Cartooning In Africa Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Cartooning In Africa book. This book definitely worth reading, it is an incredibly well-written.
"This volume documents from historical and contemporary perspectives, the situations, trends, and issues of cartooning in a number of African countries, and profiles the individuals, forms, and phenomena that stand out. All types of cartooning are covered, including comic books, comic strips, gag and political cartoons, and humor magazines. The contributors are scholars, writers, and practitioners of comic art who are either residents of or research visitors to Africa. Their approaches run the gamut from historical/contemporary overviews, to problem analysis of the profession and cartoonists, to textual analysis."--BOOK JACKET.
Taking African Cartoons Seriously by Peter Limb,Tejumola Olaniyan Pdf
"Cartoonists make us laugh--and think--by caricaturing daily events and politics. The essays, interviews, and cartoons presented in this innovative book vividly demonstrate the rich diversity of cartooning across Africa and highlight issues facing its cartoonists today, such as sociopolitical trends, censorship, and use of new technologies. Celebrated African cartoonists including Zapiro of South Africa, Gado of Kenya, and Asukwo of Nigeria join top scholars and a new generation of scholar-cartoonists from the fields of literature, comic studies and fine arts, animation studies, social sciences, and history to take the analysis of African cartooning forward. Taking African Cartoons Seriously presents critical thematic studies to chart new approaches to how African cartoonists trade in fun, irony, and satire. The book brings together the traditional press editorial cartoon with rapidly diverging subgenres of the art in the graphic novel and animation, and applications on social media. Interviews with bold and successful cartoonists provide insights into their work, their humor, and the dilemmas they face. This book will delight and inform readers from all backgrounds, providing a highly readable and visual introduction to key cartoonists and styles, as well as critical engagement with current themes to show where African political cartooning is going and why."--Publisher's description.
Taking African Cartoons Seriously by Peter Limb,Tejumola Olaniyan Pdf
Cartoonists make us laugh—and think—by caricaturing daily events and politics. The essays, interviews, and cartoons presented in this innovative book vividly demonstrate the rich diversity of cartooning across Africa and highlight issues facing its cartoonists today, such as sociopolitical trends, censorship, and use of new technologies. Celebrated African cartoonists including Zapiro of South Africa, Gado of Kenya, and Asukwo of Nigeria join top scholars and a new generation of scholar-cartoonists from the fields of literature, comic studies and fine arts, animation studies, social sciences, and history to take the analysis of African cartooning forward. Taking African Cartoons Seriously presents critical thematic studies to chart new approaches to how African cartoonists trade in fun, irony, and satire. The book brings together the traditional press editorial cartoon with rapidly diverging subgenres of the art in the graphic novel and animation, and applications on social media. Interviews with bold and successful cartoonists provide insights into their work, their humor, and the dilemmas they face. This book will delight and inform readers from all backgrounds, providing a highly readable and visual introduction to key cartoonists and styles, as well as critical engagement with current themes to show where African political cartooning is going and why.
International relations are what a government does when nobody s looking. While this may well once have been true, the conduct of international relations in South Africa and elsewhere has come under increasing scrutiny by the public. This is partially the result of specialist expertise around the formal study of international relations and the making of foreign policy, enhanced by the development of International Relations as a separate academic field. Like the growth of institutes of international affairs (or the Council on Foreign Relations, in the case of America), the study of international relations commenced at the end of the First World War (1914 18) with the establishment at the University of Wales, Aberystwyth, of the first academic chair in International Relations. It was called for Woodrow Wilson, America s twenty-eighth president, and funded by Welsh businessman and pacifist David Davis. In South Africa, the study of international relations commenced with the establishment of the South African Institute of International Affairs (SAIIA), which met for the first time in the Senate Chamber of the University of Cape Town on 12 May 1934. Until then International Relations had been taught in various guises within History, Law, Economics and Politics courses, but it lacked a firm institutional base. In South Africa, International Relations was first taught as a separate academic discipline at the University of the Witwatersrand in 1963 although a professorship, called for Jan Smuts, was first filled in 1961. Long before this institutional setting, however, a more subversive and certainly more spicy variety of international relations understanding and critique was at work: this was, of course, the sharp eye on foreign policy and international relations, drawn in jest and sometimes in anger by cartoonists. Their interest in international relations predates the emergence of the powerful critical perspectives that have changed and almost redirected the field since the ending of the Cold War. This book is about how these other experts have looked at and commented on South Africa s relations with the world over the past century. It examines their interpretations