Casting The Parthenon Sculptures From The Eighteenth Century To The Digital Age

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Casting the Parthenon Sculptures from the Eighteenth Century to the Digital Age

Emma M. Payne
Casting the Parthenon Sculptures from the Eighteenth Century to the Digital Age Book PDF

Author : Emma M. Payne
Publisher : Unknown
Page : 212 pages
File Size : 42,9 Mb
Release : 2021
Category : Archaeology
ISBN : 1350120375

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Casting the Parthenon Sculptures from the Eighteenth Century to the Digital Age by Emma M. Payne Pdf

"Through the 19th century, as archaeology started to emerge as a systematic discipline, plaster casting became a widely-adopted technique, newly applied by archaeologists to document and transmit discoveries from their expeditions. The Parthenon sculptures were some of the first to be cast. In the late 18th century and the first years of the 19th century, the French artist Fauvel and Lord Elgin's men conducted campaigns on the Athenian Acropolis. Both created casts of parts of the Parthenon sculptures that they did not remove and these were sent back to France and Britain where they were esteemed and displayed alongside other, original sections. Henceforth, casting was established as an essential archaeological tool and grew exponentially over the course of the century. Such casts are now not only fascinating historical objects but may also be considered time capsules, capturing the details of important ancient works when they were first moulded in centuries past. This book examines the role of 19th century casts as an archaeological resource and explores how their materiality and spread impacted the reception of the Parthenon sculptures and other Greek and Roman works. Investigation of their historical context is combined with analysis of new digital models of the Parthenon sculptures and their casts. Sensitive 3D imaging techniques allow investigation of the surface markings of the objects in exceptionally fine detail and enable quantitative comparative studies comparing the originals and the casts. The 19th century casts are found to be even more accurate, but also complex, than anticipated; through careful study of their multiple layers, we can retrieve surface information now lost from the originals through weathering and vandalism"--

Casting the Parthenon Sculptures from the Eighteenth Century to the Digital Age

Emma M. Payne
Casting the Parthenon Sculptures from the Eighteenth Century to the Digital Age Book PDF

Author : Emma M. Payne
Publisher : Bloomsbury Publishing
Page : 224 pages
File Size : 46,5 Mb
Release : 2021-04-08
Category : Social Science
ISBN : 9781350120358

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Casting the Parthenon Sculptures from the Eighteenth Century to the Digital Age by Emma M. Payne Pdf

Through the 19th century, as archaeology started to emerge as a systematic discipline, plaster casting became a widely-adopted technique, newly applied by archaeologists to document and transmit discoveries from their expeditions. The Parthenon sculptures were some of the first to be cast. In the late 18th century and the first years of the 19th century, the French artist Fauvel and Lord Elgin's men conducted campaigns on the Athenian Acropolis. Both created casts of parts of the Parthenon sculptures that they did not remove and these were sent back to France and Britain where they were esteemed and displayed alongside other, original sections. Henceforth, casting was established as an essential archaeological tool and grew exponentially over the course of the century. Such casts are now not only fascinating historical objects but may also be considered time capsules, capturing the details of important ancient works when they were first moulded in centuries past. This book examines the role of 19th century casts as an archaeological resource and explores how their materiality and spread impacted the reception of the Parthenon sculptures and other Greek and Roman works. Investigation of their historical context is combined with analysis of new digital models of the Parthenon sculptures and their casts. Sensitive 3D imaging techniques allow investigation of the surface markings of the objects in exceptionally fine detail and enable quantitative comparative studies comparing the originals and the casts. The 19th century casts are found to be even more accurate, but also complex, than anticipated; through careful study of their multiple layers, we can retrieve surface information now lost from the originals through weathering and vandalism.

