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Masterpieces from the Centre Pompidou by Anonim Pdf
"The 20th century formed a remarkably prolific breeding-ground in all areas of the creative arts: painting, sculpture, architecture, design, photography and film. And it is at the Centre Pompidou that one finds one of the world's richest collections. This work features a selection of the museum's most emblematic works, providing a welcome opportunity for the reader to rediscover the seminal artists of the period, whose ideas blazed new and often much misunderstood trails. These key landmarks enable us to gain greater insight into the recent history of the arts in all their vibrant reality."--Page 4 of cover.
Picasso by Brigitte Léal,Christine Piot,Marie-Laure Bernadac,Pablo Picasso Pdf
Pablo Picasso was one of the most innovative, experimental, prolific, influential, and controversial painters of the twentieth century. An updated and re-designed version of the large-format book published in the year 2000, this small-format Picasso. The Monograph 1881-1973 offers more than 1,200 new-scanned reproductions spanning the artist’s entire career. The three authors are all experts: Léal and Bernadac both former curators of the Musée Picasso in Paris are, at this time and respectively, curators of the Centre Pompidou and the Louvre Museum, and Piot coauthored the catalogue raisonné of Picasso’s sculpture. Brigitte Leal covers Picasso's formative years from 1881 through 1916, including his invention of Cubism with Georges Braque. Christine Piot explores the astonishingly fertile period from 1917 through 1952, and Marie- Laure Bernadac discusses the unabashed vigor of Picasso’s later years, from 1953 until his death in 1973. Smoothly translated from the French, the book weaves biographical details and discussions of the art into a concise narrative. (“Olga became pregnant in the summer of 1920, and in Picasso’s work forms blossomed and flesh took on the massive quality of stone.”).The authors keep an extremely tight focus on their subject, with only as much mention of Picasso’s contemporaries or the outside world as absolutely necessary. The 16-page section on Guernica, for example, has barely two pages of discussion about the painting and its genesis. In short, for any personal or academic art history collection, and for students or community libraries, Picasso. The Monograph 1881-1973 is unsurpassed.
This is the story of how France's famed cultural icon, one of the most controversial and supremely public buildings of the century, was designed and built. Nathan Silver's detailed account of the Centre Pompidou -- still called Beaubourg by its designers, and by Parisians -- takes the form of a fascinating and insightful "building biography." Not just a book about a building but about the making of a building, this fresh, heterodox means of inquiry is a holistic reading of the intricate process of creating architecture in contemporary society that brings to light its human story, encompassing its stylistic, historical, technical, and social aspects. Beaubourg, Silver reveals, was unlike anything that had ever been built. A realization of ideals and aspirations of it architectural generation, a rethinking of fundamental precepts of design and construction, it took nothing for granted, and it has since become one of the most popular tourist attractions in Europe -- flaunting new principles that other architects have to come to terms with.
Rendezvous in Paris by Christian Briend,Yves Chevrefils Desbiolles,Sophie Krebs Pdf
Featuring a broad selection of paintings, sculptures and photographs coming mainly from the Centre Pompidou collections, Louvre Abu Dhabi’s exhibition catalogue “Rendezvous in Paris: Picasso, Chagall, Modigliani & Co.” focuses on this highly distinctive period in French art when young painters, sculptors and photographers flocked to early-20th-century Paris from all over the world to make a decisive contribution to the city’s art scene. Most notably from Germany, Spain, Italy, the Netherlands, Russia and even Japan, these formally inventive artists – Constantin Brancusi, Marc Chagall, Kees van Dongen, Tsuguharu Foujita, Amedeo Modigliani and Pablo Picasso among them – who would later become known as the “School of Paris”, rivalled the greatest French artists of the time.
Offering a fresh look at one of the major artists of the 20th century, this book illustrates how Paul Klee’s critical and ironic take on life was evident in every stage of his oeuvre. Known for its whimsy and levity, Paul Klee’s art is often considered gleefully childlike. This groundbreaking volume argues that Klee’s style emerged from a philosophical school that originated with early German Romanticism and consisted of perpetual shifts between satire and affirmation of the absolute, finite and infinite, and real and ideal. Featuring approximately 250 works, this careful appreciation of Klee connects each stage of his career to the larger philosophical context. Exploring the satires and caricatures of Klee’s youth, his experimentations in Cubism and "mechanical theater," and the constructivist approach of the Bauhaus school, this book follows the trajectory of Klee’s oeuvre as a reflection of prevailing styles. It closes with the artist’s final years, in which he was labeled a "degenerate artist" by the Nazi regime and struggled with illness. Viewed through the many facets of irony as a complex theme, and against the backdrop of Europe’s seismic political and artistic movements, Klee’s body of work takes on a renewed significance as one of the most critical of its generation.
