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Carlo Scarpa and Castelvecchio Revisited by Richard Murphy,Carlo Scarpa,Margherita Bolla,Kenneth Frampton Pdf
A greatly expanded version of the author's 1990 work, this book not only analyzes Scarpa's personal language of architecture but also sequences his drawings, revealing the complex history of the Castelvecchio Museum in Verona.
Carlo Scarpa and the Castelvecchio by Richard Murphy Pdf
The Castelvecchio in Verona, renovated between 1958 & 1964 as a museum is the best known project of the Italian architect Carlo Scarpa (1906-1978). The author, Richard Murphy, traces the initial ideas as represented by Scarpa's beautiful yet incisive sketches, through the various stages of work to building completion. Numerous drawings by Scarpa, many illustrated in colour, are supplemented by Murphy's own superb measured line drawings, which accurately show the full realisation of Scarpa's building as it stands today.
Carlo Scarpa, Castelvecchio, Verona by Richard Bryant,Valeria Carullo,Alba Di Lieto,Paola Marini Pdf
During the 1960s Italys museum sector witnessed a fertile period of renewal. A generation of architects, working in partnership with the directors of museums, set about transforming into exhibition spaces a number of ancient monumental complexes located in the historic centres of some of the most important Italian cities. Among these was the brilliant and solitary Venetian architect Carlo Scarpa (19061978) who revitalised the discipline of museography by sagaciously combining it with restoration. His lucid intervention at Veronas Museo di Castelvecchio is emblematic of this approach: the medieval castle, the museum of ancient art, and modern architecture all harmoniously coexisting in a monument located at the heart of a city designated a UNESCO World Heritage Site. The far-sighted choice of Scarpa was owed to the then director of the museum, Licisco Magagnato, who tenaciously argued the case for the appointment of an architect specialising in this field to work on the citys principal museum of ancient art. The renovation work, which continued for more than a decade, took place in various phases (19581964, 1967 and 19681974) but in accordance with a remarkably consistent and coherent plan. In his work on Castelvecchio, carried out at a significant point in his career, Scarpa attained a remarkable balance between different aesthetic elements that is particularly evident in the sculpture gallery, where the renovations harmonise with the power of the 14th-century Veronese sculptures exhibited in this section of the museum. One of the most striking details is the location of the equestrian statue of Cangrande I della Scala. For the presentation of this work the architect conceived a backdrop of great poetry, drawing the visitors attention to its historical stratifications and simultaneously creating an exemplary essay in modern architecture. This museum is the most perfectly resolved of Scarpas works in terms of the complexity and coherence of its design, and today remains "outrageously" well preserved. It is therefore unsurprising that a photographer-artist such as Richard Bryant should have been attracted by the extraordinary compositional, spatial and luminous harmony of Castelvecchio. The book is introduced by an essay by Alba Di Lieto, the architect appointed to Verona City Councils Direzione Musei dArte e Monumenti, a scholar of Scarpas drawings, and the author of monographs on his work. She describes the architects renovation and locates it in the context of Italys architectural panorama. She also offers insights into the cataloguing of Scarpas graphic output in the context of the overall conservation of his work. The essay is followed by a brief history of the castle by Paola Marini, who was the director of Veronas civic museum network for 22 years. The essay is followed by a brief history of the castle by Paola Marini, who was the director of Veronas civic museum network for 22 years. In December 2015 she has taken on a new role as director of the Gallerie dellAccademia in Venice the first of Scarpas museum projects in 1949. Valeria Carullo writes in her postscript about her experience by assisting Richard Bryant in photographing the castle. She is curator of The Robert Elwall Photographs Collection in the RIBA British Architectural Library. Richard Bryant is one of the best-known architectural photographers, working all over the world. He and Hélène Binet are the only photographers with an honorary fellowship of the Royal Institute of British Architects.
The acclaimed survey of the life and works of the celebrated Italian modernist master, available again in a classic format The work of Carlo Scarpa challenged, and continues to challenge, accepted notions of modern architecture. While several books have been published on his work, none has approached the breadth and depth of this monograph by Robert McCarter, who is celebrated for his meticulously researched, experientially based, and jargon-free accounts of key figures in modern architecture. This book is the definitive study of Scarpa's many accomplishments, including such works at the Canova Museum, the Castelvecchio Museum, and the Brion Cemetery, among others.
