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Canadian Music and American Culture by Tristanne Connolly,Tomoyuki Iino Pdf
This collection explores Canadian music’s commentaries on American culture. ‘American Woman, get away from me!’ - one of the most resonant musical statements to come out of Canada - is a cry of love and hate for its neighbour. Canada’s close, inescapable entanglement with the superpower to the south provides a unique yet representative case study of the benefits and detriments of the global American culture machine. Literature scholars apply textual and cultural analysis to a selection of Anglo-Canadian music – from Joni Mitchell to Peaches, via such artists as Neil Young, Rush, and the Tragically Hip – to explore the generic borrowings and social criticism, the desires and failures of Canada’s musical relationship with the USA. This innovative volume will appeal to those interested in Music, Canadian Studies, and American Studies.
The Spaces and Places of Canadian Popular Culture by Victoria Kannen,Neil Shyminsky Pdf
An exclusively Canadian textbook, this collection investigates the relationships between identity, geography, and popular culture that are produced and consumed in this sprawling country. Expanding beyond the clichés of friendliness and snow, this text provides a fresh perspective on what it means to be Canadian, both nationally and transnationally. Scholars look at historical subjects like Québécois identity and Indigenous self-representation and explore issues in contemporary media, including music, film, television, comic books, video games, and social media. From Drake to the Tragically Hip, Trailer Park Boys to The Amazing Race Canada, and poutine to maple syrup, mainstream icons and trends are studied in the interdisciplinary context of race, gender, sexuality, politics, and patriotism. Contributing to the location of Canadian popular culture, this unique resource will engage students and scholars of communication studies, cultural studies, and Canadian studies. FEATURES - Includes key concepts and theories and a glossary - Engages students with relatable historical and contemporary examples of Canadiana through a breadth of media, including television shows, websites, journals, celebrities, newspapers, literature, comic books, video games, music, and films - Ensures equal representation of a national and transnational Canada, which includes examples of race, gender, sexuality, and ethnicity, with particular attention to geographical intricacies that contain all provinces and territories
Offers a history of Canadian musical expressions and their relationship to Canada's cultural and geographic diversity. This book features a survey of 'musics' in Canada and includes forty-three vignettes highlighting topics such as Inuit throat games, the music of k d lang, and orchestras in Victoria.
Life and Culture in the United States and Canada by D. E. Daly Pdf
From the Native Americans in the United States and the First Nations, Inuit, and Metis tribes in Canada to modern-day immigrants from all across the globe, the North American continent is home to some of the most diverse peoples and cultures in the world. Through evocative full-color photographs, unique fact boxes, and accessible text, your readers will explore the ways this diversity has defined and helped strengthen Canada and the United States.
The Beaver Bites Back? by David H. Flaherty,Frank E. Manning,Frank Edward Manning Pdf
Canadians have demonstrated a remarkable sense of unity about protection of their "cultural industries" during the continuing national debate over free trade. This study of the effect of American popular culture on Canada is therefore particularly relevant.
Music Traditions, Cultures, and Contexts by Robin Elliott,Gordon E. Smith Pdf
Music Traditions, Cultures, and Contexts is a tribute to the ethnomusicologist Beverley Diamond in recognition of her outstanding scholarly accomplishments. The volume includes essays by leading ethnomusicologists and music scholars as well as a biographical introduction. The book’s contributors engage many of the critical themes in Diamond’s work, including musical historiography, musical composition in historical and contemporary frameworks, performance in diverse contexts, gender issues, music and politics, and how music is nested in and relates to broader issues in society. The essays raise important themes about knowing and understanding musical traditions and music itself as an agent of social, cultural, and political change. Music Traditions, Cultures, and Contexts will appeal to music scholars and students, as well as to a general audience interested in learning about how music functions as social process as well as sound.
Northern Experience and the Myths of Canadian Culture by Renée Hulan Pdf
She considers each of these diverse genres in terms of the way it explains the cultural identity of a nation formed from the settlement of immigrant peoples on the lands of dispossessed indigenous peoples.
