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Travis Barker’s soul-baring memoir chronicles the highlights and lowlights of the renowned drummer’s art and his life, including the harrowing plane crash that nearly killed him and his traumatic road to recovery—a fascinating never-before-told-in-full story of personal reinvention grounded in musical salvation and fatherhood. After breaking out as the acclaimed drummer of the multiplatinum punk band Blink-182, everything changed for Travis Barker. But the dark side of rock stardom took its toll: his marriage, chronicled for an MTV reality show, fell apart. Constant touring concealed a serious drug addiction. A reckoning did not truly come until he was forced to face mortality: His life nearly ended in a horrifying plane crash, and then his close friend, collaborator, and fellow crash survivor DJ AM died of an overdose. In this blunt, driving memoir, Barker ruminates on rock stardom, fatherhood, death, loss, and redemption, sharing stories shaped by decades’ worth of hard-earned insights. His pulsating memoir is as energetic as his acclaimed beats. It brings to a close the first chapters of a well-lived life, inspiring readers to follow the rhythms of their own hearts and find meaning in their lives.
Can I Say: Living Large, Cheating Death, and Drums, Drums, Drums by Travis Barker Pdf
Travis Barker's tattooed arms and frenetic drumming style are familiar to millions of kids who came of age at the turn of the millennium watching MTV. Blink-182, with their defiant pop-punk anthems and music videos featuring the band running naked down the street, never seemed to take themselves too seriously; but for a misfit from California, success brought a whole new world. Life as a rock star changed everything for Travis Barker, a kid who loved his life as a trash man in Laguna Beach, but followed his drumming talent and never looked back. Throughout the making of several successful albums with Blink-182, Barker made a name for himself as a virtuoso, superstar punk drummer by bringing his talents to various collaborations and side projects. Even as Barker broke out as a highly respected musician, the dark side of fame took its toll: his marriage, chronicled for an MTV reality show, fell apart, and throughout constant touring he concealed a drug addiction. But the true reckoning came when he was in a near fatal plane crash, necessitating a long, painful recovery, with his best friend and favorite collaborator DJ AM - who died tragically soon after. Years after Blink-182's youth anthem 'What's My Age Again?' propelled him to fame, and following a high-profile, life-altering tragedy, Barker's memoir will put an exclamation point on the first chapter of a well-lived life, inspiring readers to break out the equivalent of their own drum sticks and set to work on finding meaning in their own lives. Ruminating on rock stardom, fatherhood, mortality, loss, and redemption, Barker shares stories from decades of hard-earned perspective, cultivating a pop culture atmosphere with which Gen Y and those on the fringes will immediately identify. It will be the perfect summer read for fans of searingly honest music memoirs like Anthony Kiedis's SCAR TISSUE.
Tongue twisters abound in this classic Dr. Seuss Beginner Book! "Bed Spreaders spread spreads on beds. Bread Spreaders spread butter on breads. And that Bed Spreader better watch out how he's spreading . . . or that Bread Spreader's sure going to butter his bedding." This riotous collection weaves together a wonderment of words designed to twist the lips. Wordsmiths and beginning readers will love Oh Say Can You Say? and treasure tackling these tangled tongue teasers. Originally created by Dr. Seuss, Beginner Books encourage children to read all by themselves, with simple words and illustrations that give clues to their meaning.
You Can’t Say You Can’t Play by Vivian Gussin Paley Pdf
Who of us cannot remember the pain and humiliation of being rejected by our classmates? However thick-skinned or immune to such assaults we may become as adults, the memory of those early exclusions is as palpable to each of us today as it is common to human experience. We remember the uncertainty of separating from our home and entering school as strangers and, more than the relief of making friends, we recall the cruel moments of our own isolation as well as those children we knew were destined to remain strangers. In this book Vivian Paley employs a unique strategy to probe the moral dimensions of the classroom. She departs from her previous work by extending her analysis to children through the fifth grade, all the while weaving remarkable fairy tale into her narrative description. Paley introduces a new rule—“You can’t say you can’t play”—to her kindergarten classroom and solicits the opinions of older children regarding the fairness of such a rule. We hear from those who are rejected as well as those who do the rejecting. One child, objecting to the rule, says, “It will be fairer, but how are we going to have any fun?” Another child defends the principle of classroom bosses as a more benign way of excluding the unwanted. In a brilliant twist, Paley mixes fantasy and reality, and introduces a new voice into the debate: Magpie, a magical bird, who brings lonely people to a place where a full share of the sun is rightfully theirs. Myth and morality begin to proclaim the same message and the schoolhouse will be the crucible in which the new order is tried. A struggle ensues and even the Magpie stories cannot avoid the scrutiny of this merciless pack of social philosophers who will not be easily caught in a morality tale. You Can’t Say You Can’t Play speaks to some of our most deeply held beliefs. Is exclusivity part of human nature? Can we legislate fairness and still nurture creativity and individuality? Can children be freed from the habit of rejection? These are some of the questions. The answers are to be found in the words of Paley’s schoolchildren and in the wisdom of their teacher who respectfully listens to them.
