British Music And Literary Context

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British Music and Literary Context

Michael Allis
British Music and Literary Context Book PDF

Author : Michael Allis
Publisher : Boydell Press
Page : 334 pages
File Size : 53,8 Mb
Release : 2012
Category : Literary Criticism
ISBN : 9781843837305

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British Music and Literary Context by Michael Allis Pdf

Despite several recent monographs, editions and recordings devoted to the reassessment of British music in the late nineteenth and early twentieth century, some negative perceptions still remain--particularly a sense that British composers in this period somehow lacked literary credentials. British Music and Literary Context counters this perception by showing that these composers displayed a real confidence and assurance in refiguring literary texts in their music. The book explores how a literary context might offer modern audiences and listeners a 'way in' to appreciate specific works that have traditionally been viewed as problematic. Each chapter of this interdisciplinary study juxtaposes a British composer with a particular literary counterpart or genre. Issues highlighted in the book include the vexed relationship between words and music, the refiguring of literary narratives as musical structures, and the ways in which musical settings or representations of literary texts might be seen as critical 'readings' of those texts. Anyone interested in nineteenth-century British music, literature and Victorian studies will enjoy this thought-provoking and perceptive book.

British Literature and Classical Music

David Deutsch
British Literature and Classical Music Book PDF

Author : David Deutsch
Publisher : Bloomsbury Publishing
Page : 256 pages
File Size : 46,8 Mb
Release : 2015-09-24
Category : Literary Criticism
ISBN : 9781474235839

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British Literature and Classical Music by David Deutsch Pdf

British Literature and Classical Music explores literary representations of classical music in early 20th century British writing. Covering authors ranging from T.S. Eliot and Virginia Woolf to Aldous Huxley, H.G. Wells and D.H. Lawrence, the book examines literature produced during a period of widely proliferating philosophical, educational, and performance-oriented musical activities in both public and private settings. David Deutsch demonstrates how this proliferation caused classical music to become an increasingly vital element of British culture and a vehicle for exploring contentious issues such as social mobility, sexual freedoms, and international political rivalries. Through the use of archives of concert programs, cult novels, and letters written during the First and Second World Wars, the book examines how authors both celebrated and satirized the musicality of the lower-middle and working classes, same-sex desiring individuals, and cosmopolitan promoters of a shared European culture to depict these groups as valuable members of and - less frequently as threats to – British life.

Grainger the Modernist

Suzanne Robinson,Kay Dreyfus
Grainger the Modernist Book PDF

Author : Suzanne Robinson,Kay Dreyfus
Publisher : Routledge
Page : 287 pages
File Size : 46,8 Mb
Release : 2016-03-09
Category : Music
ISBN : 9781317125020

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Grainger the Modernist by Suzanne Robinson,Kay Dreyfus Pdf

Unaccountably, Percy Grainger has remained on the margins of both American music history and twentieth-century modernism. This volume reveals the well-known composer of popular gems to be a self-described ’hyper-modernist’ who composed works of uncompromising dissonance, challenged the conventions of folk song collection and adaptation, re-visioned the modern orchestra, experimented with ’ego-less’ composition and designed electronic machines intended to supersede human application. Grainger was far from being a self-sufficient maverick working in isolation. Through contact with innovators such as Ferrucio Busoni, Léon Theremin and Henry Cowell; promotion of the music of modern French and Spanish schools; appreciation of vernacular, jazz and folk musics; as well as with the study and transcription of non-Western music; he contested received ideas and proposed many radical new approaches. By reappraising Grainger’s social and historical connectedness and exploring the variety of aspects of modernity seen in his activities in the British, American and Australian contexts, the authors create a profile of a composer, propagandist and visionary whose modernist aesthetic paralleled that of the most advanced composers of his day, and, in some cases, anticipated their practical experiments.

Music and Performance Culture in Nineteenth-Century Britain

Bennett Zon
Music and Performance Culture in Nineteenth Century Britain Book PDF

Author : Bennett Zon
Publisher : Routledge
Page : 365 pages
File Size : 47,6 Mb
Release : 2016-04-29
Category : Music
ISBN : 9781317092384

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Music and Performance Culture in Nineteenth-Century Britain by Bennett Zon Pdf

Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts, 'Musical Cultures', 'Societies', 'National Music' and 'Methods', this volume assesses the role music performance plays in articulating significant trends and currents of the cultural life of the period and includes articles on performance and individual instruments; orchestral and choral ensembles; church and synagogue music; music societies; cantatas; vocal albums; the middle-class salon, conducting; church music; and piano pedagogy. An introduction explores Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions. Fittingly devoted to a significant element in Temperley's research, this book provides scholars of all nineteenth-century musical topics the opportunity to explore the richness of Britain's musical history.

