Cattle Poetics Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Cattle Poetics book. This book definitely worth reading, it is an incredibly well-written.
Loving cows, then killing them. The relation with cattle in Mursi country is shaped by the dichotomy between the value given to it during life and the death imposed upon it. The killing of cattle may be brief and inflicted with few words, but it is preceded by a series of intense aesthetic practices, such as body painting and adornments, colour poetics, poems and oratory art. This book investigates the link between the nurturing and killing of cattle with Mursi daily life and finds that these rituals cut across pastoralism, social organisation and politics in forming the very fabric of Mursi society.
The Poetics of American Song Lyrics by Charlotte Pence Pdf
The Poetics of American Song Lyrics is the first collection of academic essays that regards songs as literature and that identifies intersections between the literary histories of poems and songs. The essays by well-known poets and scholars including Pulitzer Prize winner Claudia Emerson, Peter Guralnick, Adam Bradley, David Kirby, Kevin Young, and many others, locate points of synthesis and separation so as to better understand both genres and their crafts. The essayists share a desire to write on lyrics in a way that moves beyond sociological, historical, and autobiographical approaches and explicates songs in relation to poetics. Unique to this volume, the essays focus not on a single genre but on folk, rap, hip hop, country, rock, indie, soul, and blues. The first section of the book provides a variety of perspectives on the poetic history and techniques within songs and poems, and the second section focuses on a few prominent American songwriters such as Bob Dylan, Bruce Springsteen, and Michael Stipe. Through conversational yet in-depth analyses of songs, the essays discuss sonnet forms, dramatic monologues, Modernism, ballads, blues poems, confessionalism, Language poetry, Keatsian odes, unreliable narrators, personas, poetic sequences, rhythm, rhyme, transcription methods, the writing process, and more. While the strategies of explication differ from essay to essay, the nexus of each piece is an unveiling of the poetic history and poetic techniques within songs.
The Princeton Encyclopedia of Poetry and Poetics by Roland Greene,Stephen Cushman,Clare Cavanagh,Jahan Ramazani,Paul Rouzer,Harris Feinsod,David Marno,Alexandra Slessarev Pdf
Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.
Castalia: Studies in Indo-European Linguistics, Mythology, and Poetics by Laura Massetti Pdf
Since the beginning of Indo-European Studies, linguists have attempted to reconstruct aspects of the Indo-European traditions that go beyond the ‘atomic’ dimensions of related languages, such as inherited aspects of Indo-European texts and traits shared by cognate pantheons and narratives. The chapters in this volume address these very aspects of cultural reconstruction. Interdisciplinary case-studies on poetic features, religion and mythology of several ancient Indo-European languages (Ancient Greek, Latin and Italic, Hittite, Phrygian, Sanskrit, Avestan, Old Norse, Old Irish and Old Russian) work at the intersection of linguistic reconstruction and philology. The results of these investigations shed new light on a variety of aspects, ranging from obscure etymologies to the reconstruction of the genetic link among entire Indo-European myths.
