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Imagine Africa by Mia Couto,Scholastique Mukasonga,Paulina Chiziane,Cedric Nunn,David Brookshaw Pdf
Imagine Africa and its theme of "Revolution" is introduced by Georges Lory who opens the collection with his essay, "Poets to your quills, Africa is taking off". Through a collage of poems, essays, fiction, and visual art, Imagine Africa gives us a glimpse of a kaleidoscopic contemporary Africa.
The Art of Life in South Africa by Daniel Magaziner Pdf
From 1952 to 1981, South Africa’s apartheid government ran an art school for the training of African art teachers at Indaleni, in what is today KwaZulu-Natal. The Art of Life in South Africa is the story of the students, teachers, art, and politics that circulated through a small school, housed in a remote former mission station. It is the story of a community that made its way through the travails of white supremacist South Africa and demonstrates how the art students and teachers made together became the art of their lives. Daniel Magaziner radically reframes apartheid-era South African history. Against the dominant narrative of apartheid oppression and black resistance, as well as recent scholarship that explores violence, criminality, and the hopeless entanglements of the apartheid state, this book focuses instead on a small group’s efforts to fashion more fulfilling lives for its members and their community through the ironic medium of the apartheid-era school. There is no book like this in South African historiography. Lushly illustrated and poetically written, it gives us fully formed lives that offer remarkable insights into the now clichéd experience of black life under segregation and apartheid.
Revolution 3.0 by Ute Fendler,Katharina Fink,Nadine Siegert,Ulf Vierke Pdf
From the visual politics of the FRELIMO-liberation script in Mozambique via the brooms and spoons of Le Balai Citoyen in Burkina Faso, to the updating of images from past revolutions on Twitter and Facebook, often in the diaspora – images play a key role in the envisioning of futures and social utopia. And more than that: Revolutions, understood as moments of radical social and cultural change, are driven by images, as empirical investigations on- and offline show. But what actually constitutes the 'seismographic power' of images, and the sustainability of icons from past ruptures in terms of radicalism, such as the portraits of Burkina Faso's and Mozambiques first presidents' Thomas Sankara and Samora Machel? What possibilities do images offer – and what is cut and edited in the process of creating a 'new' image? How do the visual tactics of analogue and digital protesters alike constitute, alter and create visual and multi-media archives? This book brings together a wide range of papers by international researchers and artists focusing on the relationship of images and revolution mostly in the African context. Images in various artistic media such as photography, art in public space, performance, fashion are discussed, but also the relation of visual culture and politics in Mozambique, Angola and Burkina Faso among others. With contributions from: Stefanie Alisch, Petrus Amuthenu, Ana Balona de Oliveira, Ute Fendler, Katharina Fink, Raí Gandra, Goldendean, Jelsen Lee Innocent, Onejoon Che, Luís Carlos Patraquim, Marco Russo, Nadine Siegert, Serubiri Moses, Johan Thom, Drew Thompson, Fabio Vanin, Ulf Vierke
The South African photographer Cedric Nunn began working professionally as a photographer when he was twenty-five. It was 1983 and South Africa was entering one of the darkest periods in its history. Nunn had joined the agency and collective Afrapix, determined to make images about life in South Africa that he was not seeing in the media. Almost thirty years later, Nunn is firmly established as one of South Africa's most important photographers. His work has ranged widely across the South African physical and political landscape and he has photographed rallies, funerals, and, in the early 1990s, the momentous political events surrounding Nelson Mandela's release from prison -- page 4 of cover.
The Handbook of Photography Studies by Gil Pasternak Pdf
The Handbook of Photography Studies is a state-of-the-art overview of the field of photography studies, examining its thematic interests, dynamic research methodologies and multiple scholarly directions. It is a source of well-informed, analytical and reflective discussions of all the main subjects that photography scholars have been concerned with as well as a rigorous study of the field’s persistent expansion at a time when digital technology regularly boosts our exposure to new and historical photographs alike. Split into five core parts, the Handbook analyzes the field’s histories, theories and research strategies; discusses photography in academic disciplinary and interdisciplinary contexts; draws out the main concerns of photographic scholarship; interrogates photography’s cultural and geopolitical influences; and examines photography’s multiple uses and continued changing faces. Each part begins with an introductory text, giving historical contextualization and scholarly orientation. Featuring the work of international experts, and offering diverse examples, insights and discussions of the field’s rich historiography, the Handbook provides critical guidance to the most recent research in photography studies. This pioneering and comprehensive volume presents a systematic synopsis of the subject that will be an invaluable resource for photography researchers and students from all disciplinary backgrounds in the arts, humanities and social sciences.
Bantu Authorities by Veronica Ehrenreich-Risner Pdf
In Bantu Authorities: Apartheid's System of Race and Ethnicity, Veronica Ehrenreich-Risner provides the first holistic study of the Bantu Authorities (BA) system that implemented rural apartheid. The system extended segregation by including ethnos theory to establish underfunded “self-governing” homelands to curb the expense of “native” administration yet retain control of the cheap labor upon which white capital depended. Based on over sixty interviews with Zulus and former commissioners, and archival research, Bantu Authorities proves the primary objective of the system was to protect white capital, with white racial purity secondary. Ehrenreich-Risner argues that the system disrupted the Brownlee tradition of guardianship for commissioners and the tradition of reciprocity for ubukhosi. Bantu Authorities ends by examining the lingering consequences of rural apartheid and asks what rural Africans have gained with majority rule when they remain bound to BA structures.
