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Cardenio, Or, The Second Maiden's Tragedy by William Shakespeare,Charles Hamilton,John Fletcher Pdf
Long sought by scholars as the Holy Grail of world literature, and masquerading under the censor's makeshift title, "The second maiden's tragedy," this lost play was discovered by Charles Hamilton, a forensic document examiner and literary historian.
The Quest for Cardenio by David Carnegie,Gary Taylor Pdf
Bringing together leading scholars, critics, and theatre practitioners, this collection of essays is devoted to 'The History of Cardenio', a play based on Don Quixote and said to have been written by Shakespeare and the young man who was taking his place, John Fletcher.
Cardenio between Cervantes and Shakespeare by Roger Chartier Pdf
How should we read a text that does not exist, or present a playthe manuscript of which is lost and the identity of whose authorcannot be established for certain? Such is the enigma posed by Cardenio – a playperformed in England for the first time in 1612 or 1613 andattributed forty years later to Shakespeare (and Fletcher). Itsplot is that of a ‘novella’ inserted into Don Quixote,a work that circulated throughout the major countries of Europe,where it was translated and adapted for the theatre. In England,Cervantes’ novel was known and cited even before it wastranslated in 1612 and had inspired Cardenio. But there is more at stake in this enigma. This was a time when,thanks mainly to the invention of the printing press, there was aproliferation of discourses. There was often a reaction when it wasfeared that this proliferation would become excessive, and manywritings were weeded out. Not all were destined to survive, inparticular plays for the theatre, which, in many cases, were neverpublished. This genre, situated at the bottom of the literaryhierarchy, was well suited to the existence of ephemeral works.However, if an author became famous, the desire for an archive ofhis works prompted the invention of textual relics, the restorationof remainders ruined by the passing of time or, in order to fill inthe gaps, in some cases, even the fabrication of forgeries. Suchwas the fate of Cardenio in the eighteenth century. Retracing the history of this play therefore leads one to wonderabout the status, in the past, of works today judged to becanonical. In this book the reader will rediscover the malleabilityof texts, transformed as they were by translations and adaptations,their migrations from one genre to another, and their changingmeanings constructed by their various publics. Thanks to RogerChartier’s forensic skills, fresh light is cast upon themystery of a play lacking a text but not an author.
Cardenio, a play by William Shakespeare, has been missing since 1613. If recovered, it would be worth a fortune -- and the chance to re-introduce it to the world would be the chance of a lifetime. Dr. Deirdre Gunn, a scholar wanting to redeem her reputation -- and in need of money -- is offered that chance when an old classmate shows up and offers her a centuries-old manuscript that may just be the long-lost treasure. Deirdre is seldom able to resist temptation (either in the academic world or in the bedroom) and she takes the bait. But then a murder is committed, and Deirdre sets out to find the killer before the police pin the crime on her. She becomes entangled in a four-hundred-year-old mystery, and soon realizes her own life is in danger.
Don Quixote Explained Reference Guide by Emre Gurgen Pdf
Don Quixote Explained the Reference Guide analyzes the Life and Times of the Ingenious Hidalgo Don Quixote De La Mancha. Specially, it scrutinizes the novel’s: 110 characters; 46 relationships; 19 themes; 12 groups of people; 30 obscure words; 23 Latin phrases; 4 major jokes; 4 scene sequences; 78 Quixotic poems; 17 Quixotic letters; 2 physical objects; 11 romantic relationships; and 35 regular relationships. At 161, 917 words, it is the most comprehensive, in-depth and insightful primer on the market. Perfect for serious academics writing books and/or journal articles about Don Quixote; useful for aspiring doctors writing “Don Quixote” dissertations; practical for budding scholars writing master’s theses about “Don Quixote”; convenient for college bachelor’s writing “Don Quixote” term papers; and handy for high school students writing “Don Quixote” essays for their teachers.
Set in the heat and dust of Andalusia in seventeenth-century Spain, Cardenio is the story of a friendship betrayed, with all the elements of a thriller: disguise, dishonour and deceit. A woman is seduced, a bride is forced to the altar, and a man runs mad among the mountains of the Sierra Morena. The history of the play is every bit as thrilling, and this text is the result of a masterful act of literary archaeology by the Royal Shakespeare Company's Chief Associate Director Gregory Doran, to re-imagine a previously lost play by Shakespeare. Based on an episode in Cervantes' Don Quixote, the play known as Cardenio by Shakespeare and John Fletcher was performed at court in 1612. A copy of their collaboration has never been found; however, it is claimed that Double Falshood by Lewis Theobald is an eighteenth-century adaptation of it. Since Theobald's play misses out some crucial scenes in the plot, Doran has turned to the Cervantes original to supply the missing episodes, using the original English translation by Thomas Shelton (1612) that Fletcher and Shakespeare must themselves have read. Cardenio re-opened the Swan Theatre, Stratford-upon-Avon, as part of the Royal Shakespeare Company's fiftieth birthday season in 2011.
