British National Cinema

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British National Cinema

Author : Sarah Street
Publisher : Routledge
Page : 248 pages
File Size : 44,7 Mb
Release : 2003-09-02
Category : Performing Arts
ISBN : 9781134917877

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British National Cinema by Sarah Street Pdf

The first substantial overview of the British film industry with emphasis on its genres, stars, and socioeconomic context, British National Cinema by Sarah Street is an important title in Routledge's new National Cinemas series. British National Cinema synthesizes years of scholarship on British film while incorporating the author' fresh perspective and research. Street divides the study of British cinema into four sections: the relation between the film industry and government; specific film genres; movie stars; and experimental cinema. In addition, this beautifully illustrated volume includes over thirty stills from every sphere of British cinema. British National Cinema will be of great interest to film students and theorists as well as the general reader interested in the fascinating scope of British film.

British National Cinema

Author : Sarah Street
Publisher : Routledge
Page : 234 pages
File Size : 52,7 Mb
Release : 2003-09-02
Category : Performing Arts
ISBN : 9781134917884

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British National Cinema by Sarah Street Pdf

The first substantial overview of the British film industry with emphasis on its genres, stars, and socioeconomic context, British National Cinema by Sarah Street is an important title in Routledge's new National Cinemas series. British National Cinema synthesizes years of scholarship on British film while incorporating the author' fresh perspective and research. Street divides the study of British cinema into four sections: the relation between the film industry and government; specific film genres; movie stars; and experimental cinema. In addition, this beautifully illustrated volume includes over thirty stills from every sphere of British cinema. British National Cinema will be of great interest to film students and theorists as well as the general reader interested in the fascinating scope of British film.

British National Cinema

Author : Sarah Street
Publisher : Psychology Press
Page : 248 pages
File Size : 43,5 Mb
Release : 1997
Category : Motion picture industry
ISBN : 0415067359

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British National Cinema by Sarah Street Pdf

The eclectic nature of British cinema is confirmed by an examination of genres from the Ealing comedies to heritage films. Viewed against the social, financial and political background, this is an indespensible evaluation of British cinema.

British National Cinema

Author : Sarah Street
Publisher : Routledge
Page : 248 pages
File Size : 48,6 Mb
Release : 2009-06-02
Category : Performing Arts
ISBN : 9781135253349

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British National Cinema by Sarah Street Pdf

The first substantial overview of the British film industry with emphasis on its genres, stars, and socioeconomic context, British National Cinema by Sarah Street is an important title in Routledge's new National Cinemas series. British National Cinema synthesizes years of scholarship on British film while incorporating the author' fresh perspective and research. Street divides the study of British cinema into four sections: the relation between the film industry and government; specific film genres; movie stars; and experimental cinema. In addition, this beautifully illustrated volume includes over thirty stills from every sphere of British cinema. British National Cinema will be of great interest to film students and theorists as well as the general reader interested in the fascinating scope of British film.

The British Cinema Book

Author : Robert Murphy
Publisher : Unknown
Page : 360 pages
File Size : 54,9 Mb
Release : 2001
Category : Performing Arts
ISBN : UOM:39015054449163

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The British Cinema Book by Robert Murphy Pdf

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British Cinema, Past and Present

Author : Justine Ashby,Andrew Higson
Publisher : Routledge
Page : 408 pages
File Size : 46,9 Mb
Release : 2013-05-13
Category : Performing Arts
ISBN : 9781135125080

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British Cinema, Past and Present by Justine Ashby,Andrew Higson Pdf

British Cinema: Past and Present responds to the commercial and critical success of British film in the 1990s. Providing a historical perspective to the contemporary resurgence of British cinema, this unique anthology brings together leading international scholars to investigate the rich diversity of British film production, from the early sound period of the 1930s to the present day. The contributors address: * British Cinema Studies and the concept of national cinema * the distribution and reception of British films in the US and Europe * key genres, movements and cycles of British cinema in the 1940s, 50s and 60s * questions of authorship and agency, with case studies of individual studios, stars, producers and directors * trends in British cinema, from propaganda films of the Second World War to the New Wave and the 'Swinging London' films of the Sixties * the representation of marginalised communities in films such as Trainspotting and The Full Monty * the evolution of social realism from Saturday Night, Sunday Morning to Nil By Mouth * changing approaches to Northern Ireland and the Troubles in films like The Long Good Friday and Alan Clarke's Elephant * contemporary 'art' and 'quality' cinema, from heritage drama to the work of Peter Greenaway, Derek Jarman, Terence Davies and Patrick Keiller.

