Blue Collar Hollywood

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Blue-Collar Hollywood

Author : John Bodnar
Publisher : JHU Press
Page : 321 pages
File Size : 47,8 Mb
Release : 2006-09-26
Category : Education
ISBN : 9780801885372

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Blue-Collar Hollywood by John Bodnar Pdf

Selected by Choice Magazine as an Outstanding Academic Title for 2003 From Tom Joad to Norma Rae to Spike Lee's Mookie in Do the Right Thing, Hollywood has regularly dramatized the lives and struggles of working people in America. Ranging from idealistic to hopeless, from sympathetic to condescending, these portrayals confronted audiences with the vital economic, social, and political issues of their times while providing a diversion—sometimes entertaining, sometimes provocative—from the realities of their own lives. In Blue-Collar Hollywood, John Bodnar examines the ways in which popular American films made between the 1930s and the 1980s depicted working-class characters, comparing these cinematic representations with the aspirations of ordinary Americans and the promises made to them by the country's political elites. Based on close and imaginative viewings of dozens of films from every genre—among them Public Enemy, Black Fury, Baby Face, The Grapes of Wrath, It's a Wonderful Life, I Married a Communist, A Streetcar Named Desire, Peyton Place, Taxi Driver, Raging Bull, Coal Miner's Daughter, and Boyz N the Hood—this book explores such topics as the role of censorship, attitudes toward labor unions and worker militancy, racism, the place of women in the workforce and society, communism and the Hollywood blacklist, and faith in liberal democracy. Whether made during the Great Depression, World War II, the Cold War, or the Vietnam era, the majority of films about ordinary working Americans, Bodnar finds, avoided endorsing specific political programs, radical economic reform, or overtly reactionary positions. Instead, these movies were infused with the same current of liberalism and popular notion of democracy that flow through the American imagination.

White Masculinity in Crisis in Hollywood’s Fin de Millennium Cinema

Author : Pete Deakin
Publisher : Rowman & Littlefield
Page : 201 pages
File Size : 53,9 Mb
Release : 2019-10-15
Category : Social Science
ISBN : 9781498585200

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White Masculinity in Crisis in Hollywood’s Fin de Millennium Cinema by Pete Deakin Pdf

White Masculinity in Crisis in Hollywood’s Fin de Millennium Cinema claims that Hollywood cinema had a significant relationship with the millennial crisis of masculinity. From Fight Club (Fincher, 1999) and American Psycho (Harron, 2000), to Office Space (Judge, 1999), The Matrix (Wachowski’s, 1999) and American Beauty (Mendes, 1999), Pete Deakin attests that alongside the emergent “crisis” came a definitive body of some twenty-five Hollywood “crisis” titles; each film with a representational concern for the apparent “masculine malaise”. Asking whether Hollywood helped create, propel or sooth the very notion of the crisis-of-masculinity at this time, Deakin engages with some important cultural questions: how discursive—or even authentic—was it, and more vitally, whose actual crisis was this? To this end, scholars of film studies, media studies, gender studies, history, and sociology will find this book particularly useful.

Stayin’ Alive

Author : Jefferson Cowie
Publisher : New Press, The
Page : 485 pages
File Size : 53,6 Mb
Release : 2010-09-14
Category : Social Science
ISBN : 9781595585325

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Stayin’ Alive by Jefferson Cowie Pdf

Winner of the 2011 Merle Curti award, an epic account that recasts the 1970s as the key turning point in modern U.S. history, from the renowned historian A wide-ranging cultural and political history that will forever redefine a misunderstood decade, Stayin’ Alive is prizewinning historian Jefferson Cowie’s remarkable account of how working-class America hit the rocks in the political and economic upheavals of the 1970s. In this edgy and incisive book—part political intrigue, part labor history, with large doses of American music, film and television lore—Cowie, with “an ear for the power and poetry of vernacular speech” (Cleveland Plain Dealer), reveals America’s fascinating path from rising incomes and optimism of the New Deal to the widening economic inequalities and dampened expectations of the present.

Women Labor Activists in the Movies

Author : Jennifer L. Borda
Publisher : McFarland
Page : 240 pages
File Size : 46,5 Mb
Release : 2015-04-25
Category : Social Science
ISBN : 9781476606835

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Women Labor Activists in the Movies by Jennifer L. Borda Pdf

Some of the most indelible images of women in recent American film have been of working women fighting for labor reform or to expose corporate corruption. This critical text explores films with female labor activists as main protagonists, illuminating issues of gender and class while depicting the challenges of working class women. Films covered include Salt of the Earth, Pajama Game, Union Maids, With Babies and Banners, Norma Rae, Silkwood, and Live Nude Girls Unite! Through comparative analysis, the text examines the responses of these films to the labor and feminist movements of the last half century, and how American cinema has articulated notions of disempowerment, ambivalence and, at times, the resistance of both women and the working class at large.