The Intersexes by Edward Irenaeus Prime-Stevenson Pdf
The Intersexes: A History of Similisexualism as a Problem in Social Life (1906) is a work of nonfiction by Edward Irenaeus Prime-Stevenson. Written while Prime-Stevenson was living as an expatriate in Europe, The Intersexes is a defense of homosexuality grounded in scientific and historical research. Throughout his career, Prime-Stevenson sought to dispel falsehoods surrounding the history and social acceptance of homosexuality. Writing under the pseudonym Xavier Mayne, Prime-Stevenson took great care to insulate himself from the reprisal common to the period in which he worked. Despite his limited audience—copies of his works numbered in the hundreds—Prime-Stevenson is now recognized as a pioneering advocate for the rights of the LGBTQ community. “Between a protozoan and the most perfect development of the mammalia, we trace a succession of dependent intersteps...A trilobite is at one end of Nature's workshop: a Spinoza, a Shakespeare, a Beethoven is at the other. [...] Why have we set up masculinity and femininity as processes that have not perfectly logical and respectable inter-steps?” Seeking to defend homosexuality as a natural result of human evolution, Prime-Stevenson offers his theory of intersexes, of which he identifies two while leaving room for more to be defined in the future. To do so, he rejects the binary of masculine and feminine, both of which fail to describe the vast majority of humanity, in favor of a broader spectrum of sexual identity. Using the terms Uranian and Uraniad, which align with gay and lesbian respectively, Prime-Stevenson attempts to define these types, call attention to historical examples, and critique the societal condemnation and persecution of such individuals as “degenerate” or “criminal.” This groundbreaking study, perhaps the first to approach homosexuality from a scientific, historical, personal, and legal point of view, is recognized today as a landmark in queer literature by academics around the world. With a beautifully designed cover and professionally typeset manuscript, this edition of Edward Irenaeus Prime-Stevenson’s The Intersexes: A History of Similisexualism as a Problem in Social Life is a classic work of queer literature reimagined for modern readers.
Gregory Doran's account of his quest to re-discover Cardenio, the lost play written by Shakespeare and John Fletcher. A thrilling act of literary detection that takes him from the Bodleian Library in Oxford, via Cervantes' Spain to the stage of the Royal Shakespeare Company in Stratford. Fully illustrated throughout, Shakespeare's Lost Play tells a fascinating story, which, like the play itself, will engross Shakespeare buffs and theatregoers alike. Doran's much-praised production of Cardenio for the Royal Shakespeare Company marked the culmination of years spent searching for a famously 'lost' play co-authored by William Shakespeare. In this book, Doran takes us with him on his quest to unearth every extant clue and then into the rehearsal room as he pieces together a play unseen since its first performance in 1613. The result, as the Guardian attested, is 'an extraordinary and theatrically powerful piece, one that should both please audiences and keep academic scholars in work for years'.
The New Oxford Shakespeare by William Shakespeare Pdf
The Complete Works: Modern Critical Edition is part of the landmark New Oxford Shakespeare--an entirely new consideration of all of Shakespeare's works, edited afresh from all the surviving original versions of his work, and drawing on the latest literary, textual, and theatrical scholarship.This single illustrated volume is expertly edited to frame the surviving original versions of Shakespeare's plays, poems, and early musical scores around the latest literary, textual, and theatrical scholarship to date.
The New Oxford Shakespeare: Modern Critical Edition by William Shakespeare Pdf
The Complete Works: Modern Critical Edition is part of the landmark New Oxford Shakespeare—an entirely new consideration of all of Shakespeare's works, edited afresh from all the surviving original versions of his work, and drawing on the latest literary, textual, and theatrical scholarship. In one attractive volume, the Modern Critical Edition gives today's students and playgoers the very best resources they need to understand and enjoy all Shakespeare's works. The authoritative text is accompanied by extensive explanatory and performance notes, and innovative introductory materials which lead the reader into exploring questions about interpretation, textual variants, literary criticism, and performance, for themselves. The Modern Critical Edition presents the plays and poetry in the order in which Shakespeare wrote them, so that readers can follow the development of his imagination, his engagement with a rapidly evolving culture and theatre, and his relationship to his literary contemporaries. The New Oxford Shakespeare consists of four interconnected publications: the Modern Critical Edition (with modern spelling), the Critical Reference Edition (with original spelling), a companion volume on Authorship, and an online version integrating all of this material on OUP's high-powered scholarly editions platform. Together, they provide the perfect resource for the future of Shakespeare studies.
