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Some secrets are better left buried… Stuck between life and death, Mackenzie is hell-bent on proving her innocence, and getting revenge on the men who murdered her sister. With one series of unfortunate events after another, Mackenzie must outrun her own fate—death. When secrets unravel and lies become twisted betrayals, Mackenzie finds herself in more danger than she could’ve realized. Her only saving grace is Baz, the elusive playboy she’s given her heart to. But will placing her trust in a man like Baz be her downfall?
Two sisters. One unsolved murder. A sickening plot for revenge. When Mackenzie Wright attends her first real high school party, held somewhere deep in the woods of her small California town, no one expects to wake up the next morning to news of a gruesome murder. Especially not her own sister’s. No suspects. No motive. No convictions. Just one unsolved murder and whatever’s left of the now deserted town. Mackenzie has spent years with her sister’s death weighing heavily on her shoulders, but it isn’t until she stumbles across a photograph that changes everything for her. The memories, everything from that night, come flashing back in high-speed technicolor and Mackenzie soon finds herself obsessed with the truth. Determined to find out what really happened to her sister, Mackenzie relies on that one photograph to give her the answers she needs by embedding herself into the lives of five of the wealthiest men in Los Angeles. Consumed by her need for revenge, Mackenzie infiltrates the world of the rich and elite, only to come face-to-face with an alluring complication in the form an elusive playboy. When enemy lines are drawn, Mackenzie has to choose between her loyalty to her sister and the man who has stolen her heart.
A masterful work of personal reportage, this volume is also a vibrant portrait of a mysterious people and an essential document of a disappearing culture. Fabled, feared, romanticized, and reviled, the Gypsies—or Roma—are among the least understood people on earth. Their culture remains largely obscure, but in Isabel Fonseca they have found an eloquent witness. In Bury Me Standing, alongside unforgettable portraits of individuals—the poet, the politician, the child prostitute—Fonseca offers sharp insights into the humor, language, wisdom, and taboos of the Roma. She traces their exodus out of India 1,000 years ago and their astonishing history of persecution: enslaved by the princes of medieval Romania; massacred by the Nazis; forcibly assimilated by the communist regimes; evicted from their settlements in Eastern Europe, and most recently, in Western Europe as well. Whether as handy scapegoats or figments of the romantic imagination, the Gypsies have always been with us—but never before have they been brought so vividly to life. Includes fifty black and white photos.
I hear screams in my head. I see blood on my hands. When I look in the mirror I see a stranger. How is it that I can remember bits and pieces of my life, but nothing of any importance and nothing that makes any sense? Everything is twisted and nothing is right. I’m choking with every breath I take, suffocating on the unknown. Two days ago, everything changed. Two days ago, the people I should trust the most became strangers in my convoluted head. The dreams I have can’t be real. The fleeting memories that whisper through my mind are scary and wrong...they have to be. If they aren’t, I have something much worse to fear than my fractured mind. I need to find out the truth, even if it destroys me. I've been told my name is Ravenna Duskin. I’m eighteen years old and I live in a prison...
"A sizzling, chemistry-filled enemies-to-lovers romance, which is both crackaliciously addictive and angst-central. I couldn't get enough of Nash and Em. One of my favorite books of the year." - L.J. Shen, USA Today Bestselling AuthorFrom USA Today bestselling author Parker S. Huntington comes an enemies-to-lovers, slow-burn romance full of revenge and a dash of fate."She could enjoy her pretty, perfect world a little longer. Soon enough, everything she owned would be mine."I had a plan to escape the friend zone.Step one: sneak into Reed's room.Step two: sleep with him.But when the lights turned on, it wasn't familiar blue eyes I saw.These were dark, angry, and full of demons.And they belonged to Reed's much older brother.Four years later, Nash Prescott is no longer the help's angry son.I'm no longer the town's prized princess.At twenty-two, I'm broke, in need of a job.At thirty-two, he's a billionaire, in need of revenge.Who cares if my family ruined his?Who cares if he looks at me with pure loathing?Who cares if every task he assigns me is designed to torture?I need the money.Simple as that.I'll suffer his cruelty in silence, knowing there's one thing he wants more than revenge?Me.