Author : Carlo Scarpa,R. Nicholas Olsberg Publisher : Canadian Centre for Architecture Page : 264 pages File Size : 40,5 Mb Release : 1999 Category : Architects ISBN : UCSD:31822027900935
Carlo Scarpa, Architect by Carlo Scarpa,R. Nicholas Olsberg Pdf
Between 1953 and 1978 the Italian architect Carlo Scarpa produced an incredibly varied range of works that challenge our notions of what modern architecture might be. Foremost in that work was the need to reconcile a wholehearted embrace of the new with the longstanding traditions of local craft and of universal practice to create an architecture that would clearly express its own machine-driven times without abandoning the psychic and sensual forces of place, materiality, and memory. Carlo Scarpa, Architect: Intervening with History illustrates, through abundant reproductions of Scarpa's drawings, the ways the architect created a dialogue with light, space, and architecture within the historic fabric of Italian cities. Presenting these projects as they exist today, the patient eye of contemporary photographer Guido Guidi deepens our understanding of this timely approach to architectural dialogue.
The decision to take the final step to becoming a fully qualified architect exam can be daunting. Fortunately, this new edition of the Part 3 Handbook demystifies the whole process of qualifying, dispelling commonly held myths and offering genuine insight into what examiners really want. Written by an experienced practitioner and Professional Studies Advisor, and endorsed by the RIBA, the book concentrates on the separate elements that you will be assessed on in the Part 3 exam. Fully updated for 2020, this edition features a brand new chapter on professional development and includes up-to-date guidance on the 2020 plan of work.
In recent decades, Carlo Scarpa's relevance has been steadily on the rise. At a time when architects have to use existing city and building structures as a point of departure for their work, his oeuvre remains a source of inspiration. Buildings such as the Castelvecchio in Verona show us that architecture is capable of communicating its own history, has meaning, and develops a contemporary dynamic of its own. Scarpa's layered architecture makes visible the process of becoming and the time-related sedimentation of material and meanings. It is especially at points of transition and interface that layering becomes a narrative element that elucidates the tectonic qualities of the building. Overlaying includes leaving a record of how an object came into being -- either by means of the sediments of its history or through the intervention of the architect. In this book Anne-Catrin Schultz presents her research about the phenomenon of layering in Carlo Scarpa's architecture. Layering describes the physical composition of layers defining space as well as the parallel presence of cultural referrals and formal associations imbedded in the physical layers. Scarpa's work is an embodiment of multidimensional layering and, at the same time, a focal point for architectural movements of his time that have stratification as their theme. In most buildings, the principle of layering may be regarded as something that is part of the nature of building. Functional conditions call for planes, elements, or "layers" to provide the supporting structure, and others to protect from rain, cold or the heat of the sun. However, architectonic layering goes beyond merely fulfilling technical requirements -- the principle of layering may be used as a formative method that allows elements of different origins to be combined into a non-hierarchical whole. Layering exists in a realm of complexity and implies a capacity of being interpreted that goes beyond itself and creates references to the world at large. The first part of the book examines Scarpa's fields of influence and intellectual roots and puts them in perspective with former theories and their interpretation of architecture as layered, for example Gottfried Semper's theory of clothing. The second part displays an analysis of three major projects, Castelvecchio and Banca Popolare in Verona and the Querini Foundation in Venice.
UnDoing Buildings: Adaptive Reuse and Cultural Memory discusses one of the greatest challenges for twenty-first-century society: what is to be done with the huge stock of existing buildings that have outlived the function for which they were built? Their worth is well recognised and the importance of retaining them has been long debated, but if they are to be saved, what is to be done with these redundant buildings? This book argues that remodelling is a healthy and environmentally friendly approach. Issues of heritage, conservation, sustainability and smartness are at the forefront of many discussions about architecture today and adaptive reuse offers the opportunity to reinforce the particular character of an area using up-to-date digital and construction techniques for a contemporary population. Issues of collective memory and identity combined with ideas of tradition, history and culture mean that it is possible to retain a sense of continuity with the past as a way of creating the future. UnDoing Buildings: Adaptive Reuse and Cultural Memory has an international perspective and will be of interest to upper level students and professionals working on the fields of Interior Design, Interior Architecture, Architecture, Conservation, Urban Design and Development.
