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An Introduction to Japanese Tea Ritual by Jennifer Lea Anderson Pdf
Enchanting and enigmatic, chanoyu (Japanese tea ritual) has puzzled western observers since the sixteenth century. Here is a book written by a tea practitioner that explains why over twenty million modern Japanese -- and a small but dedicated group of non-Japanese -- follow "The Way of Tea." Meticulously researched, An Introduction to Japanese Tea Ritual is clearly written and illustrated, and includes an extensive glossary.
Shoko-Ken: A Late Medieval Daime Sukiya Style Japanese Tea-House by Robin Noel Walker Pdf
First published in 2003. Built in 1628 at the Koto-in temple in the precincts of Daitoku-ji monastery in Kyoto, the Shoko-ken is a late medieval daime sukiya Japanese tea-house. It is attributed to Hosokawa Tadaoki, also known as Hosokawa Sansai, an aristocrat and daimyo military leader, and a disciple and friend of Sen no Riky?. This work is an extremely thorough look at one of the few remaining tea-houses of the Momoyama era tea-masters who studied with Sen no Rikyu. The English language sources on Hosokawa Sansai and his tea-houses have been exhaustively researched. Many facts and minute observations have been brought together to give even the reader unfamiliar with Tea a sense of the presence which the tea-house still manifests.
Author : Kendall H. Brown Publisher : University of Hawaii Press Page : 260 pages File Size : 43,8 Mb Release : 1997-01-01 Category : Art ISBN : 0824819136
The Chinese themes of the Four Graybeards of Mt. Shang and the Seven Sages of the Bamboo Grove figure prominently in the art of Momoyama-period Japan (ca. 1575-1625). Kendall Brown proposes that the dense and multivalent implications of aesthetic reclusion central to these paintings made them appropriate for patrons of all classes - the military, who were presently in power, the aristocracy, who had lost power, and the Buddhist priesthood, who forsook power. These paintings, and their attendant messages, thus serve as dynamic cultural agents that elucidate the fundamental paradigms of early modern Japanese society. Unlike traditional art history studies, which emphasize the style and history of art objects, The Politics of Reclusion sets out to reconstruct the possible historical context for the interpretive reception and use of Chinese hermit themes within a specific period of Japanese art. In emphasizing the political dimension of aesthetic reclusion, it introduces into the field of Japanese art history a discussion of the politics of aesthetics that characterizes recent work in the field of Japanese literature. By embedding the paintings within the contexts of politics, philosophy, religion, and even gender, this study restores the reflexive relations between the paintings and their culture and, as such, is one of the first extensive intellectual and social histories of Japanese art in a Western language. It is one that will appeal not only to students of art but to those interested in Japanese literature, history, and philosophy.
From its origins as a distinct set of ritualised practices in the sixteenth century to its international expansion in the twentieth, tea culture has had a major impact on artistic production, connoisseurship, etiquette, food, design and more recently, on notions of Japaneseness. The authors dispel the myths around the development of tea practice, dispute the fiction of the dominance of aesthetics over politics in tea, and demonstrate that writing history has always been an integral part of tea culture.
Gardens at the Frontier addresses broad issues of interest to architectural historians, environmental historians, garden writers, geographers, and other scholars. It uses different disciplinary perspectives to explore garden history’s thematic, geographical, and methodological frontiers through a focus on gardens as sites of cultural contact. The contributors address the extent to which gardens inhibit or further cultural contact; the cultural translation of garden concepts, practices and plants from one place to another; the role of non-written sources in cultural transfer; and which disciplines study gardens and designed landscapes, and how and why their approaches vary. Chapters cover a range of designed landscapes and locations, periods and approaches: medieval Japanese roji (tea gardens); a seventeenth-century garden of southern China; post-war Australian ‘natural gardens’; iconic twentieth-century American modernist gardens; ‘international’ willow-pattern design; geology and designed landscapes; gnomes; and landscape authorship of a public garden. Each chapter examines transfers of cultural ideas and their physical denouement. This book was originally published as a special issue of Studies in the History of Gardens & Designed Landscapes.
Dismissed as elegant fossils by Lee Bruschke-Johnson Pdf
Konoe Nobutada (1565-1614) was a famous calligrapher and head of a high-ranking aristocratic family. Nobutada's contributions to the art and culture, have frequently been overlooked, largely because of the common misperception that aristocrats were too outdated, impoverished and powerless to be worthy of discussion. Dismissed as Elegant Fossils seeks to reinstate aristocrats as key players in the competition for political and artistic supremacy by examining Nobutada's calligraphy and painting, his turbulent relationship with Tokugawa Ieyasu, and his family's role in marital politics.
