Bullet Park Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Bullet Park book. This book definitely worth reading, it is an incredibly well-written.
From "a master American storyteller" (TIME), Bullet Park traces the fateful intersection of two men: Eliot Nailles, a nice fellow who loves his wife and son to blissful distraction, and the man who, after half a lifetime of drifting, settles down in Bullet Park with one objective—to murder Nailles's son. Welcome to Bullet Park, a township in which even the most buttoned-down gentry sometimes manage to terrify themselves simply by looking in the mirror. In these exemplary environs Pulitzer Prize winner John Cheever delivers a lyrical and mordantly funny hymn to the American suburb—and to all the dubious normalcy it represents—written with unparalleled artistry and assurance. “A magnificent work of fiction.… A novel to pore over, move around in, live with." —The New York Times
Encounters with American Culture by Peter S. Prescott Pdf
This collection of essays discusses some of the important books, authors, and literary trends of a volatile era in American and world literature whose cultural repercussions are still being felt. Peter S. Prescott was one of the most penetrating, knowledgeable, and sensitive critics to write for a general audience in the tradition of Edmund Wilson. Readers will discover not only Prescott's acute and subtle comments on the enduring and/or representative books of the time, but also his humor and style, his way with an anecdote or aphorism, his talent for parody, and his ability to laugh at himself, as well as at the authors he sometimes skewers. Prescott's writing has an immediacy and vivacity that suggests what it was like to read new books during his time. Here is one critic's view--ironic and complex--of good books by famous writers like Norman Mailer, Jorge Luis Borges, Joyce Carol Oates, Aleksandr Solzhenitsyn, and Vladimir Nabokov, as well as of good books by little-known writers and others who would later achieve reknown. Here, too, is some astringent criticism of distinguished and popular authors who have fallen into self-indulgence. Prescott writes about the New Journalism in its early days and about fragmentary autobiography as a literary form--genres whose importance he was among the first to recognize. His essays also touch on theater, film, food, and politics. The criticism in this volume are examples of the literary essay in its truest sense--an attempt to explore, in however brief space allowed, what the author sees around him, and connections between books and other aspects of the way people live. Always personal and urbane, these essays are often hilarious, generally moving, and exemplify the essay as an art form.
“A biography of great immediacy. . . . There are many sections of great poignancy, many funny things, many of electric intimacy and candor . . . there is spellbinding power, never more so than in describing Cheever’s death, pages that are both terrible and deeply moving; one is losing an old, beloved friend.” —James Salter, Los Angeles Times Book Review “John Cheever: A Biography is clearly an indispensable book. Donaldson moves gracefully from the personal to the literary. . . . Solidly researched and entirely readable, admiring of the writer and knowing about the man. Stuffed with fascinating anecdotes. It’s a gut-wrenching story. Donaldson tells it straight, without embellishment, and our attention never strays.” —Dan Cryer, Newsday “A coup of investigative reporting.” —Publishers Weekly “Both erudite and earthly. What emerges is a rich tapestry that gives the reader extraordinary insight into the workings of a master storyteller’s mind.” —Jean Graham, New York Daily News “John Cheever: A Biography by Scott Donaldson is as readable and ‘unputdownable’ as any thriller.” —T. Coraghessan Boyle “A revelation. What a triumph.” —Frederick Exley “Donaldson has set a high standard that other biographers will find difficult to equal.” —John Blades, Chicago Tribune
Author : John Gardner Publisher : Open Road Media Page : 263 pages File Size : 49,6 Mb Release : 2010-09-21 Category : Language Arts & Disciplines ISBN : 9781453203545
The classic work on the art of fiction by the “refreshingly unpredictable” novelist and literary critic (Publishers Weekly) In this posthumously published collection of his essays and reviews, acclaimed novelist John Gardner discusses the craft of fiction writing, taking to task some of his best-known contemporaries in the process. Gardner criticizes some for writing disingenuous fiction, and commends others who produce literature that acts as a life-affirming force. He offers insights into and exacting critiques on such writers as Vladimir Nabokov, John Updike, Saul Bellow, and John Cheever, while addressing his personal influences and delivering broad-ranging observations on literary culture. Provocative and poignant, On Writers & Writing is a must-read for both aspiring writers and careful readers of American literature. This ebook features a new illustrated biography of John Gardner, including original letters, rare photos, and never-before-seen documents from the Gardner family and the University of Rochester Archives.
