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Contents: Preface: Norman Buchan, M. P.; Introduction: Angus Calder; Byron the Radical: David Craig; Byron: Radical, Scotish Aristocrat: Andrew Noble; Byron and Catholicism: William Donnelly; Byron and Scott: P. H. Scott; The Provost and His Lord: John Galt and Lord Byron: Margery McCulloch; Lord Byron and Lord Elgin: Douglas Dunn; Byron: An Edinburgh Re-Review: John Curt; Byron, Scott and Scottish Nostalgia: J. Drummond Bone; "The Island: " Scotland, Greece, and Romantic Savagery: Angus Calder; "Byron Landing From a Boat" by George Sanders: Michael Rees; On Singing "Dark Lochnager: " Sheena Blackhall; Afterword: J. Drummond Bone^R
Lord Byron and Discourses of Otherness by Gioia Angeletti Pdf
Multiple forms and discourses of otherness emerge in Byron's life and writing. This book focuses on three of them - Scotland, Italy, and femininity - and on how these discourses cannot be understood outside the poet's own mobility of character and multifaceted personality. In particular, this book studies Byron's complex relationship with Italian otherness - place, culture, and people (mainly female) - and his wavering position vis-a-vis the English and Scottish Self. In Byron's life and works Scotland and Scottish literature shift from the position of the Self to that of the Other depending on where the poet locates himself in relation to his homeland. From 1816 to 1823, Byron established a complex relationship with Italian otherness: Italy is the Other opposed to the English Self, but it may also figure as a set of images onto which Byron projects his own anxiety concerning England. Byron's Italian women are the feminine Other outside his Self that he would like to assimilate. As another constant discourse of otherness in Byron's life and works, femininity is strictly connected with his sexual politics and libertarian ideology.Yet the book also shows how Byron himself can become the object of otherness through different forms of 'translation': Caroline Lamb's parodic rewriting of Don Juan; and Andrea Maffei's Italian translations.
Byron’s Religions is the most comprehensive study yet of the poet’s deep, diverse and eclectic attitude to religion. The articles, by several well-known and distinguished scholars, cover many of his poems and plays, taking in Anglicanism, Catholicism, Blasphemy, Calvinism, Gnosticism, Islam, and Zoroastrianism. The tentative conclusion is that Byron was never the atheist which the cliché has him to be, but a man whose profound need for a faith clashed always with an equally profound scepticism.
This new study of Byron explores the 'geo-historical' - places where historically significant events have occurred. Cheeke examines the ways in which the notion of being there becomes the central claim and shaping force in Byron's poetry up to 1818. He goes on to explore the concept of being in-between which characterises Byron's 1818-21 poetry. Finally, Byron's complex nostalgia for England, his sense of having been there , is read in relation to a broader critique of memory, home-sickness and place-attachment.
Literary historians have repeatedly observed that while Scott as a poet was the first British literary lion of the nineteenth century, his fame was supplanted by Byron as a poet starting in 1812. But that is as far as they take the relationship seriously, for the two writers are traditionally thought of as very different, even as political and temperamental opposites. But in fact, the two writers met each other in 1815, liked each other, and cherished their friendship the rest of their lives. The story of their relationship in personal terms was not over. Nor was the literary relationship, this study ventures. Scott embarked on an entirely new career in 1814, inventing the historical novel. Byron was swept away by these “Waverley novels,” and in his years of exile to the Continent from 1816 on, repeatedly beseeched his publisher to send Scott’s latest novels. The position here is that those novels were important to Byron’s development in both literary and existential respects. Byron’s historical dramas, his Don Juan, The Island, and his final fling, into the Greek Revolution, show an evolution of both the Byronic Hero and Byron himself in a context his friend Scott had opened up for him.
"Romanticism - and Byron" is a book in two parts. In the first part, Dr Cochran examines "Romanticism" and shows that it is a word meaning anything, and therefore nothing. It is an academic construct created by academics, and has no basis in the writings of the early nineteenth century. Its continued use, argues Dr Cochran, is a modern marketing phenomenon solely. In the second part, Dr Cochran examines the life and work of Byron in the non-"romantic" context of his contemporaries. He shows how Byron's antithetical nature created problems when he was forced into compromising situations with friends who were close to parts of his mind, yet irreconcilable with one another. This "mobility", argues Cochran, was often an embarrassment for Byron's social life, but of great benefit to his creativity. This part of the book features chapters on Shelley, Scott, Blake, Keats, Coleridge and Wordsworth, and is notable for the amount of original archive documentation with which Cochran illustrates his theme.
