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A Newbery Medal Winner Richard Peck's Newbery Medal-winning sequel to A Long Way from Chicago Mary Alice's childhood summers in Grandma Dowdel's sleepy Illinois town were packed with enough drama to fill the double bill of any picture show. But now she is fifteen, and faces a whole long year with Grandma, a woman well known for shaking up her neighbors-and everyone else! All Mary Alice can know for certain is this: when trying to predict how life with Grandma might turn out . . . better not. This wry, delightful sequel to the Newbery Honor Book A Long Way from Chicago has already taken its place among the classics of children's literature. "Hilarious and poignant." —Publishers Weekly, starred review A Newbery Medal Winner A New York Times Bestseller An ALA Notable Book An ALA Best Book for Young Adults A Booklist Best Book of the Year A School Library Journal Best Book of the Year
The Black Cultural Front describes how the social and political movements that grew out of the Depression facilitated the left turn of several African American artists and writers. The Communist-led John Reed Clubs brought together black and white writers in writing collectives. The Congress of Industrial Organizations’s effort to recruit black workers inspired growing interest in the labor movement. One of the most concerted efforts was made by the National Negro Congress (NNC), a coalition of civil rights and labor organizations, which held cultural panels at its national conferences, fought segregation in the culture industries, promoted cultural education, and involved writers and artists in staging mass rallies during World War II. The formation of a black cultural front is examined by looking at the works of poet Langston Hughes, novelist Chester Himes, and cartoonist Ollie Harrington. While none of them were card-carrying members of the Communist Party, they all participated in the Left at one point in their careers. Interestingly, they all turned to creating popular culture in order to reach the black masses who were captivated by the movies, radio, newspapers, and detective novels. There are chapters on the Hughes’ “Simple” stories, Himes’ detective fiction, and Harrington’s “Bootsie” cartoons. Collectively, the experience of these three figures contributes to the story of a “long” movement for African American freedom that flourished during the 1930s, 1940s, and 1950s. Yet this book also stresses the impact that McCarthyism had on dismantling the Black Left and how it affected each individual involved. Each was radicalized at a different moment and for different reasons. Each suffered for their past allegiances, whether fleeing to the haven of the “Black Bank” in Paris, or staying home and facing the House Un-American Activities Committee (HUAC). Yet the lasting influence of the Depression in their work was evident for the rest of their lives.
Author : Lawrence Allen Eldridge Publisher : University of Missouri Press Page : 301 pages File Size : 49,8 Mb Release : 2012-01-18 Category : Social Science ISBN : 9780826272591
Chronicles of a Two-Front War by Lawrence Allen Eldridge Pdf
During the Vietnam War, young African Americans fought to protect the freedoms of Southeast Asians and died in disproportionate numbers compared to their white counterparts. Despite their sacrifices, black Americans were unable to secure equal rights at home, and because the importance of the war overshadowed the civil rights movement in the minds of politicians and the public, it seemed that further progress might never come. For many African Americans, the bloodshed, loss, and disappointment of war became just another chapter in the history of the civil rights movement. Lawrence Allen Eldridge explores this two-front war, showing how the African American press grappled with the Vietnam War and its impact on the struggle for civil rights. Written in a clear narrative style, Chronicles of a Two-Front War is the first book to examine coverage of the Vietnam War by black news publications, from the Gulf of Tonkin incident in August 1964 to the final withdrawal of American ground forces in the spring of 1973 and the fall of Saigon in the spring of 1975. Eldridge reveals how the black press not only reported the war but also weighed its significance in the context of the civil rights movement. The author researched seventeen African American newspapers, including the Chicago Defender, the Baltimore Afro-American, and the New Courier, and two magazines, Jet and Ebony. He augmented the study with a rich array of primary sources—including interviews with black journalists and editors, oral history collections, the personal papers of key figures in the black press, and government documents, including those from the presidential libraries of Lyndon Johnson, Richard Nixon, and Gerald Ford—to trace the ups and downs of U.S. domestic and wartime policy especially as it related to the impact of the war on civil rights. Eldridge examines not only the role of reporters during the war, but also those of editors, commentators, and cartoonists. Especially enlightening is the research drawn from extensive oral histories by prominent journalist Ethel Payne, the first African American woman to receive the title of war correspondent. She described a widespread practice in black papers of reworking material from major white papers without providing proper credit, as the demand for news swamped the small budgets and limited staffs of African American papers. The author analyzes both the strengths of the black print media and the weaknesses in their coverage. The black press ultimately viewed the Vietnam War through the lens of African American experience, blaming the war for crippling LBJ’s Great Society and the War on Poverty. Despite its waning hopes for an improved life, the black press soldiered on.
