Bucking Hollywood Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Bucking Hollywood book. This book definitely worth reading, it is an incredibly well-written.
A unique and gifted actor once bucked the system in Hollywood. This is the life story of movie and TV actor Dale Robertson, told by the person who knew him best: his wife, Susan. Susan says she is not a professional writer but wanted to write this book totally herself with her own thoughts, ideas, time frame, and no ghost writer. She laughs when someone says, "Well, you are a writer now." As she states in the book, Dale would joke when someone would approach him to do his autobiography. He'd say, "Not now." It was because he did not know how it ended. Also he would remind them of all the thousands of interviews he had done over the years and to "let the younger actors do these interviews now." Because the autobiography had not been done, Susan wanted to do it to help in some way to preserve his legacy. Susan now resides in San Diego, California, to be closer to family and hopes folks will enjoy the book. She knows her husband better and that he did not compromise himself in the film industry and in life.
John Ford Made Westerns by Gaylyn Studlar,Matthew Bernstein Pdf
The Western is arguably the most popular and longlived form in cinematic history, and the acknowledged master of that genre was John Ford. His Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance, have had an enormous influence on contemporary U.S. filmmakers, and on everything from Star Wars to Taxi Driver.In nine majors essays from some of the most prominent scholars of Hollywood film, John Ford Made Westerns: Filming The Legend in The Sound Era situates the sound era westerns of John Ford within contemporary critical contexts and regards them from fresh perspectives. These range from examining Ford's relation to other art forms (most notably literature, painting and music) to exploring the development of the director's public reputation as a director of Westerns. Articles also address the intricacies of Ford's shifting approach to storytelling and the subtle techniques whereby Ford's films guide spectator interpretation and emotional engagement.While giving attention to film style and structure, the volume also explores the ways in which these much loved films engage with notions of masculinity and gender roles, capitalism and community, as well as racial and sexual identity. Authors also examine how Ford's sound-era Westerns create a complex relationship to the genre's traditional project of "defining an American nation" and how they uphold up but also question popular culture depictions of history and nationhood, to offer a commentary that engages with both the past, the present and the future.In addition to new scholarship, the volume also offers a dossier section of out of the way magazine articles that illuminate the issues raised by essays, including the director's tribute to John Wayne as well as a moving posthumous appraisal of the director published by the Director's Guild of America.
In this illuminating insight into Denzel Washington's multifaceted image and remarkable career, Cynthia Baron traces his star persona and impact on mainstream society – from his time as a skilled actor in theatre and television in the 1980s, to his leading man roles in landmark films of the 1990s, to his place in Hollywood's elite in the 2000s.
The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady—these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramírez Berg develops an innovative theory of stereotyping that accounts for the persistence of such images in U.S. popular culture. He also explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping. In the first part of the book, Berg sets forth his theory of stereotyping, defines the classic stereotypes, and investigates how actors such as Raúl Julia, Rosie Pérez, José Ferrer, Lupe Vélez, and Gilbert Roland have subverted stereotypical roles. In the second part, he analyzes Hollywood's portrayal of Latinos in three genres: social problem films, John Ford westerns, and science fiction films. In the concluding section, Berg looks at Latino self-representation and anti-stereotyping in Mexican American border documentaries and in the feature films of Robert Rodríguez. He also presents an exclusive interview in which Rodríguez talks about his entire career, from Bedhead to Spy Kids, and comments on the role of a Latino filmmaker in Hollywood and how he tries to subvert the system.
