Censorship Of The American Theatre In The Twentieth Century

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Censorship of the American Theatre in the Twentieth Century

Author : John H. Houchin
Publisher : Cambridge University Press
Page : 360 pages
File Size : 54,6 Mb
Release : 2003-06-26
Category : Drama
ISBN : 0521818192

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Censorship of the American Theatre in the Twentieth Century by John H. Houchin Pdf

John Houchin explores the impact of censorship in twentieth-century American theatre. He argues that theatrical censorship coincides with significant challenges to religious, political and cultural traditions. Along with the well-known instance of the House Un-American Activities Committee in the 1950s, other almost equally influential events shaped the course of the American stage during the century. The book is arranged in chronological order. It provides a summary of censorship in eighteenth- and nineteenth-century America and then analyses key political and theatrical events between 1900 and 2000. These include a discussion of the 1913 riot after the Abbey Theatre touring produdtion of Playboy of the Western World; protests against Clifford Odet's Waiting for Lefty, performed by militant workers during the Depression; and reactions to the recent play Angels in America.

Modern American Drama: Playwriting 2000-2009

Author : Julia Listengarten,Cindy Rosenthal
Publisher : Bloomsbury Publishing
Page : 234 pages
File Size : 48,9 Mb
Release : 2019-11-14
Category : Literary Criticism
ISBN : 9781350024755

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Modern American Drama: Playwriting 2000-2009 by Julia Listengarten,Cindy Rosenthal Pdf

The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Theresa Rebeck: Omnium Gatherum (2003), Mauritius (2007), and The Understudy (2008); * Sarah Ruhl: Eurydice (2003), Clean House (2004), and In the Next Room (or the Vibrator Play) (2009); * Lynn Nottage: Intimate Apparel (2003), Fabulation or Re-Education of Undine (2004), and Ruined (2008); * Charles Mee: Big Love (2000), Wintertime (2005), and Hotel Cassiopeia (2006).

The Censor and the Theatres

Author : John Palmer
Publisher : Palala Press
Page : 318 pages
File Size : 43,5 Mb
Release : 2018-03
Category : History
ISBN : 1378841476

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The Censor and the Theatres by John Palmer Pdf

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Censoring Racial Ridicule

Author : M. Alison Kibler
Publisher : UNC Press Books
Page : 329 pages
File Size : 42,6 Mb
Release : 2015-03-05
Category : History
ISBN : 9781469618371

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Censoring Racial Ridicule by M. Alison Kibler Pdf

A drunken Irish maid slips and falls. A greedy Jewish pawnbroker lures his female employee into prostitution. An African American man leers at a white woman. These and other, similar images appeared widely on stages and screens across America during the early twentieth century. In this provocative study, M. Alison Kibler uncovers, for the first time, powerful and concurrent campaigns by Irish, Jewish and African Americans against racial ridicule in popular culture at the turn of the twentieth century. Censoring Racial Ridicule explores how Irish, Jewish, and African American groups of the era resisted harmful representations in popular culture by lobbying behind the scenes, boycotting particular acts, and staging theater riots. Kibler demonstrates that these groups' tactics evolved and diverged over time, with some continuing to pursue street protest while others sought redress through new censorship laws. Exploring the relationship between free expression, democracy, and equality in America, Kibler shows that the Irish, Jewish, and African American campaigns against racial ridicule are at the roots of contemporary debates over hate speech.

Expressionism and Modernism in the American Theatre

Author : Julia A. Walker
Publisher : Cambridge University Press
Page : 314 pages
File Size : 52,9 Mb
Release : 2005-06-30
Category : Drama
ISBN : 9781139446273

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Expressionism and Modernism in the American Theatre by Julia A. Walker Pdf

Although often dismissed as a minor offshoot of the better-known German movement, expressionism on the American stage represents a critical phase in the development of American dramatic modernism. Situating expressionism within the context of early twentieth-century American culture, Walker demonstrates how playwrights who wrote in this mode were responding both to new communications technologies and to the perceived threat they posed to the embodied act of meaning. At a time when mute bodies gesticulated on the silver screen, ghostly voices emanated from tin horns, and inked words stamped out the personality of the hand that composed them, expressionist playwrights began to represent these new cultural experiences by disarticulating the theatrical languages of bodies, voices and words. In doing so, they not only innovated a new dramatic form, but redefined playwriting from a theatrical craft to a literary art form, heralding the birth of American dramatic modernism.

The Cambridge Guide to American Theatre

Author : Don B. Wilmeth
Publisher : Cambridge University Press
Page : 13 pages
File Size : 46,6 Mb
Release : 2007-09-13
Category : Drama
ISBN : 9780521835381

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The Cambridge Guide to American Theatre by Don B. Wilmeth Pdf

New and updated encyclopedic guide to American theatre, from its earliest history to the present.