Figures of the Imagination

Roger Hansford
Figures of the Imagination Book PDF

Author : Roger Hansford
Publisher : Routledge
Page : 340 pages
File Size : 45,6 Mb
Release : 2017-03-16
Category : Music
ISBN : 9781317135302

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Figures of the Imagination by Roger Hansford Pdf

This new study of the intersection of romance novels with vocal music records a society on the cusp of modernisation, with a printing industry emerging to serve people’s growing appetites for entertainment amidst their changing views of religion and the occult. No mere diversion, fiction was integral to musical culture and together both art forms reveal key intellectual currents that circulated in the early nineteenth-century British home and were shared by many consumers. Roger Hansford explores relationships between music produced in the early 1800s for domestic consumption and the fictional genre of romance, offering a new view of romanticism in British print culture. He surveys romance novels by Ann Radcliffe, Matthew Lewis, Sir Walter Scott, James Hogg, Edward Bulwer and Charles Kingsley in the period 1790–1850, interrogating the ways that music served to create mood and atmosphere, enlivened social scenes and contributed to plot developments. He explores the connections between musical scenes in romance fiction and the domestic song literature, treating both types of source and their intersection as examples of material culture. Hansford’s intersectional reading revolves around a series of imaginative figures – including the minstrel, fairies, mermaids, ghosts, and witches, and Christians engaged both in virtue and vice – the identities of which remained consistent as influence passed between the art forms. While romance authors quoted song lyrics and included musical descriptions and characters, their novels recorded and modelled the performance of songs by the middle and upper classes, influencing the work of composers and the actions of performers who read romance fiction.

Benjamin Britten in Context

Vicki P Stroeher,Justin Vickers
Benjamin Britten in Context Book PDF

Author : Vicki P Stroeher,Justin Vickers
Publisher : Composers in Context
Page : 427 pages
File Size : 49,9 Mb
Release : 2022-04-21
Category : Music
ISBN : 9781108496698

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Benjamin Britten in Context by Vicki P Stroeher,Justin Vickers Pdf

A thematically organised overview of the musical, social and cultural contexts for the multi-faceted career of this pivotal British composer.

The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century

Paul Watt,Sarah Collins,Michael Allis
The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century Book PDF

Author : Paul Watt,Sarah Collins,Michael Allis
Publisher : Oxford University Press
Page : 720 pages
File Size : 45,7 Mb
Release : 2020-08-04
Category : Music
ISBN : 9780197500682

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The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century by Paul Watt,Sarah Collins,Michael Allis Pdf

Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.

Music and Identity in Postcolonial British South-Asian Literature

Christin Hoene
Music and Identity in Postcolonial British South Asian Literature Book PDF

Author : Christin Hoene
Publisher : Routledge
Page : 193 pages
File Size : 42,9 Mb
Release : 2014-08-27
Category : Literary Criticism
ISBN : 9781317679158

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Music and Identity in Postcolonial British South-Asian Literature by Christin Hoene Pdf

This book examines the role of music in British-South Asian postcolonial literature, asking how music relates to the construction of postcolonial identity. It focuses on novels that explore the postcolonial condition in India, Pakistan, and the United Kingdom: Vikram Seth's A Suitable Boy, Amit Chaudhuri's Afternoon Raag, Suhayl Saadi's Psychoraag, Hanif Kureishi's The Buddha of Suburbia and The Black Album, and Salman Rushdie's The Ground Beneath Her Feet, with reference to other texts, such as E.M. Forster's A Passage to India and Vikram Seth's An Equal Music. The analyzed novels feature different kinds of music, from Indian classical to non-classical traditions, and from Western classical music to pop music and rock 'n' roll. Music is depicted as a cultural artifact and as a purely aestheticized art form at the same time. As a cultural artifact, music derives meaning from its socio-cultural context of production and serves as a frame of reference to explore postcolonial identities on their own terms. As purely aesthetic art, music escapes its contextual meaning. The transgressive qualities of music render it capable of expressing identities irrespective of origin and politics of location. Thereby, music in the novels marks a very productive space to imagine the postcolonial nation and to rewrite imperial history, to express the cultural hybridity of characters in-between nations, to analyze the state of the nation and life in the multicultural diaspora of contemporary Great Britain, and to explore the ramifications of cultural globalization versus cultural imperialism. It will be a useful research and teaching tool for those interested in postcolonial literature, music studies, cultural studies, contemporary literature and South-Asian literature.

Twentieth-Century British Authors and the Rise of Opera in Britain

Irene Morra
Twentieth Century British Authors and the Rise of Opera in Britain Book PDF

Author : Irene Morra
Publisher : Routledge
Page : 146 pages
File Size : 53,9 Mb
Release : 2016-02-17
Category : Literary Criticism
ISBN : 9781317005858

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Twentieth-Century British Authors and the Rise of Opera in Britain by Irene Morra Pdf

This book is the first to examine in depth the contributions of major British authors such as W. H. Auden and E. M. Forster, as critics and librettists, to the rise of British opera in the twentieth century. The perceived literary values of British authors, as much as the musical innovations of British composers, informed the aesthetic development of British opera. Indeed, British opera emerged as a simultaneously literary and musical project. Too often, operatic adaptations are compared superficially to their original sources. This is a particular problem for British opera, which has become increasingly defined artistically by the literary sophistication of its narrative sources. The resulting collaborations between literary figures and composers have crucial implications for the development of both opera and literature. Twentieth-Century British Authors and the Rise of Opera in Britain reveals the importance of this literary involvement in operatic adaptation to literature and literary studies, to music and musicology, and to cultural and theoretical studies.