Hollywood's African American Films

Author : Ryan Jay Friedman
Publisher : Rutgers University Press
Page : 265 pages
File Size : 48,9 Mb
Release : 2011-07-27
Category : Performing Arts
ISBN : 9780813550800

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Hollywood's African American Films by Ryan Jay Friedman Pdf

In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of "talking pictures" and, at the same time, to appeal to the white "Broadway" audience that patronized their most lucrative first-run theaters. Capitalizing on highbrow associations with white "slumming" in African American cabarets and on the cultural linkage between popular black musical styles and "natural" acoustics, studios produced a series of African American-cast and white-cast films featuring African American sequences. Ryan Jay Friedman asserts that these transitional films reflect contradictions within prevailing racial ideologies--arising most clearly in the movies' treatment of African American characters' decisions to migrate. Regardless of how the films represent these choices, they all prompt elaborate visual and narrative structures of containment that tend to highlight rather than suppress historical tensions surrounding African American social mobility, Jim Crow codes, and white exploitation of black labor.

From the Headlines to Hollywood

Author : Chris Yogerst
Publisher : Rowman & Littlefield
Page : 253 pages
File Size : 55,9 Mb
Release : 2016-09-02
Category : Performing Arts
ISBN : 9781442262461

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From the Headlines to Hollywood by Chris Yogerst Pdf

More than any other studio, Warner Bros. used edgy, stylistic, and brutally honest films to construct a view of America that was different from the usual buoyant Hollywood fare. The studio took seriously Harry Warner’s mandate that their films had a duty to educate and demonstrate key values of free speech, religious tolerance, and freedom of the press. This attitude was most aptly demonstrated in films produced by the studio between 1927 and 1941—a period that saw not only the arrival of sound in film but also the Great Depression, the rise of crime, and increased concern about fascism in the lead-up to World War II. In From the Headlines to Hollywood: The Birth and Boom of Warner Bros.,Chris Yogerstexplores how “the only studio with any guts” established the groundwork and perfected formulas for social romance dramas, along with gangster, war, espionage, and adventure films. In this book, the author discusses such films as ThePublic Enemy, Little Caesar, G-Men, The Life of Emile Zola, Angels with Dirty Faces,and Confessions of a Nazi Spy, illustrating the ways in which their plots truly were “ripped from the headlines.” While much of what has been written about Warner Bros. has focused on the plots of popular films or broad overviews of the studio’s output, this volume sets these in the larger context of the period, an era in which lighthearted fare competed with gritty realism. From the Headlines to Hollywood will appeal to readers with interests in film history, social history, politics, and entertainment.

Hollywood's America

Author : Steven Mintz,Randy W. Roberts,David Welky
Publisher : John Wiley & Sons
Page : 453 pages
File Size : 45,9 Mb
Release : 2016-03-07
Category : History
ISBN : 9781118976494

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Hollywood's America by Steven Mintz,Randy W. Roberts,David Welky Pdf

Fully revised, updated, and extended, the fifth edition of Hollywood’s America provides an important compilation of interpretive essays and primary documents that allows students to read films as cultural artifacts within the contexts of actual past events. A new edition of this classic textbook, which ties movies into the broader narrative of US and film history This fifth edition contains nine new chapters, with a greater overall emphasis on recent film history, and new primary source documents which are unavailable online Entries range from the first experiments with motion pictures all the way to the present day Well-organized within a chronological framework with thematic treatments to provide a valuable resource for students of the history of American film

Hollywood’s Exploited

Author : Richard Van Heertum,T. Kashani,A. Nocella,B. Frymer
Publisher : Springer
Page : 387 pages
File Size : 55,9 Mb
Release : 2010-11-14
Category : Education
ISBN : 9780230117426

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Hollywood’s Exploited by Richard Van Heertum,T. Kashani,A. Nocella,B. Frymer Pdf

This book provides an interdisciplinary and collaborative anthology that seeks to make a compelling and exciting analysis of contemporary Hollywood film texts (and the larger industry and society to which they are dialectically related) in light of Giroux's ideas about public pedagogy. Foreword by Lawrence Grossberg.