Early American Theatre from the Revolution to Thomas Jefferson

Author : Heather S. Nathans
Publisher : Cambridge University Press
Page : 264 pages
File Size : 44,6 Mb
Release : 2003-07-17
Category : Drama
ISBN : 0521825083

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Early American Theatre from the Revolution to Thomas Jefferson by Heather S. Nathans Pdf

This 2003 book examines the growth and influence of the theatre in the development of the young American Republic.

The Facts on File Companion to American Drama

Author : Jackson R. Bryer,Mary C. Hartig
Publisher : Infobase Publishing
Page : 657 pages
File Size : 54,8 Mb
Release : 2010
Category : Biography & Autobiography
ISBN : 9781438129662

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The Facts on File Companion to American Drama by Jackson R. Bryer,Mary C. Hartig Pdf

Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.

Bernard Shaw on the American Stage

Author : L. W. Conolly
Publisher : Springer Nature
Page : 506 pages
File Size : 44,8 Mb
Release : 2022-08-24
Category : Performing Arts
ISBN : 9783031042416

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Bernard Shaw on the American Stage by L. W. Conolly Pdf

Bernard Shaw on the American Stage is the first comprehensive study of the production of Bernard Shaw’s plays in America. During his lifetime (1856-1950), Shaw was America’s most popular living playwright; productions of his plays were outnumbered only by Shakespeare. Forty-four of Shaw’s plays were staged in America before his death, eight more posthumously. Eleven of the productions were world premieres. Bernard Shaw on the American Stage tells the story of the fifty-two premieres, which, apart from a few fragments, is his total dramatic oeuvre. The book also includes, again for the first time, production data and concise overviews of dozens of the most notable American revivals of the plays, from the 1890s to the beginning of the 2020 pandemic. Illustrations—production photographs, programmes, theatre buildings, playbills, actors’ studio portraits— inform the study throughout.

Historical Dictionary of Contemporary American Theater

Author : James Fisher
Publisher : Rowman & Littlefield
Page : 1233 pages
File Size : 48,8 Mb
Release : 2021-07-15
Category : Performing Arts
ISBN : 9781538123027

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Historical Dictionary of Contemporary American Theater by James Fisher Pdf

Historical Dictionary of Contemporary American Theater. Second Edition covers theatrical practice and practitioners as well as the dramatic literature of the United States of America from 1930 to the present. The 90 years covered by this volume features the triumph of Broadway as the center of American drama from 1930 to the early 1960s through a Golden Age exemplified by the plays of Eugene O’Neill, Elmer Rice, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, William Inge, Lorraine Hansberry, and Edward Albee, among others. The impact of the previous modernist era contributed greatly to this period of prodigious creativity on American stages. This volume will continue through an exploration of the decline of Broadway as the center of U.S. theater in the 1960s and the evolution of regional theaters, as well as fringe and university theaters that spawned a second Golden Age at the millennium that produced another – and significantly more diverse – generation of significant dramatists including such figures as Sam Shepard, David Mamet, Maria Irené Fornes, Beth Henley, Terrence McNally, Tony Kushner, Paula Vogel, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, and numerous others. The impact of the Great Depression and World War II profoundly influenced the development of the American stage, as did the conformist 1950s and the revolutionary 1960s on in to the complex times in which we currently live. Historical Dictionary of the Contemporary American Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1.000 cross-referenced entries on plays, playwrights, directors, designers, actors, critics, producers, theaters, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about American theater.

Stage Fright

Author : Paul Du Quenoy
Publisher : Penn State Press
Page : 306 pages
File Size : 43,7 Mb
Release : 2010-11
Category : Performing Arts
ISBN : 9780271048079

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Stage Fright by Paul Du Quenoy Pdf

"Explores the relationship between culture and power in Imperial Russia. Argues that Russia's performing arts were part of a vibrant public culture that was usually ambivalent or hostile to the tumultuous political events of the revolutionary era"--Provided by publisher.

Musical Theatre Histories

Author : Millie Taylor,Adam Rush
Publisher : Bloomsbury Publishing
Page : 281 pages
File Size : 41,5 Mb
Release : 2022-10-20
Category : Performing Arts
ISBN : 9781350293779

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Musical Theatre Histories by Millie Taylor,Adam Rush Pdf

Musical theatre is often perceived as either a Broadway based art form, or as having separate histories in London and New York. Musical Theatre Histories: Expanding the Narrative, however, depicts the musical as neither American nor British, but both and more, having grown out of frequent and substantial interactions between both centres (and beyond). Through multiple thematic 'histories', Millie Taylor and Adam Rush take readers on a series of journeys that include the art form's European and American origins, African American influences, negotiations arounddiversity, national identity, and the globalisation of the form, as well as revival culture, censorship and the place of social media in the 21st century. Each chapter includes case studies and key concept boxes to identify, explain and contextualise important discussions, offering an accessible study of a dynamic and ever evolving medium. Written and developed for undergraduate students, this introductory textbook provides a newly focused and alternative way of understanding musical theatre history.