The backstudio picture, or the movie about movie-making, is a staple of Hollywood film production harking back to the silent era and extending to the present day. What gives backstudios their coherence as a distinctive genre, Steven Cohan argues in Hollywood by Hollywood, is their fascination with the mystique of Hollywood as a geographic place, a self-contained industry, and a fantasy of fame, leisure, sexual freedom, and modernity. Yet by the same token, if backstudio pictures have rarely achieved blockbuster box-office success, what accounts for the film industry's interest in continuing to produce them? The backstudio picture has been an enduring genre because, aside from offering a director or writer a chance to settle old scores, in branding filmmaking with the Hollywood mystique, the genre solicits consumers' strong investment in the movies. Whether inspiring the "movie crazy" fan girls of the early teens and twenties or the wannabe filmmakers of this century heading to the West Coast after their college graduations, backstudios have given emotional weight and cultural heft to filmmaking as the quintessential American success story. But more than that, a backstudio picture is concerned with shaping perceptions of how the film industry works, with masking how its product depends upon an industrial labor force, including stardom, and with determining how that work's value accrues from the Hollywood brand stamped onto the product. Cohan supports his well theorized and well researched claims with nuanced discussions of over fifty backstudios, some canonical and well-known, and others obscure and rarely seen. Covering the hundred-year timespan of feature length film production, Hollywood by Hollywood offers an illuminating perspective for considering anew the history of American movies.
This is Part Five of The Love Series Amy basks in the glory of the engagement ring that now sits on her finger as she gets ready to head to Chicago. She’s not looking forward to being away from Spencer so soon after, but she knows her new film is important if she wants her career to grow. Ethan Smoak, her co-star in Found Hope worries Amy and he has ideas of his own when it comes to her. Spencer tries to visit her as often as possible when she’s in Chicago… it just never seems like enough. He shows up one night and tells her he has a surprise. Spencer puts a blindfold over her eyes and when he takes it off she’s in for the surprise of a lifetime.
First comprehensive study of this American original A cigar-chomping storyteller who signaled "Action!" by shooting a gun, Samuel Fuller has been lionized as one of the most distinctive writer/directors ever to emerge from Hollywood. In such films as The Steel Helmet, Pickup on South Street, Shock Corridor, and The Big Red One, Fuller gleefully challenged classical and generic norms—and often standards of good taste—in an effort to shock and arouse audiences. Tackling war, crime, race, and sexuality with a candor rare for any period, Fuller's maverick vision was tested by Hollywood's transition from the studio system to independent filmmaking. Now, in the first full account of all of the director's audaciously original work, author Lisa Dombrowski brings his career into new relief. The Films of Samuel Fuller features close analysis of Fuller's pictures and draws on previously untapped production and regulatory files, script notes, and interviews to explore how artistic, economic, and industrial factors impacted Fuller's career choices and shaped the expression of his personal aesthetic. Fans of Fuller and American cinema will welcome this in-depth study of a provocative director who embodied both the unique opportunities and challenges of postwar filmmaking.
Although we tend to accord our highest praise to films with strong messages, Hollywood is resolutely unserious in its goals, and closer perhaps to music than to literature in this regard. Thus, in order to appreciate Hollywood's classic movies, we have to understand them as the result of a style of filmmaking that justifies itself through the grace and beauty of its form. This beauty, when seen, challenges our notion of film as the poorer cousin of the high arts, or as worthwhile only when it serves a social purpose. The Hidden Art of Hollywood draws from a huge fund of recorded interviews with the directors, writers, cinematographers, set designers, producers, and actors who were a part of the studio process, in order to give the filmmakers themselves the chance to explain a very elusive phenomenon: the glancing beauty of the Hollywood film. While the greatness of the classic Hollywood film is, for many of us, settled business, there are also a great number who have difficulty understanding why these films—which can often seem dated and unrealistic compared to modern fare—are taken as seriously as they are. Although we tend to accord our highest praise to films with strong and often didactic messages, Hollywood is resolutely unserious in its goals, and closer perhaps to music than to literature in this regard. Thus, in order to appreciate classic American movies, we have to understand them as the result of a style of filmmaking that justifies itself not through ideas or social relevance, but through the grace and beauty of its form. The beauty of the Hollywood film challenges our notion of film as the poorer cousin of the high arts, or as worthwhile only when it serves a social purpose. In his effort to answer the many questions that classic American cinema suggests, author John Fawell considers previous criticism of Hollywood, but also draws from a huge fund of recorded interviews with the directors, writers, cinematographers, set designers, producers, and actors who were a part of the studio process, in order to give the filmmakers themselves the chance to explain a very elusive phenomenon: the glancing beauty of the Hollywood film. The films of certain great auteurs, including Charlie Chaplin, Ernst Lubitsch, Preston Sturges, Alfred Hitchcock, Billy Wilder, John Ford, and Orson Welles, receive particular attention here, but this book is organized by ideas rather than films or artists, and it draws from a wide array of Hollywood films, both successes and failures, to make its points.
