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Bold in Her Breeches by Jo Stanley,Anne Chambers,Dian H. Murray,Julie Wheelwright Pdf
Bold in her Breeches takes a wholly fresh look at these mythical figures and places them in their true historical and cultural contexts. From Artemisia to the contemporary women pirates of today, via eighteenth-century Grace O'Malley and nineteenth-century Cheng I Sao, we learn why women took to piracy, what it was actually like, how they were regarded by people of their own time and what history has done to their stories.
The Pirate Queen begins in Ireland with the notorious Grace O’Malley, scourge to the most powerful fleets of sixteenth-century Europe. This Irish clan chieftain and pirate queen was a contemporary of Elizabeth I, and a figure whose life is the stuff of myth. Regularly raiding English ships caught off Ireland’s west coast, she commanded two hundred men (and a couple of husbands), and acquired lands and castles that still dot the Irish coastline today. But Grace O’Malley was not alone—especially in the waters of the North Atlantic, where author Barbara Sjoholm traveled through coastal communities and seafaring ports to collect these little-known stories. Since ancient times, women have rowed and sailed, commanded and fished, built boats, and owned fleets. The Pirate Queen brings some of these extraordinary heroines back to life, including Leif Eiríksson’s explorer sister Freydís, and Trouser-Beret, the Norwegian fishing captain. Sjoholm takes readers on an unforgettable journey from the wild Irish coast through the lonely Shetlands and Faroes to the haunting fjords of Iceland and Norway, in this meticulously researched, colorfully written, and truly original work.
With her pistols loaded she went aboard And by her side hung a glittering sword In her belt two daggers, well armed for war Was this female smuggler Was this female smuggler who never feared a scar. If a "hen frigate" was any ship carrying a captain's wife, then a "she captain" is a bold woman distinguished for courageous enterprise in the history of the sea. "She captains," who infamously possessed the "bodies of women and the souls of men," thrilled and terrorized their shipmates, doing "deeds beyond the valor of women." Some were "bold and crafty pirates with broadsword in hand." Others were sirens, too, like the Valkyria Princess Alfhild, whom the mariners made rover-captain for her beauty. Like their male counterparts, these astonishing women were drawn to the ocean's beauty -- and its danger. In her inimitable, yarn-spinning style, award-winning historian Joan Druett tells us what life was like for the women who dared to captain ships of their own, don pirates' garb, and perform heroic and hellacious deeds on the high seas. We meet Irish raider Grace "Grania" O'Malley -- sometimes called "the bald Grania" because she cut her hair short like a boy's -- who commanded three galleys and two hundred fighting men. Female pirates Anne Bonny and Mary Read were wanted by the law. Armed to the teeth with cutlasses and pistols, they inspired awe and admiration as they swaggered about in fancy hats and expensive finery, killing many a man who cowered cravenly before them. Lovelorn Susan "Put on a jolly sailor's dress/And daubed her hands with tar/To cross the raging sea/On board a man of war" to be near her William. Others disguised themselves for economic reasons. In 1835, Ann Jane Thornton signed on as a ship's steward to earn the fair wage of nine dollars per month. When it was discovered that she was a woman, the captain testified that Jane was a capital sailor, but the crew had been suspicious of her from the start, "because she would not drink her grog like a regular seaman." In 1838, twenty-two-year-old Grace Darling led the charge to rescue nine castaways from the wreck of the Forfarshire (the Titanic of its day). "I'll save the crew!" she cried, her courageous pledge immortalized in a torrent of books, songs, and poems. Though "she captains" had been sailing for hundreds of years by the turn of the twentieth century, Scotswoman Betsey Miller made headlines by weathering "storms of the deep when many commanders of the other sex have been driven to pieces on the rocks." From the warrior queens of the sixth century B.C. to the women shipowners influential in opening the Northwest Passage, Druett has assembled a real-life cast of characters whose boldness and bravado will capture popular imagination. Following the arc of maritime history from the female perspective, She Captains' intrepid crew sails forth into a sea of adventure.
Anne Bonny the Infamous Female Pirate by Phillip Thomas Tucker Pdf
The story of the most famous female pirate in history provides a remarkable personal odyssey from a time when women were almost powerless and at the lowest level of the social order on both sides of the Atlantic. This new biographical work fills considerable gaps in Anne Bonny’s life beyond her mythology to rescue an actual person for posterity. After turning her back on everything she knew growing up in South Carolina to find a sense of personal freedom, Anne Bonny sailed the Caribbean’s pristine waters during the Golden Age of Piracy in the early eighteenth century. Few accurate records exist about these law-breakers, whose lifestyles called for hanging. Fortunately, Anne Bonny was a notable exception to the rule, as she was caught off the Jamaican coast and tried by a court of law, whose records have fortunately survived. So, who was the real Anne Bonny? A heartless prostitute, a bloodthirsty psychopathic, or a compassionate woman of faith and courage? Such a fundamental question has not been adequately answered by historians for 300 years. It is now time to take a fresh look at the life of Anne Bonny to present a corrective view into not only her story but also the seldom explored, but incredibly rich, field of women’s history. The Anne Bonny mythology is today popularly told in Starz channel’s Black Sails and the video game Assassin's Creed.
