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"The journals, dating from the 1930s, are studies in spiritual and psychological response to the landscape that informed Church's sensibilities and creative energy. The plateau she loved became both her subject and the basis of her connection to other women writers, particularly Warner, Mary Austin, and May Sarton."--BOOK JACKET.
In The Ecological Thought, eco-philosopher Timothy Morton has argued for the inclusion of “dark ecology” in our thinking about nature. Dark ecology, he argues, puts hesitation, uncertainty, irony, and thoughtfulness back into ecological thinking.” The ecological thought, he says, should include “negativity and irony, ugliness and horror.” Focusing on this concept of “dark ecology” and its invitation to add an anti-pastoral perspective to ecocriticism, this collection of essays on American literature and culture offers examples of how a vision of nature’s darker side can create a fuller understanding of humanity’s relation to nature. Included are essays on canonical American literature, on new voices in American literature, and on non-print American media. This is the first collection of essays applying the “dark ecology” principle to American literature.
When American explorers crossed the Texas Panhandle, they dubbed it part of the “Great American Desert.” A “sea of grass,” the llano appeared empty, flat, and barely habitable. Contemporary developments—cell phone towers, oil rigs, and wind turbines—have only added to this stereotype. Yet in this lyrical ecomemoir, Shelley Armitage charts a unique rediscovery of the largely unknown land, a journey at once deeply personal and far-reaching in its exploration of the connections between memory, spirit, and place. Armitage begins her narrative with the intention to walk the llano from her family farm thirty meandering miles along the Middle Alamosa Creek to the Canadian River. Along the way, she seeks the connection between her father and one of the area’s first settlers, Ysabel Gurule, who built his dugout on the banks of the Canadian. Armitage, who grew up nearby in the small town of Vega, finds this act of walking inseparable from the act of listening and writing. “What does the land say to us?” she asks as she witnesses human alterations to the landscape—perhaps most catastrophic the continued drainage of the land’s most precious resource, the Ogallala Aquifer. Yet the llano’s wonders persist: dynamic mesas and canyons, vast flora and fauna, diverse wildlife, rich histories. Armitage recovers the voices of ancient, Native, and Hispano peoples, their stories interwoven with her own: her father’s legacy, her mother’s decline, a brother’s love. The llano holds not only the beauty of ecological surprises but a renewed realization of kinship in a world ever changing. Reminiscent of the work of Terry Tempest Williams and John McPhee, Walking the Llano is both a celebration of an oft-overlooked region and a soaring testimony to the power of the landscape to draw us into greater understanding of ourselves and others by experiencing a deeper connection with the places we inhabit.
Southwestern Women Writers and the Vision of Goodness by Catharine Savage Brosman Pdf
This literary history focuses on five women writers--Mary Austin, Willa Cather, Laura Adams Armer, Peggy Pond Church and Alice Marriott--whose work appeared from around 1900 through the 1980s. All came from or lived and worked in California, Arizona, New Mexico or Oklahoma. The book situates them in their time and place and examines their interactions with landscapes, people, art and history. Their interest in fine arts and native arts and crafts is stressed, as well as their concern for the environment.
Projecting Words, Writing Images by John R. Leo,Marek Paryz Pdf
This compilation of essays by 20 scholars trained in comparative literatures, art history, critical theory, and American cultural studies further explores and expands the spirited and energetic field of visual cultural studies and its cognate or supplemental projects of “visual practices” and “visual literacy.” Their topics and perspectives engage contemporary re-theorizations of “text,” of “word” and “image,” while their alignments, ruptures, slippages and aporias fall across a range of media practices and institutions. These include photography and exhibition, film, television, entertainment, journalism, poetry and literature as visual and spectacular performances, and graphic narratives, but also their discursive intersections with “race” and ethnicity, their conjugations of gender, their tense and constitutive relations within multiple public spheres and (post)modernities.
Writing on the Wind by Lou Halsell Rodenberger,Laura Payne Butler,Jacqueline A. Kolosov Pdf
The vast, disparate region called West Texas is both sparsely populated and scarcely recognized. Yet it has given voice to a surprising number of women writers who have left more than a faint impression on its hardscrabble terrain and consciousness. These writers do much more than evoke the land and its celebrated skies. Often with humor and alw...
American Prometheus by Kai Bird,Martin J. Sherwin Pdf
THE INSPIRATION FOR THE MAJOR MOTION PICTURE OPPENHEIMER • "A riveting account of one of history’s most essential and paradoxical figures.”—Christopher Nolan #1 NEW YORK TIMES BESTSELLER • PULITZER PRIZE WINNER • The definitive biography of J. Robert Oppenheimer, one of the iconic figures of the twentieth century, a brilliant physicist who led the effort to build the atomic bomb for his country in a time of war, and who later found himself confronting the moral consequences of scientific progress. In this magisterial, acclaimed biography twenty-five years in the making, Kai Bird and Martin Sherwin capture Oppenheimer’s life and times, from his early career to his central role in the Cold War. This is biography and history at its finest, riveting and deeply informative. “A masterful account of Oppenheimer’s rise and fall, set in the context of the turbulent decades of America’s own transformation. It is a tour de force.” —Los Angeles Times Book Review “A work of voluminous scholarship and lucid insight, unifying its multifaceted portrait with a keen grasp of Oppenheimer’s essential nature.... It succeeds in deeply fathoming his most damaging, self-contradictory behavior.” —The New York Times
Illuminates both the well- and lesser-known literary figures of New Mexico, whose collaborative efforts created enduring literary colonies. This book also discusses fifteen writers and concludes with walking and driving tours of Santa Fe and Taos.
This collection explores the post-2000 film Western. With examples ranging from major American films, through acclaimed international productions, to works such as experimental films and television commercials, the contributors seek to account for the appeal and currency of the film Western today.
The 130 letters collected in this volume begin in 1947 just after Robert Duncan and Charles Olson first meet in Berkeley, California, and continue to Olson's death in January 1970.