Asian Interventions in Global Shakespeare by Poonam Trivedi,Paromita Chakravarti,Ted Motohashi Pdf
This volume critically analyses and theorises Asian interventions in the expanding phenomenon of Global Shakespeare. It interrogates Shakespeare’s ‘universality’ from Asian perspectives: how this has been modified or even replaced by the ‘global bard’ as a recognisable brand, and how Asian Shakespeares have contributed to or subverted this process by both facilitating the worldwide dissemination of the bard’s plays and challenging and resisting the very templates through which they become globally legible. Critically acclaimed Asian productions have prominently figured at premier Western festivals, and popular Asian appropriations like Bollywood, manga and anime have created new kinds of globally accessible Shakespeare. Essays in this collection engage with the emergent critical issues: the efficacy of definitions of the ‘local’, ‘global’, ‘transnational’ and ‘cosmopolitan’ and of the liminalities and mobilities in between. They further examine the politics of ‘West’ and ‘East’, the evolving markers of the ‘Asian’ and the equation of the ‘glocal’ with the ‘Asian’; they attend to performance and archiving protocols and bring the current debates on translation, appropriation, and world literature to speak to the concerns of global and transnational Shakespeare. These investigations analyse recent innovative Asian theatre productions, popular cinematic and manga appropriations and the increasing presence of Shakespeare in the Asian digital sphere. They provide an Asian standpoint and lens in rereading the processes of cultural globalisation and the mobilisation of Shakespeare.
The New Oxford Shakespeare: Critical Reference Edition by William Shakespeare Pdf
The New Oxford Shakespeare is a landmark print and online project, which for the first time provides fully edited and annotated texts of all extant versions of all Shakespeare's works, including collaborations, revisions, and adaptations. Based on a fresh examination of the surviving original documents, it draws upon the latest interdisciplinary scholarship, supplemented by new research undertaken by a diverse international team. Although closely connected and systematically cross-referenced, each part can be used independently of the others. The New Oxford Shakespeare: The Complete Works: Critical Reference Edition collects the same versions of the same works found in the Modern Critical Edition, keyed to the same line-numbering. But the Critical Reference Edition emphasizes book history and the documentary origins of each text. It preserves the spelling, punctuation, capitalization, abbreviations, typographical contrasts, ambiguities, and inconsistencies of the early documents. Introductions focus on early modern manuscript and print culture, setting each text within the material circumstances of its production, transmission, and early reception. The works are arranged in the chronological order of the surviving texts: the first volume covers documents manufactured in Shakespeare's lifetime, and the second covers documents made between 1622 and 1728. The illustrated general introduction presents an overview of the texts available to editors and describes how they define Shakespeare. An essay on error surveys kinds of error characteristic of these early text technologies. It is followed by a general introduction to the music of Shakespeare's plays. Introductions to individual works and an extensive foot-of-the-page textual apparatus record and discuss editorial corrections of scribal and printing errors in the early documents; marginal notes record press variants and key variants in different documents. Original music notation is provided for the songs (where available). Because the plays were written and copied within the framework of theatrical requirements, casting charts identify the length and type of each role, discuss potential doubling possibilities, and note essential props. The New Oxford Shakespeare consists of four interconnected publications: the Modern Critical Edition (with modern spelling), the Critical Reference Edition (with original spelling), a companion volume on Authorship, and an online version integrating all of this material on OUP's high-powered scholarly editions platform. Together, they provide the perfect resource for the future of Shakespeare studies.
Shakespeare and the Embodied Heroine by L. Leigh Pdf
Shakespeare and the Embodied Heroine is a bold new investigation of Shakespeare's female characters using the late plays and the early adaptations written and staged during the seventeenth and eighteenth century.
Cervantes's Novel of Modern Times by David Quint Pdf
This book offers a radically new reading of Don Quijote, understanding it as a whole much greater than the sum of its famous parts. David Quint discovers a unified narrative and deliberate thematic design in a novel long taught as the very definition of the picaresque and as a rambling succession of individual episodes. Quint shows how repeated motifs and verbal details link the episodes, often in surprising and heretofore unnoticed ways. Don Quijote emerges as a work that charts and reflects upon the historical transition from feudalism to the modern times of a moneyed, commercial society. In Part One of the novel, this change is measured in a shift in the nature of erotic desire, and we find Don Quijote torn between his love for Dulcinea and his hopes to wed for wealth and social advancement. In Part Two, Don Quijote himself changes from anarchic madman to a gentler, wiser hero--a member of a middle class in the making. Throughout, Cervantes meditates on the literary form that he is inventing as a response to modernity, questioning the novel's relationship to other genres and the place of heroism and imagination within stories of everyday life. A new and coherent guide through the maze-like structure of Don Quijote, this book invites readers to appreciate the perennial modernity of Cervantes's masterpiece---a novel that confronts times not so distant from our own.
Shakespeare Imitations, Parodies and Forgeries, 1710-1820 by Jeffrey Kahan Pdf
In their own day, the works in this collection of now all-but-forgotten plays, composed between 1710 and 1820, enjoyed much critical and commercial success. For example, Nicholas Rowe's "The Tragedy of Jane Shore" (1714) was the most popular new play of the eighteenth century, and the sixth most performed tragedy, following "Hamlet," "Macbeth," "Romeo and Juliet,"" Othello" and "King Lear." Even William Shirley's forgotten play, "Edward the Black Prince" (1750), "was well received with great applause" and had a stage history spanning three decades. This collection includes the performance text to the 1796 Ireland play, "Vortigern." The plays are all reset and, where possible, modernized from original manuscripts, with listed variants, and parallel passages traced to Shakespearean canonical texts. The set includes a new introduction by the editor, and raises important questions about the nature of artistic property and authenticity, a key area of Shakespearean research today.
