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For the first twenty-five years of his career, Lucky Luciano was a vicious mobster who became the king of the New York underworld. For the next twenty-five, he was a fake, his reputation maintained by government agents. Boardwalk Gangster follows him from his early days as a hit man to his sex and narcotics empires, exposing the truth about what he did to help the Allies in World War II, and revealing how he really spent his twilight years. Drawing on secret government documents in the United States and Europe, this myth-busting biography tells a story that has never been told before—in which the American Mafia becomes entangled with foreign war and Cold War conspiracy.
The romanticised American gangster of the Prohibition era has proved an enduringly popular figure. Even today, names like Al Capone and Lucky Luciano still resonate. Robb explores the histories of key figures, from gangs in the Old West, through Prohibition and the Great Depression, to the likes of John Gotti and Frank Lucas in the 1970s and 1980s. He also looks at the gangster in popular culture, in hit TV series such as Boardwalk Empire. Although the focus is strongly on the archetypal American gangster, Robb also examines gangsters around the world, including the infamous Kray twins in London, French crime kingpin Jacques Mesrine, the Mafia Dons of Sicily, and the rise of notorious Serbian and Albanian gangs. Infamous Australian outlaw Ned Kelly makes an appearance, as does Colombian drug lord Pablo Escobar, while other sections provide details of the Chinese Triads and the Yakuza in Japan. Robb also explores the gangster in popular culture, especially in film and television. Recent hit TV series such as The Sopranos and Boardwalk Empire and blockbuster movies like Public Enemies and Gangster Squad show that the gangster is here to stay.
The great founding figures of organized crime in the 20th century were born and bred in New York City, and the city was the basis of their operations. Beginning with Prohibition and going on through many illegal activities the mob became a major force and its tentacles reached into virtually every enterprise, whether legal or illegal: gambling, boxing, labor racketeering, stock fraud, illegal unions, prostitution, food service, garment manufacturing, construction, loan sharking, hijacking, extortion, trucking, drug dealing – you name it the mob controlled it. The men who organized crime in America were the sons of poor immigrants. They were hungry for success and would use whatever means available to achieve their goals. They were not interested in religious identity and ethnic identity. Their syndicate of criminals was made up, primarily of Italians and Jews, but also Irish and black gangsters who could further their ambitions. Their sole objective was always the same – money. It began with Arnold Rothstein, who not only helped to fix the 1919 World Series, but who also mentored and financed the individuals who would control organized crime for decades. Individuals such as Frank Costello, Lucky Luciano, Bugsy Siegel, Joe Adonis, and Meyer Lansky, who would then follow suit setting up other criminal organizations. They established rules of governance, making millions of dollars for themselves and their cohorts. All the organized crime bosses and their cohorts had the same modus operandi: they were far-seeing opportunists who took advantage of every illegal opportunity that came their way for making money. Big Apple Gangsters: The Rise and Decline of the Mob in New York reveals just how influential the mob in New York City was during the 20th century. Jeffrey Sussman entertainingly digs into the origins of organized crime in the 20th century by looking at the corporate activity that dominated this one city and how these entrepreneurial bosses supported successful criminal enterprises in other cities. He also profiles many of the colorful gangsters who followed in the footsteps of gangland’s original founders. Throughout the book Sussman provides fascinating portraits of a who’s who of gangland. His narrative moves excitingly and entertainingly through the pivotal events and history of organized crime, explaining the birth, growth, maturation, and decline of various illegal enterprises in New York. He also profiles those who prosecuted the mob and won significant verdicts that ended many careers, responsible for bringing many organized crime figures to their knees and then delivering a series of coups de grace – such as Burton Turkus, Thomas Dewey, Robert Kennedy, and Rudolph Giuliani.