Author : Cara Manes,Fatinha Ramos Publisher : Museum of Modern Art Page : 0 pages File Size : 55,7 Mb Release : 2017-08-22 Category : Juvenile Fiction ISBN : 1633450244
Sonia Delaunay made enormous contributions to the development of abstraction in the early 1900s. Sonia Delaunay: Art Is Life introduces young audiences to her art as Sonia and her six-year-old Charles embark on a magical road trip in their car, modelled after Sonia's 1925 design for a Citroën convertible. Together they glide into a landscape made up of colours and shapes drawn from Sonia's early abstract compositions - almost as if they've entered one of her paintings. Along the road, they make pit stops at 'sites' that inspired some of Sonia's key paintings of this period (such as the dance hall depicted in her 1913 work Bal Bulier and the open air Portuguese market that was the subject of her 1915 painting Marché au Minho). Sonia and Charles also explore her gorgeous and colourful designs for fabrics and clothing. Through these encounters, Sonia helps her son understand her artistic process of abstracting from reality by asking Charles what shapes and colours he discerns within these subjects. Their journey ends back in the real world, and Charles realizes that his mother's thinking about art permeates every aspect of their life.
This book considers the post-68 French city as a prism through which to understand the contemporary world and France's specificity within it. The reader is invited to join in a series of exploratory strolls through texts, buildings, and neighborhoods, and thereby share in a process of discovery. Zeroing in on international architectural debates, a range of key Parisian exhibitions, and major urban design decisions in Paris, Montpellier, and Lille, Yaari unravels an often-acerbic French critique of both modern and postmodern positions on culture, technology, and the city. This critique-stemming from the competing claims of national identity, the ethics of architecture and display, and an anthropologically informed revision of prevailing views on the city-has sparked in France a passionate search for a third path, which the author proposes to term apres-moderne. Breaking new ground in the field of French Studies through cultural analysis of the contemporary city, this study brings new insight to scholars and professionals in architecture and urbanism, and will interest all others for whom France and cities in general hold special appeal. Monique Yaari is a specialist of twentieth-century French literary and cultural studies. For the past decade, her research has focused on the contemporary city. The author of Ironie paradoxale et ironie poetique: sur les traces de Gide dans Paludes (Summa Publications, 1988) as well as numerous articles on contemporary French art and architecture, Professor Yaari teaches in the Culture and Civilization option of the Department of French and Francophone Studies at The Pennsylvania State University.
This beautiful two-volume catalog--which presents more than 2000 works by O'Keeffe in a variety of media--displays her innovative use of color and form and in the process sheds light on her distinctive contribution to American modernism. 2,150 illustrations.
Author : H. Frank Cervone,Lars G. Svensson Publisher : Walter de Gruyter GmbH & Co KG Page : 129 pages File Size : 51,5 Mb Release : 2015-07-01 Category : Language Arts & Disciplines ISBN : 9783110317008
Linked Data and User Interaction by H. Frank Cervone,Lars G. Svensson Pdf
This collection of research papers provides extensive information on deploying services, concepts, and approaches for using open linked data from libraries and other cultural heritage institutions. With a special emphasis on how libraries and other cultural heritage institutions can create effective end user interfaces using open, linked data or other datasets. These papers are essential reading for any one interesting in user interface design or the semantic web.
Reframing Modernism: Painting from Southeast Asia, Europe and Beyond by Low Sze Wee,Horikawa Lisa,Phoebe Scott Pdf
What is modernism in Southeast Asia? What is modern art, as embodied in the paintings of Southeast Asia? These questions and more are answered in Reframing Modernism: Painting from Southeast Asia, Europe and Beyond, published in conjunction with the exhibition of the same name. Featuring 217 works, in full colour, by 51 Southeast Asian and European artists, from the Centre Pompidou and National Gallery Singapore, as well as other Southeast Asian collections in the region and beyond, this catalogue tells the compelling story of modernism as it developed across continents, and reveals artists' powerful, and sometimes surprising, responses to modernity.
The Centre Pompidou will present a major retrospective of the work of American artist Cy Twombly bringing together works from public and private collections around the world. The comprehensive showcase will be structured around three major cycles: Nine Discourses on Commodus, 1963, Fifty Days at Iliam, 1978, and Coronation of Sesostris, 2000, and will span the artist's entire career, from his first works in the early 1950s to his last paintings. Presented chronologically and featuring some 140 paintings, drawings, photographs, and sculptures, the exhibition will provide what the Centre Pompidou describes as a clear picture of an extraordinarily rich body of work which is both intellectual and sensual. In addition to emphasizing the importance of series and cycles in Twombly's practice, through which he reinvented history painting, the exhibition will also highlight the artist's close relationship with Paris.