Catalogue Of The Sculpture In The Dumbarton Oaks Collection From The Ptolemaic Period To The Renaissance
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Catalogue of the Sculpture in the Dumbarton Oaks Collection from the Ptolemaic Period to the Renaissance by Dumbarton Oaks,Gary Vikan Pdf
These sculptures reflect the Blisses' wide-ranging tastes and extraordinary connoisseurship. About a quarter are Greco-Roman; nearly two-thirds of the rest are Late Antique, mostly limestone carvings from Early Byzantine Egypt. Sculpture from the Middle Byzantine period is very rare, making the four pieces in this collection especially significant.
Author : James N. Carder,James Nelson Carder Publisher : Harvard University Press Page : 204 pages File Size : 40,6 Mb Release : 2010 Category : Art ISBN : 0884023656
A Home of the Humanities by James N. Carder,James Nelson Carder Pdf
Mildred and Robert Woods Bliss were consummate collectors and patrons. The illustrated essays in this volume reveal how the Blisses' wide-ranging interests in art, music, gardens, architecture, and interior design resulted in the creation of the Dumbarton Oaks Research Library and Collection--what they came to call their "home of the humanities."
The Cross in the Visual Culture of Late Antique Egypt by Gillian Spalding-Stracey Pdf
In The Cross in the Visual Culture of Late Antique Egypt Gillian Spalding-Stracey offers an exploration of the variety of ways in which the Holy Cross was expressed in imagery, in the monastic and ecclesiastical settings of late antique Egypt.
Metropolitan Museum of Art (New York, N.Y.),Lisbeth Castelnuovo-Tedesco,Jack Soultanian
Author : Metropolitan Museum of Art (New York, N.Y.),Lisbeth Castelnuovo-Tedesco,Jack Soultanian Publisher : Metropolitan Museum of Art Page : 370 pages File Size : 40,7 Mb Release : 2010 Category : Sculpture ISBN : 9781588393968
Italian Medieval Sculpture in the Metropolitan Museum of Art and the Cloisters by Metropolitan Museum of Art (New York, N.Y.),Lisbeth Castelnuovo-Tedesco,Jack Soultanian Pdf
"The collection of Italian medieval sculpture in The Metropolitan Museum of Art and The Cloisters began with the acquisition in 1908 of a Romanesque column statue; today the Museum's holdings comprise more than seventy works dating from the ninth to the late fifteenth century ... The birthplaces of these works range from Sicily to Venice; some typify local styles, others illustrate the intense artistic exchanges taking place within Italy and between Italy and the wider world ... Technological advances of the last decades have made it possible to determine more precisely the materials and techniques from which works of art are made, the history of their alteration, and the mechanisms of their deterioration. Using such techniques, scholars have been able to ascertain, for example, that sculptures previously thought to be modern works carved in the medieval manner were in fact completely authentic. This innovative volume represents a watershed in the study of sculpture: a collaborative dialogue between an art historian and a conservator—between art history and art science—that deepens our understanding of the object we see, while illuminating its elusive, enigmatic history"--From publisher's description.
Author : Henry Maguire,Robert S. Nelson Publisher : Harvard University Press Page : 316 pages File Size : 41,7 Mb Release : 2010 Category : Art ISBN : 0884023605
San Marco, Byzantium, and the Myths of Venice by Henry Maguire,Robert S. Nelson Pdf
Henry Maguire, emeritus professor of art history at Johns Hopkins University, works on Byzantine and related cultures. He has written extensively on Venetian art and the church of San Marco.
The Trophies of the Martyrs by Galit Noga-Banai Pdf
In this pioneering study, the first of its kind, Galit Noga-Banai analyses silver reliquaries decorated with Christian figurative themes. She offers a clearer and more detailed picture of the beginnings of the cult of relics, which were an essential asset to the Church in its establishment of pilgrimage centres and local hagiographic heritage sites, first in Italy and later in other places around Europe and North Africa. At the same time, Noga-Banai highlights the identity of the objects as portable art, treating the reliquaries as visual historical testimonies. The book is illustrated with nearly 100 finely reproduced drawings and photographs.