Interconnecting Music and the Literary Word

Fausto Ciompi,Roberta Ferrari,Laura Giovannelli
Interconnecting Music and the Literary Word Book PDF

Author : Fausto Ciompi,Roberta Ferrari,Laura Giovannelli
Publisher : Cambridge Scholars Publishing
Page : 275 pages
File Size : 52,8 Mb
Release : 2018-07-27
Category : Music
ISBN : 9781527514584

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Interconnecting Music and the Literary Word by Fausto Ciompi,Roberta Ferrari,Laura Giovannelli Pdf

Dealing with the interconnections between music and the written word, this volume brings into focus an updated range of analytical and interpretative approaches which transcend the domain of formalist paradigms and the purist assumption of music’s non-referentiality. Grouped into three thematic sections, these fifteen essays by Italian, British and American scholars shed light on a phenomenological network embracing different historical, socio-cultural and genre contexts and a variety of theoretical concepts, such as intermediality, the soundscape notion, and musicalisation. At one end of the spectrum, music emerges as a driving cultural force, an agent cooperating with signifying and communication processes and an element functionally woven into the discursive fabric of the literary work. The authors also provide case studies of the fruitful musico-literary dialogue by taking into account the seminal role of composers, singer-songwriters, and performers. From another standpoint, the music-in-literature and literature-in-music dynamics are explored through the syntax of hybridisations, transcoding experiments, and iconic analogies.

The Story of British Music: From the Earliest Times to the Tudor Period (1896)

Frederick James Crowest
The Story of British Music From the Earliest Times to the Tudor Period 1896 Book PDF

Author : Frederick James Crowest
Publisher : Unknown
Page : 408 pages
File Size : 42,9 Mb
Release : 2009-06
Category : Literary Collections
ISBN : 1104666715

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The Story of British Music: From the Earliest Times to the Tudor Period (1896) by Frederick James Crowest Pdf

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

English Literature in Context

Paul Poplawski
English Literature in Context Book PDF

Author : Paul Poplawski
Publisher : Cambridge University Press
Page : 757 pages
File Size : 55,5 Mb
Release : 2017-05-18
Category : Literary Criticism
ISBN : 9781107141674

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English Literature in Context by Paul Poplawski Pdf

From Anglo-Saxon runes to postcolonial rap, this undergraduate textbook covers the social and historical contexts of the whole of the English literature.

The Gentry Context for Malory's Morte Darthur

Raluca L. Radulescu
The Gentry Context for Malory s Morte Darthur Book PDF

Author : Raluca L. Radulescu
Publisher : DS Brewer
Page : 182 pages
File Size : 43,5 Mb
Release : 2003
Category : Literary Criticism
ISBN : 0859917851

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The Gentry Context for Malory's Morte Darthur by Raluca L. Radulescu Pdf

Morte Darthur is investigated for its reflection of the contemporary political concerns Malory shared with the gentry class for whom he wrote.

Concert Life in Eighteenth-century Britain

Susan Wollenberg,Simon McVeigh
Concert Life in Eighteenth century Britain Book PDF

Author : Susan Wollenberg,Simon McVeigh
Publisher : Routledge
Page : 299 pages
File Size : 47,7 Mb
Release : 2004
Category : Music
ISBN : 0754638685

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Concert Life in Eighteenth-century Britain by Susan Wollenberg,Simon McVeigh Pdf

In recent years there has been a considerable revival of interest in music in eighteenth-century Britain. This interest has now expanded beyond the consideration of composers and their music to include the performing institutions of the period and their relationship to the wider social scene. The collection of essays presented here offers a portrayal of concert life in Britain that contributes greatly to the wider understanding of social and cultural life in the eighteenth century. Music was not merely a pastime but was irrevocably linked with its social, political and literary contexts. The perspectives of performers, organisers, patrons, audiences, publishers, copyists and consumers are considered here in relation to the concert experience. All of the essays taken together construct an understanding of musical communities and the origins of the modern concert system. This is achieved by focusing on the development of music societies; the promotion of musical events; the mobility and advancement of musicians; systems of patronage; the social status of musicians; the repertoire performed and published; the role of women pianists and the 'topography' of concerts. In this way, the book will not only appeal to music specialists, but also to social and cultural historians.

The Function of Song in Contemporary British Drama

Elizabeth Hale Winkler
The Function of Song in Contemporary British Drama Book PDF

Author : Elizabeth Hale Winkler
Publisher : University of Delaware Press
Page : 382 pages
File Size : 54,9 Mb
Release : 1990
Category : Literary Criticism
ISBN : 0874133580

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The Function of Song in Contemporary British Drama by Elizabeth Hale Winkler Pdf

This comprehensive study formulates an original theory that dramatic song must be perceived as a separate genre situated between poetry, music, and theater. It focuses on John Arden, Margaretta D'Arcy, Edward Bond, Peter Barnes, John Osborne, Peter Nichols, Harold Pinter, Tom Stoppard, Peter Shaffer, and John McGrath.