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The Greek poet C. P. Cavafy (1863-1933) lived most of his life in Alexandria, where he was content to circulate his work only among a select group of readers; but since his death he has come to be recognised and widely enjoyed as one of the great poets of the century in any language, remarkable for his use of dramatic forms and plain language within elegant formal structures, for his brilliant reanimation of myth and for his subtle treatment of erotic experience. Lawrence Durrell has written of this masterly translation: 'Cavafy has now at last fallen upon translators who can do justice to his wry melodious poems, glinting with insight as if from veins of mica.'
An extraordinary literary event: Daniel Mendelsohn’s acclaimed two-volume translation of the complete poems of C. P. Cavafy—including the first English translation of the poet’s final Unfinished Poems—now published in one handsome edition and featuring the fullest literary commentaries available in English, by the renowned critic, scholar, and international best-selling author of The Lost. No modern poet so vividly brought to life the history and culture of Mediterranean antiquity; no writer dared break, with such taut energy, the early-twentieth-century taboos surrounding homoerotic desire; no poet before or since has so gracefully melded elegy and irony as the Alexandrian Greek poet Constantine Cavafy (1863–1933). Whether advising Odysseus on his return to Ithaca or confronting the poet with the ghosts of his youth, these verses brilliantly make the historical personal—and vice versa. To his profound exploration of longing and loneliness, fate and loss, memory and identity, Cavafy brings the historian’s assessing eye along with the poet’s compassionate heart. After more than a decade of work and study, Mendelsohn—a classicist who alone among Cavafy’s translators shares the poet’s deep intimacy with the ancient world—gives readers full access to the genius of Cavafy’s verse: the sensuous rhymes, rich assonances, and strong rhythms of the original Greek that have eluded previous translators. Complete with the Unfinished Poems that Cavafy left in drafts when he died—a remarkable, hitherto unknown discovery that remained in the Cavafy Archive in Athens for decades—and with an in-depth introduction and a helpful commentary that situates each work in a rich historical, literary, and biographical context, this revelatory translation is a cause for celebration: the definitive presentation of Cavafy in English.
C. P. Cavafy: The Unfinished Poems by C.P. Cavafy Pdf
A remarkable discovery, an extraordinary literary event: the never-before translated Unfinished Poems of the great Alexandrian Greek poet Constantine Cavafy, published for the first time in English alongside a revelatory new rendering of the Collected Poems—translated and annotated by the renowned critic, classicist, and award-winning author of The Lost. When he died in 1933 at the age of seventy, C. P. Cavafy left the drafts of thirty poems among his papers—some of them masterly, nearly completed verses, others less finished texts, all accompanied by notes and variants that offer tantalizing glimpses of the poet’s sometimes years-long method of rewriting and revision. These remarkable poems, each meticulously filed in its own dossier by the poet, remained in the Cavafy Archive in Athens for decades before being published in a definitive scholarly edition in Greek in 1994. Now, with the cooperation and support of the Archive, Daniel Mendelsohn brings this hitherto unknown creative outpouring to English readers for the first time. Beautiful works in their own right—from a six-line verse on the “birth of a poem” to a longer work that brilliantly paints the autumn of Byzantium in unexpectedly erotic colors—these unfinished poems provide a thrilling window into Cavafy’s writing process during the last decade of his life, the years of his greatest production. They brilliantly explore, often in new ways, the poet’s well-established themes: identity and time, the agonies of desire and the ironies of history, cultural decline and reappropriation of the past. And, like the Collected Poems, the Unfinished Poems offers a substantial introduction and notes that provide helpful historical, textual, and literary background for each poem. This splendid translation, together with the Collected Poems, is a cause for celebration—the definitive presentation of Cavafy in English.
"Clearing the Ground" illuminates a crucial decade of Cavafy's artistic development, marked at one end by a period of personal crisis and near creative stasis, at the other by the poetic force of the celebrated "Ithaca." The years in between are held together by the "Unpublished Notes on Poetics and Ethics." Part private confession, part public pronouncement, part journal entry, and philosophical pensée, these notes were recorded between 1902 and 1911. In some of them, according to the eminent critic G. P. Savidis, Cavafy attempted to formulate "thoughts and feelings never before uttered" in his own language - in certain cases, in any language. The full body of the notes is correlated in this volume with the poetry Cavafy was writing contemporaneously - in particular the startling "hidden poems" begun in 1904. What emerges is a striking narrative of artistic and personal becoming. The afterward by Martin McKinsey examines Cavafy's sexuality and accompanying pressures in historical context and suggests the part they may have played in his poetic breakthrough. This is a revelatory work for students and lovers of Cavafy - one of the great outsider poets of the twentieth century.
