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"The film posters of Bollywood have a long history, and it is brilliantly celebrated here. The posters span the entire history of Hindi movies, from the early twentieth century to the present day. Bollywood movies are a much-loved phenomenon, and this celebratory book will have an avid audience among its fans. But its appeal extends beyond that--graphic designers and artists will find much to inspire them as well'--Cover, p. 2.
Author : S. M. M. Ausaja Publisher : Om Books International Page : 273 pages File Size : 41,8 Mb Release : 2009 Category : Film posters, Indic ISBN : 9788187108559
A rare compilation of hand-printed as well as digitalized landmark Hindi film posters from the 1930s to the present - both tracing the journey of an art form and the evolution of cinema in India. The text accompanying each poster carries a synopsis, banner, details of cast and technical crew, date of release, famous songs, awards won, and some lesser-known anecdotes about the film. The posters are from young Hindi film buff, S M M Ausaja's personal collection of posters, lobby cards, record album covers and other memorabilia.
The Art of Bollywood by Rajesh Devraj,Edo Bouman,Paul Duncan Pdf
The Bombay-based Indian film industry--Bollywood--has developed a unique visual language, articulated by the vivid hand-painted movie posters that have since become highly desirable collectors' items. This volume presents the original art in its true glory.
Discover historical insights, lesser-known facts, and incredible photography of iconic movies including Mother India, Mughal-e-Azam, Sholay, and Bajirao Mastani with this gorgeous celebration of the world's biggest film industry. Bollywood charts the world of Hindi cinema year-by-year from the pioneering studios of the 1930s, through the Golden Age, to the age of Big Money in the 21st century and it's biggest modern stars. With over 1,000 films produced every year, the glitter and charm of Bollywood is unrivalled anywhere else in the world. Bollywood takes you on a behind-the-scenes tour of Hindi cinema's biggest blockbusters, with stunning film stills and plot timelines, as well as insightful biographies of iconic stars including Dev Anand, Amitabh Bachchan, Deepika Padukone, and Shahrukh Khan. Bring the spectacle home and be enchanted by the glamour and colour of Indian cinema with this glittering homage to Bollywood!
Bollywood Horrors by Ellen Goldberg,Aditi Sen,Brian Collins Pdf
Bollywood Horrors is a wide-ranging collection that examines the religious aspects of horror imagery, representations of real-life horror in the movies, and the ways in which Hindi films have projected cinematic fears onto the screen. Part one, “Material Cultures and Prehistories of Horror in South Asia” looks at horror movie posters and song booklets and the surprising role of religion in the importation of Gothic tropes into Indian films, told through the little-known story of Sir Devendra Prasad Varma. Part two, “Cinematic Horror, Iconography and Aesthetics” examines the stereotype of the tantric magician found in Indian literature beginning in the medieval period, cinematic representations of the myth of the fearsome goddess Durga's slaying of the Buffalo Demon, and the influence of epic mythology and Hollywood thrillers on the 2002 film Raaz. The final part, “Cultural Horror,” analyzes elements of horror in Indian cinema's depiction of human trafficking, shifting gender roles, the rape-revenge cycle, and communal violence. This book also features images (colour in the hardback, black and white in the paperback).
Cinema India by Divia Patel,Laurie Benson,Carol Cains,National Gallery of Victoria Pdf
This book is both a history of Indian cinema and of the posters that advertise them. From the time of partition in 1947, when India began shaping its democracy and national image, its cinema began evolving from religious and mythological narratives based on Hindu epics. Whether in films dealing with social themes like poverty or love across caste lines, or rollicking adventures and romantic entertainments with extravagant costumes, sets and music, the Indians have evolved an original and exuberant product, and its Hindi-language national cinema, based in Mumbai (formerly Bombay), produces more films than any other country. These days the films produced in Bollywood (the name is a conglomeration of Hollywood and Bombay) are also viewed by millions of expatriate Indians and non-Indians everywhere. In presenting the visual phenomenon of the movie poster, this catalogue traces its graphic and stylistic developments, uses of hand-done art and photography, lithography, color and typography, and Western influences and takes us up to today's computer-generated designs. It is a treasure trove for the designer or anyone interested in the history of the graphic arts. Included is the story of Mary Evans, born in Perth, Australia, who was, during the 1930's and 1940's, India's box-office star ("Fearless Nadia").