For centuries seafaring people thought that the presence of women on board would mean bad luck: rough weather, shipwreck, and other disasters were sure to follow. Because of these beliefs and prejudices women were supposedly excluded from the maritime domain. In the field of maritime history too, the ship and the sea have predominantly been perceived as a space for men. This volume of the Yearbook of Women’s History challenges these notions. It asks: to what extent were the sea and the ship ever male-dominated and masculine spaces? How have women been part of seafaring communities, maritime undertakings, and maritime culture? How did gender notions impact life on board and vice versa? From a multidisciplinary perspective, this volume moves from Indonesia to the Faroe Islands, from the Mediterranean to Newfoundland; bringing to light the presence of women and the workings of gender on sailing, whaling, steam, cruise, passenger, pirate, and navy ships. As a whole it demonstrates the diversity and the agency of women at sea from ancient times to the present day.
Fall captive to the code—the real-life buccaneer bylaws that shaped every aspect of a pirate’s life. Pirates have long captured our imaginations with images of cutlass-wielding swashbucklers, eye patches, and buried treasure. But what was life really like on a pirate ship? Piracy was a risky, sometimes deadly occupation, and strict orders were essential for everyone’s survival. These “Laws” were sets of rules that determined everything from how much each pirate earned from their plunder to compensation for injuries, punishments, and even the entertainment allowed on ships. These rules became known as the “Pirates’ Code,” which all pirates had to publicly swear by. Using primary sources like eyewitness accounts, trial proceedings, and maritime logs, this book explains how each one of the pirate codes was the key to pirates’ success in battle, on sea, and on land.
Women's Lives into Print provides a remarkable collection of essays by feminist scholars and writers who focus on the theory, practice and writing of women's auto/biographies. Not only does it foster debate about the reading and interpretation of women's lives, it also explores issues relating to research methodology, and raises questions about the representation of women within feminist auto/biography. Working across a range of subject disciplines, this book comprises a vital and ground-breaking critical text for anyone interested in auto/biography.
Literary Histories of the Early Anglophone Caribbean by Nicole N. Aljoe,Brycchan Carey,Thomas W. Krise Pdf
The Caribbean has traditionally been understood as a region that did not develop a significant ‘native’ literary culture until the postcolonial period. Indeed, most literary histories of the Caribbean begin with the texts associated with the independence movements of the early twentieth century. However, as recent research has shown, although the printing press did not arrive in the Caribbean until 1718, the roots of Caribbean literary history predate its arrival. This collection contributes to this research by filling a significant gap in literary and historical knowledge with the first collection of essays specifically focused on the literatures of the early Caribbean before 1850.
Class Matters by Pat Mahony,Christine Zmroczek Pdf
This text focuses on the theory of class as it relates to women. It debates questions such as: how do women define themselves in terms of social class and why?; is definition important or not?; what part does education play in our understanding of class?; and how does class affect relationships?
The Oxford Encyclopedia of Women in World History by Bonnie G. Smith Pdf
The Encyclopedia of Women in World History captures the experiences of women throughout world history in a comprehensive, 4-volume work. Although there has been extensive research on women in history by region, no text or reference work has comprehensively covered the role women have played throughout world history. The past thirty years have seen an explosion of research and effort to present the experiences and contributions of women not only in the Western world but across the globe. Historians have investigated womens daily lives in virtually every region and have researched the leadership roles women have filled across time and region. They have found and demonstrated that there is virtually no historical, social, or demographic change in which women have not been involved and by which their lives have not been affected. The Oxford Encyclopedia of Women in World History benefits greatly from these efforts and experiences, and illuminates how women worldwide have influenced and been influenced by these historical, social, and demographic changes. The Encyclopedia contains over 1,250 signed articles arranged in an A-Z format for ease of use. The entries cover six main areas: biographies; geography and history; comparative culture and society, including adoption, abortion, performing arts; organizations and movements, such as the Egyptian Uprising, and the Paris Commune; womens and gender studies; and topics in world history that include slave trade, globalization, and disease. With its rich and insightful entries by leading scholars and experts, this reference work is sure to be a valued, go-to resource for scholars, college and high school students, and general readers alike.