Folk Music, Traditional Music, Ethnomusicology by Anna Hoefnagels,Gordon E. Smith Pdf
Folk Music, Traditional Music, Ethnomusicology: Canadian Perspectives, Past and Present features the proceedings of the Fiftieth Annual Conference of the Canadian Society for Traditional Music / La Société Canadienne pour les Traditions Musicales (formerly the Canadian Folk Music Society / La Société canadienne de musique folklorique) that took place in November, 2006 in Ottawa at Carleton University and the Canadian Museum of Civilization. This publication showcases the diversity of music research currently being conducted by folk and traditional music specialists, ethnomusicologists, and practicing musicians in Canada. The papers are organized in five sections according to common themes in contemporary research in ethnomusicology and folk music studies, and each section is preceded by a short introduction which highlights the section’s theme(s) as well as the individual papers. Folk Music, Traditional Music, Ethnomusicology: Canadian Perspectives, Past and Present confirms the rich history of the Canadian Society for Traditional Music, a history that comprises enormous changes in scholarly research, musical practice, emergent technologies, changes in doing fieldwork, and shifting identity boundaries over the past fifty years. This volume is intended as a contribution to published literature on ethnomusicological and folklore research in Canada, creating a new resource of historical, contemporary, and scholarly relevance that will appeal to academics and music enthusiasts alike. "Canadian ethnomusicologists' expertise in the realm of First Nations musics, and Anglo, Celtic and French folksong repertories is already well established. This volume shows us the breadth of cultural territory with which 21st-century Canadian scholars of music and scholars of Canadian musics are now engaged, as well as their theoretical and methodological sophistication. " —Kati Szego, School of Music, Memorial University
Canadian Music by Beverley Diamond,Robert Witmer Pdf
This volume contains both reprints of articles and new essays about specific aspects of the social history of Canadian music. Designed for courses in Canadian music history, it brings together a body of interdisciplinary research that students often overlook within their specific foci of the individual areas. Studies of Euro-Canadian classical music and jazz are integrated with studies of traditional and popular music, thereby acknowledging that these domains, while tenaciously separated in university curricula, are interconnected. Many of the articles focus on the experiential rather than on objectified works of art; the processes of creating and using music are emphasized.
Slippery Pastimes by Joan Nicks,Jeannette Sloniowski Pdf
Sixteen essays, written by specialists from many fields, grapple with the problem of a popular culture that is not very popular — but is seen by most as vital to the body politic, whether endangered by globalization or capable of politically progressive messages for its audiences. Slippery Pastimes covers a variety of topics: Canadian popular music from rock ’n’ roll to country, hip-hop to pop-Celtic; television; advertising; tourism; sport and even postage stamps! As co-editors, Nicks and Sloniowski have taken an open view of the Canadian Popular, and contributors have approached their topics from a variety of perspectives, including cultural studies, women’s studies, film studies, sociology and communication studies. The essays are accessibly written for undergraduate students and interested general readers.
Contemporary Musical Expressions in Canada by Anna Hoefnagels,Judith Klassen,Sherry Johnson Pdf
Music and dance in Canada today are diverse and expansive, reflecting histories of travel, exchange, and interpretation and challenging conceptions of expressive culture that are bounded and static. Reflecting current trends in ethnomusicology, Contemporary Musical Expressions in Canada examines cultural continuity, disjuncture, intersection, and interplay in music and dance across the country. Essays reconsider conceptual frameworks through which cultural forms are viewed, critique policies meant to encourage crosscultural sharing, and address ways in which traditional forms of expression have changed to reflect new contexts and audiences. From North Indian kathak dance, Chinese lion dance, early Toronto hip hop, and contemporary cantor practices within the Byzantine Ukrainian Church in Canada to folk music performances in twentieth-century Quebec, Gaelic milling songs in Cape Breton, and Mennonite songs in rural Manitoba, this collection offers detailed portraits of contemporary music practices and how they engage with diverse cultural expressions and identities. At a historical moment when identity politics, multiculturalism, diversity, immigration, and border crossings are debated around the world, Contemporary Musical Expressions in Canada demonstrates the many ways that music and dance practices in Canada engage with these broader global processes. Contributors include Rebecca Draisey-Collishaw (Queen's University), Meghan Forsyth (Memorial University of Newfoundland), Monique Giroux (University of Lethbridge), Ian Hayes (Memorial University of Newfoundland), Anna Hoefnagels (Carleton University), Judith Klassen (Canadian Museum of History), Chris McDonald (Cape Breton University), Colin McGuire (University College Cork), Marcia Ostashewski (Cape Breton University), Laura Risk (McGill University), Neil Scobie (University Western Ontario), Gordon Smith (Queen's University), Heather Sparling (Cape Breton University), Jesse Stewart (Carleton University), Janice Esther Tulk (Cape Breton University), Margaret Walker (Queen's University), and Louise Wrazen (York University).