The Oxford Handbook of Byzantine Art and Architecture by Ellen C. Schwartz Pdf
"This handbook offers a wide-ranging introduction to the richness and diversity of the arts in the Byzantine world. It includes thirty-eight essays by international authors, from prominent researchers to emerging scholars, on various issues and media. Discussions consider art created for religious purposes, to enhance and beautify the Orthodox liturgy and worship space, as well as art made to serve in royal and domestic contexts. While Byzantium is defined as the years 330-1453 CE, some chapters treat the aftermath and influence of Byzantine art on later periods. Arts covered include buildings and objects from the Eastern Mediterranean region, including the Balkans, Russia, North Africa, and the Near East. The volume brings together object-based considerations of themes and monuments which form the backbone of art history, with considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, among others-all in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a rich field of study, offering a window into the world of this distinct and fascinating period of art"--
Replete with mosaics and revetment, the basilica was the center of the ecclesiastical administration until its destruction in the late seventh century. In this long-awaited report, Megaw and colleagues present in full the results of excavations from the 1930s, 1950s, and 1970s.
Reconstructing the Reality of Images by Maria G. Parani Pdf
This examination of realia in Byzantine religious painting provides valuable information on Byzantine dress, household effects and implements, while introducing at the same time an alternative, literally 'objective', approach to the study of the formative processes of Byzantine art.
Medieval Cyprus by Sabine Rogge,Michael Grünbart Pdf
In December 2012 a group of scholars met in Münster to present their recent studies on the multifaceted history and culture of medieval Cyprus - and most of the papers presented at that conference are published in this volume. Several deal with the (political) history of the island: the reign of Isaakios Komnenos, the effects of the crusade of King Peter I in 1365, the so-called Ottoman-Venetian war. An overview of the three volumes of the Bullarium Cyprium is given. Aspects of economic life in medieval Cyprus are treated in three papers: organisation, management and economic activities of monastic estates in the Middle Byzantine period, medieval cane sugar production on the island, the commerce between the islands of Cyprus, Majorca and Sardinia. Papers on a major ecclesiastical complex dating from the early 7th century, on Cypriot artefacts of the 13th and 14th centuries used in daily life, on luxury metal objects from the Lusignan period, and on some rather disparate elements of 15th-century architecture in Cyprus give insights into the material culture of medieval Cyprus. Furthermore the topics of settlement patterns and insularity are treated in a paper on the successive relocations of the capital of the island of Cyprus from Late Antiquity to the Middle Ages. The book contains papers by Alexander Beihammer, Nicholas Coureas, Peter Edbury, Michael Grünbart, Michalis Olympios, Tassos Papacostas, Maria Parani, K. Scott Parker, Eleni Procopiou, Ulrike Ritzerfeld, Christopher Schabel, Marina Solomidou-Ieronymidou, Myrto Veiko and Joanita Vroom.
Author : Metropolitan Museum of Art (New York, N.Y.) Publisher : Metropolitan Museum of Art Page : 604 pages File Size : 49,9 Mb Release : 1997 Category : Art, Byzantine ISBN : 9780870997778
The Glory of Byzantium by Metropolitan Museum of Art (New York, N.Y.) Pdf
Serves as both visual and textual record of the exhibition of the same name, surveying the art of the Middle Byzantine period from the restoration of the use of icons by the Orthodox Church in 843 to the occupation of Constantinople by the Crusader forces from the West from 1204 to 1261. Conceived as a sequel to the 1976 exhibition "Age of Spirituality," which focused on the first centuries of Byzantium. Preceding the catalogue, 17 essays treat the historical context, religious sphere, and secular courtly realm of the empire, and the interactions between Byzantium and other medieval cultures. Abundantly illustrated. Annotation copyrighted by Book News, Inc., Portland, OR
Author : Paul Edmund Stanwick Publisher : University of Texas Press Page : 276 pages File Size : 53,9 Mb Release : 2002-03-01 Category : Art ISBN : 0292777728
Portraits of the Ptolemies by Paul Edmund Stanwick Pdf
As archaeologists recover the lost treasures of Alexandria, the modern world is marveling at the latter-day glory of ancient Egypt and the Greeks who ruled it from the ascension of Ptolemy I in 306 B.C. to the death of Cleopatra the Great in 30 B.C. The abundance and magnificence of royal sculptures from this period testify to the power of the Ptolemaic dynasty and its influence on Egyptian artistic traditions that even then were more than two thousand years old. In this book, Paul Edmund Stanwick undertakes the first complete study of Egyptian-style portraits of the Ptolemies. Examining one hundred and fifty sculptures from the vantage points of literary evidence, archaeology, history, religion, and stylistic development, he fully explores how they meld Egyptian and Greek cultural traditions and evoke surrounding social developments and political events. To do this, he develops a "visual vocabulary" for reading royal portraiture and discusses how the portraits helped legitimate the Ptolemies and advance their ideology. Stanwick also sheds new light on the chronology of the sculptures, giving dates to many previously undated ones and showing that others belong outside the Ptolemaic period.