Presented in both English and Portuguese, this lyric poetry collection explores the “troublesome blessing and burden of being human” (Publishers Weekly). Love. Sex. Death. Meat. Traffic. Pets. In Cattle of the Lord, Rosa Alice Branco offers a stunning poetic vision at once sacred and profane, a rich evocation of daily life troubled by uneasy sacramentality. In a collection translated by Alexis Levitin and presented in both Portuguese and English, readers find themselves in a world turned upside down: darkly comic, sensual, and rife with contradiction. Here, liturgical words become lovers’ invitations. Cows moo at the heavens. And chickens are lessons on the resurrection. Over the course of the collection, Branco’s unorthodox—even blasphemous—religious sensibility yields something ultimately hopeful: a belief that the physical, the quotidian, and the animalistic are holy, too. Flesh, in all its meanings—the body of the other, caressed; the animals we abuse, and eat; the sacrificial offering of Christ—demands reverence. Writing at the boundaries of sense and mystification, combining sensuous lyrics and wit with theological interrogation, Branco breaks down what we think we know about religion, faith, and what it means to be human. “Lord, how much compassion will it take for you,” her speaker cries, “To be godfather at the Sunday barbecue?” Praise for Cattle of the Lord “In Rosa Alice Branco, via the compelling translations of Alexis Levitin, we find a poet of immense spiritual, as well as intellectual, curiosity.” —Nicky Beer “A wild and sneaky book, filled with intelligence, wit, and theological anxiety. . . . Marvelous, moving, and obsessive.” —Kevin Prufer “Throughout Cattle of the Lord, speakers wield their futile agency to beseech an impassive Lord in the face of their mortality. The result is a raw, daring interrogation that demands both contemplation and confrontation. Limbed with lush language, provocative imagery, and sharp sentiment, Branco’s world is beautiful. But, make no mistake, it is foremost a bier.” —The Los Angeles Review
Does gender have a poetics: What difference does gender make? How does it affect writing, reading, and the functions of text in society? The Poetics of Gender is a brilliant assembly of leading feminist critics whose collective effort presents the most up-to-date research on these important issues. The range of techniques and theories represented here are applied across a broad spectrum of texts and cultural forms, extending from women's writing of the Renaissance and the fiction of George Sand to the relation between quiltmaking and nineteenth-century literary forms, the pornography of Georges Bataille, and the theories of Julia Kristeva.
Lacework or Mirror? Diary Poetics of Frances Burney, Dorothy Wordsworth and Mary Shelley by Magdalena Ożarska Pdf
Lacework or Mirror? Diary Poetics of Frances Burney, Dorothy Wordsworth and Mary Shelley sets out to determine whether each of the diaries by three female writers – namely, Frances Burney, Dorothy Wordsworth, and Mary Shelley – approximates the Philippe-Lejeunean concept of the diary as lacework or the more sweeping view, typical of the broadly conceived autobiography, which Georges Gusdorf famously likened to the mirror. The author explores Burney’s, Wordsworth’s and Shelley’s attempts at concealing the gaps between their narrating and narrated ‘I’s, as well as examining their diary lacunae, especially helpful for illustrating the gradual emergence of the diarists’ individual selves. Broader issues, connected with diary poetics, such as the use of metaphors and symbols, the degree of reliance on dialogue and ensuing narrativity, down to handling the past by means of anachronous eccentricities, are also subject to examination. The study is based on the assumption that the journal is a literary genre, which can be investigated with tools routinely used for the examination of literary texts. Yet, beyond the issues of literariness, in accordance with Philippe Lejeune’s dictum, the three journals reveal the writers’ diaristic practices. In fact, it seems that issues of the journal genre and the journal practice cannot be divorced, and neither can their lacework and mirror aspects.
Wild Lines and Poetic Travels by Doug Slaymaker Pdf
This volume of essays and translations analyzes the prodigious and wide-ranging output of Keijiro Suga. Based in Japan, Keijiro Suga's works are wide-ranging and multilingual. His volumes of poetry have been shortlisted for a range of poetry prizes, and he was awarded the 2011 Yomiuri Shinbun Prize for Travel writing. He has translated dozens of books and has authored or co-authored more than fifteen other books across various genres. He is, by his own introduction, a poet first, but is also a prolific book reviewer, an astute theorist, and an insightful critic. His presence and contributions have been profound in many countries around the globe.