Anything But Khamosh: The Shatrughan Sinha Biography by Bharathi S. Pradhan Pdf
About the Book Every success story has its price to pay. So did Shatrughan Sinha (SS) who achieved the impossible twice over. The youngest and the most pampered in a family of academics and doctors where four sons were named after the four brothers of the Ramayan, SS stood out defiantly different. He was born for applause and the limelight; he was besotted with Raj Kapoor and cinema. In the face of stiff opposition from disciplinarian father Bhuvaneshwar Prasad Sinha, mother Shyama Devi’s chhutka bauwa (little darling) set out for the Film Institute of India (now FTII) in Poona. Bombay was the next logical destination. Without Kapoorian good looks or any connection with the Hindi film industry, the unknown scarface from Patna went on to create history on celluloid. In politics too, with no known surname or family to power his entry, he set a record as the first film star from India to be sworn-in as a Cabinet Minister. Quotes Anything But Khamosh: The Shatrughan SinhaBiography, is a rivetingly honest read that retraces the hurrahs and heartaches of India’s most popular BihariBabu. “Do not attempt to change him. Of the 1.25 crore people of India, he stands out as unique” – Amitabh Bachchan, superstar, Hindi cinema “They used to call me the Shatrughan Sinha of the South” – Rajinikanth, superstar, Tamil Nadu “I became an actor because of Shatrughan Sinha” – Chiranjeevi, superstar & Congress-I leader, Andhra Pradesh “Ours is an Eklavya-Dronacharya story. He is my guru” – Ambareesh, superstar & Minister for Housing, Karnataka “A person who joined the Jan Sangh or the BJP when it was in the Opposition, had to be gutsy. Shatrughan is” – LK Advani, Senior Leader, BJP “I would give him sanyam ki salaah (advice on patience)” – Sushma Swaraj, Minister for External Affairs “I find there’s no chaploosi (sycophancy) in him. Our doors are open 24/7 to him” – Lalu Prasad Yadav, Leader, RJD “If the Bihari Babu is hurt, the whole of Bihar is hurt” – Nitish Kumar, Chief Minister, Bihar “If we had Shatrusaab on our side, we wouldn’t need anybody else on our team” – Nawaz Sharif, Prime Minister, Pakistan About the Author Renowned columnist, critic and author Bharathi S Pradhan has written both fiction and non-fiction. Mr Bidi – the life story of an industrialist; Heartfelt: The inspirational story of Medha Jalota; Colas, Cars & Communal Harmony on secularism and Valentine Lover, an adult novel, are some of her well-received books. She scripted a documentary on Mughal-e-Azam and ideated for Balaji Telefilms. She has been Chairperson, National Awards (for best writing on cinema), and has been on the jury of diverse awards committees. She was also on the jury of the Indian Panorama of IFFI 2015. Bharathi has edited a variety of magazines and contributed to several publications that include Reader’s Digest, Mid-day, Savvy, Femina and Movie. She continues to be a Sunday columnist with The Telegraph. She lives in Mumbai with Sanjaya, her Chartered Accountant husband and Siddhesh, her son who is currently studying Law.
"Selling the Movie takes us on a stunning visual journey through almost 150 years of movie history." - Daily Mail "An incredible illustrated history of the movie poster." - Hey U Guys Showcasing the best movie posters by the top designers in the field, this rich visual history of the film poster charts the evolution from the earliest days to the present, explaining how they were used to sell both films and the stars, and how they lured audiences to cinemas across the globe to make an industry. Understand how posters enhance the brand of a movie or a star, and how they represent the crossover between creatives with this stylish art book. With insights on movie genres, influential designers, Hollywood politics and the impact of typography, this visually stunning book reveals how a powerful advertising medium became an artform itself and changed the face of graphic design.
