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Chameleon Poet book goes against the grain of previous readings of the Welsh poet and nationalist R.S. Thomas by revealing him as profoundly indebted to the modes, traditions, and personae of the English literary canon.
The poet George Barker was convinced that his biography could never be written. 'I've stirred the facts around too much,' he told Robert Fraser. 'It simply can't be done.' Eliot wrote of his 'genius'. Yeats thought him the most interesting poet of his generation. Dylan Thomas envied his power over women. War trapped him in Japan. In America he conducted one of the most celebrated love affairs of the century. He fathered fifteen children in several countries, three during one battle-torn summer. By the 1950s he was the toast of Soho. Barker was Catholic and bohemian, frank and elusive, tender and boisterous. In Eliot's phrase, he was 'a most peculiar fellow.' Robert Fraser's biography offers both a portrait of a talented, tormented and irresistibly entertaining man, and a broad cultural landscape. Around the central figure cluster painters like Francis Bacon, Lucian Freud, Johnny Minton and the 'Roberts' Colquhoun and MacBryde; writers such as Dylan Thomas, Walter de la Mare and Elizabeth Smart, whose By Grand Central Station I Sat Down and Wept hymns their liaison; the lugubrious humorist Jeffrey Bernard. After closing time at the Colony Room, Minton declared, they had to sweep up the jokes.
The poems of John Keats have traditionally been regarded as most resistant of all Romantic poetry to the concerns of history and politics. But critical trends have begun to overturn this assumption. Keats and History brings together exciting work by British and American scholars, in thirteen essays which respond to interest in the historical dimensions of Keats's poems and letters, and open alternative perspectives on his achievement. Keats's writings are approached through politics, social history, feminism, economics, historiography, stylistics, aesthetics, and mathematical theory. The editor's introduction places the volume in relation to nineteenth- and early twentieth-century readings of the poet. Keats and History will be welcomed by students of English literature, and by all those interested in English Romanticism.
The poet George Barker was convinced that his biography could never be written. 'I've stirred the facts around too much,' he told Robert Fraser. 'It simply can't be done.' Eliot wrote of his 'genius'. Yeats thought him the most interesting poet of his generation. Dylan Thomas envied his power over women. War trapped him in Japan. In America he conducted one of the most celebrated love affairs of the century. He fathered fifteen children in several countries, three during one battle-torn summer. By the 1950s he was the toast of Soho. Barker was Catholic and bohemian, frank and elusive, tender and boisterous. In Eliot's phrase, he was 'a most peculiar fellow.' Robert Fraser's biography offers both a portrait of a talented, tormented and irresistibly entertaining man, and a broad cultural landscape. Around the central figure cluster painters like Francis Bacon, Lucian Freud, Johnny Minton and the 'Roberts' Colquhoun and MacBryde; writers such as Dylan Thomas, Walter de la Mare and Elizabeth Smart, whose By Grand Central Station I Sat Down and Wept hymns their liaison; the lugubrious humorist Jeffrey Bernard. After closing time at the Colony Room, Minton declared, they had to sweep up the jokes.
Staging Romantic Chameleons and Imposters by William D. Brewer Pdf
Examining chameleonic identities as seen in theatrical performances and literary texts during the Romantic period, this study explores cultural attitudes toward imposture and how it reveals important and much-debated issues about this time period. Brewer shows chameleonism evoked anxieties about both social instability and British selfhood.
The Arms of the Infinite by Christopher Barker Pdf
The Arms of the Infinite takes the reader inside the minds of author Christopher Barker’s parents, writer Elizabeth Smart (By Grand Central Station I Sat Down and Wept) and poet George Barker. From their first fateful meeting and subsequent elopement, Barker candidly reveals their obsessive, passionate, and volatile love affair. He writes evocatively of his unconventional upbringing with his siblings in a shack in Ireland and, later, a rambling, falling-down house in Essex. Interesting and charismatic figures from the literary and art worlds are regular visitors, and the book is full of fascinating cameos and anecdotes. North American rights only.