Gregory Nagy here provides a far-reaching assessment of the relationship between myth and ritual in ancient Greek society. Nagy illuminates in particular the forces of interaction and change that transformed the Indo-European linguistic and cultural heritage into distinctly Greek social institutions between the eighth and the fifth centuries B.C. Included in the volume are thirteen of Nagy's major essays—all extensively revised for book publication—on various aspects of the Hellenization of Indo-European poetics, myth and ritual, and social ideology. The primary aim of this book is to examine the Greek language as a reflection of society, with special attention to its function as a vehicle for transmitting mythology and poetics. Nagy's emphasis on the language of the Greeks, and on its comparison with the testimony of related Indo-European languages such as Latin, Indic, and Hittite, reflects his long-standing interest in Indo-European linguistics. The individual chapters examine the development of Hellenic poetics in the traditions of Homer and Hesiod; the Hellenization of Indo-European myths and rituals, including myths of the afterlife, rituals of fire, and symbols in the Greek lyric; and the Hellenization of Indo-European social ideology, with reference to such cultural institutions as the concept of the city-state. A path-breaking application of the principles of social anthropology, comparative mythology, historical linguistics, and oral poetry theory to the study of classics, Greek Mythology and Poetics will be an invaluable resource for classicists and other scholars of linguistics and literary theory.
Nicholas Grene explores Yeats's poetic codes of practice, the key words and habits of speech that shape the reading experience of his poetry. Where previous studies have sought to decode his work, expounding its symbolic meanings by references to Yeats's occult beliefs, philosophical ideas or political ideology, the focus here is on his poetic technique, its typical forms and their implications for the understanding of the poems. Grene is concerned with the distinctive stylistic signatures of the Collected Poems: the use of dates and place names within individual poems; the handling of demonstratives and of grammatical tense and mood; certain nodal Yeatsian words ('dream', 'bitter', 'sweet') and images (birds and beasts); dialogue and monologue as the voices of his dramatic lyrics. The aim throughout is to illustrate the shifting and unstable movement between lived reality and transcendental thought in Yeats, the embodied quality of his poetry between a phenomenal world of sight and an imagined world of vision.
Poetic Stance of the Holy Qur'an by Abdul Rashid Seyal Pdf
About the Book: This Book besides giving Poetic Stance of The Holy Qur'an also discusses: Â- Why couldn't the Creation take place without a Creator: There's a mathematical affirmation besides scientific and philosophical assertions. The answer to it you find in the topic "Initial and Infinite" and also "Creation". Â- "Adam PBUH of Science" and of "Qur'an" (71:17 'n 24:45 Al Qur'an) are not two but one. Â- Philosophy of Life: What are we composed of? How we'll be brought back to life in Hereafter and how our hands and feet will assert for our done and doings of this life? Philosophy of Soul or the Efflux and the Intelligence a bestowal of Lord Almighty and
Critical Reflections on Poetry and Painting (2 vols.) by Jean-Baptiste Du Bos Pdf
Jean-Baptiste Du Bos’ Critical Reflections on Poetry and Painting, first published in French in 1719, is one of the seminal works of modern aesthetics. Du Bos rejected the seventeenth-century view that works of art are assessed by reason. Instead, he believed, audience members have sentiments in response to artworks. Their sentiments are fainter versions of those they would feel in response to actually seeing what the work of art imitates. Du Bos was influenced by John Locke’s empiricism and, in turn, had a major impact on virtually every major eighteenth-century contributor to philosophy of art, including Voltaire, Montesquieu, Diderot, Rousseau, Herder, Lessing, Mendelssohn, Kames, Gerard, and Hume. This is the first modern, annotated and scholarly edition of the Critical Reflections in any language.
The Poetic Edda by Paul Acker,Carolyne Larrington Pdf
This unique collection of essays applies significant critical approaches to the mythological poetry of the Poetic Edda, a principal source for Old Norse cosmography and the legends of Odin, Loki, and Thor. The volume also provides very useful introductions that sketch the critical history of the Eddas. By applying new theoretical approaches (feminist, structuralist, post-structuralist) to each of the major poems, this book yields a variety of powerful and convincing readings. Contributors to the collection are both young scholars and senior figures in the discipline, and are of varying nationalities (American, British, Australian, Scandinavian, and Icelandic), thus ensuring a range of interpretations from different corners of the scholarly community. The new translations included here make available for the first time to English speaking students the intriguing methodologies that are currently developing in Scandinavia. An essential collection of scholarship for any Old Norse course, The Poetic Edda will also be of interest to scholars of Indo-European myth, as well as those who study the theory of myth.