This book reevaluates fiction devoted to the postwar American suburb, examining the way these works imagine suburbia as a communal structure designed to advance a particular American identity. Postmodern Suburban Spaces surveys works by both canonical chroniclers of the middle class experience, such as Richard Yates and John Cheever, and those who reflect suburbia’s demographic reality, including Gloria Naylor and Chang-rae Lee, to uncover a surprising reconfiguration of the suburban experience. Tracing major forms of suburban associations – racial divisions, property lines, the family, and ethnic fealty – these works depict a different mode of interaction than the stereotypical white picket fences. Joseph George draws from philosophers such as Emmanuel Levinas and Roberto Esposito to argue that these fictions assert a critical hospitality that frustrates the limited forms of association on which suburbia is based. This fiction, in turn, posits an ethical form of community that comes about when people share space together.
Masculinity and Place in American Literature since 1950 by Vidya Ravi Pdf
American literature has long celebrated the figure of the self-made man and the idea of establishing selfhood, particularly male selfhood, in nature. However, during the crisis of masculinity that swept across America in the middle of the twentieth century, a generation of writers started exploring a different kind of a man. This was a figure who was concerned not so much with the loss of the West or the desire to recover a wilderness, but with how to live in an ordinary, domesticated continent. Masculinity and Place in American Literature since 1950 explores the role of place in negotiating, reinforcing, and subverting articulations of hegemonic masculinity in the work of four American writers from the latter part of the 20th century—John Cheever, John Updike, Raymond Carver, and Richard Ford. The book argues that American fiction by white male writers between the 1950s and the present day is compelled by the troubled and troubling relationship between masculinity and place. This relationship is deeply embedded in how ideals of masculinity are predicated upon the experience of the physical world, and how the symbolic logic of masculinity is continually subverted by alternative conceptions of dwelling and ecological consciousness.
The expansion of the suburban environment is a fascinating cultural development. In fact, the United States is primarily a suburban nation, with far more Americans living in the suburbs that in either urban or rural areas. Why were suburbs created to begin with? How do we define them? Are they really the promised land of the American middle class? The concept of space and how we create it is a concept that is receiving a great deal of academic attention, but no one has looked carefully at the suburban landscape through the lens of fiction and of film.
The Suburbs by Marie Bouchet,Nathalie Cochoy,Isabelle Keller-Privat,Mathilde Rogez Pdf
While suburbs provide a rich field of research for sociologists, architects, urbanists and anthropologists, they have not been given much attention in literary and cultural studies. The Suburbs: New Literary Perspectives sets out to enrich the limited existing body of critical analysis on the subject with a landmark collection of essays offering a far larger perspective than the books or collections published so far on the topic. This interdisciplinary and wide-ranging approach includes literary and art studies, philosophy, and cultural comment. It examines the suburbs across cultural differences, contrasting British, South African and North American suburbs. The specificity of this book therefore lies in a cross-national and cross-continental exploration of these unchartered territories. The suburbs are redefined as those rebellious margins whose geographical borders are necessarily fuzzy and sketch out a common place where cultural frontiers can be transcended. They are, to use Sarah Nuttall’s terminology, places of “entanglement” where contraries meet and where new ways of being in the world is reborn. Seen through the prism of art and literature, the suburbs may then be recognized, as philosopher Bruce Bégout argues, as a “new way of thinking and making urban space.”
In this remarkable book, Tony Hilfer provides a major survey of the wealth of post-war American fiction. He analyses the major modes and genres of writing, from realist to postmodernist metafiction and black humour, the fiction of social protest, women's writing, and the traditions of African-American, Southern and Jewish-American fiction. Key writers discussed include William Faulkner, Norman Mailer, Ralph Ellison, Saul Bellow, Joseph Heller, Vladimir Nabokov and Joyce Carol Oates. The book concludes by exploring contemporary trends through detailed case-studies of Donald Barthelme and Toni Morrison.
