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Bringing the Passions Back In by Rebecca Kingston,Leonard Ferry Pdf
The rationalist ideal has been met with cynicism in progressive circles for undermining the role of emotion and passion in the public realm. By exploring the social and political implications of the emotions in the history of ideas, contributors examine new paradigms for liberalism and offer new appreciations of the potential for passion in political philosophy and practice. Bringing the Passions Back In draws upon the history of political theory to shed light on the place of emotions in politics; it illustrates how sophisticated thinking about the relationship between reason and passion can inform contemporary democratic political theory.
Populism and Passions by Paolo Cossarini,Fernando Vallespín Pdf
There is a consensus that right, and left-wing populism is on the rise on both sides of the Atlantic, from Donald Trump in the United States, to Spain’s leftist Podemos. These may utilize different kinds of populist mobilizations but the fact remains that elite and mass opinion is fuelling a populist backlash. In Populism and Passions, twelve scholars engage with discourse analysis, democratic theory, and post structural political thought to study the political logic of passion for contemporary populism. Together these interdisciplinary essays demonstrate what emotional engagement implies for the spheres of politics and the social, and how it governs and mobilizes individuals. The volume presents: Theoretical and empirical implications for political analysis; Chapters on the current rise of populism, both right and left-wing trends, their different ideological features, and their relationship with the logic of passion; Theoretical implications for the future study of populism and democratic legitimacy. A timely analysis of this political phenomena in contemporary Western democracies, Populism and Passions is ideal for students and scholars in political theory, comparative politics, social theory, critical theory, cultural studies, and global studies.
In this book Sharon Krause argues that moral and political deliberation must incorporate passions, even as she insists on the value of impartiality. Her work provides a systematic account of how passions can generate an impartial standpoint that yields binding and compelling conclusions in politics.
In her classic book, Elisabeth Elliot candidly shares her love story with Jim Elliot through letters, diary entries, and memories. She is honest about the temptations, difficulties, victories, and sacrifices of two young people whose commitment to Christ took priority over their love for each other. These revealing personal glimpses, combined with relevant biblical teaching, will remind readers that only by putting their human passion and desire through His fire can God purify their love. In a culture obsessed with dating, sex, and intimacy, the need for Elliot's freeing message is greater than ever. This beautifully repackaged edition will appeal to today's young people.
Conversational Enlightenment by Randall David Randall Pdf
The ever-widening application of conversational style created a conversational EnlightenmentThe Conversational Enlightenment traces the spread of the concept of conversation during the Enlightenment, including the project of politeness, the fine arts, philosophy and public opinion. The book narrates this triumph of conversational style and thought partly as a succession to the oratorical rhetoric that characterised the Renaissance and partly as the victory of the only mode of speech that recognised women as women, and not as imitation men. It also rewrites Jrgen Habermas' history of the public sphere as the history of rational conversation.Key Features:The first book-length intellectual history of Enlightenment conversation in EnglishSynthesises a great deal of Enlightenment intellectual history within the frameworks of rhetoric and conversationPuts women's speech at the heart of the history of Enlightenment rhetoricFuses Habermas' historical-theoretical framework to the history of rhetoric, revising both
In Initiative, Spodek presents a practice-based method, not ideas or abstract principles but a sequence of concrete exercises that will lead you to discover and develop passions and take initiative-even if you don't yet know what you want to take initiative on.
Michel Meyer's Problematology by Nick Turnbull Pdf
In today's society, everything is in question. The reflexive questioning of modernity has fundamentally problematized society, including philosophy, which has experienced a crisis of metaphysics. Michel Meyer's problematology answers this crisis by questioning questioning, unfolding a new way of doing philosophy, with special relevance for the study of society. In this first-ever extended treatment of Meyer's work, Nick Turnbull examines the main features of problematology, including the principle of questioning and the deduction of an original conception of difference, based on the question-answer relationship. Turnbull shows how these concepts produce new perspectives in the philosophy of the emotions, history, meaning, politics, rhetoric and science. He applies Meyer's ideas to key questions in the philosophy of social science, showing how problematology offers important insights for understanding contemporary society. The book compares problematology with the work of well-known thinkers, including Bourdieu, Castoriadis, Collingwood, Derrida, Dewey, Gadamer, Heidegger and Lyotard. Turnbull uses problematology and rhetoric to explain how meaning is constructed through practice in the negotiation of social distance.
