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Author : David C. Ward Publisher : Univ of California Press Page : 263 pages File Size : 46,8 Mb Release : 2004-08-09 Category : Art ISBN : 9780520239609
It links the artist's autobiography to his painting, illuminating the man, his art, and his times. Peale emerges for the first time as that particularly American phenomenon: the self-made man."
Charles Willson Peale was not only one of our finest early American painters, but also the founder of the world's first popular museum of natural science and art.
Charles Willson Peale and His World by Charles Willson Peale,Edgar Preston Richardson,Brooke Hindle,Lillian B. Miller Pdf
Traces the life of the eighteenth-century artist, Charles Wilson Peale, discusses his study of natural history, and examines his paintings of American society.
Charles Willson Peale by Charles Coleman Sellers Pdf
"Beyond conveying the warmth and charm of Peale's life, Mr. Sellers biography provides the most complete record available of the artist's achievements and of the Peale family. The many pictures that the author gathered for this volume illustrate Peale's scientific and patriotic endeavors as well as his artistic ventures- many illustrations are reproduced here for the first time". -- from book jacket.
The Body of Raphaelle Peale by Alexander Nemerov Pdf
"The Body of Raphaelle Peale is a close reading not just of Raphaelle's paintings but also of the visual and intellectual culture of early-nineteenth-century Philadelphia to which they intimately relate. More broadly, the book presents a reading of romanticism in the American visual arts. Above all, it is an argument about selfhood in Raphaelle's era. Raphaelle focused - in paintings both playful and morbid - on the pleasures and horrors of being a mere body, of being less than a self."--BOOK JACKET.
From Slave Ship to Harvard by James H. Johnston Pdf
A true story of six generations of an African American family in Maryland. Based on paintings, photographs, books, diaries, court records, legal documents, and oral histories, the book traces Yarrow Mamout and his in-laws, the Turners, from the colonial period through the Civil War to Harvard and finally the present day.
The Selected Papers of Charles Willson Peale and His Family: pts. 1-2. Charles Willson Peale, the artist as museum keeper, 1791-1810 by Charles Willson Peale Pdf
In this richly illustrated study, the first book-length exploration of illusionistic art in the early United States, Wendy Bellion investigates Americans' experiences with material forms of visual deception and argues that encounters with illusory art shaped their understanding of knowledge, representation, and subjectivity between 1790 and 1825. Focusing on the work of the well-known Peale family and their Philadelphia Museum, as well as other Philadelphians, Bellion explores the range of illusions encountered in public spaces, from trompe l'oeil paintings and drawings at art exhibitions to ephemeral displays of phantasmagoria, "Invisible Ladies," and other spectacles of deception. Bellion reconstructs the elite and vernacular sites where such art and objects appeared and argues that early national exhibitions doubled as spaces of citizen formation. Within a post-Revolutionary culture troubled by the social and political consequences of deception, keen perception signified able citizenship. Setting illusions into dialogue with Enlightenment cultures of science, print, politics, and the senses, Citizen Spectator demonstrates that pictorial and optical illusions functioned to cultivate but also to confound discernment. Bellion reveals the equivocal nature of illusion during the early republic, mapping its changing forms and functions, and uncovers surprising links between early American art, culture, and citizenship.