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Brunelleschi by Frank D. Prager,Gustina Scaglia Pdf
Comprehensive book describes how Filippo Brunelleschi built the dome of Florence's famed cathedral: masonry techniques, construction concepts, and more. 28 halftones. 18 line illustrations.
- A detailed narration of the life of one of the masters of Renaissance, Filippo Brunelleschi - An interactive way to approach the cultural revolution of the 15th century - Text by Stefania Cottiglia, architecture expert and drawings by Andrea Orani, master of design - Contains a cut-out model of the famous Florentine Dome Written by Stefania Cottiglia, who for years has been unveiling architecture's mysteries to young adults, this book's ambition is to convey the fervor of the Renaissance's cradle through the architect that created its symbol: Brunelleschi and his Dome. The volume is enriched with vivid illustrations created by Andrea Orani, a master of design. The book details Filippo Brunelleschi's ventures: from being a goldsmith apprentice to becoming the winner of the contest for the new door of the Battistero, passing through his Roman period and finishes at his completion of the Dome for Florence's cathedral, which put him in the history books. Step by step, the reader will understand how the Dome symbolized a whole new concept of the world. Thanks to the cut-out model, young readers will be able to build a reproduction of the 'Cupola', becoming active stars of the cultural revolution of the 15th century.
'Compelling... fascinating' Spectator 'Abounding with excellent little stories' Financial Times This is the story of one of the most magnificent achievements of the Italian Renaissance, and the architect behind it. Even in an age of soaring skyscrapers and cavernous sports stadiums, the cathedral of Santa Maria del Fiore in Florence still retains a rare power to astonish. Yet the elegance of the building belies the tremendous labour, technical ingenuity and bitter personal strife involved in its creation. For over a century after work on the cathedral began, the proposed dome was regarded as all but impossible to build. The greatest architectural puzzle of its age, when finally completed it was hailed as one of the great wonders of the world. This book tells the extraordinary story of how the cupola was raised and of the dome's architect, the brilliant and volatile Filippo Brunelleschi. Denounced as a madman at the start of his labours, he was celebrated at their end as a great genius. His life was one of ambition, ingenuity, rivalry and intrigue - a human drama set against the plagues, wars, political feuds and intellectual ferments of Renaissance Florence, the glorious era for which the dome remains the most compelling symbol. VOTED NON-FICTION BOOK OF THE YEAR BY THE AMERICAN INDEPENDENT BOOKSELLERS
Summary of Ross King's Brunelleschi's Dome by Everest Media, Pdf
Please note: This is a companion version & not the original book. Sample Book Insights: #1 The competition to design the Cathedral of Florence attracted the attention of carpenters, masons, and cabinetmakers from all across Tuscany. The Opera del Duomo, the office in charge of the cathedral, reassured all prospective competitors that their efforts would receive a friendly and trustworthy audience. #2 The cathedral of Santa Maria del Fiore was the largest building project in Florence during the 1400s. The builders had to figure out how to build a dome that would be the highest and widest vault ever raised. Many experts considered its erection an impossible feat. #3 The foundation stone for the new cathedral had been laid in 1296. The designer and original architect was a master mason named Arnolfo di Cambio, the builder of both the Palazzo Vecchio and the city’s massive new fortifications. But as Florence grew smaller, the cathedral grew larger. #4 The fate of Santa Maria del Fiore was about to change. The cathedral was being built by a group of artists and masons led by another master mason, Neri di Fioravanti. They rejected the external supports proposed by Giovanni di Lapo Ghini, and offered a different approach to the structure of the dome.
Brunelleschi, Lacan, Le Corbusier by Lorens Holm Pdf
This well-argued, analytic text provides a greater understanding of spatial issues in the field of architecture. Re-interpreting the fifteenth century demonstration of perspective, Lorens Holm puts it in relation to today’s theories of subjectivity and elaborates for the first time the theoretical link between architecture and psychoanalysis. Divided into three sections, Brunelleschi, Lacan, Le Corbusier argues that perspective remains the primary and most satisfying way of representing form, because it is the paradigmatic form of spatial consciousness. Well-illustrated with over 100 images, this compelling book is a valuable study of this key aspect of architectural study and practice, making it an essential read for architects in their first year or their fiftieth.
The great period of Early Renaissance art in Italy was initiated by the architectural, technological, and sculptural achievements of the renowned fifteenth-century Florentine artist Filippo Brunelleschi. Brunelleschi was famous in his own time and has remained so in all succeeding generations, but perpectives on the significance of his accomplishments and on his historical personality have shifted during the six centuries of varied criticism. The selections in this volume, many available in English for the first time, provide a critical panorama of Brunelleschi literature.
A comprehensive study of the important Florentine architect and sculptor Filippo Brunelleschi (1377-1446). Art historian Eugenio Battisti considers Brunelleschi's contribution to Renaissance culture, discussing his experiments with perspective and his development of a rational architectural language from his study of antiquity. The book is a detailed record of all Brunelleschi's major works including The Foundling Hospital (c.1419-45), the Pazzi Chapel (c1441-1460) and his remarkable dome of S Maria del Fiore (c.1420-1436). It also includes his military projects and his work as a goldsmith and sculptor.
Brunelleschi's Cupola by Giovanni Fanelli,Michele Fanelli Pdf
Few icons of the Renaissance are as recognizable as Brunelleschi's cupola rising over the city of Florence. This book offers a two-part innovative analysis and interpretation of Brunelleschi's masterpiece which was completed in 1434.
A revelatory account of the complex and evolving relationship of Renaissance architects to classical antiquity Focusing on the work of architects such as Brunelleschi, Bramante, Raphael, and Michelangelo, this extensively illustrated volume explores how the understanding of the antique changed over the course of the Renaissance. David Hemsoll reveals the ways in which significant differences in imitative strategy distinguished the period's leading architects from each other and argues for a more nuanced understanding of the widely accepted trope--first articulated by Giorgio Vasari in the 16th century--that Renaissance architecture evolved through a linear step-by-step assimilation of antiquity. Offering an in-depth examination of the complex, sometimes contradictory, and often contentious ways that Renaissance architects approached the antique, this meticulously researched study brings to life a cacophony of voices and opinions that have been lost in the simplified Vasarian narrative and presents a fresh and comprehensive account of Renaissance architecture in both Florence and Rome.
In fifteenth-century Florence, Italy, a contest is held to design a magnificent dome for the town's cathedral, but when Pippo the Fool claims he will win the contest, everyone laughs at him. Based on a true story.