The North American Folk Music Revival: Nation and Identity in the United States and Canada, 1945–1980 by Dr Gillian Mitchell Pdf
This work represents the first comparative study of the folk revival movement in Anglophone Canada and the United States and combines this with discussion of the way folk music intersected with, and was structured by, conceptions of national affinity and national identity. Based on original archival research carried out principally in Toronto, Washington and Ottawa, it is a thematic, rather than general, study of the movement which has been influenced by various academic disciplines, including history, musicology and folklore. Dr Gillian Mitchell begins with an introduction that provides vital context for the subject by tracing the development of the idea of 'the folk', folklore and folk music since the nineteenth century, and how that idea has been applied in the North American context, before going on to examine links forged by folksong collectors, artists and musicians between folk music and national identity during the early twentieth century. With the 'boom' of the revival in the early sixties came the ways in which the movement in both countries proudly promoted a vision of nation that was inclusive, pluralistic and eclectic. It was a vision which proved compatible with both Canada and America, enabling both countries to explore a diversity of music without exclusiveness or narrowness of focus. It was also closely linked to the idealism of the grassroots political movements of the early 1960s, such as integrationist civil rights, and the early student movement. After 1965 this inclusive vision of nation in folk music began to wane. While the celebrations of the Centennial in Canada led to a re-emphasis on the 'Canadianness' of Canadian folk music, the turbulent events in the United States led many ex-revivalists to turn away from politics and embrace new identities as introspective singer-songwriters. Many of those who remained interested in traditional folk music styles, such as Celtic or Klezmer music, tended to be very insular and conservative in their approach, rather than linking their chosen genre to a wider world of folk music; however, more recent attempts at 'fusion' or 'world' music suggest a return to the eclectic spirit of the 1960s folk revival. Thus, from 1945 to 1980, folk music in Canada and America experienced an evolving and complex relationship with the concepts of nation and national identity. Students will find the book useful as an introduction, not only to key themes in the folk revival, but also to concepts in the study of national identity and to topics in American and Canadian cultural history. Academic specialists will encounter an alternative perspective from the more general, broad approach offered by earlier histories of the folk revival movement.
Seminar paper from the year 2009 in the subject Didactics for the subject English - Applied Geography, grade: 1,7, Saarland University (Anglistik), course: Canadian Northwest Coast Native Cultures, Art, History, language: English, abstract: The Northwest Coast area includes the coast of Oregon, Washington and British Columbia until the panhandle of Alaska and reaches about 100 km inland, just until the Cascade Range or coastal mountains of Canada. Several cultures developed here, that are, despite some analogies, also vary widely. But what they all have in common is a rich ceremonial and spiritual life, with enormous potential for artistic expression in music, legends and art. There are several different languages and due to the fact that there is no higher political order above the village hierarchy, the different cultures are divided into language groups. The music of the Northwest Coast is different from those of other Native American tribes, but it also varies among the tribes of the area.
Michael Adams, president of Environics polling, argues that Canada and the United States are diverging: Americans are growing more socially conservative and deferential toward authority figures, whereas Canadians are becoming more tolerant, open to risk, and questioning of governing institutions.