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In this book of essays, Father James V. Schall, a prolific author himself and a prominent Catholic writer, brings readers to Chesterton through a witty series of original reflections prompted by something Chesterton wrote--timely essays on timeless issues.
"Here, Knight crafts a portrait of Chesterton - the Fleet Street newspaperman who was able to entertain vast audiences as well as the thinker who could illuminate serious questions about justice, fairness, and faith, and who helped confront the new evils of the new century by creating works that gave vivid form to enduring truths about the good."--BOOK JACKET.
Author : Robert A. Wild Publisher : Unknown Page : 161 pages File Size : 52,5 Mb Release : 2014-07-30 Category : Good and evil in literature ISBN : 0974449555
I¬n this follow-up to his earlier book The Tumbler of God: Chesterton as Mystic, Fr. Robert Wild explores G.K. Chesterton's fascinating duel with Satan, both on paper and in his personal life. Poring over Chesterton's voluminous work, Fr. Wild examines how Chesterton's insights on evil extend beyond the philosopher's "problem of evil," proving Chesterton's personal belief as well as confrontation with Lucifer and his demons. Jousting with the Devil is as compelling as it is groundbreaking.
Eugenics and Other Evils by G. K. Chesterton,Aeterna Press Pdf
During the first three decades of the twentieth century, eugenics, the scientific control of human breeding, was a popular cause within enlightened and progressive segments of the English-speaking world. The New York Times eagerly supported it, gushing about the wonderful "new science." Prominent scientists, such as the plant biologist Luther Burbank, were among its most enthusiastic supporters. And the Carnegie and Rockefeller foundations generously funded eugenic research intended to distinguish the 'fit' from the 'unfit.' Aeterna Press
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The literary giant G. K. Chesterton is often praised as the "Great Optimist"--God's rotund jester. In this fresh and daring endeavor, Ralph Wood turns a critical eye on Chesterton's corpus to reveal the beef-and-ale believer's darker vision of the world and those who live in it. During an age when the words grace, love, and g ospel, sound more hackneyed than genuine, Wood argues for a recovery of Chesterton's primary contentions: First, that the incarnation of Jesus was necessary reveals a world full not of a righteous creation but of tragedy, terror, and nightmare, and second, that the problem of evil is only compounded by a Christianity that seeks progress, political control, and cultural triumph. Wood's sharp literary critique moves beyond formulaic or overly pious readings to show that, rather than fleeing from the ghoulish horrors of his time, Chesterton located God's mysterious goodness within the existence of evil. Chesterton seeks to reclaim the keen theological voice of this literary authority who wrestled often with the counterclaims of paganism. In doing so, it argues that Christians may have more to learn from the unbelieving world than is often supposed.
The Book of Job is among the other Old Testament Books both a philosophical riddle and a historical riddle. Controversy has long raged about which parts of this epic belong to its original scheme and which are interpolations of considerably later date. The doctors disagree, as it is the business of doctors to do; but upon the whole the trend of investigation has always been in the direction of maintaining that the parts interpolated, if any, were the prose prologue and epilogue and possibly the speech of the young man who comes in with an apology at the end. This work contains Chesterton's assumptions and thoughts on this mysterious scripture.
Chesterton's customary wit and engaging storytelling provide a brief but vivid profile. He focuses on the saint's life, rather than on theology, to illustrate Thomas's relevance to modern readers.
Part of a literary circle that included H. G. Wells, George Bernard Shaw, Hillaire Belloc, and Max Beerbohm, G. K. Chesterton (1874-1936) wrote essays of social criticism for contemporary journals, literary criticism (including notable books on Browning, Dickens, and Shaw), and works of theology and religious argument, but may have been best known for his Father Brown mysteries. Chesterton's interest in Catholic Christianity, first expressed in Orthodoxy, led to his conversion from Anglicanism to Roman Catholicism in 1922. This revised edition of Garry Wills's finely crafted biography includes updates to the text and a new introduction by the author.
The Collected Works of G.K. Chesterton by Gilbert Keith Chesterton Pdf
This seventh volume fo the Collected Works of G.K. Chesterton brings together three of his most acclaimed works of fiction, with introduction and notes by Chesterton scholar Iain Benson. A must for serious fans of Chesterton, this features the same quality and sturdy binding as the other volumes in this series.
G. K. Chesterton's Early Poetry by G. K. Chesterton Pdf
This book unites under one cover G. K. Chesterton's first three books of poetry: Greybeards at Play (1900), The Wild Knight and Other Poems (1900) and The Ballad of the White Horse (1911). All text and illustrations are based on the first UK editions. Poet W. H. Auden noted that the first book "contains some of the best pure nonsense verse in English."
A revaluation of the vast and vastly varied work of G.K. Chesterton through a literary reading of his philosophy, and a philosophical reading of his fiction. Novelist, essayist, poet, playwright, historian, journalist, Christian apologist, literary and social critic, G.K. Chesterton was one of the most protean and prolific writers of his age, perhaps of any age. Bernard Shaw called him a 'colossal genius.' This study determines the scale and quality of that genius, and considers why he has failed to gain the 'permanent claim on our loyalty' that T.S. Elliot believed he deserved. Interest in Chesterton today tends to be divided between those who enjoy his stories as an end in themselves, and those who argue his unique contribution to metaphysics. By comparing the ethical sympathies and literary style of his work across different genres, Michael D. Hurley brings Chesterton's divided selves together: to show how his achievement as a writer and a thinker are inseparable, and why his philosophy must therefore be read aesthetically, and his fiction read philosophically.
As I Was Saying is a collection of G. K. Chesterton's charming essays about a variety of topics like Loving Germans, Puritanism, and Voltaire. Contents: "ABOUT MAD METAPHORS II ABOUT LOVING GERMANS III ABOUT IMPENITENCE IV ABOUT TRAFFIC V ABOUT THE CENSOR VI ABOUT SHAMELESSNESS VII ABOUT PURITANISM VIII ABOUT SIR JAMES JEANS IX ABOUT VOLTAIRE X ABOUT BELIEFS XI ABOUT MODERN GIRLS XII ABOUT POETRY XIII ABOUT BLONDES."
The Dark Side of G.K. Chesterton by John C. Tibbetts Pdf
This is a critical study of the great British man of letters G.K. Chesterton, devoted to the novels, stories and essays that explore the darker fringes of his wild imagination. "Everything is different in the dark," wrote Chesterton; "perhaps you don't know how terrible a truth that is." Chesterton's use of the theme of "gargoyles" provides the thematic structure of the book. It covers the detective stories of Father Brown and others, the locked rooms and miracle crimes in his writing, his status as a science fiction writer, and the riddles and paradoxes of three works--Job, The Man Who Was Thursday, and the play The Surprise. This volume also includes an interlude about Chesterton and Jorge Luis Borges and a robust appendix including interviews about the formation of Ignatius Press's Collected Chesterton.