Destroy the Copy – Plaster Cast Collections in the 19th–20th Centuries

Annetta Alexandridis,Lorenz Winkler-Horaček
Destroy the Copy Plaster Cast Collections in the 19th 20th Centuries Book PDF

Author : Annetta Alexandridis,Lorenz Winkler-Horaček
Publisher : Walter de Gruyter GmbH & Co KG
Page : 620 pages
File Size : 40,7 Mb
Release : 2022-09-05
Category : Art
ISBN : 9783110757965

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Destroy the Copy – Plaster Cast Collections in the 19th–20th Centuries by Annetta Alexandridis,Lorenz Winkler-Horaček Pdf

Based on two international conferences held at Cornell University and the Freie Universität of Berlin in 2010 and 2015, this volume is the first ever to explicitly address the destruction of plaster cast collections of ancient Mediterranean and Western sculpture. Focusing on Europe, the Americas, and Japan, art historians, archaeologists and a literary scholar discuss how different museum and academic traditions – national as well as disciplinary –, notions of value and authenticity, or colonialism impacted the fate of collections. The texts offer detailed documentation of degrees of destruction by spectacular acts of defacement, demolition, discarding, or neglect. They also shed light on the accompanying discourses regarding aesthetic ideals, political ideologies, educational and scholarly practices, or race. With destruction being understood as a critical part of reception, the histories of cast collections defy the traditional, homogenous narrative of rise and decline. Their diverse histories provide critical evidence for rethinking the use and display of plaster cast collections in the contemporary moment.

Casting the Parthenon Sculptures from the Eighteenth Century to the Digital Age

Emma M. Payne
Casting the Parthenon Sculptures from the Eighteenth Century to the Digital Age Book PDF

Author : Emma M. Payne
Publisher : Bloomsbury Publishing
Page : 279 pages
File Size : 49,9 Mb
Release : 2021-04-08
Category : Social Science
ISBN : 9781350120365

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Casting the Parthenon Sculptures from the Eighteenth Century to the Digital Age by Emma M. Payne Pdf

Through the 19th century, as archaeology started to emerge as a systematic discipline, plaster casting became a widely-adopted technique, newly applied by archaeologists to document and transmit discoveries from their expeditions. The Parthenon sculptures were some of the first to be cast. In the late 18th century and the first years of the 19th century, the French artist Fauvel and Lord Elgin's men conducted campaigns on the Athenian Acropolis. Both created casts of parts of the Parthenon sculptures that they did not remove and these were sent back to France and Britain where they were esteemed and displayed alongside other, original sections. Henceforth, casting was established as an essential archaeological tool and grew exponentially over the course of the century. Such casts are now not only fascinating historical objects but may also be considered time capsules, capturing the details of important ancient works when they were first moulded in centuries past. This book examines the role of 19th century casts as an archaeological resource and explores how their materiality and spread impacted the reception of the Parthenon sculptures and other Greek and Roman works. Investigation of their historical context is combined with analysis of new digital models of the Parthenon sculptures and their casts. Sensitive 3D imaging techniques allow investigation of the surface markings of the objects in exceptionally fine detail and enable quantitative comparative studies comparing the originals and the casts. The 19th century casts are found to be even more accurate, but also complex, than anticipated; through careful study of their multiple layers, we can retrieve surface information now lost from the originals through weathering and vandalism.

The Parthenon Sculptures

Ian Dennis Jenkins
The Parthenon Sculptures Book PDF

Author : Ian Dennis Jenkins
Publisher : Harvard University Press
Page : 152 pages
File Size : 52,9 Mb
Release : 2007
Category : Art
ISBN : 0674026926

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The Parthenon Sculptures by Ian Dennis Jenkins Pdf

The Parthenon sculptures in the British Museum are unrivaled examples of classical Greek art, an inspiration to artists and writers since their creation in the fifth century bce. A superb visual introduction to these wonders of antiquity, this book offers a photographic tour of the most famous of the surviving sculptures from ancient Greece, viewed within their cultural and art-historical context. Ian Jenkins offers an account of the history of the Parthenon and its architectural refinements. He introduces the sculptures as architecture--pediments, metopes, Ionic frieze--and provides an overview of their subject matter and possible meaning for the people of ancient Athens. Accompanying photographs focus on the pediment sculptures that filled the triangular gables at each end of the temple; the metopes that crowned the architrave surmounting the outer columns; and the frieze that ran around the four sides of the building, inside the colonnade. Comparative images, showing the sculptures in full and fine detail, bring out particular features of design and help to contrast Greek ideas with those of other cultures. The book further reflects on how, over 2,500 years, the cultural identity of the Parthenon sculptures has changed. In particular, Jenkins expands on the irony of our intimate knowledge and appreciation of the sculptures--a relationship far more intense than that experienced by their ancient, intended spectators--as they have been transformed from architectural ornaments into objects of art.