What is it about ruins that are so alluring, so puzzling, that they can hold some of us in endless wonder over the half-erased story they tell? In this elegant book, Robert Harbison explores the captivating hold these remains and broken pieces—from architecture, art, and literature—have on us. Why are we, he asks, so suspicious of things that are too smooth, too continuous? What makes us feel, when we look upon a fragment, that its very incompletion has a kind of meaning in itself? Is it that our experience on earth is inherently discontinuous, or that we are simply unable to believe in anything whole? Harbison guides us through ruins and fragments, both ancient and modern, visual and textual, showing us how they are crucial to understanding our current mindset and how we arrived here. First looking at ancient fragments, he examines the ways we have recovered, restored, and exhibited them as artworks. Then he moves on to modernist architecture and the ways that it seeks a fragmentary form, examining modern projects that have been designed into existing ruins, such as the Castelvecchio in Verona, Italy and the reconstruction of the Neues Museum in Berlin. From there he explores literature and the works of T. S. Eliot, Montaigne, Coleridge, Joyce, and Sterne, and how they have used fragments as the foundation for creating new work. Likewise he examines the visual arts, from Schwitters’ collages to Ruskin’s drawings, as well as cinematic works from Sergei Eisenstein to Julien Temple, never shying from more deliberate creators of ruin, from Gordon Matta-Clark to countless graffiti artists. From ancient to modern times and across every imaginable form of art, Harbison takes a poetic look at how ruins have offered us a way of understanding history and how they have enabled us to create the new.
A tribute to a great master of postwar Italian architecture, through a photographic journey with high visual impact. Carlo Scarpa was one of the great masters of postwar Italian architecture. This book proposes a photographic itinerary that unfurls through Venice, Treviso, Verona and Bologna, before reaching the Dolomites, His most significant projects have been photographed specifically for the book, including constructions and installations in public spaces, such as museums, shops and offices. Each example illustrates Scarpa's ability to approach the architectural volume as a whole while at the same time tending to its interior layout down to the smallest details, exploring the potential of the material, giving rhythm to the volumes through light, and expressing the poetics of the shape, even in its simplest lines. The projects featured in the book alternate between overviews and close-ups, with a very high photographic quality. They are all briefly introduced by a text that describes their genesis, explains the context in which they were made and focuses on the details that best represent Scarpa's style, with a summary and clear key to understanding the architect's work. The volume ends with a postscript by his son, Tobia Scarpa, who is currently designing the forthcoming Scarpa Museum in Treviso.
Carlo Scarpa by Guido Beltramini,Italo Zannier Pdf
Carlo Scarpa was a virtuoso of light, a master of detail, and a connoisseur of materials. Today he is known as a 20th-century master of architecture. To mark the first centenary of Scarpa's birth, all his works are presented here for the first time. The 250 illustrations cover all 58 of his structures, including the Castelvecchio Museum (Verona), the Olivetti showroom (Venice), and the Brion Tomb in San Vito d'Altivole (Treviso), as well as his important glass designs. The book includes essays by leading architects and architecture critics, offering an extensive overview of Scarpa's life as well as interpretations of his architecture. Known as the "Frank Lloyd Wright of Italy," Scarpa's decorative style has become a model for architects wishing to revive craft and luscious materials in the contemporary manner.
Carlo Scarpa by Carlo Scarpa,Francesco Dal Co,Giuseppe Mazzariol Pdf
Briefly traces the life and career of the Italian architect, gathers his drawings and shares his lectures and opinions on architecture. This volume documents the complete works of Carlo Scarpa, one of the leadig Italian architects of the twentieth century. There are over two dozen essays by leading architects and architectural critics, including Bruno Zevi, Vincent Scully, Arata Isozaki, and Christian Norberg-Schulz offering an extensive overview of Scarpa's life and career as well as lucid interpretations of his architecture.
