudes towards Jews. Ted Merwin considers commercial establishments as 'sacred spaces' for Jewish secular identities. Part III, 'Representation', opens with stories collected in Israel by Ilana Rosen from Jews who lived in Carpatho-Russia, while Judith Lewin considers the characterization of the Jewish woman in French literature. Holly Pearse and Mikel Koven, respectively, decode the Jewishness of modern radio comedy and Hollywood film. The idea of Jewishness is applied in the volume with provocative interpretations of Jewish experience, and fresh approaches to the understanding of Jewish cultural expressions. CONTRIBUTORS Simon J. Bronner, Olga Gershenson, Bea Hollander-Goldfein, Miriam Isaacs, Hannah Kliger, Mikel J. Koven, Sergey R. Kravtsov, Judith Lewin, Ted Merwin, Jascha Nemtsov, Emilie S. Passow, Holly A. Pearse, Ilana Rosen, Joachim Schlor, Elly Teman
Blood is more than a fluid solution of cells, platelets and plasma. It is a symbol for the most basic of human concerns--life, death and family find expression in rituals surrounding everything from menstruation to human sacrifice. Comprehensive in its scope and provocative in its argument, this book examines beliefs and rituals concerning blood in a range of regional and religious contexts throughout human history. Meyer reveals the origins of a wide range of blood rituals, from the earliest surviving human symbolism of fertility and the hunt, to the Jewish bris, and the clitoridectomies given to young girls in parts of Africa. The book also explores how cultural practices influence gene selection and makes a connection with the natural sciences by exploring how color perception influences the human proclivity to create blood symbols and rituals.
Romanising Oriental Gods by Jaime Alvar Ezquerra Pdf
The traditional grand narrative correlating the decline of Graeco-Roman religion with the rise of Christianity has been under pressure for three decades. This book argues that the alternative accounts now emerging significantly underestimate the role of three major cults, of Cybele and Attis, Isis and Serapis, and Mithras. Although their differences are plain, these cults present sufficient common features to justify their being taken typologically as a group. All were selective adaptations of much older cults of the Fertile Crescent. It was their relative sophistication, their combination of the imaginative power of unfamiliar myth with distinctive ritual performance and ethical seriousness, that enabled them both to focus and to articulate a sense of the autonomy of religion from the socio-political order, a sense they shared with Early Christianity. The notion of 'mystery' was central to their ability to navigate the Weberian shift from ritualist to ethical salvation.
The Holy Ghost: He is the Blood of Jesus by Derick Virgil Pdf
(This is the Rodbearer Edition) Do you want Unlimited Power? Do you want the full unadulterated Power of God in your bloodstream? It is available...but at a cost. Thankfully, that cost was paid by Jesus at the Cross. You need the Power of the Holy Ghost and the Power of the Blood of Jesus in order to live victoriously in this life. In this book, we find that they are inextricably intertwined. Pray, then read this book in order to live your best life and in order to help others live theirs. More importantly, take your relationship with God to a level you never imagined. His love will lead you there through His Spirit, The Holy Ghost.
#1 WORLDWIDE BESTSELLER • An intelligent, lightning-paced thriller set within the hidden chambers, tunnels, and temples of Washington, D.C., with surprises at every turn. • Don’t miss the Peacock original series Dan Brown’s The Lost Symbol! “Impossible to put down.... Another mind-blowing Robert Langdon story.” —The New York Times Famed Harvard symbologist Robert Langdon answers an unexpected summons to appear at the U.S. Capitol Building. His plans are interrupted when a disturbing object—artfully encoded with five symbols—is discovered in the building. Langdon recognizes in the find an ancient invitation into a lost world of esoteric, potentially dangerous wisdom. When his mentor Peter Solomon—a long-standing Mason and beloved philanthropist—is kidnapped, Langdon realizes that the only way to save Solomon is to accept the mystical invitation and plunge headlong into a clandestine world of Masonic secrets, hidden history, and one inconceivable truth ... all under the watchful eye of Dan Brown's most terrifying villain to date.
