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From celebrated sports journalist Steve Delsohn comes the true story of University of Southern California football, told by those who know it best--the players, coaches, and everyone else who made USC football one of the most legendary programs in America. Over the years, USC has been surrounded by controversy, even as it won 11 national titles and produced six Heisman winners and numerous future NFL stars. This book will tell the story of the program at its best and worst, with a special focus on the past 40 years, starting with the "Tailback U" dynasty years of the 1970s--when the school won three championships in less than a decade--right up through the modern era in which iconic figures such as Pete Carroll and Reggie Bush had tremendous success and went on to NFL glory, but left tremendous controversy in their wake.
“A riveting portrait of the day-to-day life of a wealthy, worldly Renaissance prince” as he pursues power and influence in the Catholic church (USA Today). The second son of Alfonso d’Este and Lucretia Borgia, the Duke and Duchess of Ferrara, Ippolito d’Este was made the archbishop of Milan at the age of nine. But from the time of his father’s death in 1534, he set his ambitions on acquiring the powerful and coveted cardinal’s hat. But one did not become a sixteenth century prince of the church through piety and good works. Ippolito had a taste for gambling and women. He enjoyed hunting in the Loir valley and pursued his ambition with money, schmoozing, and the dark arts of politics. Working with Ippolito’s letters and ledgers, recently uncovered in an archive in Modena, Italy, Mary Hollingsworth has pieced together a fascinating and undeniably titillating tale of this Renaissance cardinal and his road to power and wealth in sixteenth century Europe. The ledgers document every aspect of Ippolito’s comings, goings, purchases, and debts. Out of these finely detailed records, Hollingsworth brings to life not only Ippolito, but his world. “In this brilliant piece of historical detective work and narrative reconstruction . . . the most unlikely bits and pieces—a scrap of velvet, a stray barrel of wine—can be made to tell stories that resonate far beyond the neat columns of a well-kept account book.” —The Guardian
The Wolsey’s of Suffolk date to Anglo-Saxon times. The earliest notice of a Wolsey as inhabitant of Ipswich is Thomas Wolsey’s father, Robert. He was a successful small businessman and married a Joan Daundy. Thomas was probably born in 1471 in an Inn and was almost certainly baptised in St Mary at the Elms church, Ipswich. Wolsey graduated from university and then his climb to power was extremely fast. He entered the Royal Household as the chaplain to King Henry VII. When King Henry VIII ascended to the throne Wolsey became his Almoner, which gave him access to the King’s Council. Henry was very impressed with Wolsey’s work. Thomas gained many important clerical positions. In 1515 Wolsey became Lord Chancellor of England. Thomas Wolsey’s most famous peace treaty was signed between Henry VIII and Francis I of France at the glorious Field of Cloth of Gold in 1520. Henry had not produced a male heir. A woman called Anne Boleyn came on the scene. Henry began to think that she could mother him a son. The king asked Wolsey to seek a divorce from his first wife. He tried his outmost, as always, but the Pope kept delaying the matter. Wolsey failed and fell out of favour with Henry. He was charged with treason and escorted to the Tower of London. On his way, Thomas became very frail and sadly, on 29th November 1530 he died at Leicester Abbey.
Niccolò Ridolfi and the Cardinal's Court by Lucinda Byatt Pdf
Niccolò Ridolfi (1501–50), was a Florentine cardinal, nephew and cousin to the Medici popes Leo X and Clement VII, and he owed his status and wealth to their patronage. He remained actively engaged in Florentine politics, above all during the years of crisis that saw the Florentine state change from republic to duchy. A widely respected patron and scholar throughout his life, his sudden death during the conclave of 1549–50 led to allegations of poison that an autopsy appears to confirm. This book examines Cardinal Ridolfi and his court in order to understand the extent to which cardinalate courts played a key part in Rome’s resurgence and acted as hubs of knowledge located on the fault lines of politics and reform in church and state, hospitable spaces that can be analysed in the context of entanglements in Florentine and Roman cultural and political patronage, and intersections between the princely court and a more professional and complex knowledge and practice of household management in the consumer and service economy of early modern Rome. Based on an array of archival sources and on three treatises whose authors were closely linked to Ridolfi’s court, this monograph explores these multidisciplinary intersections to allow the more traditional fields of church and political history to be approached from different angles. Niccolò Ridolfi and the Cardinal's Court will appeal to all those interested in the organisation of these elite establishments and their place in sixteenth-century Roman society, the life and patronage of Niccolò Ridolfi in the context of the Florentine exiles who desired a return to republicanism, and the history of the Roman Catholic Church.
A Companion to the Early Modern Cardinal by Mary Hollingsworth,Miles Pattenden,Arnold Witte Pdf
The first comprehensive overview of its subject in any language. Its thirty-five essays explain who cardinals were, what they did in Rome and beyond, for the Church and for wider society.
Author : Edward J. Olszewski Publisher : American Philosophical Society Page : 372 pages File Size : 52,9 Mb Release : 2004 Category : Art ISBN : 087169252X
Cardinal Pietro Ottoboni (1667-1740) and the Vatican Tomb of Pope Alexander VIII by Edward J. Olszewski Pdf
Examines the commission of the Vatican tomb of Pope Alexander VIII Ottoboni by his great-nephew Cardinal Pietro Ottoboni. Although neglected for centuries, the Ottoboni monument occupies the most strategic liturgical position in the complex of tombs in the Vatican basilica. It is impressive in scale, & offers a commanding presence on the path from the papal entryway to the apse & main altar, with a majestic papal effigy, a visually compelling narrative relief carving, & symbolically important allegories. Using unpublished archival documents in the Vatican & Lateran archives, this study discusses in detail the 30-year campaign for the construction of the tomb & identifies the artists & artisans responsible for the project. The monograph is comprehensive in its stylistic analysis, exploration of iconography, discussion of liturgical practice, & consideration of studio procedures beginning with patron & artist, architect & sculptors, & sculptor & artisans. reveals why the project required three decades to complete. "A well-written, informative, & important monograph. And, in the process, he has expanded our understanding of contemporary workshop practice and art making in the Rome of the later Baroque period. There are sections where the author's meticulous care & insightful reconstruction of events gives the reader a sense of ""being there"" in the day-to-day process of work on the site. These parts make for especially exciting and engaging reading." -- "An absolutely wonderful piece of work."
Darnley; or, The Field of the Cloth of Gold by G. P. R. James Pdf
"Darnley" by G. P. R. James is a novel about the king of England, Henry VIII (1491-1547). The history of Great Britain (1506-1547), the gorgeous festivities of Midsummer (1520), as well as the character of King Henry VIII., are admirably conceived and described. Excerpt: "To paint him to the mind's eye were very difficult, though to describe him were very easy; for though I were to say that he was a tall, fair man, with the old Saxon blood shining out in his deep blue eye, and in his full, short upper lip, from which the light brown moustache turned off in a sweep, exposing its fine arching line; though I were to speak of the manly beauty of his features, rendered scarcely less by a deep scar upon his forehead; or were I to detail, with the accuracy of a sculptor, the elegant proportion of every limb, I might, indeed, communicate to the mind of the reader the idea of a much more handsome man than he really was; but I should fail to invest the image with that spirit of gracefulness which, however combined with outward form, seems to radiate from within, which must live to be perfect, and must be seen to be understood."