For the first time ever the full story of how Charles “Lucky” Luciano—the U.S. Mafia boss who put the “organized” into organized crime—was recruited by U.S. Naval Intelligence in 1944 to aid the Allied war effort in the U.S. invasion of Sicily that was a turning point in WWII. In 1942, fears were growing that New York Harbor was vulnerable to sabotage. If the waterfront was infested with German and Italian agents, the U.S. Navy needed a secret plan just as insidious to secure it. Naval intelligence officer, Commander Charles Radcliffe Haffenden had the solution: recruit as his own spies, members of La Cosa Nostra. Pier to pier, no one terrified the longshoremen, stevedores, shopkeepers, and boat captains along the harbor better than the Mafia gangs of New York, who controlled the docks in Manhattan and Brooklyn. Haffenden was prepared to make a deal with the devil—the man who put “organized” into organized crime. Even from his cell in Dannemora State Prison, former Public Enemy #1, Charles “Lucky” Luciano still had tremendous power. Luciano was willing to wield it for Uncle Sam in exchange for a fullpardon. Haffenden, though, wanted something in return—Luciano’s contacts in Italy to track the Nazis’ movements. The victorious U.S. invasion of Sicily in July 1943 might have turned out differently without Luciano’s help. Operation Underworld is a tale of espionage and crime like no other, the unbelievable, first-ever account of the Allied war effort’s clandestine—and improbably—coalition between the Mafia and the U.S. Government to help the Allies win World War II.
This three-volume set is a valuable resource for researching the history of American television. An encyclopedic range of information documents how television forever changed the face of media and continues to be a powerful influence on society. What are the reasons behind enduring popularity of television genres such as police crime dramas, soap operas, sitcoms, and "reality TV"? What impact has television had on the culture and morality of American life? Does television largely emulate and reflect real life and society, or vice versa? How does television's influence differ from that of other media such as newspapers and magazines, radio, movies, and the Internet? These are just a few of the questions explored in the three-volume encyclopedia TV in the USA: A History of Icons, Idols, and Ideas. This expansive set covers television from 1950 to the present day, addressing shows of all genres, well-known programs and short-lived series alike, broadcast on the traditional and cable networks. All three volumes lead off with a keynote essay regarding the technical and historical features of the decade(s) covered. Each entry on a specific show investigates the narrative, themes, and history of the program; provides comprehensive information about when the show started and ended, and why; and identifies the star players, directors, producers, and other key members of the crew of each television production. The set also features essays that explore how a particular program or type of show has influenced or reflected American society, and it includes numerous sidebars packed with interesting data, related information, and additional insights into the subject matter.
Early Organized Crime in Detroit by James Buccellato Pdf
Though detectives denied it, the Italian mafia was operating in Detroit as early as 1900, and the city was forever changed. Bootleggers controlled the Detroit River and created a national distribution network for illegal booze during Prohibition. Gangsters, cops and even celebrities fell victim to the violence. Some politicians and prominent businessmen like Henry Ford's right-hand man, Harry Bennett, collaborated closely with the mafia, while others, such as popular radio host Gerald Buckley, fought back and lost their lives. Social scientist and crime writer James A. Buccellato explores Detroit's struggle with gang violence, public corruption and the politics of vice during the tumultuous first half of the twentieth century.
Television Aesthetics and Style by Steven Peacock,Jason Jacobs Pdf
Although Film Studies has successfully (re)turned attention to matters of style and interpretation, its sibling discipline has left the territory uncharted - until now. The question of how television operates on a stylistic level has been critically underexplored, despite being fundamental to our viewing experience. This significant new work redresses a vital gap in Television Studies by engaging with the stylistic dynamics of TV; exploring the aesthetic properties and values of both the medium and particular types of output (specific programmes); and raising important questions about the way we judge television as both cultural artifact and art form. Television Aesthetics and Style provides a unique and vital intervention in the field, raising key questions about television's artistic properties and possibilities. Through a series of case-studies by internationally renowned scholars, the collection takes a radical step forward in understanding TV's stylistic achievements.
Tom & Lucky (and George & Cokey Flo) by C. Joseph Greaves Pdf
The year is 1936. Charles "Lucky" Luciano is the most powerful gangster in America. Thomas E. Dewey is an ambitious young prosecutor hired to bring him down, and Cokey Flo Brown--grifter, heroin addict, and sometimes prostitute--is the witness who claims she can do it. Only a wily defense attorney named George Morton Levy stands between Lucky and a life behind bars, between Dewey and the New York governor's mansion. As the Roaring Twenties give way to the austere reality of the Great Depression, four lives, each on its own incandescent trajectory, intersect in a New York courtroom, introducing America to the violent and darkly glamorous world of organized crime and leaving our culture, laws, and politics forever changed. Based on a trove of newly discovered documents, Tom & Lucky (and George & Cokey Flo) tells the true story of a singular trial in American history: an epic clash between a crime-busting district attorney and an all-powerful mob boss who, in the crucible of a Manhattan courtroom, battle for the heart and soul of a dispirited nation. Blending elements of political thriller, courtroom drama, and hard-boiled pulp, author C. Joseph Greaves introduces readers to the likes of Al Capone, Dutch Schultz, Meyer Lansky, and Bugsy Siegel while taking readers behind the scenes of a corrupt criminal justice system in which sinners may be saints and heroes may prove to be the biggest villains of all.