The Parthenon and Its Sculptures

John Boardman
The Parthenon and Its Sculptures Book PDF

Author : John Boardman
Publisher : Unknown
Page : 264 pages
File Size : 48,9 Mb
Release : 1985
Category : Sculpture, Greek
ISBN : UOM:39015016842646

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The Parthenon and Its Sculptures by John Boardman Pdf

Photographs of the sculptures which decorate the Parthenon in Athens are accompanied by a discussion of the historical, social, and religious significance of the temple.

The Parthenon

Jenifer Neils
The Parthenon Book PDF

Author : Jenifer Neils
Publisher : Cambridge University Press
Page : 468 pages
File Size : 54,9 Mb
Release : 2005-09-05
Category : Art
ISBN : 0521820936

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The Parthenon by Jenifer Neils Pdf

Provides an overview of a classical monument interjected with the discoveries of modern scholarship.

Plaster Monuments

Mari Lending
Plaster Monuments Book PDF

Author : Mari Lending
Publisher : Princeton University Press
Page : 296 pages
File Size : 55,6 Mb
Release : 2022-06-14
Category : Architecture
ISBN : 9780691239620

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Plaster Monuments by Mari Lending Pdf

We are taught to believe in originals. In art and architecture in particular, original objects vouch for authenticity, value, and truth, and require our protection and preservation. The nineteenth century, however, saw this issue differently. In a culture of reproduction, plaster casts of building fragments and architectural features were sold throughout Europe and America and proudly displayed in leading museums. The first comprehensive history of these full-scale replicas, Plaster Monuments examines how they were produced, marketed, sold, and displayed, and how their significance can be understood today. Plaster Monuments unsettles conventional thinking about copies and originals. As Mari Lending shows, the casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often enormous objects were staged to suggest the sweep of history, synthesizing structures from vastly different regions and time periods into coherent narratives. While architectural plaster casts fell out of fashion after World War I, Lending brings the story into the twentieth century, showing how Paul Rudolph incorporated historical casts into the design for the Yale Art and Architecture building, completed in 1963. Drawing from a broad archive of models, exhibitions, catalogues, and writings from architects, explorers, archaeologists, curators, novelists, and artists, Plaster Monuments tells the fascinating story of a premodernist aesthetic and presents a new way of thinking about history’s artifacts.

Visualizing Harbours in the Classical World

Federico Ugolini
Visualizing Harbours in the Classical World Book PDF

Author : Federico Ugolini
Publisher : Bloomsbury Publishing
Page : 245 pages
File Size : 55,7 Mb
Release : 2020-05-14
Category : Architecture
ISBN : 9781350125759

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Visualizing Harbours in the Classical World by Federico Ugolini Pdf

In recent years, there has been intense debate about the reality behind the depiction of maritime cityscapes, especially harbours. Visualizing Harbours in the Classical World argues that the available textual and iconographic evidence supports the argument that these representations have a symbolic, rather than literal, meaning and message, and moreover that the traditional view, that all these media represent the reality of the contemporary cityscapes, is often unrealistic. Bridging the gap between archaeological sciences and the humanities, it ably integrates iconographic materials, epigraphic sources, history and archaeology, along with visual culture. Focusing on three main ancient ports – Alexandria, Rome and Leptis Magna – Federico Ugolini considers a range of issues around harbour iconography, from the triumphal imagery of monumental harbours and the symbolism of harbour images, their identification across the Mediterranean, and their symbolic, ideological and propagandistic messages, to the ways in which aspects of Imperial authority and control over the seas were expressed in the iconography of the Julio-Claudian, Trajan and Severii periods, how they reflected the repute, growth and power of the mercantile class during the Imperial era, and how the use of imagery reflected euergetism and paideia, which would inform the Roman audience about who had power over the sea.

Roman Art

Nancy Lorraine Thompson,Philippe De Montebello,John Kent Lydecker,Carlos A. Picón
Roman Art Book PDF

Author : Nancy Lorraine Thompson,Philippe De Montebello,John Kent Lydecker,Carlos A. Picón
Publisher : Metropolitan Museum of Art
Page : 218 pages
File Size : 40,8 Mb
Release : 2007
Category : Art, Roman
ISBN : 9781588392220

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Roman Art by Nancy Lorraine Thompson,Philippe De Montebello,John Kent Lydecker,Carlos A. Picón Pdf

A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.