Author : Andrea Langlois,Ron Sakolsky,Marian van der Zon Publisher : New Star Books Page : 258 pages File Size : 51,7 Mb Release : 2010-05-14 Category : Performing Arts ISBN : 9781554200504
Islands of Resistance by Andrea Langlois,Ron Sakolsky,Marian van der Zon Pdf
Since radio's invention, some Canadians have been concerned about the increasingly commercialized and centralized nature of medium. Sometimes working alone, more often in teams, and always illegally, these activists represent islands of resistance within the ocean of homogenous frequencies, pirating radio signals for personal, political and artistic expression. In the first book published on the subject, Islands of Resistance gives you a view from the crowsnest of the phenomenon of pirate radio in Canada. Here is a collection of seventeen activist manifestos, artistic treatises of intent, historical essays on the development of radio and its regulatory bodies, sociological examination of pirate radio's application in new social movements, and personal anecdotes from behind the eyepatch. Just as the new media ostensibly renders the old obsolete, Islands of Resistance unveils the existence of a thriving clandestine counterculture. An invaluable addition to an unscrutinized subject in Canadian media studies, Islands of Resistance appeals to the anarchist, anti–authoritarian impulses in all of us. Visit the Islands of Resistance website for more about the book and to hear audio clips of pirate radio.
Highly illustrated with colour images and specially commissioned maps throughout, this is a unique exploration of the pirate world. Often romanticised in print and on the silver screen, real-life pirates were a brutal menace that plagued the high seas. In this book, Angus Konstam separates myth from reality, tracing the history of piracy through the centuries, from the pirates who plagued the Ancient Egyptians to the Viking raids and on to the era of privateers. He discusses the so-called 'Golden Age of Piracy' and colourful characters such as Blackbeard and Captain Kidd, before examining the West's initial encounters with Eastern pirates off the Chinese coast and the phenomenon of the modern pirate.
*** CONGRATULATIONS TO THE BRITISH BOOK AWARDS AUTHOR OF THE YEAR 2022*** Discover the warm, witty and compelling story of a woman trying to get her life back on track, from the No. 1 bestselling author of Grown Ups 'Searingly insightful, Keyes finds lightness in the darkest and most violent of emotions' Independent 'High quality entertainment' Marie Claire _________ Meet Anna Walsh. Lying in her parents' Good Front Room, covered in bandages, Anna dreams of leaving Dublin and returning to her beloved New York. To her home. To her job. And most of all to her husband Aidan. Unfortunately, her family have other ideas. She's staying put. And Aidan? He's refusing to even take her calls. The last thing Anna wants is to think about how she ended up in this mess. But with nothing else to do, she's forced to ask herself why she's thousands of miles from the life she loves. Where did it all go wrong? And can she fix it, before it's too late? Love the Walsh sisters? Don't miss out on the eagerly awaited sequel to Rachel's Holiday: AGAIN, RACHEL . . . _________ 'A wonderful, subtle, hilarious and highly sophisticated novel' Evening Standard 'Richly enjoyable' Daily Telegraph FAMOUS FANS AND WHY THEY LOVE MARIAN KEYES 'Marian's writing is the truth. With big laughs' Dawn French 'A giant of Irish writing' Naoise Dolan 'Will make you laugh and make you cry, but will also reveal the truth of who you really are' Louise O'Neill 'Keyes weaves the joy and pain of life in a unique and magical way' Cathy Rentzenbrink 'One of the most honest writers writing today' Pandora Sykes 'Compassionate, tender, incisive writing' Lucy Foley 'Her talent for tackling serious issues with such humanity and wit is balm for the soul' Nigella Lawson 'Marian Keyes is a brilliant writer. No one is better at making terrifically funny jokes while telling such important, perceptive and agonizing stories of the heart. She is a genius' Sali Hughes 'Irresistible, profound. Keyes's comic gift is always evident' Independent 'Joyful. Keyes' clever way with words and extraordinary wit. People stared at me as I laughed to myself' C.L. Taylor 'A born storyteller' Independent on Sunday
From the author of Ecstasy, a novel of Renaissance England’s first female poet, and her collaboration—and love affair—with William Shakespeare. Aemilia Bassano Lanier is beautiful and accomplished, but her societal conformity ends there. She frequently cross-dresses to escape her loveless marriage and to gain freedoms only men enjoy—and then a chance encounter with a ragged, little-known poet named Shakespeare changes everything. The two outsiders strike up a literary bargain: they leave plague-ridden London for Italy, where they begin secretly writing comedies together and where Will falls in love with the beautiful country—and with Aemilia, his Dark Lady. Their Italian idyll, though, cannot last. Will gains fame and fortune for their plays back in London and years later publishes the sonnets mocking his former muse. Not one to stand by in humiliation, Aemilia takes up her own pen in her defense, and in defense of all women. Named One of the Best Books of the Year by the St. Paul Pioneer Press “An absorbing bildungsroman that grapples with strikingly contemporary issues of gender and religious identification”—New York Times Book Review “An exquisite portrait of a Renaissance woman pursuing her artistic destiny in England and Italy, who may—or may not—be Shakespeare’s Dark Lady.”—Margaret George, best-selling author of The Splendor Before the Dark “The idea of a smart, beautiful, artistic woman telling Shakespeare, ‘We shall write comedies, you and I’ is as heady as the elderflower wine Aemilia’s household staff brews.”—Washington Post “Atmospheric, well-researched, carefully plotted…and, like Shakespeare’s plays, chock-full of equal parts mirth and pith to please all.”—Minneapolis Star Tribune