The New York Times Bestseller What if everything you think you know about addiction is wrong? Johann Hari's journey into the heart of the war on drugs led him to ask this question--and to write the book that gave rise to his viral TED talk, viewed more than 62 million times, and inspired the feature film The United States vs. Billie Holiday and the documentary series The Fix. One of Johann Hari's earliest memories is of trying to wake up one of his relatives and not being able to. As he grew older, he realized he had addiction in his family. Confused, not knowing what to do, he set out and traveled over 30,000 miles over three years to discover what really causes addiction--and what really solves it. He uncovered a range of remarkable human stories--of how the war on drugs began with Billie Holiday, the great jazz singer, being stalked and killed by a racist policeman; of the scientist who discovered the surprising key to addiction; and of the countries that ended their own war on drugs--with extraordinary results. Chasing the Scream is the story of a life-changing journey that transformed the addiction debate internationally--and showed the world that the opposite of addiction is connection.
Routledge Handbook of Proxy Wars by Assaf Moghadam,Vladimir Rauta,Michel Wyss Pdf
This Handbook is the first volume to comprehensively examine the challenges, intricacies, and dynamics of proxy wars, in their various facets. The volume aims to capture the significantly growing interest in the topic at a critical juncture when wars of many guises are becoming multifaceted proxy wars. Most often, proxy wars have wide-ranging implications for international security and are, therefore, a critically important subject of inquiry. The Handbook seeks to understand and explain proxy wars conceptually, theoretically, and empirically, with a focus on the numerous policy challenges and dilemmas they pose. To do so, it presents a multi- and interdisciplinary assessment of proxy wars focused on the causes, dynamics, and processes underpinning the phenomenon, across time and space and a multitude of actors throughout human history. The Handbook is divided into six thematic sections, as follows: Part I: Approaches to the Study of Proxy Wars Part II: Historical Perspectives on Proxy Wars Part III: Actors in Proxy Wars Part IV: Dynamics of Proxy Wars Part V: Case Studies of Proxy Wars Part VI: The Future of Proxy Wars By bringing together many leading scholars in a synthesis of expertise, this Handbook provides a unique and rigorous account of research into proxy war, which so far has been largely missing from the debate. This book will be of much interest to students of strategic studies, security studies, foreign policy, political violence, and International Relations.
!--[if gte mso 9] ![endif]-- The gripping story of the rise of early drug culture in America, from the author of the acclaimed Can't Find My Way Home With an intricate storyline that unites engaging characters and themes and reads like a novel, Bop Apocalypse details the rise of early drug culture in America by weaving together the disparate elements that formed this new and revolutionary segment of the American social fabric. Drawing upon his rich decades of writing experience, master storyteller Martin Torgoff connects the birth of jazz in New Orleans, the first drug laws, Louis Armstrong, Mezz Mezzrow, Harry Anslinger and the Federal Bureau of Narcotics, swing, Lester Young, Billie Holiday, the Savoy Ballroom, Reefer Madness, Charlie Parker, the birth of bebop, the rise of the Beat Generation, and the coming of heroin to Harlem. Aficionados of jazz, the Beats, counterculture, and drug history will all find much to enjoy here, with a cast of characters that includes vivid and memorable depictions of Billie Holiday, Miles Davis, John Coltrane, Jackie McLean, Allen Ginsberg, William S. Borroughs, Jack Kerouac, Herbert Huncke, Terry Southern, and countless others. Bop Apocalypse is also a living history that teaches us much about the conflicts and questions surrounding drugs today, casting many contemporary issues in a new light by connecting them back to the events of this transformative era. At a time when marijuana legalization is rapidly becoming a reality, it takes us back to the advent of marijuana prohibition, when the templates of modern drug law, policy, and culture were first established, along with the concomitant racial stereotypes. As a new opioid epidemic sweeps through white working- and middle-class communities, it brings us back to when heroin first arrived on the streets of Harlem in the 1940s. And as we debate and grapple with the gross racial disparities of mass incarceration, it puts into sharp and provocative focus the racism at the very roots of our drug war. Having spent a lifetime at the nexus of drugs and music, Torgoff reveals material never before disclosed and offers new insights, crafting and contextualizing Bop Apocalypse into a truly novel contribution to our understanding of jazz, race, literature, drug culture, and American social and cultural history.
