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Can Everton Jones discover how his father stole Emperor Bokassa's diamonds before Bokassa's followers - the Apostles - get there first? Everton and his friends romp all over the gay scene in London to find out, fight a demon and run into a street war.
Why Africa? an abstract first painted in 1993 and reproduced in collage in 2004, is variously described by his admirers as an emotional revelation. The work depicts the African question problems and prospects including political instability, corruption, and poverty in the midst of rich natural and human resources. Thus, Why Africa? inspired him to write a book on the subject, applying his creativity with a unique perspective on the African case. Bona has written one book (unpublished) titled: The Ancient and Modern (1992) a story on Urualla, his ancestral origin in Nigeria.
A Companion to Werner Herzog showcases over two dozen original scholarly essays examining nearly five decades of filmmaking by one of the most acclaimed and innovative figures in world cinema. First collection in twenty years dedicated to examining Herzog’s expansive career Features essays by international scholars and Herzog specialists Addresses a broad spectrum of the director’s films, from his earliest works such as Signs of Life and Fata Morgana to such recent films as The Bad Lieutenant and Encounters at the End of the World Offers creative, innovative approaches guided by film history, art history, and philosophy Includes a comprehensive filmography that also features a list of the director’s acting appearances and opera productions Explores the director’s engagement with music and the arts, his self-stylization as a global filmmaker, his Bavarian origins, and even his love-hate relationship with the actor Klaus Kinski
Dark Age recounts the turbulent political career of recently deceased Jean-Bedel Bokassa, the flamboyant president-for-life and later emperor of the Central African Republic/Empire. Brian Titley examines the myths and legends surrounding the man, probes their origins and veracity, and attempts to provide a more balanced perspective on this controversial and misunderstood figure. Following a lengthy career in the French army, Bokassa seized power in the Central African Republic in 1966. His flamboyance and excesses soon became legendary: he was accused of cannibalism, feeding enemies to lions and crocodiles, and beating schoolchildren to death. Bokassa's tendency for self-aggrandizement culminated in 1977 when he named himself emperor and orchestrated a coronation in the style of Napoleon's. He was overthrown by French paratroopers in 1979 and went into exile, but returned to his homeland in 1985 to face a sensational trial. Titley interprets Bokassa's authoritarian and self-aggrandizing style as an attempt to legitimize his regime in a context devoid of indigenous political structures and explores the troubled relations between France and its former colonies. Combining techniques of historical inquiry and investigative journalism, he has produced a fascinating account of a pivotal chapter in contemporary African history.
Every Man for Himself and God Against All by Werner Herzog Pdf
Legendary filmmaker and celebrated author Werner Herzog tells in his inimitable voice the story of his epic artistic career in a long-awaited memoir that is as inventive and daring as anything he has done before Werner Herzog was born in September 1942 in Munich, Germany, at a turning point in the Second World War. Soon Germany would be defeated and a new world would have to be made out the rubble and horrors of the war. Fleeing the Allied bombing raids, Herzog’s mother took him and his older brother to a remote, rustic part of Bavaria where he would spend much of his childhood hungry, without running water, in deep poverty. It was there, as the new postwar order was emerging, that one of the most visionary filmmakers of the next seven decades was formed. Until age 11, Herzog did not even know of the existence of cinema. His interest in films began at age 15, but since no one was willing to finance them, he worked the night shift as a welder in a steel factory. He started to travel on foot. He made his first phone call at age 17, and his first film in 1961 at age 19. The wildly productive working life that followed—spanning the seven continents and encompassing both documentary and fiction—was an adventure as grand and otherworldly as any depicted in his many classic films. Every Man for Himself and God Against All is at once a personal record of one of the great and self-invented lives of our time, and a singular literary masterpiece that will enthrall fans old and new alike. In a hypnotic swirl of memory, Herzog untangles and relives his most important experiences and inspirations, telling his story for the first and only time.
A war hero, a mass murderer and a Gothic legend the world has never forgotten Vlad the Impaler is one of history’s most compelling and brutal characters, with a bizarre afterlife as a cult horror sensation. A hero to his countrymen, Vlad Dracula is a byword for dread. Not just for generations of Western fans of Gothic fiction and film, but also for an appalled and fascinated 15th-century readership, for whom contemporary accounts of Dracula’s atrocities became the world’s first horror bestsellers. Combining historical research and dramatic reconstruction with contemporary reference, here is Vlad the Impaler’s dramatic career, from pampered captive of the Ottoman Sultans to exterminating angel of Christian vengeance. But in reality, was he the embodiment of unbridled cruelty or model ruler of an embattled realm? Prince Dracula also examines the role of psychological warfare and black propaganda in international politics, from the medieval torture chamber to the headlines of the modern age, and shows Vlad as an unwitting pioneer of the modern world. Plying a grisly course through medieval bloodbaths and contemporary horrors, Gavin Baddeley and Paul Woods leave no tombstone unturned in this extraordinary history.
Americans from Roosevelt to Hemingway to Ruark to Capstick to Robert Jones defined Africa in ways that no European colonist ever would or could. In Augusts in Africa, Thomas McIntyre presents the stories he has gathered from four decades of safari-ing in Africa—and from among the most transforming days, weeks, and months of his life. For those who know it well, these tales may read like accurate reflections of their own experiences on the continent. For others who have journeyed to Africa only briefly, or even not at all, there is a transporting insight to be found in them. And if there is more than one account on the hunting of the Cape buffalo, that is only because it, the buffalo, may simply represent the ideal combination (the “perfect game”) of size, strength, intelligence, and vehemence to be found in any large wild animal and is therefore indicative of what draws us back again and again to Africa. Whether crouched in a blind for hours until he can clearly make out the individual rosettes on a leopard’s hide or listening to the professional hunter utter “Oh oh, you should run” when faced with a charging elephant cow, Tom McIntyre brings to life amazing African animals and exciting expeditions in Augusts in Africa.
In this highly original work, philatelist Lemerle has gathered more than 3,500 stamps--including a substantial number from the U.S.--and organized them thematically to showcase not only their beauty, but also their role as valuable documents of world history.