Bernard Shaw and the Censors

Author : Bernard F. Dukore
Publisher : Springer Nature
Page : 279 pages
File Size : 42,7 Mb
Release : 2020-10-06
Category : Performing Arts
ISBN : 9783030521868

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Bernard Shaw and the Censors by Bernard F. Dukore Pdf

“Dukore’s style is fluid and his wit delightful. I learned a tremendous amount, as will most readers, and Bernard Shaw and the Censors will doubtless be the last word on the topic.” - Michel Pharand, former editor of SHAW: The Journal of Bernard Shaw Studies and author of Bernard Shaw and the French (2001). "This book shows us a new side of Shaw and his complicated relationships to the powerful mechanisms of stage and screen censorship in the long twentieth century.” - - Lauren Arrington, Professor of English, Maynooth University, Ireland A fresh view of Shaw versus stage and screen censors, this book describes Shaw as fighter and failure, whose battles against censorship – of his plays and those of others, of his works for the screen and those of others – he sometimes won but usually lost. We forget usually, because ultimately he prevailed and because his witty reports of defeats are so buoyant, they seem to describe triumphs. We think of him as a celebrity, not an outsider; as a classic, not one of the avant-garde, of which Victorians and Edwardians were intolerant; as ahead of his time, not of it, when he was called “disgusting,” “immoral", and "degenerate.” Yet it took over three decades and a world war before British censors permitted a public performance of Mrs Warren’s Profession. We remember him as an Academy Award winner for Pygmalion, not as an author whose dialogue censors required deletions for showings in the United States. Scrutinizing the powerful stage and cinema censorship in Britain and America, this book focuses on one of its most notable campaigners against them in the last century.

The Frightful Stage

Author : Robert Justin Goldstein
Publisher : Berghahn Books
Page : 320 pages
File Size : 48,9 Mb
Release : 2009-03-01
Category : History
ISBN : 9781845458997

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The Frightful Stage by Robert Justin Goldstein Pdf

In nineteenth-century Europe the ruling elites viewed the theater as a form of communication which had enormous importance. The theater provided the most significant form of mass entertainment and was the only arena aside from the church in which regular mass gatherings were possible. Therefore, drama censorship occupied a great deal of the ruling class’s time and energy, with a particularly focus on proposed scripts that potentially threatened the existing political, legal, and social order. This volume provides the first comprehensive examination of nineteenth-century political theater censorship at a time, in the aftermath of the French Revolution, when the European population was becoming increasingly politically active.

The Playbook

Author : James Shapiro
Publisher : Penguin
Page : 240 pages
File Size : 54,6 Mb
Release : 2024-05-28
Category : History
ISBN : 9780593490211

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The Playbook by James Shapiro Pdf

A brilliant and daring account of a culture war over the place of theater in American democracy in the 1930s, one that anticipates our current divide, by the acclaimed Shakespeare scholar James Shapiro From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. It was the product of a moment when the arts, no less than industry and agriculture, were thought to be vital to the health of the republic, bringing Shakespeare to the public, alongside modern plays that confronted the pressing issues of the day—from slum housing and public health to racism and the rising threat of fascism. The Playbook takes us through some of its most remarkable productions, including a groundbreaking Black production of Macbeth in Harlem and an adaptation of Sinclair Lewis’s anti-fascist novel It Can’t Happen Here that opened simultaneously in 18 cities, underscoring the Federal Theatre’s incredible range and vitality. But this once thriving Works Progress Administration relief program did not survive and has left little trace. For the Federal Theatre was the first New Deal project to be attacked and ended on the grounds that it promoted “un-American” activity, sowing the seeds not only for the McCarthyism of the 1950s but also for our own era of merciless polarization. It was targeted by the first House un-American Affairs Committee, and its demise was a turning point in American cultural life—for, as Shapiro brilliantly argues, “the health of democracy and theater, twin born in ancient Greece, have always been mutually dependent.” A defining legacy of this culture war was how the strategies used to undermine and ultimately destroy the Federal Theatre were assembled by a charismatic and cunning congressman from East Texas, the now largely forgotten Martin Dies, who in doing so pioneered the right-wing political playbook now so prevalent that it seems eternal.