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Fifty years after the Second Vatican Council, architectural historian Robert Proctor examines the transformations in British Roman Catholic church architecture that took place in the two decades surrounding this crucial event. Inspired by new thinking in theology and changing practices of worship, and by a growing acceptance of modern art and architecture, architects designed radical new forms of church building in a campaign of new buildings for new urban contexts. A focussed study of mid-twentieth century church architecture, Building the Modern Church considers how architects and clergy constructed the image and reality of the Church as an institution through its buildings. The author examines changing conceptions of tradition and modernity, and the development of a modern church architecture that drew from the ideas of the liturgical movement. The role of Catholic clergy as patrons of modern architecture and art and the changing attitudes of the Church and its architects to modernity are examined, explaining how different strands of post-war architecture were adopted in the field of ecclesiastical buildings. The church building’s social role in defining communities through rituals and symbols is also considered, together with the relationships between churches and modernist urban planning in new towns and suburbs. Case studies analysed in detail include significant buildings and architects that have remained little known until now. Based on meticulous historical research in primary sources, theoretically informed, fully referenced, and thoroughly illustrated, this book will be of interest to anyone concerned with the church architecture, art and theology of this period.
The Church Building as a Sacred Place by Duncan Stroik Pdf
This collection of twenty-three essays by Duncan Stroik shows the development and consistency of his architectural vision. Packed with informative essays and over 170 photographs, this collection clearly articulates the Church’s architectural tradition.
Modern Church Architecture by Albert Christ-Janer,Mary Mix Foley Pdf
Presents forty examples of twentieth-century Catholic and Protestant architecture, including monasteries and seminaries as well as church buildings. From Perret's Church of Notre Dame, Le Raincy, France, to Niemeyer's plans for the Cathedral of Brasilia. Several of the buildings are in the United States.
In No Place for God, Doorly traces the principles of modern architecture to the ideas of space that spread rapidly during the twentieth century. She sees a parallel between the desacralization of the heavens, and consequently of our churches, and the mass inward search for a God of one's own. This double movement away from the transcendent God, who reveals himself to man through Scripture and tradition, and toward an inner truth relevant only to oneself has emptied our churches, and the worship that takes place within them, of the majesty and beauty that once inspired reverence in both believers and unbelievers alike.
A History of the Church Through Its Buildings by Allan Doig Pdf
Allan Doig explores the Christian Church through the lens of twelve particular churches, looking at their history, archaeology, and how the buildings changed over time in response to developing usage and beliefs.
Planning and Building the Modern Church by William Ward Watkin Pdf
"The information on every phase of planning and stage of construction contained in "Planning and Building the Modern Church" should prove invaluable to everyone concerned in the creation of religious buildings. More than any other building project, the construction of a church or synagogue must be a cooperative effort between the clergy, laymen, and architect. This book is designed to foster intelligent cooperation among these interested parties by anticipating many of the problems they will face and providing examples of successful solutions by leading church architects. Some architects and architecture firms whose work is included in this book are Charles D. Maginnis of Maginnis and Walsh Architects; Ralph Adams Cram and Bertram Goodhue of Cram, Goodhue, and Ferguson; Alden B. Dow; Wilson, Morris and Crain; Joseph Murphy; Eliel Saarinen and Eero Saarinen of Saarinen, Saarinen & Associates; Percival Goodman; Herman Lloyd; Henry Steinborner; Wyeth & King and Eugene Mason, Associated Architects; and numerous others. William Ward Watkin is the Head of the Department of Architecture at Rice Institute in Houston, Texas and formerly was a member of the architectural firm Cram, Goodhue, and Ferguson"--Amazon.com.
Fifty years after the Second Vatican Council, architectural historian Robert Proctor examines the transformations in British Roman Catholic church architecture that took place in the two decades surrounding this crucial event. Inspired by new thinking in theology and changing practices of worship, and by a growing acceptance of modern art and architecture, architects designed radical new forms of church building in a campaign of new buildings for new urban contexts. A focussed study of mid-twentieth century church architecture, Building the Modern Church considers how architects and clergy constructed the image and reality of the Church as an institution through its buildings. The author examines changing conceptions of tradition and modernity, and the development of a modern church architecture that drew from the ideas of the liturgical movement. The role of Catholic clergy as patrons of modern architecture and art and the changing attitudes of the Church and its architects to modernity are examined, explaining how different strands of post-war architecture were adopted in the field of ecclesiastical buildings. The church building’s social role in defining communities through rituals and symbols is also considered, together with the relationships between churches and modernist urban planning in new towns and suburbs. Case studies analysed in detail include significant buildings and architects that have remained little known until now. Based on meticulous historical research in primary sources, theoretically informed, fully referenced, and thoroughly illustrated, this book will be of interest to anyone concerned with the church architecture, art and theology of this period.