He was jazz's first hipster. He performed in sunglasses and coined and popularized phrases like "that's cool" and "you dig?" He always wore a suit and his trademark porkpie hat. He influenced everyone from B. B. King to Stan Getz to Allen Ginsberg, creating a lyrical style of playing that forever changed the sound of the tenor saxophone. In this groundbreaking biography of Lester Young (1909-1959), historian Douglas Daniels brings to life the man and his world, and corrects a number of misconceptions. Even though others have identified Young as a Kansas City musician, Daniels traces his roots to the blues of Louisiana and his early years traveling with his father's band and the legendary Oklahoma City Blue Devils. Later we see the jazz culture of New York in the early 1940s, when Young was launched to national and international fame with the Count Basie Orchestra and began to accompany his close friend Billie Holiday. After a year spent in an Army prison on a conviction for marijuana use, Young made changes in his music but never lost his sensitivity or soul. The first ever to gain access to Young's family and many musicians who performed with him, Daniels reconstructs the world in which Young lived and played: the racism that he and other black musicians faced, the feeling of home and family that they created together on the road, and what his music meant to black audiences. Young emerges as a kind friend, a loving parent, and a gentle and sensitive man who had, in the words of Reginald Scott, "the saddest eyes I ever saw
Kringle - The Story of a Young Toymaker by D.P. McWane Pdf
A young carpenter starts a new life in a small New England town where he makes toys for an unscrupulous boss. He meets a single mother and helps her sons? gang, The Airlords, build Buck Rogers spaceship looking sleds to race. They expose the boss's sham and on Dec. 24th he delivers toys to every child so they can ?feel fortunate, even if it's for just one day'. Along the way he earns the love of the single mother and her sons.
Dax Soileau is a powerful US Senator from Louisiana who prizes the riches of this world over God. His younger brother, Zack, a pastor and evangelist, receives from God a revelation concerning the Rapture of the Church and attempts to win his brother to Christ before it is too late. Dax ignores his warnings and becomes deeply involved in the formation and emergence of a one-world government. Once the Christian Church is gone, life on earth becomes a living hell. Dax and his wife, Sally, abandon everything and flee before the harsh, evil demands of the new world leader. As highly sought-after criminals, they wander the land, seeking the hidden communities of what are called "the last Christians". Their hope is to find forgiveness and restoration with God as they live out their final days on earth. They will do anything to go to Heaven.
"Anomaly contains four unforgettable voices: two sisters who grow to adulthood during the 1970s and early 1980s, their conflicted mother, and an elderly neighbour. This is a story about lost time and space, it also explores the dynamics of sisterhood, and shows how two girls - both of them "anomalies" in very different ways - navigate their stormy relationship. The overarching theme is loss of innocence for a quartet of characters and for Toronto, a complex city evolving during a pivotal decade into an international urban centre."--BOOK JACKET.
Traces the history of American editorial cartooning, discussing the importance of editorial cartooning and its contribution to the nation's development.
Author : John A. Garraty,Mark C. Carnes Publisher : Oxford University Press Page : 848 pages File Size : 47,7 Mb Release : 2005-05-12 Category : History ISBN : 9780199771493
American National Biography by John A. Garraty,Mark C. Carnes Pdf
American National Biography is the first new comprehensive biographical dicionary focused on American history to be published in seventy years. Produced under the auspices of the American Council of Learned Societies, the ANB contains over 17,500 profiles on historical figures written by an expert in the field and completed with a bibliography. The scope of the work is enormous--from the earlest recorded European explorations to the very recent past.