In John Updike’s second collection of assorted prose he comes into his own as a book reviewer; most of the pieces picked up here were first published in The New Yorker in the 1960s and early ’70s. If one word could sum up the young critic’s approach to books and their authors it would be “generosity”: “Better to praise and share,” he says in his Foreword, “than to blame and ban.” And so he follows his enthusiasms, which prove both deserving and infectious: Kierkegaard, Proust, Joyce, Dostoevsky, and Hamsun among the classics; Borges, Nabokov, Grass, Bellow, Cheever, and Jong among the contemporaries. Here too are meditations on Satan and cemeteries, travel essays on London and Anguilla, three very early “golf dreams,” and one big interview. Picked-Up Pieces is a glittering treasury for every reader who likes life, books, wit—and John Updike.
The Oxford Encyclopedia of American Literature by Jay Parini Pdf
This set treats the whole of American literature, from the European discovery of America to the present, with entries in alphabetical order. Each of the 350 substantive essays is a major interpretive contribution. Well-known critics and scholars provide clear and vividly written essays thatreflect the latest scholarship on a given topic, as well as original thinking on the part of the critic. The Encyclopedia is available in print and as an e-reference text from Oxford's Digital Reference Shelf.At the core of the encyclopedia lie 250 essays on poets, playwrights, essayists, and novelists. The most prominent figures (such as Whitman, Melville, Faulkner, Frost, Morrison, and so forth) are treated at considerable length (10,000 words) by top-flight critics. Less well known figures arediscussed in essays ranging from 2,000 to 5,000 words. Each essay examines the life of the author in the context of his or her times, looking in detail at key works and describing the arc of the writer's career. These essays include an assessment of the writer's current reputation with abibliography of major works by the writer as well as a list of major critical and biographical works about the writer under discussion.A second key element of the project is the critical assessments of major American masterworks, such as Moby-Dick, Song of Myself, Walden, The Great Gatsby, The Waste Land, Their Eyes Were Watching God, Death of a Salesmanr, or Beloved. Each of these essays offers a close reading of the given work,placing that work in its historical context and offering a range of possibilities with regard to critical approach. These fifty essays (ranging from 2,000 to 5,000 words) are simply and clearly enough written that an intelligent high school student should easily understand them, but sophisticatedenough that a college student or general reader in a public library will find the essays both informative and stimulating.The final major element of this encyclopedia consists of fifty-odd essays on literary movements, periods, or themes, pulling together a broad range of information and making interesting connections. These essays treat many of the same authors already discussed, but in a different context; they alsogather into the fold authors who do not have an entire essay on their work (so that Zane Grey, for example, is discussed in an essay on Western literature but does not have an essay to himself). In this way, the project is truly "encyclopedic," in the conventional sense. These essays aim forcomprehensiveness without losing anything of the narrative force that makes them good reading in their own right.In a very real fashion, the literature of the American people reflects their deepest desires, aspirations, fears, and fantasies. The Oxford Encyclopedia of American Literature gathers a wide range of information that illumines the field itself and clarifies many of its particulars.
Author : John Gardner Publisher : Open Road Media Page : 823 pages File Size : 48,9 Mb Release : 2013-12-10 Category : Language Arts & Disciplines ISBN : 9781480466005
Three books in one volume: Advice and reflections on modern fiction from “one of the greatest creative writing teachers we’ve ever had” (Frederick Busch). In On Becoming a Novelist, John Gardner advises the aspiring fiction author on such topics as the value of creative writing workshops, the developmental stages of literary growth, and the inevitable experience of writer’s block. Drawn from his two decades of experience in creative writing, Gardner balances his compassion for his students with his knowledge of the publishing industry, and truthfully relates his experiences of the hardships that lie ahead for aspiring authors. In On Writers & Writing, acclaimed novelist John Gardner discusses the craft of fiction writing, taking to task some of his best-known contemporaries in the process. Gardner criticizes some for writing disingenuous fiction, and commends others who produce literature that acts as a life-affirming force. He offers insights into and exacting critiques on such writers as Vladimir Nabokov, John Updike, Saul Bellow, and John Cheever, while addressing his personal influences and delivering broad-ranging observations on literary culture. And in On Moral Fiction, John Gardner’s thesis is simple: “True art is by its nature moral.” Since the book’s first publication, the passion behind Gardner’s assertion has both provoked and inspired readers. In examining the work of his peers, Gardner analyzes what has gone wrong, in his view, in modern art and literature, and how shortcomings in artistic criticism have contributed to the problem. He develops his argument by showing how artists and critics can reintroduce morality and substance to their work to improve society and cultivate our morality.
