Download Full eBooks in PDF
Catalogue De La Bibliothèque Musicale De M William Euing Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Catalogue De La Bibliothèque Musicale De M William Euing book. This book definitely worth reading, it is an incredibly well-written.
Author : Anonim
Publisher : Unknown
Page : 272 pages
File Size : 41,5 Mb
Release : 1878
Category : Electronic
ISBN : BML:37001103563339
Author : New York Public Library. Reference Department
Publisher : Unknown
Page : 780 pages
File Size : 49,5 Mb
Release : 1964
Category : Music
ISBN : UOM:39015024176375
Author : Stanley Sadie,John Tyrrell
Publisher : Unknown
Page : 692 pages
File Size : 49,6 Mb
Release : 2001
Category : Music
ISBN : UOM:39015049633079
Author : Stanley Sadie
Publisher : Unknown
Page : 692 pages
File Size : 50,8 Mb
Release : 2001
Category : Music
ISBN : UVA:X004956479
Author : British Museum. Department of Printed Books
Publisher : Unknown
Page : 1354 pages
File Size : 54,6 Mb
Release : 1969
Category : English imprints
ISBN : PSU:000030001084
Author : Allan Braham
Publisher : Univ of California Press
Page : 292 pages
File Size : 48,5 Mb
Release : 1989-01-01
Category : Art
ISBN : 0520067398
Allan Braham's comprehensive treatment of this brilliant and complex period introduces the reader to the major buildings, architects, and architectural patrons of the day. At the same time, it explores the broader determinants of architectural production: the rapid economic expansion of Paris and the main provincial centers and the increasing demand for improved public amenities--theaters, schools, markets, and hospitals. This generously illustrated book provides a vivid commentary on society and manners in pre-Revolutionary France.
Author : Oscar Thompson,Nicolas Slonimsky
Publisher : Unknown
Page : 2424 pages
File Size : 51,7 Mb
Release : 1958
Category : Music
ISBN : UOM:39076001722029
Author : James Tyler,Paul Sparks
Publisher : OUP Oxford
Page : 349 pages
File Size : 45,9 Mb
Release : 2002-08-29
Category : Music
ISBN : 9780191518515
Following on from James Tyler's The Early Guitar: A History and Handbook(OUP 1980) tthis collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its music from the Renaissance to the dawn of the Classical era. Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of the period. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers and scholars alike. Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history—notably c.1759-c.1800—which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central to music-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-string instrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.
Author : M.A. Katritzky
Publisher : Routledge
Page : 384 pages
File Size : 49,5 Mb
Release : 2017-03-02
Category : Literary Criticism
ISBN : 9781351871549
Well illustrated, accessibly presented, and drawing on a comprehensive range of historical documents, including British, German and other European images, and literary as well as non-literary texts (many previously unconsidered in this context), this study offers the first interdisciplinary gendered assessment of early modern performing itinerant healers (mountebanks, charlatans and quacksalvers). As Katritzky shows, quacks, male or female, combined, in widely varying proportions, three elements: the medical, the itinerant and the theatrical. Above all, they were performers. They used theatricality, in its widest possible sense, to attract customers and to promote and advertise their pharmaceuticals and health care services. Katritzky investigates here the performative aspects of quack marketing and healing methods, and their profound links with the rise of Europe’s professional actresses, fields of enquiry which are only now beginning to attract significant attention from historians of medicine, economics or the theatre. Women, Medicine and Theatre also recovers women’s roles in the economy of the itinerant quack stage. Women associated with mountebank troupes were medically and theatrically active at every level from major stage celebrities to humble urine sample collectors, but also included sedentary relatives, non-performing assistants, door- and bookkeepers, wardrobe mistresses, prop and costume loaners, landladies, spectators, patrons and clients. Katritzky’s study of the whole range of women who supported the troupes contextualizes the activities of their male counterparts, and rehabilitates a broad spectrum of diversely occupied women. The strength of this title’s research method lies in its comparative examination of documents that are generally examined from the point of view of either their performative or their medical aspects, by historians of, respectively, the theatre and medicine. Taken as a whole, these handbills, literary descriptions a
Author : Peter Prelleur
Publisher : Unknown
Page : 378 pages
File Size : 45,8 Mb
Release : 1965
Category : Music
ISBN : STANFORD:36105042461603
Author : Matthew Spring
Publisher : Oxford University Press, USA
Page : 576 pages
File Size : 54,5 Mb
Release : 2001
Category : Language Arts & Disciplines
ISBN : 0195188381
"Spring focuses on the lute in Britain, but also includes two chapters devoted to continental developments: one on the transition from medieval to renaissance, the other on renaissance to baroque, and the lute in Britain is never treated in isolation. Six chapters cover all aspects of the lute's history and its music in England from 1285 to well into the eighteenth century, whilst other chapters cover the instrument's early history, the lute in consort, lute song accompaniment, the theorbo, and the lute in Scotland."--Jacket.
Author : Frederick William Sternfeld
Publisher : Psychology Press
Page : 392 pages
File Size : 49,9 Mb
Release : 2005
Category : Literary Criticism
ISBN : 0415353270
First published in 1963. When originally published this book was the first to treat at full length the contribution which music makes to Shakespeare's great tragedies, among them Hamlet, Othello, and King Lear. Here the playwright's practices are studied in conjunction with those of his contemporaries: Marlowe and Jonson, Marston and Chapman. From these comparative assessments there emerges the method that is peculiar to Shakespeare: the employment of song and instrumental music to a degree hitherto unknown, and their use as an integral part of the dramatic structure.
Author : Jan Olof Rudén
Publisher : Svenskt Musikhistoriskt Arkiv
Page : 268 pages
File Size : 51,9 Mb
Release : 1981
Category : Guitar music
ISBN : STANFORD:36105042569116
Author : Francis Geoffrey Rendall
Publisher : Unknown
Page : 232 pages
File Size : 40,6 Mb
Release : 1957
Category : Clarinet
ISBN : UCSC:32106008752823
Author : James Tyler
Publisher : Oxford University Press, USA
Page : 190 pages
File Size : 40,8 Mb
Release : 1980
Category : Guitar
ISBN : UCAL:B3829753
CRITÈRES : Concerne la guitare et les instruments antécédants jusqu'à la fin du 18e siècle : histoire de la vihuela et des guitares (surtout ceux de 4 et 5 rangs de cordes, aussi bien qu'en comprenant un lexique d'autres instruments à cordes pincées), l'accordage de, et dispositions des cordes sur, ces instruments, les divers systèmes de tablature, le technique de toucher à ces instruments, l'ornamentation (i.e. les agréments, les broderies), la guitare comme instrument d'accompagnenemt et de continuo. Comprend des annexes bibliographiques du répertoire : Primary sources = [sources primaires et manuscrites] -- Vocal music accompanied by guitar ±alfabetol = [Musique vocal accompagnée par guitare en employant le système ±alfabetol des accords] -- 18th century vocal music accompanied by guitar = [Musique vocale du 18e siècle accompanée par guitare] -- [Some] facsimile editions of guitar tablatures = [Quelques publications en fac-similé d'éditions en tablature de guitare] -- Bibliography = [Bibliographie sur la guitare et sur des sujets connexes].