The Market Photo Workshop in South Africa and the 'Born Free' Generation by Julie Bonzon Pdf
This study presents the history of the Market Photo Workshop (MPW) in Johannesburg and works produced by its new generation of photography students. Founded in 1989 by internationally renowned documentary photographer David Goldblatt, the MPW has reflected upon South African political struggles and sociocultural changes since its creation. Its foundation parallels a moment in time when photography was considered a ‘truth telling’ genre and an essential source of documents deployed against the apartheid regime. This book reflects on the evolution of the MPW in the post-apartheid era and explores how its new generation of students engages the photographic tradition of this institution and the revolutionary times that accompanied its creation to question their present moment. The book will be of interest to scholars working in art history, visual studies, photography, African studies, cultural studies and post-colonial studies.
Mugabe's policy of land seizures in Zimbabwe raised concerns in South Africa. Set amidst these conflicts, Gaining Ground? shows how land reform policy and practice in post-apartheid South Africa has been produced and contested. Winner of the inaugural Elliott P. Skinner Book Award of the Association of Africanist Anthropology, 2008
Author : Ann Laura Stoler Publisher : Duke University Press Page : 378 pages File Size : 54,6 Mb Release : 2013-05-10 Category : Social Science ISBN : 9780822353614
Imperial Debris redirects critical focus from ruins as evidence of the past to "ruination" as the processes through which imperial power occupies the present. Ann Laura Stoler's introduction is a manifesto, a compelling call for postcolonial studies to expand its analytical scope to address the toxic but less perceptible corrosions and violent accruals of colonial aftermaths, as well as their durable traces on the material environment and people's bodies and minds. In their provocative, tightly focused responses to Stoler, the contributors explore subjects as seemingly diverse as villages submerged during the building of a massive dam in southern India, Palestinian children taught to envision and document ancestral homes razed by the Israeli military, and survival on the toxic edges of oil refineries and amid the remains of apartheid in Durban, South Africa. They consider the significance of Cold War imagery of a United States decimated by nuclear blast, perceptions of a swath of Argentina's Gran Chaco as a barbarous void, and the enduring resonance, in contemporary sexual violence, of atrocities in King Leopold's Congo. Reflecting on the physical destruction of Sri Lanka, on Detroit as a colonial metropole in relation to sites of ruination in the Amazon, and on interactions near a UNESCO World Heritage Site in the Brazilian state of Bahia, the contributors attend to present-day harms in the occluded, unexpected sites and situations where earlier imperial formations persist. Contributors. Ariella Azoulay, John F. Collins, Sharad Chari, E. Valentine Daniel, Gastón Gordillo, Greg Grandin, Nancy Rose Hunt, Joseph Masco, Vyjayanthi Venuturupalli Rao, Ann Laura Stoler
Author : Hugo ka Canham Publisher : Duke University Press Page : 158 pages File Size : 54,8 Mb Release : 2023-02-01 Category : Social Science ISBN : 9781478024224
In Riotous Deathscapes, Hugo ka Canham presents an understanding of life and death based on indigenous and black ways of knowing that he terms Mpondo theory. Focusing on amaMpondo people from rural Mpondoland, in South Africa’s Eastern Cape, Canham outlines the methodologies that have enabled the community’s resilience and survival. He assembles historical events and a cast of ancestral and living characters, following the tenor of village life, to offer a portrait of how Mpondo people live and die in the face of centuries of abandonment, trauma, antiblackness, and death. Canham shows that Mpondo theory is grounded in and develops in relation to the natural world, where the river and hill are key sites of being and resistance. Central too, is the interface between ancestors and the living, in which life and death become a continuity and a boundlessness that white supremacy and neoliberalism cannot interdict. By charting a course of black life in Mpondoland, Canham tells a story of blackness on the African continent and beyond. Duke University Press Scholars of Color First Book Award Recipient
In scenes reminiscent of the apartheid era, 2021 saw South Africa's streets filled with mass protests. While the country is lauded for its peaceful transition to democracy with citizenship for all, those previously disenfranchised, particularly women, remain outraged by their continued poverty and marginalization. As one black woman protester told a reporter, reflecting on the end of apartheid: "We didn't get freedom. We only got democracy." What obligations do states have to support their citizens? What meaning does citizenship itself hold? Blending archival and ethnographic methods, Brady G'sell tracks how historic resistance to racial and gendered marginalization in South Africa animate present-day contentions that regardless of voting rights, without jobs to support their families, the poor majority remain excluded from the nation. Through long-term fieldwork with impoverished black African, Indian, and coloured (mixed race) women living in the city of Durban, she reveals women's everyday efforts to rework political institutions that exclude them. Informed by her interlocutors, G'sell retheorizes citizenship as not solely tied to individual rights, but dependent on the security of social (often kinship) relations. She forwards the concept of relational citizenship as a means to reimagine political belonging amidst a world of declining wage labor and eroding state-citizen covenants.
The 116th issue features essays, as well as some fiction and poetry, dedicated to the remembrance of former South African president Nelson Mandela. Published three times per year by Indiana University Press for the Hutchins Center at Harvard University, Transition is a unique forum for the freshest, most compelling ideas from and about the black world. Since its founding in Uganda in 1961, the magazine has kept apace of the rapid transformation of the African Diaspora and has remained a leading forum of intellectual debate. Transition is edited by Alejandro de la Fuente. December 2014 marked a year since the passing of Nelson Mandela—a man who was as much myth as flesh and blood. Transition pays tribute to Mandela’s worldly attainments and to his otherworldly sainthood. Featuring remembrances from Wole Soyinka, Xolela Mangcu, Pierre de Vos, and Adam Habib, this issue assembles Mandela’s staunchest allies—for whom he approached saintliness—as well as his most entrenched critics. Other contributors consider the iconicity of Mandela—including his representations in films; the importance of boxing to his political career; his time studying with the revolutionary army in Algeria; his stance on children’s rights; and even his ill-fated trip to Miami. Whoever you think Mandela was—or wasn’t—this issue is the new required reading.