"A Greek gentleman in a straw hat, standing absolutely motionless at a slight angle to the universe." E. M. Forster's famous description of C. P. Cavafy--the most widely known and best loved modern Greek poet--perfectly captures the unique perspective Cavafy brought to bear on history and geography, sexuality and language. Cavafy wrote about people on the periphery, whose religious, ethnic and cultural identities are blurred, and he was one of the pioneers in expressing a specifically homosexual sensibility. His poems present brief and vivid evocations of historical scenes and sensual moments, often infused with his distinctive sense of irony. They have established him as one of the most important poets of the twentieth century. The only bilingual edition of Cavafy's collected poems currently available, this volume presents the most authentic Greek text of every poem he ever published, together with a new English translation that beautifully conveys the accent and rhythm of Cavafy's individual tone of voice. In addition, the volume includes an extensive introduction by Peter Mackridge, explanatory notes that gloss Greek historical names and events alluded to in the poems, a chronological list of the poems, and indexes of Greek and English titles. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
dimitris yeros; constantine p cavafy; photography; photography book; gore vidal; clive barker; jeff koons; greek poems; greek poetry; david connolly; erotic photography; greek erotic poetry; coffee table book; art book; greek literature; literature; art; celebrity; LGBTQ From renowned painter and photographer Dimitris Yeros comes a collection of photographs inspired by the classic poems of one of Greece’s greatest writers: Constantine P. Cavafy. Yeros has produced nearly seventy photographic illustrations using a mixture of models and fellow members of the artistic community such as Gore Vidal, Clive Barker, and Jeff Koons as his subjects. These striking images bring out every nuance of Cavafy’s writing—with romance, intrigue, humor, despair, and eroticism each playing a part. In addition to its visual richness, the book presents new English poetic translations of Cavafy by David Connolly (Eroticon, Journal of an Unseen April) which are faithful to the original Greek works while bringing them to life for a new group of readers. Stunning portraiture and erotic photography paired with new English translations of the poetry of C. P. Cavafy—called the greatest modern Mediterranean poet. Literary, artistic, celebrity and gay interest.
C. P. Cavafy (1863-1933) lived in relative obscurity in Alexandria, and a collected edition of his poems was not published until after his death. Now, however, he is regarded as the most important figure in twentieth-century Greek poetry, and his poems are considered among the most powerful in modern European literature. This revised bilingual edition of Collected Poems offers the reader the original Greek texts facing what are now recognized as the standard English translations of Cavafy's poetry. It is this translation that best captures the poet's mixture of formal and idiomatic language and that preserves the immediacy of his increasingly frank treatment of homosexual eroticism, his brilliant re-creation of history, and his astute political ironies. This new bilingual edition also features the notes of editor George Savidis and a new foreword by Robert Pinsky.
Cavafy's Historical Poems is the first volume of a four-book set constituting a study of the life and opus of this fascinating poet. The secoCavafy's Historical Poems is the first volume of a four-book set constituting a study of the life and opus of this fascinating poet. The second volume is an anecdotal life detailing Cavafy's home and its atmosphere: the man, the poet, and his lifestyle; the odes of his compatriot partisans; the praises of his foreign admirers; the barbs and insults of his critics and revilers; the poet as a critical ironist; and the last part of his life. More than one hundred commentators are quoted, and just as many of his poems are used where it seemed appropriate. A third volume consists of erratic commentaries containing the author's evaluation and criticism of the main contributions to Cavafy's poetry. That is these of George Seferis, Sir Maurice Bowra, Robert Liddel, Edmund Keeley, Grigorios Xenopoulos, Timos Malanos, Stratis Tsirkas, John Sareyiannis, and others. These follow an opening chapter on Hellenization and a second chapter on the controversial subject of the dates of composition of Cavafy's poems. The fourth volume, The Canon, is a verse translation of the 150 poems Cavafy accepted as his mature opus, including the original Greek verses, accompanied by detailed examination of the poet's craft and style. That is to say the meter, length of verse, wedging, rhyme, enjambment, titles, organization, punctuation, the absences, lyricism, periphrasis, description, narrative, suggestive image, abstractions, transmission, maturity, content, language, irony, intellectuality, etc. nd volume is An Anectodal Life detailing Cavafy's home and its atmosphere: the man, the poet and his lifestyle; the odes of his compatriot partizans; the praises of his foreign admirers; the barbs and insults of his critics and revilers; the poet as a critical ironist, and the last part of his life. More than one hundred commentarors are quoted and just as many of his poems are used where it seemed appropriate. A third volume consists of Erratic Commentaries containing the author's evaluation and criticism of the main contributions to Cavafy's poetry. That is these of George Seferis, Sir Maurice Bowra, Robert Liddel, Edmund Keeley, Grigorios Xenopoulos, Timos Malanos, Stratis Tsirkas, John Sareyiannis, and others. These follow an opening chapter on Hellenization and an second chapter on the controversial subject of the dates of composition of Cavafy's poems. The fourth volume, The Canon, is a verse translation of the 150 poems Cavafy accepted as his mature opus, including the original Greek verses, accompanied by detailed examination of the poet's craft and style. That is to say, the meter, length of verse, wedging, rhyme, enjambment, titles, organization, punctuation, the absences, lyricism, periphrasis, description, narrative, suggestive image, abstractions, transmission, maturity, content, language, irony, intellectuality, etc.