Americans Studying the Traditional Japanese Art of the Tea Ceremony by Barbara Lynne Rowland Mori Pdf
Recent interests in learning from Japanese business practice and other aspects of social life are being viewed in a global context. The Urasenke school of chado (the Japanese tea ceremony) has been exporting its practice since the early 1950s. This study provides an opportunity to study the ability of a Japanese art to teach its practice and social structure to non-Japanese. This work contributes to our understanding of Japanese culture and its adaptability to outsiders, and the process by which non-Japanese learn to behave as Japanese in the setting of the tea room through the learning of cultural symbols and ritual behavior.
Who We're Reading When We're Reading Murakami by David Karashima Pdf
How did a loner destined for a niche domestic audience become one of the most famous writers alive? A "fascinating" look at the "business of bringing a best-selling novelist to a global audience" (The Atlantic)―and a “rigorous” exploration of the role of translators and editors in the creation of literary culture (The Paris Review). Thirty years ago, when Haruki Murakami’s works were first being translated, they were part of a series of pocket-size English-learning guides released only in Japan. Today his books can be read in fifty languages and have won prizes and sold millions of copies globally. How did a loner destined for a niche domestic audience become one of the most famous writers alive? This book tells one key part of the story. Its cast includes an expat trained in art history who never intended to become a translator; a Chinese American ex-academic who never planned to work as an editor; and other publishing professionals in New York, London, and Tokyo who together introduced a pop-inflected, unexpected Japanese voice to the wider literary world. David Karashima synthesizes research, correspondence, and interviews with dozens of individuals—including Murakami himself—to examine how countless behind-the-scenes choices over the course of many years worked to build an internationally celebrated author’s persona and oeuvre. His careful look inside the making of the “Murakami Industry" uncovers larger questions: What role do translators and editors play in framing their writers’ texts? What does it mean to translate and edit “for a market”? How does Japanese culture get packaged and exported for the West?
Pure Land Buddhism in Modern Japanese Culture by Elisabetta Porcu Pdf
Focusing on one of the most influential religious traditions in Japan, Pure Land Buddhism, this book offers a survey of its impact on mainstream forms of art in modern and contemporary Japan
Artistic Detachment in Japan and the West by Steve Odin Pdf
Artistic Detachment in Japan and the West takes up the notion of artistic detachment, or psychic distance, as an intercultural motif for East-West comparative aesthetics. The work begins with an overview of aesthetic theory in the West from the eighteenth-century empiricists to contemporary aesthetics and concludes with a survey of various critiques of psychic distance. Throughout, the author takes a highly innovative approach by juxtaposing Western aesthetic theory against Eastern (primarily Japanese) aesthetic theory. Weaving between cultures and time periods, the author focuses on a remarkably wide range of theories: in the West, the Kantian notion of disinterested contemplation, Heidegger's Gelassenheit, semiotics, and pragmatism; in Japan, Zeami's notion of riken no ken, the Kyoto School's intepretation of nothingness, D. T. Suzuki's analysis of the function of no-mind, and the writings of Kuki Shuzo on Buddhist detachment. "Portrait of the artist" fiction by such writers as Henry James, James Joyce, Mori Ogai, and Natsume Soseki demonstrates how the main theme of detachment is expressed in literary traditions. The role of sympathy or pragmatism in relation to disinterest is examined, suggesting conflicts within or challenges to the notion of detachment. Researchers and students in Eastern and Western areas of study, including philosophers and religionists, as well as literary and cultural critics, will deem this work an invaluable contribution to cross-cultural philosophy and literary studies.
Encounter, Transformation, and Agency in a Connected World by Susan Broomhall Pdf
Analysing a series of narratives that described women who transformed the worlds they lived in, this book introduces students and scholars to the lives of the women of Joseon Korea 1550-1700. Exploring their interactions both at home and abroad, this book shows how the agency of these women reached far across the globe The narratives explored here appeared in a wide range of written, visual and material forms, from woodcuts and printed texts, letters, journals, and chronicles to inscriptions on monuments, and were produced by Joseon’s elite officials, grieving families, Japanese civic administrators, Jesuit missionaries, local historians of the Japanese ceramic industry, and men of the Dutch East India Company. The women whose voices, lives, and actions were presented in these texts lived during a time when Joseon Korea was undergoing substantial social, political, and cultural changes. Their works described women’s capacity to transform, in ways large and small, themselves, their families, and society around them. Interest in such women was not limited to a readership within the kingdom alone in this period but was reported across transnational networks to a global audience, from Japan to Europe, carrying messages about Korean women’s agency far and wide. Encounter, Transformation, and Agency in a Connected World: Narratives of Korean Women, 1550-1700 is essential reading for students and scholars interested in the history of Joseon Korea and Asia and the history of women in the early modern period more broadly.