Johann Sebastian Bach's two surviving passions--St. John and St. Matthew--are an essential part of the modern repertory, performed regularly both by professional ensembles and amateur groups. These large, complex pieces are well loved, but due to our distance from the original context in which they were performed, questions and problems emerge. Bach scholar Daniel Melamed examines the issues we encounter when we hear the passions performed today, and offers unique insight into Bach's passion settings. Rather than providing a movement-by-movement analysis, Melamed uses the Bach repertory to introduce readers to some of the intriguing issues in the study and performance of older music, and explores what it means to listen to this music today. For instance, Bach wrote the passions for a particular liturgical event at a specific time and place; we hear them hundreds of years later, often a world away and usually in concert performances. They were performed with vocal and instrumental forces deployed according to early 18th-century conceptions; we usually hear them now as the pinnacle of the choral/orchestral repertory, adapted to modern forces and conventions. In Bach's time, passion settings were revised, altered, and tampered with both by their composers and by other musicians who used them; today we tend to regard them as having fixed texts to be treated mith respect. Their music was sometimes recycled from other compositions or reused itself for other purposes; we have trouble imagining the familiar material of Bach's passion settings in any other guise. Melamed takes on these issues, exploring everything from the sources that transmit Bach's passion settings today to the issues surrounding performance practice (including the question of the size of Bach's ensemble). He delves into the passions as dramatic music, examines the problem of multiple versions of a work and the reconstruction of lost pieces, explores the other passions in Bach's performing repertory, and sifts through the puzzle of authorship. Highly accessible to the non-specialist, the book assumes no technical musical knowledge and does not rely on printed musical examples. Based on the most recent scholarship and using lucid prose, the book opens up the debates surrounding this repertory to music lovers, choral singers, church musicians, and students of Bach's music.
Nineteenth-century Japanese literary discourse and narrative developed a striking preoccupation with ninjō—literally “human emotion,” but often used in reference to amorous feeling and erotic desire. For many writers and critics, fiction’s capacity to foster both licentiousness and didactic values stood out as a crucial source of ambivalence. Simultaneously capable of inspiring exemplary behavior and a dangerous force transgressing social norms, ninjō became a focal point for debates about the role of the novel and a key motor propelling narrative plots. In Licentious Fictions, Daniel Poch investigates the significance of ninjō in defining the literary modernity of nineteenth-century Japan. He explores how cultural anxieties about the power of literature in mediating emotions and desire shaped Japanese narrative from the late Edo through the Meiji period. Poch argues that the Meiji novel, instead of superseding earlier discourses and narrative practices surrounding ninjō, complicated them by integrating them into new cultural and literary concepts. He offers close readings of a broad array of late Edo- and Meiji-period narrative and critical sources, examining how they shed light on the great intensification of the concern surrounding ninjō. In addition to proposing a new theoretical outlook on emotion, Licentious Fictions challenges the divide between early modern and modern Japanese literary studies by conceptualizing the nineteenth century as a continuous literary-historical space.
A gripping and inspiring book, Civic Passionsexamines innovative leadership in periods of crisis in American history. Starting from the late nineteenth century, when respected voices warned that America was on the brink of collapse, Cecelia Tichi e
In this erudite and elegantly composed argument, Karol Berger uses the works of Monteverdi, Bach, Mozart, and Beethoven to support two groundbreaking claims: first, that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously; second, that this change in the structure of musical time was an aspect of a larger transformation in the way educated Europeans began to imagine and think about time with the onset of modernity, a part of a shift from the premodern Christian outlook to the modern post-Christian worldview. Until this historical moment, as Berger illustrates in his analysis of Bach's St. Matthew Passion, music was simply "in time." Its successive events unfolded one after another, but the distinction between past and future, earlier and later, was not central to the way the music was experienced and understood. But after the shift, as he finds in looking at Mozart's Don Giovanni, the experience of linear time is transformed into music's essential subject matter; the cycle of time unbends and becomes an arrow. Berger complements these musical case studies with a rich survey of the philosophical, theological, and literary trends influencing artists during this period.
Passions in Economy, Politics, and the Media by Wolfgang Palaver,Petra Steinmair-Pösel Pdf
Passions play an important role in economy, politics and the media. Recent discussions of the economy, for instance, do no longer hesitate to stress the importance of a passion like envy functioning as a driving force in this field. Also the world of advertising illustrates the impor- tance of passions in the economy. Modern forms of politics, on the contrary, claimed to be detached from passions and to rely solely on rationality. Recent developments since the end of the cold war, however, have clearly challenged this self-understanding of modern politics. Not even politics can escape the world of passions. In our days, both the economy and politics depend on the media, another example of a highly passionate realm. Passions also have an important religious dimension. One of the central questions of any great religion is how to deal with passions. This book offers an interdisciplinary approach to the phenomenon of passions in the fields of economy, politics, and the media, drawing on Re
As social animals, each of us can only be partly understood through insights into our individual psychodynamics. There is, within us, another principle at work: to preserve the group, even at the expense of the individual. In this innovative synthesis of classical psychoanalysis and recent interpersonal and object relations psychology, Harold N. Boris constructs a necessary bridge between individual psychodynamics and group dynamics. This bridge rests upon two, complementary foundations: the egoistically- defined pleasure principle of The Couple and the socially defined selection principle of The Pair. Unheard Melodies shows how these two states of mind often compete, each being a distinct mental state seeking its own objectives. When analyzed, both mental states reveal their own characteristic themes and feelings, presences and absences, all of which are intertwined in the unique, patterned music of psychoanalysis. To demonstrate the patterning of these mental states, Boris presents the transcription of a composite analysis, an astonishing documentation of his own clinical experience, showing The Couple and The Pair playing together in the analytic setting. These clinical transcripts, complete with commentary, provide rare glimpses into the psychoanalytic process that will interest psychoanalysts, sociologists, and casual students of the mind and society.