Left of Hollywood

Author : Chris Robé
Publisher : University of Texas Press
Page : 309 pages
File Size : 53,7 Mb
Release : 2011-11-15
Category : Performing Arts
ISBN : 9780292737532

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Left of Hollywood by Chris Robé Pdf

In the 1930s as the capitalist system faltered, many in the United States turned to the political Left. Hollywood, so deeply embedded in capitalism, was not immune to this shift. Left of Hollywood offers the first book-length study of Depression-era Left film theory and criticism in the United States. Robé studies the development of this theory and criticism over the course of the 1930s, as artists and intellectuals formed alliances in order to establish an engaged political film movement that aspired toward a popular cinema of social change. Combining extensive archival research with careful close analysis of films, Robé explores the origins of this radical social formation of U.S. Left film culture. Grounding his arguments in the surrounding contexts and aesthetics of a few films in particular—Sergei Eisenstein's Que Viva Mexico!, Fritz Lang's Fury, William Dieterle's Juarez, and Jean Renoir's La Marseillaise—Robé focuses on how film theorists and critics sought to foster audiences who might push both film culture and larger social practices in more progressive directions. Turning at one point to anti-lynching films, Robé discusses how these movies united black and white film critics, forging an alliance of writers who championed not only critical spectatorship but also the public support of racial equality. Yet, despite a stated interest in forging more egalitarian social relations, gender bias was endemic in Left criticism of the era, and female-centered films were regularly discounted. Thus Robé provides an in-depth examination of this overlooked shortcoming of U.S. Left film criticism and theory.

Hollywood Sports Movies and the American Dream

Author : Grant Wiedenfeld
Publisher : Oxford University Press
Page : 297 pages
File Size : 51,8 Mb
Release : 2022
Category : Motion pictures
ISBN : 9780197624920

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Hollywood Sports Movies and the American Dream by Grant Wiedenfeld Pdf

"Through the heart of Hollywood cinema runs a surprising current of progressive politics. Sports movies, a genre that has flourished since the mid-seventies, evoke the American dream and represent the nation to itself. Once considered mere credos for Reaganism, on closer view, movies from Rocky (1976) to Ali (2001) dream of democratic participation and recognition more than individual success. In every case, off-field relationships take precedence over on-field competition. Arranged chronologically, this critical study of six major sports films also tells the story of multiculturalism's gradual adoption. The mainstream's first minority heroes are paradoxically white ethnic, rural, working-class men, exemplified by Rocky, Slap Shot (1977) and The Natural (1984); Black, brown, and women characters follow in White Men Can't Jump (1992), A League of Their Own (1992), and Ali. But despite their insistence on community and diversity these popular dramas show limited faith in civic institutions. Hannah Arendt, Jeffrey Alexander, and others inform original analysis and commentary on the political significance of popular culture. Reading these familiar movies from another angle paints a fresh picture of how the United States has imagined democracy since its bicentennial"--

Tales of a Blue Collar Actor

Author : Jordan Rhodes
Publisher : Unknown
Page : 384 pages
File Size : 42,9 Mb
Release : 2021-03-09
Category : Electronic
ISBN : 0999077627

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Tales of a Blue Collar Actor by Jordan Rhodes Pdf

In The Life of a Blue-Collar Actor, we follow Jordan Rhode's incredible television and Hollywood career that spans over 55 years. And he is still going strong! Jordan has appeared on some of the most legendary TV shows in starring roles working alongside some of the best-known actors of our day. In television he is best known for his roles on The Streets of San Francisco, Quincy, Barnaby Files, The Rockford Files, Marcus Welby, MD and Matlock. He starred in some of the most legendary movies-of-the-week, The Blue and the Grey starring Gregory Peck and Stacy Keach, Once and Eagle starring Sam Elliot, and Testimony of Two Men, plus the cult classic, The Nightstalker starring Darren McGavin to mention a few. Most recently he is known for Marooned, All the Kings Men, The Indian Runner and House of Good and Evil as "Evil". In this memoir, Jordan recounts his adventures and close friendships with Sean Penn, Robert Wagner and Chuck Connors as well as working with the biggest name in film and TV including, John Wayne, Gregory Peck, Charles Bronson, Michael Douglas, Gene Hackman, Jodie Foster, Dennis Hopper, Barbara Rush, James Garner, Stephanie Powers, Jill St. John, Nick Nolte, Leslie Nielsen, Karl Malden, Viggo Mortensen, David Morse, Patricia Arquette, and Linda Cristal to name a few. In 2008 Jordan wrote Produced and starred in the acclaimed stage show PAPA, The Man, The Myth, The Ledged a one-man show which begins and ends on the morning of July 2, 1961, the last day of Hemmingway's life. Told in flashback, PAPA presents the triumphs and tragedies of Hemmingway's fascinating life. Jordan toured the show to many cities around the United States to great critical acclaim. PAPA will get a Broadway revival in 2021.