An extraordinary literary event: Daniel Mendelsohn’s acclaimed two-volume translation of the complete poems of C. P. Cavafy—including the first English translation of the poet’s final Unfinished Poems—now published in one handsome edition and featuring the fullest literary commentaries available in English, by the renowned critic, scholar, and international best-selling author of The Lost. No modern poet so vividly brought to life the history and culture of Mediterranean antiquity; no writer dared break, with such taut energy, the early-twentieth-century taboos surrounding homoerotic desire; no poet before or since has so gracefully melded elegy and irony as the Alexandrian Greek poet Constantine Cavafy (1863–1933). Whether advising Odysseus on his return to Ithaca or confronting the poet with the ghosts of his youth, these verses brilliantly make the historical personal—and vice versa. To his profound exploration of longing and loneliness, fate and loss, memory and identity, Cavafy brings the historian’s assessing eye along with the poet’s compassionate heart. After more than a decade of work and study, Mendelsohn—a classicist who alone among Cavafy’s translators shares the poet’s deep intimacy with the ancient world—gives readers full access to the genius of Cavafy’s verse: the sensuous rhymes, rich assonances, and strong rhythms of the original Greek that have eluded previous translators. Complete with the Unfinished Poems that Cavafy left in drafts when he died—a remarkable, hitherto unknown discovery that remained in the Cavafy Archive in Athens for decades—and with an in-depth introduction and a helpful commentary that situates each work in a rich historical, literary, and biographical context, this revelatory translation is a cause for celebration: the definitive presentation of Cavafy in English.
C.P. Cavafy (1863-1933) is now considered by many to be the most original and influential Greek poet of this century. The qualities of his poetry that were unfashionable during his lifetime are the very ones that make his work endure: his sparing use of metaphor; his evocation of spoken rhythms and colloquialisms; his use of epigrammatic and dramatic modes; his aesthetic perfectionism; his frank treatment of homosexual themes; his brilliantly alive sense of history; and his commitment to Hellenism, coupled with an astute cynicism about politics. The translations in Selected Poems are completely new. Realizing that Cavafy's language is closer to the spoken idiom than that of other leading Greek poets of his time, and that earlier translations have failed to capture the immediate, colloquial qualities of Cavafy's voice, Edmund Keeley and Philip Sherrard have rendered his most significant and characteristic poems in a style and rhythm as natural and apt in English as the poet's is in Greek. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
A Study Guide for C. P. Cavafy's "Ithaka" by Gale, Cengage Learning Pdf
A Study Guide for C. P. Cavafy's "Ithaka," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
'a Greek gentleman in a straw hat, standing absolutely motionless at a slight angle to the universe' E. M. Forster E. M. Forster's description of C. P. Cavafy (1863-1933) perfectly encapsulates the unique perspective Cavafy brought to bear on history and geography, sexuality and language in his poems. Cavafy writes about people on the periphery, whose religious, ethnic and cultural identities are blurred, and he was one of the pioneers in expressing a specifically homosexual sensibility. His poems present brief and vivid evocations of historical scenes and sensual moments, often infused with his distinctive sense of irony. They have established him as one of the most important poets of the twentieth century. This volume presents the most authentic Greek text of the 154 authorized poems ever published, together with a new English translation that conveys the accent and rhythm of Cavafy's individual tone of voice. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
This book contains the 154 canonical Collected Poems, plus seven of the Uncollected Poems, and just one of his rejected, early poems, 'Ode and Elegy of the Street, ' used here as a kind of overture to the collection.