Yash Raj Studios. He had dreamt of this moment. At the studio where he'd take his screen test, they'd see how good he was. He'd blow them away with his acting. They'd sign him up for a film right there and then. He'd have his own make up van. He'd be a professional! Akshay arrives in Mumbai, the Indian cin industry's mecca, starry-eyed with a dream of becoming a famous actor like every seventh person who comes to the city. The friend he had relied on doesn't seem to be much of a friend when Akshay really needs him. Will Akshay still manage to become the next super star of Hindi films? Or is there something else in store? In A Poster Boy, Anjali Raghbeer shares Akshay's quest for stardom and the trials he endures. Join his fascinating journey that takes us on a nostalgic trip to the captivating world of hand painted Indian film posters.
Living Pictures ISBN 0-949004-15-4 / 978-0-949004-15-4 Paperback, 8.5 x 9.5 in. / 260 pgs / 153 color and 8 b&w. / U.S. $35.00 CDN $42.00 August / Film
Behind the Scenes of Hindi Cinema by Johan Manschot,Marijke de Vos Pdf
"Behind the Scenes of Hindi Cinema is an insightful journey into the complex worlds of fantasy and reality inhabited by creative artistes. India is a unique country that exists in multiple centuries simultaneously. This book unravels the various mysteries and contradictions embedded in our centuries-old tradition. (...) Using defined sections and relevant case studies, the authors analyse the emotional ingredients that form the essence of India and Indian cinema." (Excerpt from the Foreword by Amitabh Bachchan) Behind the Scenes of Hindi Cinema explores the inner world of Bombay film, the best known of India's movie industries. Many aspects of Hindi cinema are brought to life on the pages of this richly illustrated book - from its beginnings to the present day. The use of songs to advertise movies, the role of censorship, devotion to god and family: these subjects and many more are illuminated. It reveals the symbolism of the divine role models Radha-Krishna and Ram-Sita at the heart of the main protagonists in many films, and the passion of the people working behind the scenes. It examines the changing face of the nation's enemies, the marriage scene, lyricists and playback singers, and it sheds light on Tamil cinema, which rivals the Hindi film industry in output and popularity. The book concludes with an analysis of the mass appeal of Hindi film beyond India's borders and the recent embrace of the much-hyped 'Bollywood' phenomenon in the West.
For fans of Hair Love and Eyes that Kiss in the Corners, here is an empowering picture book about recognizing the beauty around you and within you by award-winning author Supriya Kelkar and rising star illustrator Noor Sofi. Brown is beautiful. On a hike with her grandparents, a young Indian-American girl makes note of all the things in nature that are brown, too. From a nurturing mother bear, to the steadiness of deep twisting roots, to the beauty of a wild mustang, brown is everywhere! On her way, the girl collects the beautiful brown things she encounters as mementos for a scrapbook to share with a very special new addition to her family--a baby brother! Brown is you. Brown is me.
This work provides an introduction to the enormously successful world of Bollywood - the biggest film industry on the planet. It includes a selection of writings by some of the most prominent voices in Indian film writing and criticism.
India is home to Bollywood - the largest film industry in the world. Movie theaters are said to be the "temples of modern India," with Bombay producing nearly 800 films per year that are viewed by roughly 11 million people per day. In Bollywood Cinema, Vijay Mishra argues that Indian film production and reception is shaped by the desire for national community and a pan-Indian popular culture. Seeking to understand Bollywood according to its own narrative and aesthetic principles and in relation to a global film industry, he views Indian cinema through the dual methodologies of postcolonial studies and film theory. Mishra discusses classics such as Mother India (1957) and Devdas (1935) and recent films including Ram Lakhan (1989) and Khalnayak (1993), linking their form and content to broader issues of national identity, epic tradition, popular culture, history, and the implications of diaspora.