of unfolding events and considers how these commentators and their work interacted with the more formal understandings of foreign policy and international relations that came to pass long after cartoons first appeared. A century of South Africa s engagement with the world is, understandably, a long and complex story. Cartoons on the country were done years before the 1910 Act of Union, as some well-known cartoons of the Anglo-Boer War suggest. However, by confining my choices to a hundred years of the South African state, I have chosen firm bookends for the collection. The choice of cartoons itself requires further clarification. There is a rather worrying recent notion in South Africa that nothing that happened in the country before the historic election of 1994 matters. In April 2009, at a conference, I heard an academic colleague say that what happened in the 1930s was illegitimate and of no real relevance to the present. This lack of interest in history is both short-sighted and intellectually lazy. South Africa s international relations today are determined as much by the cartoons drawn by Boonzaier in 1910 as they are by the cartoons drawn by Zapiro in 2010. I choose these two names not only because they conveniently cover almost the full range of the alphabet, but because they run from the founding of the South African state in 1910 to the present. Their names signal something else, too. I have only chosen drawings by cartoonists who worked in South Africa. As will be clear, many cartoonists were not South African born but brought the cartoonist s trade with them to this country. As such, they brought interpretations and understandings of the world that helped to shape South Africa s perspectives on international relations. Most of the artists in this boo
Popular Culture in Africa by Stephanie Newell,Onookome Okome Pdf
This volume marks the 25th anniversary of Karin Barber’s ground-breaking article, "Popular Arts in Africa", which stimulated new debates about African popular culture and its defining categories. Focusing on performances, audiences, social contexts and texts, contributors ask how African popular cultures contribute to the formation of an episteme. With chapters on theater, Nollywood films, blogging, and music and sports discourses, as well as on popular art forms, urban and youth cultures, and gender and sexuality, the book highlights the dynamism and complexity of contemporary popular cultures in sub-Saharan Africa. Focusing on the streets of Africa, especially city streets where different cultures and cultural personalities meet, the book asks how the category of "the people" is identified and interpreted by African culture-producers, politicians, religious leaders, and by "the people" themselves. The book offers a nuanced, strongly historicized perspective in which African popular cultures are regarded as vehicles through which we can document ordinary people’s vitality and responsiveness to political and social transformations.
The seed that grew into this guide was planted twenty years before it was published in the newspaper archives of Rhodes University, South Africa. As a journalism student the author was leafing through an old newspaper researching an assignment when he was struck dumb by a cartoon that, in just a few brushes, conveyed more than he could ever hope to write on the subject. This drawing of South Africa's political battlelines has produced not only a fascinating and informative look at the world of South Africa's political cartoons, but also at South African politics and journalism - a world cartoons portray in a way words cannot. Every day most major newspapers carry a cartoon comment on some topical subject or event- mostly political in nature. The reader's reaction to this supposedly humorous comment may vary from a wry smile to an agreeable full belly laugh, from outrage to righteous indignation. reasoned responses that mask the messages in the cartoons. In Penpricks not only are the messages revealed, but at the same time the reader will glimpse South African politics from the other side of the mirror that the South African press holds up to its unique society.
Taking African Cartoons Seriously by Peter Limb,Tejumola Olaniyan Pdf
Cartoonists make us laugh—and think—by caricaturing daily events and politics. The essays, interviews, and cartoons presented in this innovative book vividly demonstrate the rich diversity of cartooning across Africa and highlight issues facing its cartoonists today, such as sociopolitical trends, censorship, and use of new technologies. Celebrated African cartoonists including Zapiro of South Africa, Gado of Kenya, and Asukwo of Nigeria join top scholars and a new generation of scholar-cartoonists from the fields of literature, comic studies and fine arts, animation studies, social sciences, and history to take the analysis of African cartooning forward. Taking African Cartoons Seriously presents critical thematic studies to chart new approaches to how African cartoonists trade in fun, irony, and satire. The book brings together the traditional press editorial cartoon with rapidly diverging subgenres of the art in the graphic novel and animation, and applications on social media. Interviews with bold and successful cartoonists provide insights into their work, their humor, and the dilemmas they face. This book will delight and inform readers from all backgrounds, providing a highly readable and visual introduction to key cartoonists and styles, as well as critical engagement with current themes to show where African political cartooning is going and why.
Truths Drawn in Jest by Wilhelm Verwoerd,Mahlubi Mabizela Pdf
The contributors examine the image of the South African Truth & Reconciliation Commission through the work of South Africa's leading cartoonists. They show how cartoons from a range of publications differ in their depictions of the TRC.