Thomas Jefferson, the Classical World, and Early America

Peter S. Onuf,Nicholas P. Cole
Thomas Jefferson the Classical World and Early America Book PDF

Author : Peter S. Onuf,Nicholas P. Cole
Publisher : University of Virginia Press
Page : 329 pages
File Size : 45,5 Mb
Release : 2011-10-19
Category : History
ISBN : 9780813931821

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Thomas Jefferson, the Classical World, and Early America by Peter S. Onuf,Nicholas P. Cole Pdf

Thomas Jefferson read Latin and Greek authors throughout his life and wrote movingly about his love of the ancient texts, which he thought should be at the core of America's curriculum. Yet at the same time, Jefferson warned his countrymen not to look to the ancient world for modern lessons and deplored many of the ways his peers used classical authors to address contemporary questions. As a result, the contribution of the ancient world to the thought of America's most classically educated Founding Father remains difficult to assess. This volume brings together historians of political thought with classicists and historians of art and culture to find new approaches to the difficult questions raised by America's classical heritage. The essays explore the classical contribution to different aspects of Jefferson’s thought and taste, as well as examining the significance of the ancient world to America in a broader historical context. The diverse interests and methodologies of the contributors suggest new ways of approaching one of the most prominent and contested of the traditions that helped create America's revolutionary republicanism. Contributors:Gordon S. Wood, Brown University * Peter S. Onuf, University of Virginia * Michael P. Zuckert, University of Notre Dame * Caroline Winterer, Stanford University * Richard Guy Wilson, University of Virginia * Maurie D. McInnis, University of Virginia * Nicholas P. Cole, University of Oxford * Peter Thompson, University of Oxford * Eran Shalev, Haifa University * Paul A. Rahe, Hillsdale College * Jennifer T. Roberts, City University of New York, Graduate Center * Andrew Jackson O’Shaughnessy, University of Virginia

Greek Art

Michael Byron Norris
Greek Art Book PDF

Author : Michael Byron Norris
Publisher : Metropolitan Museum of Art
Page : 257 pages
File Size : 40,9 Mb
Release : 2000
Category : Art, Classical
ISBN : 9780870999727

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Greek Art by Michael Byron Norris Pdf

Designed as a tool for educators who wish to teach students about the art of Ancient Greece. The text contains readings on Greek culture, history and art and is looseleaf bound for easy photocopying. Accompanying material includes 20 slides showing various works of Greek art and a card game designed to teach students about some of the myths commonly depicted in Greek art. The accompanying CD-ROM contains the full text of the book in printable Adobe Acrobat format as well as JPEG files of the images depicted on the slides.

Sir Arthur Evans and Minoan Crete

Nanno Marinatos
Sir Arthur Evans and Minoan Crete Book PDF

Author : Nanno Marinatos
Publisher : Bloomsbury Publishing
Page : 304 pages
File Size : 47,6 Mb
Release : 2014-12-22
Category : History
ISBN : 9780857725165

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Sir Arthur Evans and Minoan Crete by Nanno Marinatos Pdf

Before Sir Arthur Evans, the principal object of Greek prehistoric archaeology was the reconstruction of history in relation to myth. European travellers to Greece viewed its picturesque ruins as the gateway to mythical times, while Heinrich Schliemann, at the end of the nineteenth century, allegedly uncovered at Troy and Mycenae the legendary cities of the Homeric epics. It was Evans who, in his controversial excavations at Knossos, steered Aegean archaeology away from Homer towards the broader Mediterranean world. Yet in so doing he is thought to have done his own inventing, recreating the Cretan Labyrinth via the Bronze Age myth of the Minotaur. Nanno Marinatos challenges the entrenched idea that Evans was nothing more than a flamboyant researcher who turned speculation into history. She argues that Evans was an excellent archaeologist, one who used scientific observation and classification. Evans's combination of anthropology, comparative religion and analysis of cultic artefacts enabled him to develop a bold new method which Sir James Frazer called 'mental anthropology'. It was this approach that led him to propose remarkable ideas about Minoan religion, theories that are now being vindicated as startling new evidence comes to light. Examining the frescoes from Akrotiri, on Santorini, that are gradually being restored, the author suggests that Evans's hypothesis of one unified goddess of nature is the best explanation of what they signify. Evans was in 1901 ahead of his time in viewing comparable Minoan scenes as a blend of ritual action and mythic imagination. Nanno Marinatos is a leading authority on Minoan religion. In this latest book she combines history, archaeology and myth to bold and original effect, offering a wholly new appraisal of Evans and the significance of his work. Sir Arthur Evans and Minoan Crete will be essential reading for all students of Minoan civilization, as well as an irresistible companion for travellers to Crete.