Living Large by Michael S. Berman,Laurence Shames Pdf
In a poignant, funny, and, above all, honest look at obesity from the inside out, a fat man learns acceptance, loses the guilt, and gains the wisdom to manage his weight.
Perfect for fans of See You in the Cosmos and Where the Watermelons Grow, author Jenn Bishop's latest novel tells the moving story of a boy determined to uncover the truth. Nothing is going right this summer for Drew. And after losing his dad unexpectedly three years ago, Drew knows a lot about things not going right. First, it’s the new girl Audrey taking over everything at the library, Drew’s sacred space. Then it’s his best friend, Filipe, pulling away from him. But most upsetting has to be the mysterious man who is suddenly staying with Drew’s family. An old friend of Mom’s? Drew isn’t buying that. With an unlikely ally in Audrey, he’s determined to get to the bottom of who this man really is. The thing is, there are some fears—like what if the person you thought was your dad actually wasn’t—that you can’t speak out loud, not to anyone. At least that’s what Drew thinks. But then again, first impressions can be deceiving.
An essential guidebook for honing business communication skills... Communications expert Dianna Booher provides an essential nine-point checklist for success in the art of communication and persuasion—for building solid relationships, and for increasing credibility in the workplace. With lessons from politics, pop culture, business, family life, and current events, the book identifies common reasons that communicators fail to accomplish their goals, along with examples and analyses of messages that succeed and those that fail.
More Than Words Can Say (A Patchwork Family Novel Book #2) by Karen Witemeyer Pdf
After fulfilling a pledge to a dying friend, Zacharias Hamilton is finally free. No family entanglements. No disappointing those around him. Just the quiet bachelor existence he's always craved. Until fate snatches his freedom away when the baker of his favorite breakfast bun is railroaded by the city council. Despite not wanting to get involved, he can't turn a blind eye to her predicament . . . or her adorable dimples. Abigail Kemp needs a man's name on her bakery's deed. A marriage of convenience seems the best solution . . . if it involves a man she can control. That person definitely isn't the stoic lumberman who oozes silent confidence whenever he enters her shop. Control Zacharias Hamilton? She can't even control her pulse when she's around him. When vows are spoken, Abigail's troubles should be over. Yet threats to the bakery worsen, and darker dangers hound her sister. Can she put ever more trust in Zach without losing her dreams of independence?
In I Can Say No, Jenny Simmons teaches children the power of the word "no." Whether it's saying no to bullying or someone invading their personal space or simply to playing with a friend when they need some alone time, children learn that they can use their voice to stand up for what is good in the world, and good for themselves. I learned a little word, And even though it's small, When I use it with authority, I'm the strongest of them all! NO That's right. I can say NO. I can say no to a movie I don't like. I can say no if I'm not into riding bikes. I can say no if I want to be alone, or I'm feeling kind of tired and would rather stay at home. As parents and educators, we often teach children to use the word "no" when they are in danger or when someone is trying to harm them. But "no" is powerful in other areas of life, as well. Learning to say "no" without feeling guilty or needing to explain themselves gives children the power to protect their boundaries, energy, convictions, and time. Saying "no" also allows them to create space for saying "yes" to the things that matter most. By teaching children how to use this small but mighty word, they will be able to face life with confidence, independence, and a positive sense of self-worth!
A frank, gripping and moving - and controversial - autobiography from one of the most idiosyncratic and effective politicians of the last fifty years. His political convictions, his distance from New Labour, and his direct, plain-speaking style and personality have allowed him to survive longer than any of his contemporaries as a man of principle and influence. From his eccentric South London working class childhood to running one of the biggest cities in the world, Livingstone is one of the very few politicians to have scored a major victory over the Thatcher Government and has championed issues as diverse as the environment, gay rights and anti-racism. Written in Livingstone's unmistakable voice, by turns angrily sincere about social justice, wickedly droll and gossipy, and surprisingly wistful about people he has known and loved, this is a hugely important and remarkable book from one of the very few respected politicians at work today.
#1 Can You Say Catastrophe? by Laurie Friedman Pdf
April Sinclair just wants what any normal thirteen-year-old would want: to disown her parents and obnoxious little sisters; to escape to summer camp ASAP with her two best friends, Billy and Brynn; and to make a good impression on Matt Parker, the hot new boy next door. Unfortunately, Matt witnesses April's utter humiliation at her birthday party. Then Billy kisses her. Just as April is trying to figure things out, her parents cancel her camp plans in lieu of a family RV trip. A summer of babysitting her sisters and "re-bonding" with her family isn't how she imagined life as a teenager. And it certainly won?t help her straighten out her feelings about Billy or Matt. Is there any silver lining to a road trip in The Clunker with her family of misfits?