Representations of Nature in Romantic and Contemporary Poetry. A Comparison of John Keats and Kathleen Jamie by Lisa Gribbohm Pdf
Seminar paper from the year 2018 in the subject English Language and Literature Studies - Literature, grade: 2,5, Technical University of Braunschweig, language: English, abstract: “The poetry of earth is never dead” (Keats 45), that is what John Keats wrote in the first line of his sonnet “On the Grasshopper and Cricket”. Until now, one could say that his statement from 1884 is true. Poetry still exists and has a significant impact on our present society. Contemporary authors as Kathleen Jamie are modern writers who deal with themes about our lives on earth. Nature was one of the central topics during the romantic era and is still a persistent theme due to environmental debates as the climate change or the pollution of our planet. It is a well-known fact that the consciousness of nature, during these years, had possibly changed, but, some thoughts and ideas of the romantics might still wield influence on contemporary poetry. This fact leads to the central question that motivates this paper, namely to what extent the poems in "The Tree House" by Kathleen Jamie contain similarities to the ideas and thoughts about nature, in the romantic era during the 18th century. Is Individualism and Subjectivity still as important as it was for the romantics and is the understanding of nature still the same as it was two-hundred years ago? Does Kathleen Jamie try to escape of the world through imagination or does she face up to the problems of our planet? To answer these questions, it is necessary to begin by taking a closer look at John Keats and his poetical character. Afterwards, the romantic ideology with its importance of individualism and subjectivity as well as escapism through imagination will be considered. On this occasion, reason and intellect in opposite to emotion will be discussed. After analysing the poems “Ode to a Grecian Urn” and “Ode to a Nightingale” by John Keats, in terms of the characteristics considered previously, the romantic era will be outpaced, and the focus will be on Kathleen Jamie and her contemporary poetry. The new nature writing and its ecocritical awareness will be discussed what, in the end, leads to the main analysis, where a few selected poems of the collection "The Tree House" will be examined and interpreted.
Encyclopedia of British Poetry, 1900 to the Present by James Persoon Pdf
Presents a comprehensive A to Z reference with approximately 450 entries providing facts about contemporary British poets, including their major works of poetry, concepts and movements.
This book calls attention to the pervasive but largely unacknowledged poetics of the 'Fancy' evident in poetry written during the British Romantic period. These poetics, Robinson demonstrates, are an early nineteenth-century version of what will become the visionary, experimental, open-form poetics of the twentieth-century.
This expanded edition adds sixteen new exercises designed to inspire creativity and help poets hone their skills. Each exercise includes a clearly-stated learning objective, historical background matter on the particular subgenre being explored, and an example written by undergraduates at Western Kentucky University. The text also analyzes work by leading American poets including Billy Collins, Denise Duhamel and Dean Young. The book's five chapters correspond with the five canons of classical rhetoric: invention, arrangement, style, memory, and delivery.
"Dani Couture's latest poems are transmissions that travel across the cosmos and the spaces we live in, as well as within the more intimate distances we navigate between one another. Distances we hope to bridge with contact, often to profound or disastrous effects. With language rooted in science, sociology, memoir and aesthetics, she questions the limits of our bodies, both human and celestial. Like the subtle cues we lend one another and the hopeful messages we send into deep space, these poems broadcast our greatest aspirations and vulnerabilities."--Provided by publisher.
A Primer for Poets and Readers of Poetry by Gregory Orr Pdf
An innovative and accessible guide to poetry-writing by an award-winning poet and beloved professor of poetry. A Primer for Poets and Readers of Poetry guides the young poet toward a deeper understanding of how poetry can function in his or her life, while also introducing the art in an exciting new way. Using such poems as Theodore Roethke’s "My Papa’s Waltz" and Robert Hayden’s "Those Winter Sundays," the Primer encourages young writers to approach their "thresholds"—those places where disorder meets order, where shaping imagination can turn language into urgent and persuasive poems. It provides the poet with more than a dozen focused writing exercises and explains essential topics such as the personal and cultural threshold; the four forces that animate poetic language (naming, singing, saying, imagining); tactics of revision; ecstasy and engagement as motives for poetry; and how to locate and learn from our personal poetic forebears.