Imagine what Sundays in a parish could be if worshiping communities are assured that the liturgy in their spaces might be a foretaste of the heavenly liturgy. Or what town-hall meetings could also be in a place where parish committees are inspired to know that they can be the instruments of truth and beauty. The essays in Building from Belief focus on Catholic church architecture and invite those who are involved in the creation of worship space to be the world's memory of what beauty looks like, and what sanctity feels like." In Building from Belief, Michal DeSanctis treats a variety of topics that concern the creation and use of liturgical space. He brings the historical development of both the Church and its architecture into clear view and focuses on the need for catechesis and conversion. DeSanctis calls for a change of heart on the part of the worshiping community, the building committee, professionals involved in the design process, and of the Church. By keeping the theological concepts of grace and sacramentality in mind, he offers rich insights to these fundamental Christian realities and provides hope and excitement about using the gifts of beauty, grace, and holiness. The essays in Building from Belief are an invitation to build the promised kingdom, allowing the grace of God into our hearts and in our spaces. DeSanctis encourages those who embark on the journey of building to ask the same question that the Fathers of Vatican II asked: how to be Church in a modern world. He shows that the worship that rises from our communities is indeed a true expression of that belief. Chapters under Part I are *Beauty, Holiness and Liturgical Space, - *Catholic Sacramentality and the Reform of Sacred Architecture, - *The Pastoral Dimension of Church Renovation, - *Let's Stop Renovating Church Buildings (And Start Renovating the Church), - and *Coming to Terms with Modern Design. - Chapters under Part II are *Worshiping in 'No place' Casual Observations on Liturgy in the Second Machine Age, - *Images By Which We Live and Build, - and *The Quest for 'Noble Simplicity.'- Includes eight pages of full-color photographs with black-and-white photographs and illustrations throughout. Imagine what Sundays in a parish could be if worshiping communities are assured that the liturgy in their spaces might be a foretaste of the heavenly liturgy. Or what town-hall meetings could also be in a place where parish committees are inspired to know that they can be the instruments of truth and beauty. The essays in Building from Belief focus on Catholic church architecture and invite those who are involved in the creation of worship space to be *the world's memory of what beauty looks like, and what sanctity feels like. - In Building from Belief, Michal DeSanctis treats a variety of topics that concern the creation and use of liturgical space. He brings the historical development of both the Church and its architecture into clear view and focuses on the need for catechesis and conversion. DeSanctis calls for a change of heart on the part of the worshiping community, the building committee, professionals involved in the design process, and of the Church. By keeping the theological concepts of grace and sacramentality in mind, he offers rich insights to these fundamental Christian realities and provides hope and excitement about using the gifts of beauty, grace, and holiness. The essays in Building from Belief are an invitation to build the promised kingdom, allowing the grace of God into our hearts and in our spaces. DeSanctis encourages those who embark on the journey of building to ask the same question that the Fathers of Vatican II asked: how to be Church in a modern world. He shows that the worship that rises from our communities is indeed a true expression of that belief.
Contemporary Church Architecture by Edwin Heathcote,Laura Moffatt Pdf
The last decade has seen the emergence of a whole new generation of church designs. Covering buildings across the world, Contemporary Church Architecture aims to appeal not only to architects and clergy involved directly in ecclesiastical architecture but also other practitioners and those with a broader interest in cutting-edge design. This book covers the development of contemporary church design by looking at how the rational and the sacred can be reconciled and can inform one another. It also outlines the main trends and approaches: the conflict between self-expression and expression of the sacred, between sculptural signification and functionalism. Beautifully illustrated with around 350 photographs.
Imagine what Sundays in a parish could be if worshiping communities are assured that the liturgy in their spaces might be a foretaste of the heavenly liturgy. Or what town-hall meetings could also be in a place where parish committees are inspired to know that they can be the instruments of truth and beauty. The essays in Building from Belief focus on Catholic church architecture and invite those who are involved in the creation of worship space to be the world's memory of what beauty looks like, and what sanctity feels like." In Building from Belief, Michal DeSanctis treats a variety of topics that concern the creation and use of liturgical space. He brings the historical development of both the Church and its architecture into clear view and focuses on the need for catechesis and conversion. DeSanctis calls for a change of heart on the part of the worshiping community, the building committee, professionals involved in the design process, and of the Church. By keeping the theological concepts of grace and sacramentality in mind, he offers rich insights to these fundamental Christian realities and provides hope and excitement about using the gifts of beauty, grace, and holiness. The essays in Building from Belief are an invitation to build the promised kingdom, allowing the grace of God into our hearts and in our spaces. DeSanctis encourages those who embark on the journey of building to ask the same question that the Fathers of Vatican II asked: how to be Church in a modern world. He shows that the worship that rises from our communities is indeed a true expression of that belief. Chapters under Part I are *Beauty, Holiness and Liturgical Space, - *Catholic Sacramentality and the Reform of Sacred Architecture, - *The Pastoral Dimension of Church Renovation, - *Let's Stop Renovating Church Buildings (And Start Renovating the Church), - and *Coming to Terms with Modern Design. - Chapters under Part II are *Worshiping in 'No place': Casual Observations on Liturgy in the Second Machine Age, - *Images By Which We Live and Build, - and *The Quest for 'Noble Simplicity.'