The bestselling author of SALMON FISHING IN THE YEMEN returns with a Buchan-esque thriller. 'Torday has an extraordinary gift for making apparent "normality" look sinister and strange' THE TIMES 'Funny, ambitious, multi-layered and quirkily imaginative' SCOTSMAN 'A thrilling read' PRIMA 'Written with confidence and dry humour, it's engaging and funny' BIG ISSUE 'Gripping' NEWS OF THE WORLD Traumatised by a tour of duty in Iraq, Richard Gaunt returns home to his girlfriend with very little of a plan in mind. Finding it difficult to settle into civilian life, he turns to drink and gambling - and is challenged to a bet he cannot resist. All he has to do is walk from London to Oxford in under twelve hours. But what starts as a harmless venture turns into something altogether different when Richard recklessly accepts an unusual request from a stranger ...
"No one makes me laugh harder than Judy Gold. If I had to pick one comedian to write a book about free speech, it would be Judy." – Amy Schumer From award-winning comedian Judy Gold, a concise, funny, and thoughtful polemic on the current assault on comedy, that explores how it is undermining free speech and a fundamental attack against the integrity of the art. From Mae West and Lenny Bruce to Richard Pryor and Howard Stern to Kathy Griffith and Kevin Hart, comedians have long been under fire for using provocative, often taboo subjects to challenge mores and get a laugh. But in the age of social media, comedians are at greater risk of being silenced, enduring shaming, threats, and damaged careers because of angry, censorious electronic mobs. But while comedians’ work has often been used to rile up detractors, a new threat has emerged from the left: identity politics and notions like "safetyism" and trigger warnings that are now creating a cultural and political standard that runs perilously close to censorship. From college campuses to the Oscars, comics are being censured for old jokes, long-standing comedy traditions, unfinished bits and old material that instead of being forgotten, go viral. For comics like Judy Gold, today’s attacks on comics would have Richard Pryor and Lenny Bruce "rolling in their graves." "No one has the right to tell comics what they can or cannot joke about. Do you tell artists what they can or cannot paint?" she asks. Freedom of speech is fundamental for great stand-up comedy. Humor is the most palatable way to discuss a subversive or taboo topic, but it better be funny. A comic's observations are deliberately delivered to entertain, provoke, and lead to an exchange of ideas. "We are truth tellers." More important, the tolerance of free speech is essential for a healthy democracy. In addition to offering readers a quick study on the history of comedy and the arts (noting such historical reference points as The Hays Code) and the threats to them, Gold takes readers on a hilarious ride with chapters such as "Thank God Don Rickles is Dead," as well as her singular take on "micro-aggressions," such as: Person: "OMG! You’re a lesbian? I had no idea. I mean you wear make-up. When did you become a lesbian?" Judy Gold: "Coincidently, right after I met you!" (micro-assault!) In this era of "fake news," partisan politics, and heated rhetoric, the need to protect free speech has never been greater, especially for comics, who often serve as the canaries in the coalmine, monitoring the health of our democracy. Yes I Can Say That is a funny and provocative look at how safe spaces are the very antithesis of comedy as an art form—and an urgent call to arms to protect our most fundamental Constitutional right. There's a good reason it was the FIRST amendment.
What happens when freedom of expression comes under threat? In frank and wide-ranging interviews, historian and critic Leonard S. Marcus probes the experience of thirteen leading authors of books for young people. A powerful photo essay on transgender teens is called anti-religious and anti-family. A meticulously researched primer on sex education stirs up accusations of pornography and child abuse. Picture books about two mommies (or two penguin daddies) set off a hue and cry. Two hugely popular children’s series run afoul of would-be censors, one for its scatological humor, the other because it’s deemed too scary. Kids’ books that touch on race, sex, LGBTQ matters, the occult, “coarse language,” and more have found themselves under the scrutiny of those who challenge First Amendment rights. Tune in as thirteen top children’s and young adult authors speak out about what it’s like to have your work banned or challenged in America today. Prompted by Leonard S. Marcus’s insightful questions, they discuss why their books have faced censorship—both blatant and “soft”—how the challenges have or haven’t affected their writing, and why some people feel they have the right to deny access to books. In addition, Leonard S. Marcus puts First Amendment challenges in a historical context and takes a promising look at the vibrant support network that has risen up to protect and defend young people’s rights. Authors interviewed include: Matt de la Peña Robie H. Harris Susan Kuklin David Levithan Meg Medina Lesléa Newman Katherine Paterson Dav Pilkey Justin Richardson and Peter Parnell Sonya Sones R. L. Stine Angie Thomas.