Hollywood's White House

Author : Peter C. Rollins,John E. O'Connor
Publisher : University Press of Kentucky
Page : 458 pages
File Size : 53,8 Mb
Release : 2010-09-12
Category : History
ISBN : 9780813127927

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Hollywood's White House by Peter C. Rollins,John E. O'Connor Pdf

" Winner of the 2003 Ray and Pat Browne Book Award, given by the Popular Culture Association The contributors to Hollywood's White House examine the historical accuracy of these presidential depictions, illuminate their influence, and uncover how they reflect the concerns of their times and the social and political visions of the filmmakers. The volume, which includes a comprehensive filmography and a bibliography, is ideal for historians and film enthusiasts.

The Depiction of Terrorists in Blockbuster Hollywood Films, 1980-2001

Author : Helena Vanhala
Publisher : McFarland
Page : 365 pages
File Size : 51,7 Mb
Release : 2014-01-10
Category : Performing Arts
ISBN : 9780786456901

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The Depiction of Terrorists in Blockbuster Hollywood Films, 1980-2001 by Helena Vanhala Pdf

This book examines how American foreign policy and the commercial film industry's economic interests influenced the portrayal of international terrorism in Hollywood blockbuster films from the time of the Iran hostage crisis to the 9/11 terrorist attacks. Part I provides a historical overview of modern international terrorism and how it relates to the United States, its news media, and its film industry. Part II covers depictions of terrorism during the Cold War under President Reagan, including films like Commando and Iron Eagle. Part III covers the Hollywood terrorist after the Cold War, including European terrorists in the Die Hard franchise, Passenger 57, Patriot Games, Blown Away, The Jackal and Ronin; fundamentalist Islamic terrorists in True Lies and Executive Decision; the return of the communist threat in Air Force One; and 9/11 foreshadowing in The Siege.

Hollywood's Vision of Team Sports

Author : Deborah V. Tudor
Publisher : Routledge
Page : 240 pages
File Size : 53,9 Mb
Release : 2018-10-24
Category : History
ISBN : 9781317944751

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Hollywood's Vision of Team Sports by Deborah V. Tudor Pdf

This book analyzes the ways in which sport reflects, imitates, and questions cultural values. It examines the representation of team sports, heroes, race, families, and gender in films and other media. Analysis of the ways in which broadcast media and films create such images allows us to map the ways in which traditional cultural beliefs and practices resist and accommodate changes. Films about sport do not reproduce a simple, unified set of values-rather, they exhibit the complications of attempting to negotiate ideological contradictions. During the last 50 years, sports films have shifted from the heroic idealization of The Babe Ruth Story (1948) to films revealing complexities, controversies, and uncertainties within the sports world, like Everybody's All American (1988). These contradictions are especially strong in the areas of race and gender, which are related major changes in the traditional notion of the hero. The book traces the transformation of the image of the hero in sports films within the context of the development of the sports celebrity, epitomized by Michael Jordan.

Working-Class Hollywood

Author : Steven J. Ross
Publisher : Princeton University Press
Page : 386 pages
File Size : 50,5 Mb
Release : 2020-06-30
Category : Performing Arts
ISBN : 9780691214641

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Working-Class Hollywood by Steven J. Ross Pdf

This path-breaking book reveals how Hollywood became "Hollywood" and what that meant for the politics of America and American film. Working-Class Hollywood tells the story of filmmaking in the first three decades of the twentieth century, a time when going to the movies could transform lives and when the cinema was a battleground for control of American consciousness. Steven Ross documents the rise of a working-class film movement that challenged the dominant political ideas of the day. Between 1907 and 1930, worker filmmakers repeatedly clashed with censors, movie industry leaders, and federal agencies over the kinds of images and subjects audiences would be allowed to see. The outcome of these battles was critical to our own times, for the victors got to shape the meaning of class in twentieth- century America. Surveying several hundred movies made by or about working men and women, Ross shows how filmmakers were far more concerned with class conflict during the silent era than at any subsequent time. Directors like Charlie Chaplin, D. W. Griffith, and William de Mille made movies that defended working people and chastised their enemies. Worker filmmakers went a step further and produced movies from A Martyr to His Cause (1911) to The Gastonia Textile Strike (1929) that depicted a unified working class using strikes, unions, and socialism to transform a nation. J. Edgar Hoover considered these class-conscious productions so dangerous that he assigned secret agents to spy on worker filmmakers. Liberal and radical films declined in the 1920s as an emerging Hollywood studio system, pressured by censors and Wall Street investors, pushed American film in increasingly conservative directions. Appealing to people's dreams of luxury and upward mobility, studios produced lavish fantasy films that shifted popular attention away from the problems of the workplace and toward the pleasures of the new consumer society. While worker filmmakers were trying to heighten class consciousness, Hollywood producers were suggesting that class no longer mattered. Working-Class Hollywood shows how silent films helped shape the modern belief that we are a classless nation.