My dad's an asshole. Plain and simple.He's made it obvious that I can only ever rely on myself.Until I meet them.Caden, Tyler, Jensen, and Lukas.My new stepbrother and his best friends have suddenly become my everything.Until they aren't.They think they can break me, but they're dead wrong.They wouldn't have bet on me having someone else on my side, or in my bed.These rich boys haven't seen anything yet.Their pretty lies are nothing compared to what's coming though, and I'm going to need them to anchor me when I finally break.Death is coming to those who deserve it, and I don't care if I lose myself in the process.Did I mention the local street crew being on my side?No one will ever see me coming.My name's Rory Donovan, and I'm about to paint the walls red.
A record of the letters of the energetic and magnanimous Es'kia Mphahlele When Chabani Manganyi published the first edition of selected letters 25 years ago as a companion volume to, Exiles and Homecomings: A Biography of Es'kia Mphahlele the idea of Mphahlele's death was remote and poetic. The title, Bury Me at the Marketplace, suggested that immortality of a kind awaited Mphahlele, in the very coming and going of those who remember him and whose lives he touched. It suggested, too, the energy and magnanimity of Mphahlele, the man, whose personality and intellect as a writer and educator would carve an indelible place for him in South Africa's public sphere. That death has now come and we mourn it. Manganyi's words at the time have acquired a new significance: in the symbolic marketplace, he noted, "the drama of life continues relentlessly and the silence of death is unmasked for all time." The silence of death is certainly unmasked in this volume, in its record of Mphahlele's rich and varied life: his private words, his passions and obsessions, his arguments, his loves, hopes, achievements, and even some of his failures. Here the reader will find many facets of the private man translated back into the marketplace of public memory. Despite the personal nature of the letters, the further horizons of this volume are the contours of South Africa's literary and cultural history, the international affiliations out of which it has been formed, particularly in the diaspora that connects South Africa to the rest of the African continent and to the black presence in Europe and the United States. This selection of Mphahlele's own letters has been greatly expanded; it has also been augmented by the addition of letters from Mphahlele's correspondents, among them such luminaries as Langston Hughes and Nadine Gordimer. It seeks to illustrate the networks that shaped Mphahlele's personal and intellectual life, the circuits of intimacy, intellectual inquiry, of friendship, scholarship, and solidarity that he created and nurtured over the years.
When I Die, Bury Me Well by Francis M. Macatangay Pdf
"Sennacherib put to death many Israelites. So I stole their bodies to bury them; Sennacherib looked for them and he could not find them." Why do we bury the dead? To honor and respect them? To provide closure and comfort to the living? To provide the dead a final resting place? Tobit buried the dead as the ultimate work of mercy, and its pervasive presence in the narrative discourse of the book of Tobit invites reflection on and consideration of the reason for the practice of burial. The narrative drama radiates a universal sense of what it means to be in exile, namely, that it is an experience of death. Weaving together a complex of ideas related to Israelite interment practices and the reality of Israel's exile from the land given to them by God, this book explores the significance of burial as it relates to God's outstanding promises and Tobit's hopes for the household of Jacob.
The Mirror of Literature, Amusement, and Instruction by John Timbs Pdf
Containing original essays; historical narratives, biographical memoirs, sketches of society, topographical descriptions, novels and tales, anecdotes, select extracts from new and expensive works, the spirit of the public journals, discoveries in the arts and sciences, useful domestic hints, etc. etc. etc.
Mary Jaques was an Englishwoman who spent two years in America from 1889 to 1891. The last part of this rare book describes a trip to Mexico shortly before her return to England, and an earlier trip to the West Coast, but a good part of the work deals with her ranch experiences.