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A literary sensation in Hungary, Gyorgy Spiro's Captivity is set in the tumultuous first century A.D., between the year of Christ's death and the outbreak of the Jewish War. It follows the adventures of the feeble-bodied, bookish Uri, a young Roman Jew. Frustrated with his hapless son, Uri's father sends the young man to the Holy Land to regain the family's prestige. In Jerusalem, Uri is imprisoned by Herod and meets two thieves and (perhaps) Jesus before their crucifixion. Later he has an awakening in cosmopolitan Alexandria, and then returns home to an unexpected inheritance.
Wartime Captivity in the 20th Century by Anne-Marie Pathé,Fabien Théofilakis Pdf
Long a topic of historical interest, wartime captivity has over the past decade taken on new urgency as an object of study. Transnational by its very nature, captivity’s historical significance extends far beyond the front lines, ultimately inextricable from the histories of mobilization, nationalism, colonialism, law, and a host of other related subjects. This wide-ranging volume brings together an international selection of scholars to trace the contours of this evolving research agenda, offering fascinating new perspectives on historical moments that range from the early days of the Great War to the arrival of prisoners at Guantanamo Bay.
Author : Kevin Lewis O’Neill,Benjamin Fogarty-Valenzuela Publisher : University of Toronto Press Page : 169 pages File Size : 47,5 Mb Release : 2020 Category : Arts in prisons ISBN : 9781487524807
Art of Captivity / Arte del Cautiverio by Kevin Lewis O’Neill,Benjamin Fogarty-Valenzuela Pdf
This bilingual photography book investigates the complexities of today's war on drugs by examining the art and architecture of Guatemala City's Pentecostal drug rehabilitation centers.
Captivity, Past and Present by Benjamin Mark Allen Pdf
Captivity, Past and Present is a compilation of historical, literary, and sociological analyses of tales of human bondage from the early modern era to more recent times. Beginning with a study of 16th-century Spanish captivity sagas that emanated from America, the essays go on to examine the 17th-century Puritan narrative of Mary Rowlandson, the slave narrative of Olaudah Equiano, and concludes with a study of incarcerated African-American mothers in the United States. Also included is an original captivity narrative that relates the 19th-century ordeal of Manuel Ramirez Martinez, who was captured by Comanche Indians in Texas. The studies originated in a conference hosted by the Southwest/Texas Popular Culture and American Culture Association in 2010. Contributors are Franklin Hillson, Jacquelynn Kleist, Jacob Massine, Dahia Messara, Julia Metzger-Traber, Alfonso Uribe and Joel Uribe.
Native American Adoption, Captivity, and Slavery in Changing Contexts by M. Carocci,S. Pratt Pdf
Radically rethinks the theoretical parameters through which we interpret both current and past ideas of captivity, adoption, and slavery among Native American societies in an interdisciplinary perspective. Highlights the importance of the interaction between perceptions, representations and lived experience associated with the facts of slavery.
The Captivity Narrative by Benjamin Mark Allen Pdf
The Captivity Narrative offers a collection of scholarly treatises that assess the phenomenon of captivity and the nuanced methods captives have used to express their psychological duress and the manner in which they coped with bondage and its aftermath. The essays reflect a multidisciplinary interest in the subject by offering historical, literary, and philosophical analyses. Topics include 17th-century captivity in Spanish Texas and Puritan New England, 19th-century slavery, Indian captivity in works of fiction, and the poetry, literature, and narratives of prisoners in the United States and England from the 19th to 21st century. The studies originated in a conference hosted in San Antonio, Texas (2011) by the Southwest/Texas Popular Culture and American Culture Association. Contributors include Anne Babson, Jennifer Oakes Curtis, Lanta Davis, Steven Gambrel, Anne Matthews, Alan Smith and Elisabeth Ziemba.