British Film

Author : Jim Leach
Publisher : Cambridge University Press
Page : 308 pages
File Size : 40,9 Mb
Release : 2004-08-30
Category : Business & Economics
ISBN : 052165419X

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British Film by Jim Leach Pdf

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British Cinema in the Fifties

Author : Christine Geraghty
Publisher : Routledge
Page : 240 pages
File Size : 49,9 Mb
Release : 2002-01-04
Category : Performing Arts
ISBN : 9781134694648

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British Cinema in the Fifties by Christine Geraghty Pdf

In the fifties British cinema won large audiences with popular war films and comedies, creating stars such as Dirk Bogarde and Kay Kendall, and introducing the stereotypes of war hero, boffin and comic bureaucrat which still help to define images of British national identity. In British Cinema in the Fifties, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they approached contemporary social issues such as national identity, the end of empire, new gender roles and the care of children. Through a series of case studies on films as diverse as It Always Rains on Sunday and Genevieve, Simba and The Wrong Arm of the Law, Geraghty explores some of the key debates about British cinema and film theory, contesting current emphases on contradiction, subversion and excess and exploring the curious mix of rebellion and conformity which marked British cinema in the post-war era.

Waving the Flag

Author : Andrew Higson
Publisher : Oxford University Press on Demand
Page : 322 pages
File Size : 50,5 Mb
Release : 1997
Category : Performing Arts
ISBN : 0198742290

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Waving the Flag by Andrew Higson Pdf

What does it mean to speak of 'national' cinema? Challenging conventional viewpoints, Waving the Flag combines detailed analyses of film text with studies of industrial and cultural contexts, to offer a history of British cinema.

British Cinema in the 1950's

Author : Ian MacKillop,Neil Sinyard
Publisher : Manchester University Press
Page : 252 pages
File Size : 55,7 Mb
Release : 2003-06-28
Category : History
ISBN : 0719064899

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British Cinema in the 1950's by Ian MacKillop,Neil Sinyard Pdf

Covering a variety of genres, such as war films and women's pictures, as well as social issues which affect film-making, this is a re-evaluation of what has until now been seen as the most critically lacklustre period of the British film industry.

British Cinema of the 90s

Author : Robert Murphy
Publisher : Bloomsbury Publishing
Page : 273 pages
File Size : 41,9 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781838714772

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British Cinema of the 90s by Robert Murphy Pdf

This work examines major box office hits like 'The Full Monty' as well as critically acclaimed films like 'Under the Skin'. It explores the role of distribution and exhibition, the Americanisation of British film culture, Hollywood and Europe, changing representations of sexuality and ethnicity.

Transnationalism and Genre Hybridity in New British Horror Cinema

Author : Lindsey Decker
Publisher : University of Wales Press
Page : 272 pages
File Size : 46,9 Mb
Release : 2021-03
Category : Fiction
ISBN : 9781786836991

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Transnationalism and Genre Hybridity in New British Horror Cinema by Lindsey Decker Pdf

This book takes British horror films of the 2000s as a case study to theorise transnational genre hybridity, which combines genres from different national cinemas.

Films and British National Identity

Author : Jeffrey Richards
Publisher : Manchester University Press
Page : 404 pages
File Size : 50,7 Mb
Release : 1997-09-15
Category : History
ISBN : 0719047439

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Films and British National Identity by Jeffrey Richards Pdf

This book seeks to examine the ways in which the cinema has defined, mythified and disseminated British national identity during the course of the twentieth century. It takes the form of a series of linked essays which examine chronologically, thematically and by specific case studies of films, stars and genres the complexities and ambiguities in the process of evolution and definition of the national identity. It argues for the creation of a distinctive British national identity both in cinema and the wider culture. But it also assesses the creation of alternative identities both ethnic and regional and examines the interaction of cinema and other cultural forms (music, literature and television).

British Cinema: a Very Short Introduction

Author : Charles Barr
Publisher : Oxford University Press
Page : 169 pages
File Size : 55,6 Mb
Release : 2022-10-20
Category : Art
ISBN : 9780199688333

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British Cinema: a Very Short Introduction by Charles Barr Pdf

Cinema has had a hugely influential role on global culture in the 20th century at multiple levels: social, political, and educational. The part of British cinema in this has been controversial - often derided as a whole, but also vigorously celebrated, especially in terms of specific films and film-makers. In this Very Short Introduction, Charles Barr considers films and filmmakers, and studios and sponsorship, against the wider view of changing artistic, socio-political, and industrial climates over the decades of the 20th Century. Considering British cinema in the wake of one of the most familiar of cinematic reference points - Alfred Hitchcock - Barr traces how British cinema has developed its own unique path, and has since been celebrated for its innovative approaches and distinctive artistic language. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

A Companion to British and Irish Cinema

Author : John Hill
Publisher : John Wiley & Sons
Page : 608 pages
File Size : 48,5 Mb
Release : 2019-05-07
Category : Performing Arts
ISBN : 9781118482902

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A Companion to British and Irish Cinema by John Hill Pdf

A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.