The Burning of Byron’s Memoirs by Peter Cochran Pdf
The Burning of Byron’s Memoirs is a collection of new and uncollected essays, and papers given at many conferences over a two-decade period. They cover many aspects of Byron’s life and work, including his relationship with his parents, his library, his attitude to Shakespeare, his borrowings from other writers, and his feelings about women and men. Two essays centre on his close friends Hobhouse and Kinnaird. All are informed by first-hand acquaintance with primary texts. The title essay has been hailed as the best-ever documentation of the disgraceful way in which Byron’s Memoirs were destroyed within days of his death being announced. For anyone interested in Byron either as a man, a poet, or as a cultural phenomenon, The Burning of Byron’s Memoirs is essential reading.
Scottish and Irish Romanticism by Murray Pittock Pdf
Scottish and Irish Romanticism is the first single-author book to address the main non-English Romanticisms of the British Isles. Murray Pittock begins by questioning the terms of his chosen title as he searches for a definition of Romanticism and for the meaning of 'national literature'. He proposes certain determining 'triggers' for the recognition of the presence of a national literature, and also deals with two major problems which are holding back the development of a new and broader understanding of British Isles Romanticisms: the survival of outdated assumptions in ostensibly more modern paradigms, and a lack of understanding of the full range of dialogues and relationships across the literatures of these islands. The theorists whose works chiefly inform the book are Bakhtin, Fanon and Habermas, although they do not define its arguments, and an alertness to the ways in which other literary theories inform each other is present throughout the book. Pittock examines in turn the historiography, prejudices, and assumptions of Romantic criticism to date, and how our unexamined prejudices still stand in the way of our understanding of individual traditions and the dialogues between them. He then considers Allan Ramsay's role in song-collecting, hybridizing high cultural genres with broadside forms, creating in synthetic Scots a 'language really used by men', and promoting a domestic public sphere. Chapters 3 and 4 discuss the Scottish and Irish public spheres in the later eighteenth century, together with the struggle for control over national pasts, and the development of the cults of Romance, the Picturesque and Sentiment: Macpherson, Thomson, Owenson and Moore are among the writers discussed. Chapter 5 explores the work of Robert Fergusson and his contemporaries in both Scotland and Ireland, examining questions of literary hybridity across not only national but also linguistic borders, while Chapter 6 provides a brief literary history of Burns' descent into critical neglect combined with a revaluation of his poetry in the light of the general argument of the book. Chapter 7 analyzes the complexities of the linguistic and cultural politics of the national tale in Ireland through the work of Maria Edgeworth, while the following chapter considers of Scott in relation to the national tale, Enlightenment historiography, and the European nationalities question. Chapter 9 looks at the importance of the Gothic in Scottish and Irish Romanticism, particularly in the work of James Hogg and Charles Maturin, while Chapter 10, 'Fratriotism', explores a new concept in the manner in which Scottish and Irish literary, political and military figures of the period related to Empire.
This book includes commentaries on the major poems Manfred, Childe Harold's Pilgrimage, and Don Juan, with substantial consideration of Byron's prose and with one of the most comprehensive studies of Cain ever written.