The Caucasus region of Eurasia, wedged in between the Black and Caspian Seas, encompasses the modern territories of Armenia, Azerbaijan, and Georgia, as well as the troubled republic of Chechnya in southern Russia. A site of invasion, conquest, and resistance since the onset of historical record, it has earned a reputation for fearsome violence and isolated mountain redoubts closed to outsiders. Over extended efforts to control the Caucasus area, Russians have long mythologized stories of their countrymen taken captive by bands of mountain brigands. In The Captive and the Gift, the anthropologist Bruce Grant explores the long relationship between Russia and the Caucasus and the means by which sovereignty has been exercised in this contested area. Taking his lead from Aleksandr Pushkin's 1822 poem "Prisoner of the Caucasus," Grant explores the extraordinary resonances of the themes of violence, captivity, and empire in the Caucasus through mythology, poetry, short stories, ballet, opera, and film. Grant argues that while the recurring Russian captivity narrative reflected a wide range of political positions, it most often and compellingly suggested a vision of Caucasus peoples as thankless, lawless subjects of empire who were unwilling to acknowledge and accept the gifts of civilization and protection extended by Russian leaders. Drawing on years of field and archival research, Grant moves beyond myth and mass culture to suggest how real-life Caucasus practices of exchange, by contrast, aimed to control and diminish rather than unleash and increase violence. The result is a historical anthropology of sovereign forms that underscores how enduring popular narratives and close readings of ritual practices can shed light on the management of pluralism in long-fraught world areas.
The Captive Woman's Lament in Greek Tragedy by Casey Dué Pdf
The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave a voice to classes who otherwise would have been marginalized and silenced in Athenian society: women, foreigners, and the enslaved. The Captive Woman's Lament in Greek Tragedy addresses the possible meanings ancient audiences might have attached to these songs. Casey Dué challenges long-held assumptions about the opposition between Greeks and barbarians in Greek thought by suggesting that, in viewing the plight of the captive women, Athenian audiences extended pity to those least like themselves. Dué asserts that tragic playwrights often used the lament to create an empathetic link that blurred the line between Greek and barbarian. After a brief overview of the role of lamentation in both modern and classical traditions, Dué focuses on the dramatic portrayal of women captured in the Trojan War, tracing their portrayal through time from the Homeric epics to Euripides' Athenian stage. The author shows how these laments evolved in their significance with the growth of the Athenian Empire. She concludes that while the Athenian polis may have created a merciless empire outside the theater, inside the theater they found themselves confronted by the essential similarities between themselves and those they sought to conquer.
United States. Congress. House. Committee on Foreign Affairs,United States. Congress. House. Committee on Foreign Affairs. Subcommittee on Europe
Author : United States. Congress. House. Committee on Foreign Affairs,United States. Congress. House. Committee on Foreign Affairs. Subcommittee on Europe Publisher : Unknown Page : 432 pages File Size : 50,5 Mb Release : 1962 Category : Communist countries ISBN : LOC:0009957494A
Captive European Nations by United States. Congress. House. Committee on Foreign Affairs,United States. Congress. House. Committee on Foreign Affairs. Subcommittee on Europe Pdf
Indian Captive, Indian King by Timothy J. Shannon Pdf
In 1758 Peter Williamson, dressed as an Indian, peddled a tale in Scotland about being kidnapped as a young boy, sold into slavery and servitude, captured by Indians, and made a prisoner of war. Separating fact from fiction, Timothy Shannon illuminates the curiosity about America among working-class people on the margins of empire.
Captive Fathers, Captive Children by Terry Smyth Pdf
Why are the daughters and sons of Far East prisoners of war still captivated by the stories of their fathers? What is it that compels so many of the children, after so many years, to search for the details of their fathers' captivity? And how, over the decades, have they come to terms with their childhood memories? In his book Terry Smyth treads new ground by examining the processes through which the children's memory practices came to be rooted in the POW experiences of their fathers. By following a life course approach, and a psychosocial methodology, the book demonstrates how memory and trauma were 'worked into' the social and cultural lives of individual children, and explores how the relationship between their inner psychic worlds and subsequent memory practices unfolded against a challenging and morally ambivalent geopolitical background. The book invites readers to engage with the author in a journey of exploration and self-reflection, with elements of auto-ethnography adding richness to the text. Enlivened by interview extracts, case study material and ethnographic observations, this work opens up fresh and ambitious perspectives on the personal legacies of war.
This book is concerned with the media's role in everyday life, power relations and the construction of masculine identities in the context of prisons. It is based upon unique research into the nature, impact and consequences of a situation where most prisoners in English prisons have access to some media resource, whether radio or television, or with communal or individual access to it. Captive Audience charts for the first time the way in which prisons use media in coping – or failing to cope – with the pressures of prison life, exploring the impact of the media in terms of prisoner identities, shaping power relations between prisoners and other prisoners, and in helping prisoners 'get through' a prison sentence. At the same time this book raises a range of broader issues of theory and practice on the nature of the relationship between prisons, criminal justice systems and society more generally, and on the ways in which the media are conceived in everyday life. It will be of interest to all those concerned with prisons, criminology and the criminal justice system, the social role of the media, and the construction of identity.