Jess and Logan get a little taste of the life Amy is leading, now that she's an actress, when they head to Dublin for her wedding to Spencer Thomas. With each passing day, Jess thinks more and more about Logan leaving to play professional football. It's tearing her apart, but she tries to focus on living each moment and not regretting anything. An incident at school forces Jess to think about what she wants to do with her life and what would make her truly happy.
Currere and the Environmental Autobiography by Marilyn Doerr,Marilyn N. Doerr Pdf
Annotation "This book documents a high school ecology class that employs currere, William Pinar's idea for curriculum as autobiographical text, and analyzes the course's success from the author's point of view as both the practitioner and the curriculum developer."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Cassidy was looking for a home and a place to belong . . . not for a cowboy to steal her heart. Having lived through her parents’ endless string of “matrimonial bliss gone wrong,” Cassidy Starr knows when the odds are not in her favor. Divorced and humiliated, her faith on rocky ground, Cassidy is through with love. She’s been bucked o_ that horse far too many times. Instead, she returns to Wishing Springs, Texas, and the rundown farm she’s inherited from her great aunt Roxie. She’ll reopen the strawberry farm and a bed & breakfast and follow in her aunt’s footsteps, remaining forever-independent, happy . . . and single. Rancher Jarrod Monahan’s hands are full running the ranch, looking after his ailing grandfather, and chasing down a group of rustlers on the loose. He’s pushed his longing for a family to the bottom of his list of priorities. Besides, he was in love once but ran scared and lost his shot at happiness. But suddenly, the biggest regret of his life has moved in next door with a wounded heart, determined to become a spinster . . . and that’s a challenge that Jarrod can’t pass up. Jarrod sets his mind to breaking down the walls around Cassidy’s stubborn heart. How can he show her that a cowboy’s kiss lasts forever? For the good folks of Wishing Springs, falling in love has never been so much fun to witness.
Doc Holliday in Film and Literature by Shirley Ayn Linder Pdf
The legend of Doc Holliday is now well past a century old. While his time on earth was brief, troubled and filled with pain, his legend took wings and flew. Beginning with his part in the now famous gunfight at the O.K. Corral, Denver newspapers first told his story in the late 19th century. They, followed by words of Wyatt Earp, grasped the glimmer of his tale. So enamored was the public that by 1939 he was a literary icon and his character had appeared in eight films. Historians, authors, screenwriters and eventually television refined the legend, which reached its apex perhaps with the 1993 film Tombstone. Doc Holliday's image has neither dimmed nor wavered in the 21st century. Broadway, country music and art join with literature and film to continue his mystique as the personification of a surviving legend of the U.S. West.
Drawing on interviews with his closest collaborators, Tom Charity's critical biography explores the pain and perseverance of Cassavetes, widely known as a passionate and charismatic film director and producer.
Poitier Revisited by Ian Gregory Strachan,Mia Mask Pdf
Sidney Poitier remains one of the most recognizable black men in the world. Widely celebrated but at times criticized for the roles he played during a career that spanned 60 years, there can be no comprehensive discussion of black men in American film, and no serious analysis of 20th century American film history that excludes him. Poitier Revisited offers a fresh interrogation of the social, cultural and political significance of the Poitier oeuvre. The contributions explore the broad spectrum of critical issues summoned up by Poitier's iconic work as actor, director and filmmaker. Despite his stature, Poitier has actually been under-examined in film criticism generally. This work reconsiders his pivotal role in film and American race relations, by arguing persuasively, that even in this supposedly 'post-racial' moment of Barack Obama, the struggles, aspirations, anxieties, and tensions Poitier's films explored are every bit as relevant today as when they were first made.