Caricature and National Character by Christopher J. Gilbert Pdf
According to the popular maxim, a nation at war reveals its true character. In this incisive work, Chris Gilbert examines the long history of US war politics through the lens of political cartoons to provide new, unique insights into American cultural identity. Tracing the comic representation of American values from the First World War to the War on Terror, Gilbert explores the power of humor in caricature to expose both the folly in jingoistic virtues and the sometimes-strange fortune in nationalistic vices. He examines the artwork of four exemplary American cartoonists—James Montgomery Flagg, Dr. Seuss, Ollie Harrington, and Ann Telnaes—to craft a trenchant image of Americanism. These examinations animate the rhetorical, and indeed comic, force of icons like Uncle Sam, national symbols like the American Eagle, political stooges like President Donald J. Trump, and more, as well as the power of political cartoons to comment on issues of race, class, and gender on the home front. Throughout, Gilbert portrays a US culture rooted in and riven by ideas of manifest destiny, patriotism, and democracy for all, yet plagued by ugly forms of nationalism, misogyny, racism, and violence. Rich with examples of hilarious and masterfully drawn caricatures from a diverse range of creators, this unflinching look at the evolution of our conflicted national character illustrates how American cartoonists use farce, mockery, and wit to put national character in the comic looking glass.
James Lee Burke is an acclaimed writer of crime novels in which protagonists battle low-life thugs who commit violent crimes and corporate executives who exploit the powerless. He is best known for his Dave Robicheaux series, set in New Orleans and the surrounding bayou country. With characters inspired by his own family, Burke uses the mystery genre to explore the nature of evil and an individual's responsibility to friends, family and society at large. This companion to his works provides a commentary on all of the characters, settings, events and themes in his novels and short stories, along with a critical discussion of his writing style, technique and literary devices. Glossaries describe the people and places and define unfamiliar terms. Selected interviews provide background information on both the writer and his stories.
A razor-sharp, cross-generational tragicomedy set in California's wine-soaked Central Valley. Ingrid Palamede never returns to places she's lived in the past. For her, "whole neighborhoods, whole cities, can be ruined by the reasons you left." But when a breakup leaves her heartbroken and homeless, she's forced to return to her childhood home of Fresno, California. Back in the real wine country, where grapes are grown for mass producers like Gallo and Kendall-Jackson, Ingrid must confront her aging parents and their financial woes, soured friendships, and blissfully bad decisions. But along the way, she rediscovers her love for the land, her talent for harvesting grapes, and a deep fondness and forgiveness for the very first place she ever left. With all the sharp-tongued wit of her first novel, Rules for Saying Goodbye, Katherine Taylor examines high-class, small-town life among the grapes—on the vine or soaked in vodka—in Valley Fever, a blisteringly funny, ferociously intelligent, and deeply moving novel of self-discovery.
From the New York Times bestselling author of the Tradd Street novels comes an enthralling southern gothic saga about one woman's quest for the truth... When Vivien Walker left her home in the Mississippi Delta, she swore never to go back. But in the spring, nine years to the day since she’d left, Vivien returns, fleeing from a broken marriage and her lost dreams for children. What she hopes to find is solace with her dear grandmother who raised her, a Walker woman with a knack for making everything all right. Instead Vivien is forced into the unexpected role of caretaker, challenging her personal quest to find the girl she once was. But things will change again in ways Vivien cannot imagine. A violent storm has revealed the remains of a long-dead woman buried near the Walker home, not far from the cypress swamp that is soon to give up its ghosts. Vivien knows there is now only one way to rediscover herself—by uncovering the secrets of her family and breaking the cycle of loss that has haunted them for generations. READERS GUIDE INCLUDED