Looking Back at the Jazz Age by Nancy von Rosk Pdf
From Britain’s Downton Abbey and Dancing on the Edge to Woody Allen’s Midnight in Paris and Baz Luhrmann’s The Great Gatsby, the Jazz Age’s presence in recent popular culture has been striking and pervasive. This volume not only deepens the reader’s knowledge of this iconic period, but also provides a better understanding of its persistent presence “in our time.” Situating well-known Jazz Age writers such as Langston Hughes in new contexts while revealing the contributions of lesser-known figures such as Fannie Hurst, Looking Back at the Jazz Age brings together an international and interdisciplinary group of scholars who draw on a wide range of academic fields and critical methods: New Historicism, biography, philosophy, queer theory, psychoanalytical theory, geography, music theory, film studies, and urban studies. The volume includes provocative new readings of the flapper, an intricate examination of the intersections between literature and music, as well as some reflections on the twenty first century’s preoccupation with the Jazz Age. Building on recent scholarship and suggesting avenues for further research, this collection will be of interest to scholars and students in American literature, American history, American studies, cultural studies, and film studies.
The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage. In History by HBO: Televising the American Past, Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. By focusing on this change and its effects, History by HBO outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thrive in home settings. As an examination of HBO's unique structure for producing quality historical dramas, Weeks provides four case studies of HBO series set during different periods of United States history: Band of Brothers (2001), Deadwood (2004–2007), Boardwalk Empire (2012–2014), and Treme (2010–2013). In each case, HBO's lack of advertiser influence, commitment to creative freedom, and generous budgets continue to draw and retain talent who want to tell historical stories. Balancing historical and film theories in her assessment of the roles of mise-en–scène, characterization, narrative complexity, and sound in the production of effective historical dramas, Weeks' evaluation acts as an ode to the most recent Golden Age of TV, as well as a critical look at the relationship between entertainment media and collective memory.
Tony Soprano's America by M. Keith Booker,Isra Daraiseh Pdf
Widely regarded as one of the greatest television series of all time, The Sopranos is also considered one of the most significant achievements in contemporary American culture. IThe series spearheaded the launch of a new wave of quality programming that has transformed the way people watch, experience, and talk about television. By chronicling the life and crimes of a New Jersey mobster, his family, and his cronies, The Sopranos examines deep themes at the heart of American life, particularly the country’s seedy underbelly. In Tony Soprano’s America: Gangsters, Guns, and Money, M. Keith Booker and Isra Daraiseh explore the central role of the series in American cultural history. While examining the elements that account for the show’s popularity and critical acclaim, the authors also contend that The Sopranos revolutionized the way audiences viewed television in general and cable programming as well. This book demonstrates how a show focused on an ethnic antihero somehow reflected common themes of contemporary American life, including ethnicity, class, capitalism, therapy, and family dynamics. Providing a sophisticated yet accessible account of the groundbreaking series—a show that rivals film and literature for its beauty and stunning characterization of modern life—this book engages the reader with ideas central to the American experience. Tony Soprano’s America brings to life this profound television program in ways that will entertain, engage, and perhaps even challenge longtime viewers and critics.
Author : Ron Wilson Publisher : Columbia University Press Page : 137 pages File Size : 47,8 Mb Release : 2014-12-16 Category : Performing Arts ISBN : 9780231850674
This volume examines the gangster film in its historical context with an emphasis on the ways the image of the gangster has adapted and changed as a result of socio-cultural circumstances. From its origins in Progressive-era reforms to its use as an indictment of corporate greed, the gangster film has often provided a template for critiquing American ideas and values concerning individualism, success, and business acumen. The gangster genre has also been useful in critically examining race and ethnicity in American culture in terms of "otherness." Films studied include Musketeers of Pig Alley (1912), The Racket (1928), The Captive City (1952), The Godfather, Part Two (1974), Goodfellas (1990), and Killing Them Softly (2012).