"In the Wind's Eye" by George Gordon Byron Baron Byron Pdf
George Gordon Byron was a superb letter-writer: almost all his letters, whatever the subject or whoever the recipient, are enlivened by his wit, his irony, his honesty, and the sharpness of his observation of people. They provide a vivid self-portrait of the man who, of all his contemporaries, seems to express attitudes and feelings most in tune with the twentieth century. In addition, they offer a mirror of his own time. This first collected edition of all Byronâe(tm)s known letters supersedes Protheroâe(tm)s incomplete edition at the turn of the century. It includes a considerable number of hitherto unpublished letters and the complete text of many that were bowdlerized by former editors for a variety of reasons. Protheroâe(tm)s edition included 1,198 letters. This edition has more than 3,000, over 80 percent of them transcribed entirely from the original manuscripts.The ninth volume in Leslie Marchandâe(tm)s highly acclaimed, unexpurgated edition of Byronâe(tm)s letters finds the poet in Pisa with Teresa Guiccioli. His unique journal, âeoeDetached Thoughts,âe is finished shortly after his arrival in November 1821, and he is drawn into Shelleyâe(tm)s circle (including Edward Williams, Thomas Medwin, John Taaffe, and later Trelawny). His letters to Mary Shelley, the Hunts, and Trelawny after the death of Shelley are especially moving. Another tragedy, the death of his daughter Allegra, leaves him deeply affected, and he refers to it time and time again.Money problems continue to plague him, as do suspicions surrounding his political activities. Following a fracas with a half-drunken dragoon and the imprisonment of two of his servants because of it, Byron is forced to leave Pisa and install himself and Teresa in a villa near Leghorn. His correspondence with his publisher reveals increasing displeasure with Murrayâe(tm)s delays, indecision, and anxiety over Don Juan, and Byron finally breaks off the relationship. But his output of verse is in no way lessened, and by the end of this volume in 1822, he has finished six more cantos for Don Juan as well as other poems.
Byron exists in two incompatible dimensions: as fully-documented history, and as romantic myth. Often the myth predominates, describing him as a passionate lover, a staunch friend, a great romantic poet, a champion of the working man, a loyal author to his publisher, and a fighter for democracy who sacrificed his life for the Freedom of Greece. This book attempts to prove that the verifiable truth often proves him to be the opposite. Using letters from Byron’s family, friends, and associates which have never been transcribed, collected and sequenced before, Peter Cochran argues that the poet was an unscrupulous sponger on his relatives and friends, that he harboured a horror at the idea of empowering the working man, had no time for democracy, and despised his publisher. His contempt for the Greeks is clear from everything he writes about them, and his motives for going to Greece at the end of his life (which Cochran analyses in more depth than they have ever been analysed before), were a disturbing mixture of self-indulgent fantasy and death-wish. Using large amounts of manuscript evidence, Cochran further argues that almost all editions of Byron’s writing do his style very poor service, constituting not contributions to knowledge of him, but additions to the obfuscating myth.
Romanticism and Religion from William Cowper to Wallace Stevens by Gavin Hopps Pdf
The relationship between literature and religion is one of the most groundbreaking and challenging areas of Romantic studies. Covering the entire field of Romanticism from its eighteenth-century origins in the writing of William Cowper and its proleptic stirrings in Paradise Lost to late-twentieth-century manifestations in the work of Wallace Stevens, the essays in this timely volume explore subjects such as Romantic attitudes towards creativity and its relation to suffering and religious apprehension; the allure of the 'veiled' and the figure of the monk in Gothic and Romantic writing; Miltonic light and inspiration in the work of Blake, Wordsworth, Shelley, and Keats; the relationship between Southey's and Coleridge's anti-Catholicism and definitions of religious faith in the Romantic period; the stammering of Romantic attempts to figure the ineffable; the emergence of a feminised Christianity and a gendered sublime; the development of Calvinism and its role in contemporary religious controversies. Its primary focus is the canonical Romantic poets, with a particular emphasis on Byron, whose work is most in need of critical re-evaluation given its engagement with the Christian and Islamic worlds and its critique of totalising religious and secular readings. The collection is an original and much-needed intervention in Romantic studies, bringing together the contextual awareness of recent historicist scholarship with the newly awakened interest in matters of form and an appreciation of the challenges of postmodern theory.
The Palgrave Literary Dictionary of Byron by M. Garrett Pdf
A comprehensive guide to the poems, prose, biography, ideas and contexts of Byron, entries range from detailed coverage of the major poems to items on Byron's songs, conversation, interest in boxing, swimming and vampires, and sexual liaisons; also the 'Byronic Hero', Byron in fiction and drama, and his pervasive influence on subsequent literature.
George Gordon, Lord Byron 1788-1824 by George Gordon Byron Baron Byron Pdf
Bestselling series of portable anthologies, contains selected poetry and prose from some of the most famous English and Scottish poets. An attractive six-pocket display pack is also available.