- Includes eight pages of full-color photographs with black-and-white photographs and illustrations throughout. Imagine what Sundays in a parish could be if worshiping communities are assured that the liturgy in their spaces might be a foretaste of the heavenly liturgy. Or what town-hall meetings could also be in a place where parish committees are inspired to know that they can be the instruments of truth and beauty. The essays in Building from Belief focus on Catholic church architecture and invite those who are involved in the creation of worship space to be *the world's memory of what beauty looks like, and what sanctity feels like. - In Building from Belief, Michal DeSanctis treats a variety of topics that concern the creation and use of liturgical space. He brings the historical development of both the Church and its architecture into clear view and focuses on the need for catechesis and conversion. DeSanctis calls for a change of heart on the part of the worshiping community, the building committee, professionals involved in the design process, and of the Church. By keeping the theological concepts of grace and sacramentality in mind, he offers rich insights to these fundamental Christian realities and provides hope and excitement about using the gifts of beauty, grace, and holiness. The essays in Building from Belief are an invitation to build the promised kingdom, allowing the grace of God into our hearts and in our spaces. DeSanctis encourages those who embark on the journey of building to ask the same question that the Fathers of Vatican II asked: how to be Church in a modern world. He shows that the worship that rises from our communities is indeed a true expression of that belief.
After World War II, America’s religious denominations spent billions on church architecture as they spread into the suburbs. In this richly illustrated history of midcentury modern churches in the Midwest, Gretchen Buggeln shows how architects and suburban congregations joined forces to work out a vision of how modernist churches might help reinvigorate Protestant worship and community. The result is a fascinating new perspective on postwar architecture, religion, and society. Drawing on the architectural record, church archives, and oral histories, The Suburban Church focuses on collaborations between architects Edward D. Dart, Edward A. Sövik, Charles E. Stade, and seventy-five congregations. By telling the stories behind their modernist churches, the book describes how the buildings both reflected and shaped developments in postwar religion—its ecumenism, optimism, and liturgical innovation, as well as its fears about staying relevant during a time of vast cultural, social, and demographic change. While many scholars have characterized these congregations as “country club” churches, The Suburban Church argues that most were earnest, well-intentioned religious communities caught between the desire to serve God and the demands of a suburban milieu in which serving middle-class families required most of their material and spiritual resources.
American Catholics and the Church of Tomorrow by Catherine R. Osborne Pdf
In the mid-twentieth century, American Catholic churches began to shed the ubiquitous spires, stained glass, and gargoyles of their European forebears, turning instead toward startling and more angular structures of steel, plate glass, and concrete. But how did an institution like the Catholic Church, so often seen as steeped in inflexible traditions, come to welcome this modernist trend? Catherine R. Osborne’s innovative new book finds the answer: the alignment between postwar advancements in technology and design and evolutionary thought within the burgeoning American Catholic community. A new, visibly contemporary approach to design, church leaders thought, could lead to the rebirth of the church community of the future. As Osborne explains, the engineering breakthroughs that made modernist churches feasible themselves raised questions that were, for many Catholics, fundamentally theological. Couldn’t technological improvements engender worship spaces that better reflected God's presence in the contemporary world? Detailing the social, architectural, and theological movements that made modern churches possible, American Catholics and the Churches of Tomorrow breaks important new ground in the history of American Catholicism, and also presents new lines of thought for scholars attracted to modern architectural and urban history.
This book looks at Christian church architecture and related decorative work from the late 19th century to the present, including period revivals, the "Arts and Crafts" interlude, the schools of Scandinavia, Germany, and West Coast America, and the Modern Movement. Extensively illustrated mainly in color.
Modern Religious Architecture in Germany, Ireland and Beyond by Lisa Godson,Kathleen James-Chakraborty Pdf
Modernity and religion are not mutually exclusive. Setting German and Irish church, synagogue and mosque architecture side by side over the last century highlights the place for the celebration of the new within faiths whose appeal lies in part in the stability of belief they offer across time. Inspired by radically modern German churches of the 1920s and 1930s, this volume offers new insights into designers of all three types of sacred buildings, working at home and abroad. It offers new scholarship on the unknown phenomenon of mid-century ecclesiastical architecture in sub-Saharan Africa by Irish designers; a critical appraisal of the overlooked Frank Lloyd Wright-trained Andrew Devane and an analysis of accommodating difficult pasts and challenging futures with contemporary synagogue and mosque architecture in Germany. With a focus on influence and processes, alongside conservationists and historians, it features critical insights by the designers of some of the most celebrated contemporary sacred buildings, including Niall McLaughlin who writes on his multiple award-winning Bishop Edward King Chapel and Amandus Sattler, architect of the innovative Herz-Jesu-Kirche, Munich.