The Parthenon Enigma

Joan Breton Connelly
The Parthenon Enigma Book PDF

Author : Joan Breton Connelly
Publisher : Vintage
Page : 512 pages
File Size : 40,7 Mb
Release : 2014-01-28
Category : History
ISBN : 9780385350501

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The Parthenon Enigma by Joan Breton Connelly Pdf

Built in the fifth century b.c., the Parthenon has been venerated for more than two millennia as the West’s ultimate paragon of beauty and proportion. Since the Enlightenment, it has also come to represent our political ideals, the lavish temple to the goddess Athena serving as the model for our most hallowed civic architecture. But how much do the values of those who built the Parthenon truly correspond with our own? And apart from the significance with which we have invested it, what exactly did this marvel of human hands mean to those who made it? In this revolutionary book, Joan Breton Connelly challenges our most basic assumptions about the Parthenon and the ancient Athenians. Beginning with the natural environment and its rich mythic associations, she re-creates the development of the Acropolis—the Sacred Rock at the heart of the city-state—from its prehistoric origins to its Periklean glory days as a constellation of temples among which the Parthenon stood supreme. In particular, she probes the Parthenon’s legendary frieze: the 525-foot-long relief sculpture that originally encircled the upper reaches before it was partially destroyed by Venetian cannon fire (in the seventeenth century) and most of what remained was shipped off to Britain (in the nineteenth century) among the Elgin marbles. The frieze’s vast enigmatic procession—a dazzling pageant of cavalrymen and elders, musicians and maidens—has for more than two hundred years been thought to represent a scene of annual civic celebration in the birthplace of democracy. But thanks to a once-lost play by Euripides (the discovery of which, in the wrappings of a Hellenistic Egyptian mummy, is only one of this book’s intriguing adventures), Connelly has uncovered a long-buried meaning, a story of human sacrifice set during the city’s mythic founding. In a society startlingly preoccupied with cult ritual, this story was at the core of what it meant to be Athenian. Connelly reveals a world that beggars our popular notions of Athens as a city of staid philosophers, rationalists, and rhetoricians, a world in which our modern secular conception of democracy would have been simply incomprehensible. The Parthenon’s full significance has been obscured until now owing in no small part, Connelly argues, to the frieze’s dismemberment. And so her investigation concludes with a call to reunite the pieces, in order that what is perhaps the greatest single work of art surviving from antiquity may be viewed more nearly as its makers intended. Marshalling a breathtaking range of textual and visual evidence, full of fresh insights woven into a thrilling narrative that brings the distant past to life, The Parthenon Enigma is sure to become a landmark in our understanding of the civilization from which we claim cultural descent.

The Modernity of Ancient Sculpture

Elizabeth Prettejohn
The Modernity of Ancient Sculpture Book PDF

Author : Elizabeth Prettejohn
Publisher : I.B. Tauris
Page : 320 pages
File Size : 46,8 Mb
Release : 2012-09-15
Category : History
ISBN : 1848859031

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The Modernity of Ancient Sculpture by Elizabeth Prettejohn Pdf

What can modern art have to do with ancient sculpture? Surely the excitement of modern art lies in its utter repudiation of classical example? Elizabeth Prettejohn's important and revisionist new book argues otherwise: that ancient sculpture and modern art have been in constant dialogue since Johann Joachim Winckelmann invented the modern discipline of art history. It shows how ancient sculptures could inspire artists such as Rodin, Leighton or Picasso, and how modern artworks could help to interpret sculptors such as Pheidias and Praxiteles. The Modernity of Ancient Sculpture will have strong appeal to students of modern art and the classics alike.